Nayoung Aimee Kwon

Title

Nayoung Aimee Kwon

Rights

Image used with permission, all rights remain with the author. Photograph credit to Jacquelyn Kwon.

Birthplace

Korea

Primary Sources

Kwon, N. A. (2018). Japanophone literature? A transpacific query on absence. MFS Modern Fiction Studies, 64(3), 537–558.
https://doi.org/10.1353/mfs.2018.0041

Kwon, N.A. (2015). Intimate empire: Collaboration and colonial modernity in Korea and Japan. Duke University Press.

Kwon, N.A. (2013). Collaboration, coproduction, and code-switching: Colonial cinema and postcolonial archaeology. Cross-Currents: East Asian History and Culture Review, 2(1), 10–40.
https://doi.org/10.1353/ach.2013.0002

Secondary Sources

Dudden, A. (2017). Review of intimate empire: Collaboration and colonial modernity in Korea and Japan. The American Historical Review, 122(1), 141–143.
https://www.jstor.org/stable/26576549

Fujitani, T., & Kwon, N.A. (2012). Introduction to "transcolonial film coproductions in the Japanese Empire". Cross-Currents: East Asian History and Culture Review, 1(5), 1–8.
https://escholarship.org/uc/item/3sn4w89c

Extra Resources

Duke Today Staff. (2021, October 29). Korean film goes global. Duke Today. Accessed Sept 2, 2022.
https://today.duke.edu/2021/10/korean-film-goes-global

Collection

Citation

“Nayoung Aimee Kwon,” Decoloniality, First Nations Thinkers and thought and practices from the Global South, accessed August 7, 2024, https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/items/show/274.

Output Formats