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            <text>&lt;p class="nuc-modal-body__citation-content nuc-modal-body__citation-data nuc-modal-body__citation-data--indent"&gt;Shringarpure, B. (2023, January 1). Love, Feminism, and Freedom on the Indian Ocean: Lula Ali Ismail and Amil Shivji on East Africa’s Film Renaissance. &lt;i&gt;Transition: An International Review&lt;/i&gt;, &lt;i&gt;134&lt;/i&gt;, 141. &lt;a href="https://doi.org/10.2979/transition.134.1.15"&gt;https://doi.org/10.2979/transition.134.1.15&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Shringarpure, B. (2022). A Violent Peace: Race, US Militarism, and Cultures of Democratization in Cold War Asia and the Pacific by Christine Hong. &lt;em&gt;American Literary History&lt;/em&gt;, &lt;em&gt;34&lt;/em&gt;(3), 1256-1259. Accessed May 9, 2024. &lt;a href="https://muse.jhu.edu/pub/8/article/865180/summary"&gt;https://muse.jhu.edu/pub/8/article/865180/summary&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p id="bar" class="citation_apa" aria-label="$articlecitations.apa.replace(" date="" full_date="" tabindex="0"&gt;Shringarpure, B. (2022). ‘African borders are unnatural’: Nairobi and the rise of a world literature. In A. Fyfe &amp;amp; M. Krishnan (Ed.). &lt;em&gt;African Literatures as World Literature&lt;/em&gt; (pp. 17–36). New York: Bloomsbury Academic. &lt;a href="http://dx.doi.org/10.5040/9781501379987.ch-002"&gt;http://dx.doi.org/10.5040/9781501379987.ch-002&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2021). 15 Raindrop on Dusty Ground: Nuruddin Farah, Somalia, and the Cold War. In M. Popescu, K. Bystrom and K. Zien (Eds.), &lt;em&gt;The Cultural Cold War and the Global South: Sites of Contest and Communitas&lt;/em&gt;. Routledge. &lt;a href="https://doi.org/10.4324/9781003133438"&gt;https://doi.org/10.4324/9781003133438&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2021). Author response for Cold War Assemblages: decolonisation to digital roundtable. &lt;em&gt;Social Dynamics&lt;/em&gt;, &lt;em&gt;47&lt;/em&gt;(2), 352-354. &lt;a href="https://www.tandfonline.com/doi/full/10.1080/02533952.2021.1966245"&gt;https://www.tandfonline.com/doi/full/10.1080/02533952.2021.1966245&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2020). Africa and the digital savior complex. &lt;em&gt;Journal of African Cultural Studies&lt;/em&gt;, &lt;em&gt;32&lt;/em&gt;(2), 178-194. &lt;a href="https://www.tandfonline.com/doi/abs/10.1080/13696815.2018.1555749"&gt;https://www.tandfonline.com/doi/abs/10.1080/13696815.2018.1555749&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p class="nuc-modal-body__citation-content nuc-modal-body__citation-data nuc-modal-body__citation-data--indent"&gt;Shringarpure, B. (2020). Digital Forms, Migrant Forms: Yaa Gyasi’s &lt;i&gt;Homegoing&lt;/i&gt; and Chimamanda Ngozi Adichie’s &lt;i&gt;Americanah&lt;/i&gt;. &lt;i&gt;Postcolonial Text&lt;/i&gt;, &lt;i&gt;15&lt;/i&gt;(3–4).&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2020). The decolonial gesture in Tsitsi Dangarembga’s trilogy. &lt;em&gt;Journal of African Cultural Studies&lt;/em&gt;, &lt;em&gt;32&lt;/em&gt;(4), 455-459. &lt;a href="https://www.tandfonline.com/doi/full/10.1080/13696815.2019.1704697"&gt;https://www.tandfonline.com/doi/full/10.1080/13696815.2019.1704697&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;div _ngcontent-product-detail-page-c65="" class="citation-text-container"&gt;&lt;span _ngcontent-product-detail-page-c65="" class="citationText"&gt;Shringarpure, B. (2019). &lt;em&gt;Cold War Assemblages: Decolonization to Digital&lt;/em&gt; (1st ed.). Routledge. &lt;a href="https://doi.org/10.4324/9780429242649"&gt;https://doi.org/10.4324/9780429242649&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;p&gt;Shringarpure, B. (2019). The Postcolony as a Cold War Ruin: Toward a New Historiography. &lt;em&gt;Research in African Literatures&lt;/em&gt;, &lt;em&gt;50&lt;/em&gt;(3), 157-165. &lt;a href="https://www.jstor.org/stable/10.2979/reseafrilite.50.3.11"&gt;https://www.jstor.org/stable/10.2979/reseafrilite.50.3.11&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B., &amp;amp; Popescu, M. (2019). The Cold War and the African Writer: An Interview with Ngũgĩ wa Thiong'o. &lt;em&gt;Research in African Literatures&lt;/em&gt;, &lt;em&gt;50&lt;/em&gt;(3), 1-3. &lt;a href="https://www.jstor.org/stable/10.2979/reseafrilite.50.3.02"&gt;https://www.jstor.org/stable/10.2979/reseafrilite.50.3.02&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2019). The Metaphysical Detective in Nuruddin Farah’s Sweet and Sour Milk and Links. &lt;em&gt;English in Africa&lt;/em&gt;, &lt;em&gt;46&lt;/em&gt;(3), 93-111. Accessed May 9, 2024. &lt;a href="https://journals.co.za/doi/abs/10.4314/eia.v46i3.6"&gt;https://journals.co.za/doi/abs/10.4314/eia.v46i3.6&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B., Bronner, M., Cantelli, V, Busch, M, Rohan, J., Smyth, M., Huettner, J., Davies, G. &amp;amp; Scheindlin, N. (2018). &lt;em&gt;Mediterranean: Migrant Crossings&lt;/em&gt;. UpSet Press and Warscapes.&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (ed.) (2017). &lt;em&gt;Imagine Africa: Volume 3&lt;/em&gt;. Archipelago Press.&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (Ed.) (2016). &lt;em&gt;Literary Sudans: An Anthology of Literature from Sudan and South Sudan. &lt;/em&gt;Red Sea Press.&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2015). The Afterlives of Frantz Fanon and the Reconstruction of Postcolonial Studies. &lt;em&gt;Journal of French and Francophone Philosophy&lt;/em&gt;, &lt;em&gt;23&lt;/em&gt;(1), 113-128.&lt;/p&gt;</text>
