https://omeka.cloud.unimelb.edu.au/mapping-social-theory-and-sociology/files/original/5ceb5aa2145011af963e4f929242d8b2.png ca16900dcc2833bfab0a6f96cb4086fd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Critical Theory & the Frankfurt School Person Bibliography Ngai, S., & ProQuest (Firm). (2022). The Cute. Whitechapel Gallery. <a href="https://ebookcentral.proquest.com/lib/unimelb/detail.action?docID=7042262">https://ebookcentral.proquest.com/lib/unimelb/detail.action?docID=7042262</a> Ngai, S. (2022). Ambiguous Lever. PMLA: Publications of the Modern Language Association of America, 137(3), 529–535. <a href="https://doi.org/10.1632/S0030812922000372">https://doi.org/10.1632/S0030812922000372</a> Ngai, S. (2020). Theory of the gimmick : aesthetic judgment and capitalist form. The Belknap Press of Harvard University Press. <a href="https://www.degruyter.com/document/doi/10.4159/9780674245365/html">https://www.degruyter.com/document/doi/10.4159/9780674245365/html</a> Ngai, S. (2020). Henry James’s “Same Secret Principle.” The Henry James Review, 41(1), 44–76. <a href="https://doi.org/10.1353/hjr.2020.0001">https://doi.org/10.1353/hjr.2020.0001</a> Berlant, L., & Ngai, S. (2017). Comedy has issues. Critical Inquiry, 43(2), 233-249. <a href="https://www.journals.uchicago.edu/doi/abs/10.1086/689666">https://www.journals.uchicago.edu/doi/abs/10.1086/689666</a> Ngai, S. (2017). Theory of the Gimmick. Critical Inquiry, 43(2), 466–505. <a href="https://www.jstor.org/stable/26547707">https://www.jstor.org/stable/26547707</a> NGAI, S. (2012). Network Aesthetics: Juliana Spahr’s The Transformation and Bruno Latour’s Reassembling the Social. In C. Weinstein & C. Looby (Eds.), American Literature’s Aesthetic Dimensions (pp. 367–392). Columbia University Press. <a href="http://www.jstor.org/stable/10.7312/wein15616.21">http://www.jstor.org/stable/10.7312/wein15616.21</a> Ngai, S. (2010). Our Aesthetic Categories. PMLA, 125(4), 948–958. <a href="http://www.jstor.org/stable/41058295">http://www.jstor.org/stable/41058295</a> Ngai, S. (2008). Merely interesting. Critical Inquiry, 34(4), 777-817. <a href="https://www.journals.uchicago.edu/doi/full/10.1086/592544">https://www.journals.uchicago.edu/doi/full/10.1086/592544</a> Ngai, S. (2006). Competitiveness: from" Sula to Tyra". Women's Studies Quarterly, 34(3/4), 107-139. <a href="https://www.jstor.org/stable/40003529">https://www.jstor.org/stable/40003529</a> Ngai, S. (2005). The cuteness of the avant-garde. Critical Inquiry, 31(4), 811-847. <a href="https://www.journals.uchicago.edu/doi/abs/10.1086/444516">https://www.journals.uchicago.edu/doi/abs/10.1086/444516</a> Ngai, S. (2004). Ugly feelings. Harvard University Press. <a href="https://www.degruyter.com/document/doi/10.4159/9780674041523-intro/html">https://www.degruyter.com/document/doi/10.4159/9780674041523-intro/html</a> Ngai, S. (2001). Bad Timing (A Sequel). Paranoia, Feminism, and Poetry. Differences: A Journal of Feminist Cultural Studies, 12(2), 1-46. <a href="https://muse.jhu.edu/pub/4/article/9623/summary">https://muse.jhu.edu/pub/4/article/9623/summary</a> Ngai, S. (2000). Stuplimity: Shock and boredom in twentieth-century aesthetics. Postmodern Culture, 10(2). <a href="https://muse.jhu.edu/pub/1/article/27722/summary">https://muse.jhu.edu/pub/1/article/27722/summary</a> Secondary Text Harris, P. A. (2023). “Weak Powres of Passions”: Spenser with Sianne Ngai. Spenser Studies: A Renaissance Poetry Annual, 37, 213–231. <a href="https://doi.org/10.1086/722427">https://doi.org/10.1086/722427</a> Extra Resources Sianne Ngai. University of Chicago. Accessed November 8, 2024. <a href="https://english.uchicago.edu/people/sianne-ngai">https://english.uchicago.edu/people/sianne-ngai</a> Brazil, K. (October, 2020). Interview with Sianne Ngai. The White Review. Accessed November 8, 2024. <a href="https://www.thewhitereview.org/feature/interview-with-sianne-ngai/">https://www.thewhitereview.org/feature/interview-with-sianne-ngai/</a> Jasper, A. & Ngai, S. (2011). Our Aesthetic Categories: An Interview with Sianne Ngai. Cabinet Magazine. Accessed November 8, 2024. <a href="https://www.cabinetmagazine.org/issues/43/jasper_ngai.php">https://www.cabinetmagazine.org/issues/43/jasper_ngai.php</a> Birth Date 1971 Birthplace Washington, D.C., United States Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sianne Ngai Rights Information about rights held in and over the resource ‘<a href="https://upload.wikimedia.org/wikipedia/commons/5/58/Aaron_Kunin_%26_Sianne_Ngai_%283666989969%29.jpg">Aaron Kunin & Sianne Ngai</a>’ by <a href="https://www.flickr.com/people/19569173@N00">Harold Abramowitz</a> is licensed under <a href="https://creativecommons.org/licenses/by-sa/2.0/deed.en">CC BY-SA 2.0</a>, via <a href="https://commons.wikimedia.org/wiki/File:Aaron_Kunin_%26_Sianne_Ngai_(3666989969).jpg">Wikimedia Commons</a>. Photograph cropped by Decoloniality, First Nations Thinkers and thought and practices from the Global South. Aesthetic Theory American Literature Critical Theory Cultural Studies Feminist and Queer Studies