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https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/files/original/0b62655cc351e434678f47404c9d1d22.png
a441d6e5952541d4c04bbcf0d324efbc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Europe
Person
An individual.
Primary Sources
<p>Hamadah, F. (2024) ‘Can Everyone Hear Me?’: Arab Digital Performance and Border Crossing on UK Stages. In Ali.R.,Potter, G & Al-Saber, S. (Eds.), <em>Arabs, Politics, and Performance</em> (pp. 137-150). Routledge. <a href="https://doi.org/10.4324/9780367815516">https://doi.org/10.4324/9780367815516 </a></p>
<p>Hamadah, F., & Parry-Davies, E. (2022). Colonialism Reiterated: The Racialised Division of Labour in Higher Education and Beyond. <em>Global Performance Studies</em>, <em>5</em>(1-2). <a href="https://doi.org/10.33303/gpsv5n1-2a107">https://doi.org/10.33303/gpsv5n1-2a107</a></p>
<p>Hamadah, F. (2022). <em>Kafala and Social Reproduction: Migration Governance Regimes and Labour Relations in the Gulf</em>. Bristol University Press. <a href="https://doi.org/10.56687/9781529221510-011">https://doi.org/10.56687/9781529221510-011</a></p>
<p>Hamadah, F. (2022). Palestinian Theatre in the West Bank: Our Human Faces. <em>Journal of Palestine Studies</em>, <em>51</em>(1), 95–96. <a href="https://doi.org/10.1080/0377919X.2021.2017179">https://doi.org/10.1080/0377919X.2021.2017179</a></p>
<p>Hamadah, F., & Varghese, G. (2022). Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production. <em>Journal Of Palestine Studies</em>, <em>51</em>(1), 1–2. <a href="https://doi.org/10.1080/0377919X.2021.2017177">https://doi.org/10.1080/0377919X.2021.2017177</a><br /><br /><span>Hamadah, F. A. (2020). Acting Egyptian: Theatre, Identity, and Political Culture in Cairo, 1869-1930. </span><i>Theatre Journal,</i><span> </span><i>72</i><span>(4), 530–531.</span></p>
<p>Hamadah, F. (2017). Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics edited by Sirkku Aaltonen and Areeg Ibrahim. <em>Contemporary Theatre Review</em>, <em>27</em>(2), 281–288. <a href="https://doi.org/10.1080/10486801.2017.1311079">https://doi.org/10.1080/10486801.2017.1311079</a></p>
Extra Resources
<p>Faisal Hamadah. <em>Mapping Connections</em>. Accessed October 10, 2024. <a href="https://www.china-mena-connections.org/faisal-hamadah">https://www.china-mena-connections.org/faisal-hamadah</a></p>
Barakunan speak with Dr. Faisal Hamadah (March 13, 2021). <em>Barakunan GmbH</em>. YouTube. Accessed October 10, 2024. <a href="https://youtu.be/hTBdOxSVYe8">https://youtu.be/hTBdOxSVYe8</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Faisal Hamadah
Aesthetics
Colonialism
Critical Theory
Global Capitalism
Kafala System
Kuwait
Migration
Social Reproduction
Theatre