ZEILER, P[ater] [Salve Regina settings formerly attr. to Zelenka. See III/Z/17/2 (Mus. 3158-E-16,1; -E-16,2)]
Title
ZEILER, P[ater] [Salve Regina settings formerly attr. to Zelenka. See III/Z/17/2 (Mus. 3158-E-16,1; -E-16,2)]
Description
Zeiler, Gallus (b Kempten 1705–d Füssen 1755), 16 Antiphonae, III/Z/5/11
D-Dl
Mus. 3158-E-1
Composer
ZEILER, P[ater] [Salve Regina settings formerly attr. to Zelenka. See III/Z/17/2 (Mus. 3158-E-16,1; -E-16,2)]
Uniform Composer
Zeiler, Gallus (b Kempten 1705–d Füssen 1755)
Title (Catalogo)
16 Antiphonae
Location (1765)
Schranck III; Fach 5; Lage 11
SFL_combination
III/Z/5/11
Scoring (1765)
‘a voce solo con Strom. ’
Materials (1765)
Parti
Title Partitura
Antiphonae XVI
Uniform Title
Antiphons
Date (Catalogo)
1732? publ. 1734
RISM Links
Remarks
Set of five manuscript part books for 14 [?] Marian Antiphons composed by P. Gallus Zeiler. With the exception of the Salve Regina settings, this source is almost certainly the basis for scores and performance materials of Marian Antiphons by Zeiler that were prepared for use in Dresden’s Catholic court church and listed into this Catalogo (1765): III/Z/5/2–10.
This set of parts almost certainly came to Dresden from Bohemia, possibly from Osek.
Cover title: Bonae (upper right) | Antiphonae XVI | B: V: M: | à | Canto [Solo] | Alto [Solo] | Tenore [Solo] | Basso [Solo] | Violino 2 | Viola | Con | Organo D | Authore P: Gallo Zeiler. Ord: SS: | P. Benedicti | comparatae | 1732.
Many remarks are penned on the inner cover.
On these settings, see III/Z/5/2 in this Catalogo (1765).
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) parts only are listed ‘16 Antiphonae B. V. M.’ by Zeiler (III/Z/7/11). The scoring is given as: ‘à voce sola co’ VVni Vla ed Org.’ The earlier date ‘1732’ written of the cover of this set of ms parts (see Mus. 3158-E-1) preceded Zeiler’s publication of 16 settings of Marian Antiphons: Cithara Mariana, sedecim Antiphonis sue totidem fidibus Virgineae Deiparentis laudes concinne resonantibus animata (1734: Augsburg).
These Marian antiphons were probably part of the ‘Ordinary’ repertoire performed by the Kapellknaben of Dresden’s Catholic court church during the era known as the ‘Interregnum’ (1729–1734)—the years when Zelenka held responsibility for the young music ensemble of the church following the death of Kapellmeister Heinichen (16.7.1729) and the arrival of Hasse as Kapellmeister (early 1734), who is mentioned in the Dresden Diarium Missionis as directing music in Dresden’s Catholic court church on the feast of St Joseph, 19.3.1734: ‘Cantatum ... Musicam elegantem produxit D. Hasse Capellae Magister.’
This set of parts almost certainly came to Dresden from Bohemia, possibly from Osek.
Cover title: Bonae (upper right) | Antiphonae XVI | B: V: M: | à | Canto [Solo] | Alto [Solo] | Tenore [Solo] | Basso [Solo] | Violino 2 | Viola | Con | Organo D | Authore P: Gallo Zeiler. Ord: SS: | P. Benedicti | comparatae | 1732.
Many remarks are penned on the inner cover.
On these settings, see III/Z/5/2 in this Catalogo (1765).
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) parts only are listed ‘16 Antiphonae B. V. M.’ by Zeiler (III/Z/7/11). The scoring is given as: ‘à voce sola co’ VVni Vla ed Org.’ The earlier date ‘1732’ written of the cover of this set of ms parts (see Mus. 3158-E-1) preceded Zeiler’s publication of 16 settings of Marian Antiphons: Cithara Mariana, sedecim Antiphonis sue totidem fidibus Virgineae Deiparentis laudes concinne resonantibus animata (1734: Augsburg).
These Marian antiphons were probably part of the ‘Ordinary’ repertoire performed by the Kapellknaben of Dresden’s Catholic court church during the era known as the ‘Interregnum’ (1729–1734)—the years when Zelenka held responsibility for the young music ensemble of the church following the death of Kapellmeister Heinichen (16.7.1729) and the arrival of Hasse as Kapellmeister (early 1734), who is mentioned in the Dresden Diarium Missionis as directing music in Dresden’s Catholic court church on the feast of St Joseph, 19.3.1734: ‘Cantatum ... Musicam elegantem produxit D. Hasse Capellae Magister.’
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche
Eitner
V. 19 (1904), 335: Zeiler, P. Gallus [...] Im Archiv der kathol. Kirche in Dresden befinden sich unter P. Zeiler (jedenfalls der obige) im Ms. P. u. Stb: 1. 4 Alma redemptoris für Solo, 2 V. Va. u. Bc. 2. 5 Ave regina, ebenso. 3. 5 Regina coeli, ebenso.
SLB Card Catalog
Zeiler, Gallus: Antiphonae XVI. B. V. M. [à S. A. T. ö B. solo con strom.] 1732. 5 St. [...]. Mus.-Mscr. Kath. Hofkirche. (umsigniert von 3158-E-9)
Status
Five manuscript part books for Zeiler’s XVI Antiphonae (Mus. 3158-E-1) held by SLUB.
Sort Order
03/05/11
Collection
Citation
“ZEILER, P[ater] [Salve Regina settings formerly attr. to Zelenka. See III/Z/17/2 (Mus. 3158-E-16,1; -E-16,2)],” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4392.