ZELENKA, Gio. Dis.
Title
ZELENKA, Gio. Dis.
Description
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 7. Paschalis, III/Z/8/2
D-Dl
Mus. 2358-D-19
Composer
ZELENKA, Gio. Dis.
Uniform Composer
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)
Title (Catalogo)
[Messe] No 7. Paschalis
Location (1765)
Schranck III; Fach 8; Lage 2
SFL_combination
III/Z/8/2
Scoring (1765)
‘a 4 voci co’ VVni Viola, 4 Trombe e Timpani’
Materials (1765)
Partitur; Parti
Title Partitura
Missa Paschalis
Uniform Title
Masses
Date (Catalogo)
March/April 1726: Benedictus c1732
RISM Links
Remarks
Bound autogr. score of a Missa tota. In four sections, the first three with blue-grey wrapper. Performance parts are missing.
Title page, part 1: d# (left) Nro 7 (right) | Kyrie Sanctus | et | Agnus ex Missa | Paschali | à 4 | C: A: T: B: | Violin 2 | Oboe 2 | Viola | Trombe 4 | Tympan: | e | Basso Cont: | di | G: D: Z:
Caption title: Missa Paschalis. Missa a 4 di Giov. | Disma Zelenka.
Title page, part 2 (Zelenka): d (left) Nro 7 (right) | Gloria ex Missa | Paschali | à 4to | C;A;T;B; | et | caete: | di | G: D: Z:
Caption title: Gloria à 4 di Giov. | Disma Zelenka.
Title page, part 3: d# (left) Nro 7 (right) | Credo ex Missa | Paschali | à 4to | C;A;T;B; | etcae: | di | G: D: Z:
Caption title (autogr.): Credo à 4 di G: D: Zelenka.
Title page, part 4 (Zelenka): Sanctus et Agnus | Dei.
Concl. Kyrie: O A M D G B M V OO SS H AA P in R ; Dresd. li 30 Marzo 1726;
Gloria: O A M D G V M OO SS H AA P in R; Dresde li | 11 April 1726;
Credo: OO A M D G V M OO SS H AA P in R;
Sanctus et Agnus Dei: O A M D G V M OO SS H AA P in R.
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa:] No: 7) Messa Paschalis (III/Z/9/2).
Almost certainly composed for Easter Monday 1726 (22 April), when the Dresden Diarium Missionis reported: ‘Dimidia 11 Cantatum cum assistentia [...] Musicam produxit Dominus Zelenka’. Revised c1732 at which time the ‘Benedictus’ and ‘Osanna’ movements were inserted.
See Zelenka-Dokumentation, 129–30, Dok. 39; 286, ZWV 7.
See Andrew Frampton, 'A Critical Edition of Jan Dismas Zelenka's Missa Paschalis, ZWV 7.' BMus (Hons) Diss. (2 vols.), University of Melbourne, 2013. Also 'A Copyist of Bach and Zelenka: identifying the scribe of GB-Ob MS Tenbury 749' (unpublished conference paper, Melbourne Bach Forum, 25-27 2014).
Concordances:
1. CZ-Pk, 7452. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’)
2. CZ-Pnm, Mělník 24. Set of ten parts without ‘Benedictus’, ‘Osanna’ (Seb. Böhm, c.1750)
3. CZ-Pnm, XXVIII E 229. Score copy, without ‘Benedictus’, ‘Osanna’ (Trolda, 1924, after CZ-Pnm Mělník 24)
4. CZ-Pnm, XXVIII E 230. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’). Also score copy of ‘Benedictus’, ‘Osanna’ (Trolda, 1929)
5. GB-Ob, MS Tenbury 749. Score copy, without ‘Benedictus’, ‘Osanna’ (18th c.). Andrew Frampton (‘A copyist of Bach and Zelenka’) has established that this Tenbury source of ZWV 7 is in the hand of Johann Friedrich Agricola, dated by Frampton as c1751.
6. GB-Ob, MS Tenbury 603. Parody of the Kyrie eleison I, Christe eleison, Et incarnatus est, Credo in unum Deum as anthem ‘O sing unto the Lord’ (see ZWV 221)
7. D-B, SA 690. (Pisendel’s hand?). Kyrie: Gloria; Credo’ Sanctus/Agnus. Without Osanna and Benedictus. RISM ID no. 469069000
The inclusion in the scoring of two clarini, two trumpets, and timpani suggests that perhaps this mass (or ZWV 9) once was held by Sehling, titled Missa Tranquilli animi (now missing in CZ-Pak). See Štefan ([1469] Sign. ?), prov. Joseph Antonín Sehling.
