Firat Oruc

Firat Oruc

Oruc, F. (2023). 9 Historicizing the Gulf Moving Image Archives. In M. Hagener & Y. Zimmermann (Ed.), How Film Histories Were Made: Materials, Methods, Discourses (pp. 235-262). Amsterdam: Amsterdam University Press. https://doi.org/10.1515/9789048554577-011

Oruc, F. (2023). Space and Agency in the Petrocolonial Genealogies of Cinema in the Gulf. In D. Roig-Sanz & N. Rotger (Eds.), Global Literary Studies: Key Concepts (pp. 85–108). De Gruyter.

Oruc, F., & Gurnah, A. (2022). Thalassological worldmaking and literary circularities in the Indian Ocean. Comparative Literature, 74(ii), 147–155. https://doi.org/10.1215/00104124-9594787

Oruc, F. (2021). Petrocolonial Circulations and Cinema’s Arrival in the Gulf. Film History: An International Journal, 32(3), 10–42. https://dx.doi.org/10.2979/filmhistory.32.3.02

Oruc, F.  (Ed.) (2019). Sites of Pluralism: Community Politics in the Middle East. Oxford University Press. https://doi.org/10.1093/oso/9780190052713.001.0001

Oruc, F. (2019). Transoceanic Orientalism and Embodied Translation in Sayyida Salme/Emily Ruete’s Memoirs. Hawwa, 17(1), 1-20.

Oruc, F. (2018). Rewriting the Legacy of the Turkish Exile of Comparative Literature: Philology and Nationalism in Istanbul, 1933–1946. Journal of World Literature, 3(3), 334-353. https://brill.com/view/journals/jwl/3/3/article-p334_7.xml

Oruc, F. (2013). Kaleidoscopic Sovereignty: Literary Montage and Geopolitical Entanglement in the Postcolonial Sixties. Postcolonial Text, 8(1).

Oruc, F. (2013). Plebeianization, Un/Bound Seriality, and Global Modernism. Criticism, 55(2), 279–297. https://doi.org/10.1353/crt.2013.0013

The History of Gulf Cinema with Dr. Firat Oruc (August 15, 2024). Ajyal Film Festival. YouTube. Accessed October 10, 2024. https://youtu.be/T6TDq_VueNg