Electronic Music Seminar International Tape Sampling schedule
Dublin Core
Title
Electronic Music Seminar International Tape Sampling schedule
Subject
Description
Typewritten schedule, 5 pages
An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others.
An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others.
Source
Grainger Museum Archive, 2017/23-6/28
Date
1971