Box percussion instruments created by John Seal were used by each APE member in a variety of performances.
For the performance of John Seal’s Structures at the Melbourne International Festival of Organ and Harpsichord at St Peter’s Church, East…
German composer Karlheinz Stockhausen (1928–2007), described as the ‘most controversial musical innovator of our time’, has influenced many musicians, inside and outside of the avant-garde music scene. Rock musicians including Frank Zappa, Peter…
Collection of architects' plans and miscellaneous sketches (some are layout plans in Ella Grainger's hand) of Grainger Museum, held in brown folder. This collection includes a set of blueprints (folded) dating from May 1935. Some other material…
1. Amended Ground plan with "future staircase" marked (dated 3 October 1938)
2. Proposed Additions to the Grainger Museum (undated)
3. Ground plan, blue paper with white writing (undated)
4. Grainger Museum, sky-view sketch (December 1938)
Graduate composition student Kate Tempany was the 2019 Grainger Museum Composer-in-Residence. Kate’s composition, a deep blue shimmering haze, was created as an interactive soundscape for the exhibition How it Plays.
Display mannequin, created from tape, calico, cardboard, cotton, gauze, Plaster of Paris, straw, thread. Size: 170 x 60. Letter from Grainger Museum Archive.
This mannequin was made by Kathleen and William Rogers, at Arch Hill Studio, Albany Post…
Display mannequin, created from tape, calico, cardboard, cotton, gauze, Plaster of Paris, straw, thread. Size: 161 x 53cm. Letter from the Grainger Museum Archive
This mannequin was made by Kathleen and William Rogers, at Arch Hill Studio, Albany…
This photograph was taken of the EMS Synthi 100 in 2017, in its current home at the Victorian College of the Arts, University of Melbourne. This instrument was originally part of the Grainger Electronic Music