This photograph shows elements of the photographic setup Percy Grainger created in his home at White Plains, to capture his flagellation practices on film.
Karen Holten and Percy Grainger were in a relationship in the early 1900s. Seehttps://museumsandcollections.unimelb.edu.au/news/items/finding-karen-holten-in-the-grainger-museum
This is Percy Grainger's original index of the Grainger Museum Collection, partly typed and partly hand-written, approximately 130 pages. At the start of the volume is a "Rough alphabetical guide to Grainger Museum Index Numbers", followed by the…
An essay written by Percy Grainger on his goals and intentions for the museum. Grainger created a display "Legend" of this content, typed out and framed, for exhibition in the Grainger Museum, University of Melbourne.
Wooden frame, gold-painted…
This is one of the musical glasses created by Percy Grainger for performances of his Tribute to Foster. In performance, most of the glasses were filled to a marked line with liquid, to sound at a specific pitch. Ella Grainger painted the tuning lines…
Large, upright wooden frame with cross beams at side. Two vertical poles / tubes at each side divided into four sections with acetate discs. Paper reels (cut to represent pitch) are fed through a series of metal poles - a roller runs along top (cut)…
Pair of cream towelling breeches and matching jacket with red stripe trim and fringed hem, with matching leggings. Hand sewn using manufactured towels. Worn by Percy Grainger between 1910-1914 while teaching and composing.
A plait of tawny blonde hair, belonging to Rose Grainger, with a cotton tie at the top. Stored in a small brown cardboard Ilford Box. Inscriptions on box by Percy Grainger read:
"Beloved mother's hair"
"Mother's hair"
"small switch"
Size hair:…