ZELENKA [Composed by Domenico Sarri. See III/S/1/4: Mus. 2356-D-1]
Title
ZELENKA [Composed by Domenico Sarri. See III/S/1/4: Mus. 2356-D-1]
Description
SARRI, Domenico [Natale] (b Trani, Apulio 1679—d Naples 1744), [Messe] No 11. Senza Credo, III/Z/9/2
D-Dl
Mus. 2358-D-42
Composer
ZELENKA [Composed by Domenico Sarri. See III/S/1/4: Mus. 2356-D-1]
Uniform Composer
SARRI, Domenico [Natale] (b Trani, Apulio 1679—d Naples 1744)
Title (Catalogo)
[Messe] No 11. Senza Credo
Location (1765)
Schranck III; Fach 9; Lage 2
SFL_combination
III/Z/9/2
Scoring (1765)
‘a 5 voci con stromenti’
Materials (1765)
Partitur; Parti
Uniform Title
Mass movements (Kyrie; Gloria; Sanctus; Agnus)
Remarks
This work by Domenico Sarri is registered twice in this Catalogo (1765) : once here and once as a Kyrie/Gloria setting under the name ‘Sarri’. See III/S/1/4 (Mus. 2356-D-1). Parts to accompany this score listed here are missing.
Although Zelenka ‘stretched’ the mass, and shortened the Gloria, there is no sign of his reworking in the score of this acquisition.
On Zelenka’s ‘stretching’ of this mass, see Wolfgang Horn, Hkm, p. 192.
The scoring (page 1, beginning of the Kyrie) is for Oboè; Violino; Violino; Canto; Canto; Alto; Tenore; Basso; [Organo]. Instrumentation (page 31, beginning of the Gloria) is for Tromba (in D); Oboè; Violino; [CCATB]; Organo. Traverse flutes are included in this setting.The score has no viola.
‘[...] a Kyrie e Gloria in D by Sarro reached Dresden twice. On the first occasion it entered Zelenka’s personal collection between 1730 and 1732 (D Dl, Mus. 2358-D-42); the second time, it arrived in Dresden some time between 1738 and 1740 as a score from Naples which Zelenka then carefully checked against his own copy, detecting and correcting a mistake by its copyist (a homoteleuton, D Dl, Mus. 2356-D-1, pp. 128–130)’. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 156.
Sarri’s setting of the text ‘Gratias agimus tibi’ in this mass appears to have provided Zelenka with the model for his setting of that same text in his Missa votiva. See III/Z/9/4. Discussed by Stockigt in ‘The Missa votiva’, 46–7.
Incipits given in Zelenka-Dokumentation, 66, Nr. 208.
In the later ‘Catalogo della Musica di Chiesa’ (c1784), where the work is listed under the heading ‘Zelenka’, score and parts are given for the Kyrie, Gloria, Sanctus, and Agnus are listed for [Messa:] No: 11) Messa senza Credo (III/Z/10/2). The scoring given for all sections is: ‘à 5 voci co’ VVni. Oboi, Vla, ed Org.’
Although Zelenka ‘stretched’ the mass, and shortened the Gloria, there is no sign of his reworking in the score of this acquisition.
On Zelenka’s ‘stretching’ of this mass, see Wolfgang Horn, Hkm, p. 192.
The scoring (page 1, beginning of the Kyrie) is for Oboè; Violino; Violino; Canto; Canto; Alto; Tenore; Basso; [Organo]. Instrumentation (page 31, beginning of the Gloria) is for Tromba (in D); Oboè; Violino; [CCATB]; Organo. Traverse flutes are included in this setting.The score has no viola.
‘[...] a Kyrie e Gloria in D by Sarro reached Dresden twice. On the first occasion it entered Zelenka’s personal collection between 1730 and 1732 (D Dl, Mus. 2358-D-42); the second time, it arrived in Dresden some time between 1738 and 1740 as a score from Naples which Zelenka then carefully checked against his own copy, detecting and correcting a mistake by its copyist (a homoteleuton, D Dl, Mus. 2356-D-1, pp. 128–130)’. See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 156.
Sarri’s setting of the text ‘Gratias agimus tibi’ in this mass appears to have provided Zelenka with the model for his setting of that same text in his Missa votiva. See III/Z/9/4. Discussed by Stockigt in ‘The Missa votiva’, 46–7.
Incipits given in Zelenka-Dokumentation, 66, Nr. 208.
In the later ‘Catalogo della Musica di Chiesa’ (c1784), where the work is listed under the heading ‘Zelenka’, score and parts are given for the Kyrie, Gloria, Sanctus, and Agnus are listed for [Messa:] No: 11) Messa senza Credo (III/Z/10/2). The scoring given for all sections is: ‘à 5 voci co’ VVni. Oboi, Vla, ed Org.’
Eitner
V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,
SLB Card Catalog
Mus. 2358-D-42. Zelenka, Giovanni Disma (?) [Messen, ohne Z-Nr.] Missa senza Credo a 5 voci [mit Orchester] D dur. 4/4. Part. u. St. [u. St. deleted] o.J. 1 Bd. mit 25 St. [25 St. deleted] quer - 4to u. 4to [u. 4to deleted]. Mus.–Mscr. P{art: Orig.-Mscr. Kath. Hofkirche [deleted: Stimmen stehen gesondert]
Status
Score copy of Messe Nr. 11 attributed to Zelenka, but composed by Domenico Sarri held by SLUB. 25 parts missing from Dresden.
Identification
ZWV 213
Sort Order
03/09/02
Collection
Citation
“ZELENKA [Composed by Domenico Sarri. See III/S/1/4: Mus. 2356-D-1],” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4411.