Browse Items (76 total)
Sort by:
Grünstadt war memorial: Plaque for the fallen, St. Martin's Church, 1927, by William F. C. Ohly
Depicts Christ kneeling to support the limp body of a fallen German soldier in a pieta type composition. Christ notably has ringlets either side of his face, akin to Orthodox Jewish payots.
Diana, 1930, by William F. C. Ohly
A solid bronze cast of a female figure with a bow in her right arm, riding a horse that is standing on a textured naturalistic base representing the ground. 58.42 cm high by 54.61 cm deep. Signed with initials and dated 1930 underneath.
Details of Lotte Reiniger's hands drawing in white pencil on black paper the head of a boy in feathered cap, c. 1952-63
The hands of shadow-puppet-maker and animator Lotte Reiniger are seen drawing in white pencil on black paper the head of a boy in feathered cap. Reiniger works at a table, outdoors in the garden, at the Abbey Art Centre, New Barnet.
Cook-House, 1945 July, by Max Newton
Signed and dated in black pen lower right, recto: ‘Max Newton 45'.
Christmas Exhibition at the Berkeley Galleries, Thursday 9th December [1954]
Exhibition invitation card, printed in black on white and red background. Four separate exhibitions are listed on the right hand side: 'Pictures by Henry Moore, Ceri Richards, Lilian Colbourn and others', 'Small Sculptures by P. King, R. Jones, G.…
Between Benevenue and the Strand (girl with donkey, white cottage beyond), 1951, by Helen Marshall
Signed lower right in black ink: 'HM'. Inscribed and dated in blue biro lower right recto: ‘H 1951’; inscribed in black marker verso: ‘Between Benevenue and the Strand / 50 x 19 1/2 / Shruns 1951 / oil on paper’.