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            <text>&lt;p&gt;Khubchandani, K. &amp;amp; Shringarpure, B. (2023). &lt;i&gt;Decolonize Drag&lt;/i&gt;. OR Books. &lt;a href="https://orbooks.com/catalog/decolonize-drag/"&gt;https://orbooks.com/catalog/decolonize-drag/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cantelli, V., &amp;amp; Shringarpure, B. (2020). Resistant recipes: Food, gender and translation in migrant and refugee narratives. In R.R. Gould and K. Tahmasebian (eds.), &lt;em&gt;The Routledge Handbook of Translation and Activism&lt;/em&gt;, 421-436. Routledge. &lt;a href="https://www.taylorfrancis.com/chapters/edit/10.4324/9781315149660-26/resistant-recipes-veruska-cantelli-bhakti-shringarpure"&gt;https://www.taylorfrancis.com/chapters/edit/10.4324/9781315149660-26/resistant-recipes-veruska-cantelli-bhakti-shringarpure&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Saint, L. &amp;amp; Shringarpure, B. (2020, August 8). African literature is a country. &lt;em&gt;Africa Is A Country&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="https://africasacountry.com/2020/08/african-literature-is-a-country"&gt;https://africasacountry.com/2020/08/african-literature-is-a-country&lt;/a&gt; .&lt;/p&gt;</text>
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            <text>&lt;p&gt;&lt;em&gt;Decolonize That! Handbooks for the Revolutionary Overthrow of Embedded Colonial Ideas&lt;/em&gt;. From Warscapes magazine editor Bhakti Shringarpure. Accessed May 9, 2024. &lt;a href="https://orbooks.com/decolonize-that/"&gt;https://orbooks.com/decolonize-that/&lt;/a&gt; .&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2022, December 23). Writing whiteness, writing America. &lt;em&gt;Africa Is A Country&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="https://africasacountry.com/2022/12/writing-whiteness-writing-america"&gt;https://africasacountry.com/2022/12/writing-whiteness-writing-america&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Ama Ata Aidoo: Five Decades of Killjoy Feminism with Bhakti Shringarpure. (2022, September 23). Radical Books Collective | WARSCAPES. Youtube. Accessed May 9, 2024. &lt;a href="https://youtu.be/zJQwxaYo_n0"&gt;https://youtu.be/zJQwxaYo_n0&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2022, September 12). Decolonizing History and Its Telling: A Conversation with Yvonne Adhiambo Owuor. LA Review of Books. Accessed May 9, 2024. &lt;a href="https://lareviewofbooks.org/article/decolonizing-history-and-its-telling-a-conversation-with-yvonne-adhiambo-owuor/"&gt;https://lareviewofbooks.org/article/decolonizing-history-and-its-telling-a-conversation-with-yvonne-adhiambo-owuor/&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2020, December 18). Notes on fake decolonization. &lt;em&gt;Africa Is A Country&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="https://africasacountry.com/2020/12/notes-on-fake-decolonization"&gt;https://africasacountry.com/2020/12/notes-on-fake-decolonization&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2019, August 9). The Surreal, Virtual Worlds of Palestinian Science Fiction: At the Intersection of Dystopia and Technology in Palestinian Life. &lt;em&gt;Literary Hub&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="https://lithub.com/the-surreal-virtual-worlds-of-palestinian-science-fiction/"&gt;https://lithub.com/the-surreal-virtual-worlds-of-palestinian-science-fiction/&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2015, June 18). The rise of the digital saviour: can Facebook likes change the world? &lt;em&gt;The Guardian&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="https://www.theguardian.com/world/2015/jun/18/digital-saviour-saving-lives-internet-age-save-darfur"&gt;https://www.theguardian.com/world/2015/jun/18/digital-saviour-saving-lives-internet-age-save-darfur&lt;/a&gt; .&lt;/p&gt;&#13;
&lt;p&gt;Shringarpure, B. (2015, May 29). The Digital Savior Complex. &lt;em&gt;Warscapes&lt;/em&gt;. Accessed May 9, 2024. &lt;a href="http://www.warscapes.com/opinion/digital-savior-complex"&gt;http://www.warscapes.com/opinion/digital-savior-complex&lt;/a&gt; .&lt;/p&gt;</text>
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              <text>Image used with author's permission. Photograph credit to Suchitra Vijayan.</text>
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