Portrait of Percy Grainger standing in an orchard in his US army uniform. He is standing in front of a tree and gazing off into the distance. His right hand is clutching the strap whilst the left hand…
One of Grainger and Cross’s last experiments before
Grainger’s death in 1961 was an attempt to create a more
immediate and accurate form of Free Music through the
use of…
Steel, brass, wood, accordion reeds, blower fans, linear bearings.
In their original Reed box experiments, Grainger and
Cross approximated the effect of gliding musical
pitches by using closely-spaced microtones. They
detuned harmonium reeds to…
Steel, brass, PVC pipe, paper roll, sewing machine belt, electronics.
This machine demonstrates the method used by Grainger and Cross to control oscillators through the use of connected ‘tone arms’ and cut paper ‘scores’. Whereas Grainger and…
Grainger wrote in 1929, ‘If I were forced to choose one instrument only for chamber music – I would choose the harmonium (reed-organ) without hesitation; for it seems to me the most sensitively and intimately expressive…
Keen to explore the possibilities of Free Music, but lacking instruments that would readily play the ‘noteless’ gliding tones it required, Grainger and Cross modified existing instruments to make…
Grainger scored his compositions Free Music No.1 and Free Music No.2 (1936-7) for multiple theremins. These scores were reproduced by Grainger in this Free Music Legend which he made for the Grainger Museum’s…