LOTTI, Anto.
Title
LOTTI, Anto.
Description
LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Messe] Credo, II/L/3/4
D-Dl
Mus. 2159-D-5; Mus. 2159-D-5a
Composer
LOTTI, Anto.
Uniform Composer
LOTTI, Antonio (b Hanover 1666–d Venice 1740)
Title (Catalogo)
[Messe] Credo
Location (1765)
Schranck II; Fach 3; Lage 4
SFL_combination
II/L/3/4
Scoring (1765)
‘a 4 voci con stromenti’
Materials (1765)
Partitura; Parti
Title Partitura
Credo
Uniform Title
Mass movements
RISM Links
Remarks
Mus. 2159-D-5: Bound score copy. Cover label: Credo | von | Lotti (pencil). A 217d’ pencilled on the outer and inside cover.
Caption title: Credo à 4 [left] Del Sl Antonio Lotti [right].
Mus. 2159-D-5a: Set of 10 parts. Blue-grey cover whose label corresponds with this listing in the Catalogo (1765): Schranck No II. | Lit: L. 3. Fach 4. Lage | Credo | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Antno Lotti | Incipit.
Parts (8 vocal; 2 instrumental: Ristori’s hand is seen in these): Canto; Alto; Tenore; Basso; Tenor Violetta; Tenor R; Basso R; Canto Rip; Alto R; Organo.
The settings of ‘Et incarnatus est’ and ‘Crucifixus’ are for eight voices and b.c. Parts for violins 1 and 2 are missing.
Concordance:
This Credo setting was also kept with a Kyrie et Gloria setting in the collection of the Metropolitan Cathedral, Prague. CZ-Pak, 858. See Štefan, Ecclesia Metropolitana Pragensis Catalogus Collectionis ([903] Sign. 858).
Kapsa and Madl (‘Weiss, the Hartigs and the Prague music Academy, 70) give the shelf mark as 853 and advise that this Credo has the same Italian provenance as Lotti’s Gloria setting, and probably came to St Vitus as a gift from Count Johann Hubert Hartig, Zelenka’s earliest known patron. See II/L/3/3.
Caption title: Credo à 4 [left] Del Sl Antonio Lotti [right].
Mus. 2159-D-5a: Set of 10 parts. Blue-grey cover whose label corresponds with this listing in the Catalogo (1765): Schranck No II. | Lit: L. 3. Fach 4. Lage | Credo | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Antno Lotti | Incipit.
Parts (8 vocal; 2 instrumental: Ristori’s hand is seen in these): Canto; Alto; Tenore; Basso; Tenor Violetta; Tenor R; Basso R; Canto Rip; Alto R; Organo.
The settings of ‘Et incarnatus est’ and ‘Crucifixus’ are for eight voices and b.c. Parts for violins 1 and 2 are missing.
Concordance:
This Credo setting was also kept with a Kyrie et Gloria setting in the collection of the Metropolitan Cathedral, Prague. CZ-Pak, 858. See Štefan, Ecclesia Metropolitana Pragensis Catalogus Collectionis ([903] Sign. 858).
Kapsa and Madl (‘Weiss, the Hartigs and the Prague music Academy, 70) give the shelf mark as 853 and advise that this Credo has the same Italian provenance as Lotti’s Gloria setting, and probably came to St Vitus as a gift from Count Johann Hubert Hartig, Zelenka’s earliest known patron. See II/L/3/3.
Stamps
Mus. 2159-D-5: BIBLIOTHECA MUSICA REGIA; KGL. ÖFFENT. BIBLIOTHEK DRESDEN
Additional
A 217d
Eitner
V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] A 217d. Credo a 4 c. str. mit dem 12 stim. [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Credo [4 voc. c. 2 V. Va. Org.]
SLB Card Catalog
Mus. 2159-D-5: Lotti, A.: Credo a 4 voci con strom. Heirin ist das bekannte 8 st. Crucifixus enhalten. Part. qu.-4o. Mus.-Mscr. Mus. 2159-D-5a: Lotti, Antonio: Credo a 4 voci con violini, viola, ed organo. F-dur. St. 10 St. 4to. Mus.-Mscr. Kath. Hofkirche.
Status
One score (Mus. 2159-D-5) and 10 parts for Credo (F) by Antonio Lotti held by SLUB (Mus. 2159-D-5a).
Sort Order
02-03-04
Collection
Citation
“LOTTI, Anto.,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 29, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3852.