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https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/files/original/5a1f8bfd30bcc7fa96219b8eaa6b92c1.png
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Middle East
Person
An individual.
Primary Sources
<p><span></span><span>Oruc, F. (2023). 9 Historicizing the Gulf Moving Image Archives. In M. Hagener & Y. Zimmermann (Ed.), </span><i>How Film Histories Were Made: Materials, Methods, Discourses</i><span> (pp. 235-262). Amsterdam: Amsterdam University Press. </span><a href="https://doi.org/10.1515/9789048554577-011">https://doi.org/10.1515/9789048554577-011</a><span> </span><br /><br />Oruc, F. (2023). Space and Agency in the Petrocolonial Genealogies of Cinema in the Gulf. In D. Roig-Sanz & N. Rotger (Eds.), <i>Global Literary Studies: Key Concepts</i> (pp. 85–108). De Gruyter.<br /><br /><span></span><span>Oruc, F., & Gurnah, A. (2022). Thalassological worldmaking and literary circularities in the Indian Ocean. </span><i>Comparative Literature</i><span>, </span><i>74(ii)</i><span>, 147–155. <a href="https://doi.org/10.1215/00104124-9594787">https://doi.org/10.1215/00104124-9594787</a><br /><br /></span><span></span>Oruc, F. (2021). Petrocolonial Circulations and Cinema’s Arrival in the Gulf. <em>Film History: An International Journal</em>, <em>32</em>(3), 10–42. <a href="https://dx.doi.org/10.2979/filmhistory.32.3.02">https://dx.doi.org/10.2979/filmhistory.32.3.02</a></p>
<p>Oruc, F. (Ed.) (2019). <em>Sites of Pluralism: Community Politics in the Middle East</em>. Oxford University Press. <a href="https://doi.org/10.1093/oso/9780190052713.001.0001">https://doi.org/10.1093/oso/9780190052713.001.0001</a><br /><br /><span>Oruc, F. (2019). Transoceanic Orientalism and Embodied Translation in Sayyida Salme/Emily Ruete’s Memoirs. </span><i>Hawwa</i><span>, </span><i>17</i><span>(1), 1-20.</span></p>
Oruc, F. (2018). Rewriting the Legacy of the Turkish Exile of Comparative Literature: Philology and Nationalism in Istanbul, 1933–1946. <em>Journal of World Literature</em>, <em>3</em>(3), 334-353. <a href="https://brill.com/view/journals/jwl/3/3/article-p334_7.xml">https://brill.com/view/journals/jwl/3/3/article-p334_7.xml</a><br /><br /><span>Oruc, F. (2013). Kaleidoscopic Sovereignty: Literary Montage and Geopolitical Entanglement in the Postcolonial Sixties. </span><i>Postcolonial Text</i><span>, </span><i>8</i><span>(1).<br /><br />Oruc, F. (2013). Plebeianization, Un/Bound Seriality, and Global Modernism. <i>Criticism</i>, <i>55</i>(2), 279–297. <a href="https://doi.org/10.1353/crt.2013.0013">https://doi.org/10.1353/crt.2013.0013</a><br /></span>
Extra Resources
The History of Gulf Cinema with Dr. Firat Oruc (August 15, 2024). Ajyal Film Festival. YouTube. Accessed October 10, 2024. <a href="https://youtu.be/T6TDq_VueNg">https://youtu.be/T6TDq_VueNg</a>
Secondary Sources
Askari, K., & Sunya, S. (2020). Introduction: South by South/West Asia: Transregional Histories of Middle East–South Asia Cinemas. <em>Film History</em>, 32(3), 1–9. <a href="https://doi.org/10.2979/filmhistory.32.3.01">https://doi.org/10.2979/filmhistory.32.3.01</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Firat Oruc
Cultural Studies
Film and Media Studies
Global Literatures
Humanities
Indian Ocean World
Literary and Critical Theories
Middle East Studies
Translation Studies