Bhakti Shringarpure

Bhakti Shringarpure

Image used with author's permission. Photograph credit to Suchitra Vijayan.

Mumbai, India

Shringarpure, B. (2023, January 1). Love, Feminism, and Freedom on the Indian Ocean: Lula Ali Ismail and Amil Shivji on East Africa’s Film Renaissance. Transition: An International Review, 134, 141. https://doi.org/10.2979/transition.134.1.15

Shringarpure, B. (2022). A Violent Peace: Race, US Militarism, and Cultures of Democratization in Cold War Asia and the Pacific by Christine Hong. American Literary History, 34(3), 1256-1259. Accessed May 9, 2024. https://muse.jhu.edu/pub/8/article/865180/summary .

Shringarpure, B. (2022). ‘African borders are unnatural’: Nairobi and the rise of a world literature. In A. Fyfe & M. Krishnan (Ed.). African Literatures as World Literature (pp. 17–36). New York: Bloomsbury Academic. http://dx.doi.org/10.5040/9781501379987.ch-002

Shringarpure, B. (2021). ‘15 Raindrop on Dusty Ground: Nuruddin Farah, Somalia, and the Cold War.’ In M. Popescu, K. Bystrom and K. Zien (Eds.), The Cultural Cold War and the Global South: Sites of Contest and Communitas. Routledge. https://doi.org/10.4324/9781003133438

Shringarpure, B. (2021). Author response for Cold War Assemblages: decolonisation to digital roundtable. Social Dynamics, 47(2), 352-354. https://www.tandfonline.com/doi/full/10.1080/02533952.2021.1966245 .

Shringarpure, B. (2020). Africa and the digital savior complex. Journal of African Cultural Studies, 32(2), 178-194. https://www.tandfonline.com/doi/abs/10.1080/13696815.2018.1555749 .

Shringarpure, B. (2020). Digital Forms, Migrant Forms: Yaa Gyasi’s Homegoing and Chimamanda Ngozi Adichie’s Americanah. Postcolonial Text, 15(3–4).

Shringarpure, B. (2020). The decolonial gesture in Tsitsi Dangarembga’s trilogy. Journal of African Cultural Studies, 32(4), 455-459. https://www.tandfonline.com/doi/full/10.1080/13696815.2019.1704697 .

Shringarpure, B. (2019). The Postcolony as a Cold War Ruin: Toward a New Historiography. Research in African Literatures, 50(3), 157-165. https://www.jstor.org/stable/10.2979/reseafrilite.50.3.11 .

Shringarpure, B., & Popescu, M. (2019). The Cold War and the African Writer: An Interview with Ngũgĩ wa Thiong'o. Research in African Literatures, 50(3), 1-3. https://www.jstor.org/stable/10.2979/reseafrilite.50.3.02 .

Shringarpure, B. (2019). The Metaphysical Detective in Nuruddin Farah’s Sweet and Sour Milk and Links. English in Africa, 46(3), 93-111. Accessed May 9, 2024. https://journals.co.za/doi/abs/10.4314/eia.v46i3.6 .

Shringarpure, B., Bronner, M., Cantelli, V, Busch, M, Rohan, J., Smyth, M., Huettner, J., Davies, G. & Scheindlin, N. (2018). Mediterranean: Migrant Crossings. UpSet Press and Warscapes.

Shringarpure, B. (ed.) (2017). Imagine Africa: Volume 3. Archipelago Press.

Shringarpure, B. (Ed.) (2016). Literary Sudans: An Anthology of Literature from Sudan and South Sudan. Red Sea Press.

Shringarpure, B. (2015). The Afterlives of Frantz Fanon and the Reconstruction of Postcolonial Studies. Journal of French and Francophone Philosophy, 23(1), 113-128.

Khubchandani, K. & Shringarpure, B. (2023). Decolonize Drag. OR Books. https://orbooks.com/catalog/decolonize-drag/

Cantelli, V., & Shringarpure, B. (2020). Resistant recipes: Food, gender and translation in migrant and refugee narratives. In R.R. Gould and K. Tahmasebian (eds.), The Routledge Handbook of Translation and Activism, 421-436. Routledge. https://www.taylorfrancis.com/chapters/edit/10.4324/9781315149660-26/resistant-recipes-veruska-cantelli-bhakti-shringarpure

Saint, L. & Shringarpure, B. (2020, August 8). African literature is a country. Africa Is A Country. Accessed May 9, 2024. https://africasacountry.com/2020/08/african-literature-is-a-country .

Decolonize That! Handbooks for the Revolutionary Overthrow of Embedded Colonial Ideas. From Warscapes magazine editor Bhakti Shringarpure. Accessed May 9, 2024. https://orbooks.com/decolonize-that/ . 

Shringarpure, B. (2022, December 23). Writing whiteness, writing America. Africa Is A Country. Accessed May 9, 2024. https://africasacountry.com/2022/12/writing-whiteness-writing-america .

Ama Ata Aidoo: Five Decades of Killjoy Feminism with Bhakti Shringarpure. (2022, September 23). Radical Books Collective | WARSCAPES. Youtube. Accessed May 9, 2024. https://youtu.be/zJQwxaYo_n0 .

Shringarpure, B. (2022, September 12). Decolonizing History and Its Telling: A Conversation with Yvonne Adhiambo Owuor. LA Review of Books. Accessed May 9, 2024. https://lareviewofbooks.org/article/decolonizing-history-and-its-telling-a-conversation-with-yvonne-adhiambo-owuor/ .

Shringarpure, B. (2020, December 18). Notes on fake decolonization. Africa Is A Country. Accessed May 9, 2024. https://africasacountry.com/2020/12/notes-on-fake-decolonization .

Shringarpure, B. (2019, August 9). The Surreal, Virtual Worlds of Palestinian Science Fiction: At the Intersection of Dystopia and Technology in Palestinian Life. Literary Hub. Accessed May 9, 2024. https://lithub.com/the-surreal-virtual-worlds-of-palestinian-science-fiction/ .

Shringarpure, B. (2015, June 18). The rise of the digital saviour: can Facebook likes change the world? The Guardian. Accessed May 9, 2024. https://www.theguardian.com/world/2015/jun/18/digital-saviour-saving-lives-internet-age-save-darfur .

Shringarpure, B. (2015, May 29). The Digital Savior Complex. Warscapes. Accessed May 9, 2024. http://www.warscapes.com/opinion/digital-savior-complex .