https://omeka.cloud.unimelb.edu.au/grainger/files/original/bfc039bc8c836a8af1a216d2e59462c6.pdf f8af2ec43581bf98e71102d677224623 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Electronic Music Seminar International Tape Sampling schedule Subject The topic of the resource Electronic Music Description An account of the resource Typewritten schedule, 5 pages An important part of the programme for the State of the Art of Electronic Music in Australia seminar was the international tape sampling, which occurred in the Grainger Museum each day of the conference, from 10am to 1pm, and 2 to 5pm. Participants could listen to samples from electronic studios around the world, from tapes sourced by Humble and his Grainger Centre colleagues over many months prior to the seminar. Samples included Luciano Berio’s Omaggio a Joyce (1959), Jon Appleton’s Hommage to G.R.M. (1970), Milton Babbitt’s Ensembles for Synthesizer, and Iannis Xenakis’s Orient Occident (1960), among many, many others. Creator An entity primarily responsible for making the resource Jean-Charles Francois, Keith Humble, Ian Bonighton Source A related resource from which the described resource is derived Grainger Museum Archive, 2017/23-6/28 Date A point or period of time associated with an event in the lifecycle of the resource 1971