Faisal Hamadah
Title
Primary Sources
Hamadah, F. (2024) ‘Can Everyone Hear Me?’: Arab Digital Performance and Border Crossing on UK Stages. In Ali.R.,Potter, G & Al-Saber, S. (Eds.), Arabs, Politics, and Performance (pp. 137-150). Routledge. https://doi.org/10.4324/9780367815516
Hamadah, F., & Parry-Davies, E. (2022). Colonialism Reiterated: The Racialised Division of Labour in Higher Education and Beyond. Global Performance Studies, 5(1-2). https://doi.org/10.33303/gpsv5n1-2a107
Hamadah, F. (2022). Kafala and Social Reproduction: Migration Governance Regimes and Labour Relations in the Gulf. Bristol University Press. https://doi.org/10.56687/9781529221510-011
Hamadah, F. (2022). Palestinian Theatre in the West Bank: Our Human Faces. Journal of Palestine Studies, 51(1), 95–96. https://doi.org/10.1080/0377919X.2021.2017179
Hamadah, F., & Varghese, G. (2022). Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. Journal Of Palestine Studies, 51(1), 1–2. https://doi.org/10.1080/0377919X.2021.2017177
Hamadah, F. (2017). Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics edited by Sirkku Aaltonen and Areeg Ibrahim. Contemporary Theatre Review, 27(2), 281–288. https://doi.org/10.1080/10486801.2017.1311079
Extra Resources
Faisal Hamadah. Mapping Connections. Accessed October 10, 2024. https://www.china-mena-connections.org/faisal-hamadah
Barakunan speak with Dr. Faisal Hamadah (March 13, 2021). Barakunan GmbH. YouTube. Accessed October 10, 2024. https://youtu.be/hTBdOxSVYe8