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https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/files/original/c5c299d2b6dc19e14697f7c3f0602e58.jpg
28bc4e396572a9bfdafbd4526fbbbdcf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Korea
Person
An individual.
Birthplace
Korea
Primary Sources
<span>Kwon, N. A. (2023). </span><a href="https://scholars.duke.edu/publication/1665507">Pluralizing Passing and Transpacific Afro-Asian Solidarities: Passings and Impasses Across Colonial Korea and the Segregated U.S.</a><span> In Yi, C., Haag., A., and Ryu., C., (Eds.,). </span><i>Passing, Posing, Persuasion Cultural Production and Coloniality in Japan’s East Asian Empire</i><span><span>. University of Hawaii Press.<br /><br />Kwon, N. A. (2022). <a href="https://scholars.duke.edu/publication/1665508">Millennial Vengeance: Park Chan-wook’s Agassi (The Handmaiden) and the Return of Postcolonial Japonisme</a>. In Kwon, N. A., Odagiri. T., and Baek, M. (Eds.). </span></span><span><i>Theorizing Colonial Cinema Reframing Production, Circulation, and Consumption of Film in Asia</i>. Indiana University Press.<br /><br />Kwon, N. A. (2022). <a href="https://scholars.duke.edu/publication/1557005">A Minor Modernist's Conundrum Of Representation: Kim Saryang and the Colonized I-Novel</a>. In Cho, H. (Ed.) <i>The Routledge Companion to Korean Literature</i> (pp. 245–256). New York: Routledge <a href="https://doi.org/10.4324/9780429328411-25">https://doi.org/10.4324/9780429328411-25</a><br /><br />Kwon, N. A. Odagiri, T. and Baek, M.(2021). (Ed.) <i><a href="https://scholars.duke.edu/publication/1462815">Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia</a></i>. Bloomington: Indiana University Press. <br /><br />Kwon, N. A. (2019). <a href="https://scholars.duke.edu/publication/1505970">Spring in the Korean Peninsula (1941): Transcolonial Mise en Abyme</a>. In <i>Rediscovering Korean Cinema</i> (pp. 80–94).<br /><br /></span>Kwon, N. A. (2018). Japanophone literature? A transpacific query on absence. <i>MFS Modern Fiction Studies, 64</i>(3), 537–558. <br /><a href="https://doi.org/10.1353/mfs.2018.0041" target="_blank" rel="noreferrer noopener">https://doi.org/10.1353/mfs.2018.0041</a><br /><br />Kwon, N.A. (2015). <i>Intimate empire: Collaboration and colonial modernity in Korea and Japan</i>. Duke University Press.<br /><br />Kwon, N.A. (2013). Collaboration, coproduction, and code-switching: Colonial cinema and postcolonial archaeology. <i>Cross-Currents: East Asian History and Culture Review, 2</i>(1), 10–40. <br /><a href="https://doi.org/10.1353/ach.2013.0002" target="_blank" rel="noreferrer noopener">https://doi.org/10.1353/ach.2013.0002</a>
Secondary Sources
Dudden, A. (2017). Review of intimate empire: Collaboration and colonial modernity in Korea and Japan. <i>The American Historical Review, 122</i>(1), 141–143. <br /><a href="https://www.jstor.org/stable/26576549" target="_blank" rel="noreferrer noopener">https://www.jstor.org/stable/26576549</a><br /><br />Fujitani, T., & Kwon, N.A. (2012). Introduction to "transcolonial film coproductions in the Japanese Empire". <i>Cross-Currents: East Asian History and Culture Review, 1</i>(5), 1–8.<br /><a href="https://escholarship.org/uc/item/3sn4w89c" target="_blank" rel="noreferrer noopener">https://escholarship.org/uc/item/3sn4w89c</a>
Extra Resources
<i>Duke Today</i> Staff. (2021, October 29). Korean film goes global. Duke Today. Accessed Sept 2, 2022.<br /><a href="https://today.duke.edu/2021/10/korean-film-goes-global" target="_blank" rel="noreferrer noopener">https://today.duke.edu/2021/10/korean-film-goes-global</a><br /><br />
<p>hong an truong, Nayoung Aimee Kwon and Guo-Juin Hong (2013) What/Where is "Decolonial Asia"? July 15, <em>Social Text</em>, Acessed Mar 10 2023 <a href="https://socialtextjournal.org/periscope_article/whatwhere-is-decolonial-asia/">https://socialtextjournal.org/periscope_article/whatwhere-is-decolonial-asia/</a></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Nayoung Aimee Kwon
Rights
Information about rights held in and over the resource
Image used with permission, all rights remain with the author. Photograph credit to Jacquelyn Kwon.
Cultural Studies
Film
History
Japanese Imperialism
Korea-Japan Relations
Literature