Title page, part 1: d# (left) Nro 7 (right) | Kyrie Sanctus | et | Agnus ex Missa | Paschali | à 4 | C: A: T: B: | Violin 2 | Oboe 2 | Viola | Trombe 4 | Tympan: | e | Basso Cont: | di | G: D: Z:
Caption title: Missa Paschalis. Missa a 4 di Giov. | Disma Zelenka.
Title page, part 2 (Zelenka): d (left) Nro 7 (right) | Gloria ex Missa | Paschali | à 4to | C;A;T;B; | et | caete: | di | G: D: Z:
Caption title: Gloria à 4 di Giov. | Disma Zelenka.
Title page, part 3: d# (left) Nro 7 (right) | Credo ex Missa | Paschali | à 4to | C;A;T;B; | etcae: | di | G: D: Z:
Caption title (autogr.): Credo à 4 di G: D: Zelenka.
Title page, part 4 (Zelenka): Sanctus et Agnus | Dei.
Concl. Kyrie: O A M D G B M V OO SS H AA P in R ; Dresd. li 30 Marzo 1726;
Gloria: O A M D G V M OO SS H AA P in R; Dresde li | 11 April 1726;
Credo: OO A M D G V M OO SS H AA P in R;
Sanctus et Agnus Dei: O A M D G V M OO SS H AA P in R.
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa:] No: 7) Messa Paschalis (III/Z/9/2).
Almost certainly composed for Easter Monday 1726 (22 April), when the Dresden Diarium Missionis reported: ‘Dimidia 11 Cantatum cum assistentia [...] Musicam produxit Dominus Zelenka’. Revised c1732 at which time the ‘Benedictus’ and ‘Osanna’ movements were inserted.
See Zelenka-Dokumentation, 129–30, Dok. 39; 286, ZWV 7.
See Andrew Frampton, 'A Critical Edition of Jan Dismas Zelenka's Missa Paschalis, ZWV 7.' BMus (Hons) Diss. (2 vols.), University of Melbourne, 2013. Also 'A Copyist of Bach and Zelenka: identifying the scribe of GB-Ob MS Tenbury 749' (unpublished conference paper, Melbourne Bach Forum, 25-27 2014).
Concordances:
1. CZ-Pk, 7452. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’)
2. CZ-Pnm, Mělník 24. Set of ten parts without ‘Benedictus’, ‘Osanna’ (Seb. Böhm, c.1750)
3. CZ-Pnm, XXVIII E 229. Score copy, without ‘Benedictus’, ‘Osanna’ (Trolda, 1924, after CZ-Pnm Mělník 24)
4. CZ-Pnm, XXVIII E 230. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’). Also score copy of ‘Benedictus’, ‘Osanna’ (Trolda, 1929)
5. GB-Ob, MS Tenbury 749. Score copy, without ‘Benedictus’, ‘Osanna’ (18th c.). Andrew Frampton (‘A copyist of Bach and Zelenka’) has established that this Tenbury source of ZWV 7 is in the hand of Johann Friedrich Agricola, dated by Frampton as c1751.
6. GB-Ob, MS Tenbury 603. Parody of the Kyrie eleison I, Christe eleison, Et incarnatus est, Credo in unum Deum as anthem ‘O sing unto the Lord’ (see ZWV 221)
7. D-B, SA 690. (Pisendel’s hand?). Kyrie: Gloria; Credo’ Sanctus/Agnus. Without Osanna and Benedictus. RISM ID no. 469069000
The inclusion in the scoring of two clarini, two trumpets, and timpani suggests that perhaps this mass (or ZWV 9) once was held by Sehling, titled Missa Tranquilli animi (now missing in CZ-Pak). See Štefan ([1469] Sign. ?), prov. Joseph Antonín Sehling.
Stamps
Sächs. Landes-Bibl.
Eitner
V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]
SLB Card Catalog
(Aut. 206) Mus. 2358-D-19<br />
Zelenka, Giovanni Disma: [Messen. Z 7]<br />
Messa Paschalis a 4 voci [m. Orch.] D dur. Part. u. St. Dresda 1726. 1 Bd m. 30 St. 4to Mus.-Mscr. Part.: = Orig.-Ms. Kath. Hofkirche Stimmen stehen gesondert
Zelenka, Giovanni Disma: [Messen. Z 7]<br />
Messa Paschalis a 4 voci [m. Orch.] D dur. Part. u. St. Dresda 1726. 1 Bd m. 30 St. 4to Mus.-Mscr. Part.: = Orig.-Ms. Kath. Hofkirche Stimmen stehen gesondert
Status
Autogr. score of Missa Paschalis by Zelenka (ZWV 7) held by SLUB; 30 parts missing from Dresden.
Identification
ZWV 7
Sort Order
03/08/02
Collection
Citation
“ZELENKA, Gio. Dis.,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4407.