JOMELLI
Title
JOMELLI
Description
JOMMELLI, Niccolò (b Aversa 1714–d Naples 1774), [Messe] No 2. Kyrie, Gloria e Credo, I/J/35/6
D-Dl
Mus. 3032-D-4
Composer
JOMELLI
Uniform Composer
JOMMELLI, Niccolò (b Aversa 1714–d Naples 1774)
Title (Catalogo)
[Messe] No 2. Kyrie, Gloria e Credo
Location (1765)
Schranck I; Fach 35; Lage 6
SFL_combination
I/J/35/6
Scoring (1765)
‘a 4 voci con stromti’
Materials (1765)
Partitura; Parti
Title Partitura
Messa
Uniform Title
Masses
Date (Catalogo)
1745 (Kyrie et Gloria)
RISM Links
Remarks
Bound score copy of Kyrie, Gloria, Credo (8vo). Parts are missing from Dresden.
Label on cover: Messa; Jomelli (and a catalogue number in pencil).
Title page (hand of Baldan): Messa | a quattro voci | con Strum[en]ti | del Sigr Nicolò Jomelli.
The score copy is in one of the hands seen in the Galuppi sources held in SLUB. It is almost certain that this source came from the Venetian copying house of Iseppo (Giuseppe) Baldan who supplied numerous works (including the greater part of the Galuppi collection of sacred music) now kept in Dresden. The singers named in the Dresden score copy of the Kyrie and Gloria are Cattina [Licini]; Emilia [Cedroni]; Chiara [Cimolina]; Francesca [Rubini]; Maria Teresa [Tagliavacca]; Cecilia [Nassa]; Elisabetta [Mantovani], a constellation which places this work as having been performed at the Incurabili in Venice between 1746 and 1748.
Wolfgang Hochstein (Die Kirchenmusik von Niccolò Jommelli, v.1, A.I.4: 150–54; v.2, pp. 36–40) regards this to be the only authentic setting of the three masses attributed to Jommelli in this Catalogo of 1765.
Label on cover: Messa; Jomelli (and a catalogue number in pencil).
Title page (hand of Baldan): Messa | a quattro voci | con Strum[en]ti | del Sigr Nicolò Jomelli.
The score copy is in one of the hands seen in the Galuppi sources held in SLUB. It is almost certain that this source came from the Venetian copying house of Iseppo (Giuseppe) Baldan who supplied numerous works (including the greater part of the Galuppi collection of sacred music) now kept in Dresden. The singers named in the Dresden score copy of the Kyrie and Gloria are Cattina [Licini]; Emilia [Cedroni]; Chiara [Cimolina]; Francesca [Rubini]; Maria Teresa [Tagliavacca]; Cecilia [Nassa]; Elisabetta [Mantovani], a constellation which places this work as having been performed at the Incurabili in Venice between 1746 and 1748.
Wolfgang Hochstein (Die Kirchenmusik von Niccolò Jommelli, v.1, A.I.4: 150–54; v.2, pp. 36–40) regards this to be the only authentic setting of the three masses attributed to Jommelli in this Catalogo of 1765.
Additional
A 190c
Eitner
V. 5 (1901), 294–9: Jomelli, Nicolò [...] Missa in Fd. à 4 voc. c. instr. Ms. P. [Dresd. Mus. 190c. Eitner lists only one Mass in F major.
SLB Card Catalog
Jomelli, Nicolò: Messa a 4 voci con strom. F-dur. Part. qu.-8vo. Mus.-Mscr.
Status
Score copy of Messe Nr. 2 ( Kyrie, Gloria e Credo) by Jom[m]elli (Mus. 3032-D-4) held by SLUB; parts listed in the Catalogo, 1765, missing from Dresden and were not catalogued by SLB.
Identification
A.I.4 (Kyrie; Gloria); A.I.5 (Credo). [Hochstein]
Sort Order
01-35-06
Collection
Citation
“JOMELLI,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 29, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3836.