Mapping Social Theory and Sociology

Sianne Ngai

Dublin Core

Title

Sianne Ngai

Rights

‘Aaron Kunin & Sianne Ngai’ by Harold Abramowitz is licensed under CC BY-SA 2.0, via Wikimedia Commons. Photograph cropped by Decoloniality, First Nations Thinkers and thought and practices from the Global South.

Person Item Type Metadata

Birth Date

1971

Birthplace

Washington, D.C., United States

Bibliography

Ngai, S., & ProQuest (Firm). (2022). The Cute. Whitechapel Gallery. https://ebookcentral.proquest.com/lib/unimelb/detail.action?docID=7042262

Ngai, S. (2022). Ambiguous Lever. PMLA: Publications of the Modern Language Association of America, 137(3), 529–535. https://doi.org/10.1632/S0030812922000372

Ngai, S. (2020). Theory of the gimmick : aesthetic judgment and capitalist form. The Belknap Press of Harvard University Press. https://www.degruyter.com/document/doi/10.4159/9780674245365/html

Ngai, S. (2020). Henry James’s “Same Secret Principle.” The Henry James Review, 41(1), 44–76. https://doi.org/10.1353/hjr.2020.0001

Berlant, L., & Ngai, S. (2017). Comedy has issues. Critical Inquiry, 43(2), 233-249. https://www.journals.uchicago.edu/doi/abs/10.1086/689666

Ngai, S. (2017). Theory of the Gimmick. Critical Inquiry, 43(2), 466–505. https://www.jstor.org/stable/26547707

NGAI, S. (2012). Network Aesthetics: Juliana Spahr’s The Transformation and Bruno Latour’s Reassembling the Social. In C. Weinstein & C. Looby (Eds.), American Literature’s Aesthetic Dimensions (pp. 367–392). Columbia University Press. http://www.jstor.org/stable/10.7312/wein15616.21

Ngai, S. (2010). Our Aesthetic Categories. PMLA, 125(4), 948–958. http://www.jstor.org/stable/41058295

Ngai, S. (2008). Merely interesting. Critical Inquiry, 34(4), 777-817. https://www.journals.uchicago.edu/doi/full/10.1086/592544

Ngai, S. (2006). Competitiveness: from" Sula to Tyra". Women's Studies Quarterly, 34(3/4), 107-139. https://www.jstor.org/stable/40003529

Ngai, S. (2005). The cuteness of the avant-garde. Critical Inquiry, 31(4), 811-847. https://www.journals.uchicago.edu/doi/abs/10.1086/444516

Ngai, S. (2004). Ugly feelings. Harvard University Press. https://www.degruyter.com/document/doi/10.4159/9780674041523-intro/html

Ngai, S. (2001). Bad Timing (A Sequel). Paranoia, Feminism, and Poetry. Differences: A Journal of Feminist Cultural Studies, 12(2), 1-46. https://muse.jhu.edu/pub/4/article/9623/summary

Ngai, S. (2000). Stuplimity: Shock and boredom in twentieth-century aesthetics. Postmodern Culture, 10(2). https://muse.jhu.edu/pub/1/article/27722/summary

Secondary Text

Harris, P. A. (2023). “Weak Powres of Passions”: Spenser with Sianne Ngai. Spenser Studies: A Renaissance Poetry Annual, 37, 213–231. https://doi.org/10.1086/722427

Extra Resources

Sianne Ngai. University of Chicago. Accessed November 8, 2024. https://english.uchicago.edu/people/sianne-ngai

Brazil, K. (October, 2020). Interview with Sianne Ngai. The White Review. Accessed November 8, 2024. https://www.thewhitereview.org/feature/interview-with-sianne-ngai/

Jasper, A. & Ngai, S. (2011). Our Aesthetic Categories: An Interview with Sianne Ngai. Cabinet Magazine. Accessed November 8, 2024. https://www.cabinetmagazine.org/issues/43/jasper_ngai.php

Citation

“Sianne Ngai,” Mapping Social Theory and Sociology, accessed December 25, 2024, https://omeka.cloud.unimelb.edu.au/mapping-social-theory-and-sociology/items/show/663.

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