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Details of Lotte Reiniger's hands drawing in white pencil on black paper the head of a boy in feathered cap, c. 1952-63
The hands of shadow-puppet-maker and animator Lotte Reiniger are seen drawing in white pencil on black paper the head of a boy in feathered cap. Reiniger works at a table, outdoors in the garden, at the Abbey Art Centre, New Barnet.
Cook-House, 1945 July, by Max Newton
Signed and dated in black pen lower right, recto: ‘Max Newton 45'.
Christmas Exhibition at the Berkeley Galleries, Thursday 9th December [1954]
Exhibition invitation card, printed in black on white and red background. Four groups of works are listed on the right hand side: 'Pictures by Henry Moore, Ceri Richards, Lilian Colbourn and others' / 'Small Sculptures by P. King, R. Jones, G. Kruger…
Between Benevenue and the Strand (girl with donkey, white cottage beyond), 1951, by Helen Marshall
Signed lower right in black ink: 'HM'. Inscribed and dated in blue biro lower right recto: ‘H 1951’; inscribed in black marker verso: ‘Between Benevenue and the Strand / 50 x 19 1/2 / Shruns 1951 / oil on paper’.
Airmen's Quarters, 1945 August, by Max Newton
Signed and dated in black pen lower right, recto: ‘Max Newton 45'.
51 Wing (two planes on ground with small jeep), possibly the work first exhibited as Grounded Aircraft, c. 1945 August, by Max Newton
Inscribed in white lower right, recto: '51 WING'.
Untitled (St Mark’s, Venice), c. 1948, by Max Newton
No visible signature.
Untitled (semi-abstract group of figures against orange), c. 1970-75, by Max Newton
Not signed. Not inscribed or dated.
Untitled (seascape with rocks, possibly Phillip Island), 1962, by Max Newton
Signed and dated in black pen lower right, recto: ‘Max Newton 62’.