ZELENKA, Gio. Dis.
Title
ZELENKA, Gio. Dis.
Description
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 31. Senza Gloria, III/Z/12/9
D-Dl
Mus. 2358-D-10,1-3
Composer
ZELENKA, Gio. Dis.
Uniform Composer
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)
Title (Catalogo)
[Messe] No 31. Senza Gloria
Location (1765)
Schranck III; Fach 12; Lage 9
SFL_combination
III/Z/12/9
Scoring (1765)
‘a 4 voci con Stromenti’
Materials (1765)
Partitura
Title Partitura
Missa Corporis Domini
Uniform Title
Masses
Date (Catalogo)
c1719
Remarks
Mus. 2358-D-10,1: Bound autogr. score in 3 vols. with blue-grey wrappers.
Cover title vol. 1: C (upper left); Nro 22 (upper right) | Kyrie ex Missa | Corporis Domini | à 4 | C: A: T: B: | Violini 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: KYRIE | Z
Concl. Kyrie: Laus Deo M V S C H
Mus. 2358-D-10,2: Cover title vol. 2: a (upper left); Nro 22 (upper right) | Credo ex Missa | Corporis Domini | à 4 | C: A: T: B: | Violini 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: CREDO | Z
Concl. Credo: Laus Deo B M V S C OO SS H
Mus. 2358-D-10,3
Cover title vol. 3: C/a (upper left); Nro 22 (upper right) | Sanctus et Agnus | à 4 | Missa Corporis D’ni | C: A: T: B: | Violin 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: SANCTUS | et | AGNUS | Z
Concl. Agnus Dei: Laus Deo . . . (lower part of page destroyed)
Labels to correspond with the catalogues of 1765 and c1784 are kept at the back of vol. 1: Schranck No. III | Z. 12. Fach 9. Lage | No: 31) Kyrie Credo Sanctus | et Agnus | Corporis Domini | à 4 voci | co’ VVni, Viola e Basso, | Partitura sola | del Sigr Zelencka | Incipit.
Schranck No. III | Lit. Z. 13. Fach 12. Lage | No: 31) Messe | Corporis [Domini?] | à 4 voci | co’ VVni, Viola, ed Org. | Partitura sola | del Sigr Zelencka | Incipit.
The autograph score has two organ parts. The second, notated on the lowermost stave in the key of B flat, is marked ‘Organo transposito’. (See lowermost stave on page 5 of vol. 1). Had this work been written for performance in the Dresden’s royal Catholic chapel then it seems almost certain that the organ (or perhaps the positiv) of the church at the time of performance was tuned a tone higher than the pitch at which the royal musicians (most of the woodwind players then were French) played. Fürstenau (II, 39) reported that in 1720 (after the composition of this Mass) work on the organ of the church was paid for by the electoral prince and princess.
See Zelenka-Dokumentation, 285–6, ZWV 3.
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 31) Messa senza Gloria Corporis Domni.: Kyrie, Credo, Sanctus, Agnus (III/Z/13/4).
Cover title vol. 1: C (upper left); Nro 22 (upper right) | Kyrie ex Missa | Corporis Domini | à 4 | C: A: T: B: | Violini 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: KYRIE | Z
Concl. Kyrie: Laus Deo M V S C H
Mus. 2358-D-10,2: Cover title vol. 2: a (upper left); Nro 22 (upper right) | Credo ex Missa | Corporis Domini | à 4 | C: A: T: B: | Violini 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: CREDO | Z
Concl. Credo: Laus Deo B M V S C OO SS H
Mus. 2358-D-10,3
Cover title vol. 3: C/a (upper left); Nro 22 (upper right) | Sanctus et Agnus | à 4 | Missa Corporis D’ni | C: A: T: B: | Violin 2 | Oboe 2 | Viola e | Basso Continuo | di | Giovanni Disma Zelenka.
Title page: SANCTUS | et | AGNUS | Z
Concl. Agnus Dei: Laus Deo . . . (lower part of page destroyed)
Labels to correspond with the catalogues of 1765 and c1784 are kept at the back of vol. 1: Schranck No. III | Z. 12. Fach 9. Lage | No: 31) Kyrie Credo Sanctus | et Agnus | Corporis Domini | à 4 voci | co’ VVni, Viola e Basso, | Partitura sola | del Sigr Zelencka | Incipit.
Schranck No. III | Lit. Z. 13. Fach 12. Lage | No: 31) Messe | Corporis [Domini?] | à 4 voci | co’ VVni, Viola, ed Org. | Partitura sola | del Sigr Zelencka | Incipit.
The autograph score has two organ parts. The second, notated on the lowermost stave in the key of B flat, is marked ‘Organo transposito’. (See lowermost stave on page 5 of vol. 1). Had this work been written for performance in the Dresden’s royal Catholic chapel then it seems almost certain that the organ (or perhaps the positiv) of the church at the time of performance was tuned a tone higher than the pitch at which the royal musicians (most of the woodwind players then were French) played. Fürstenau (II, 39) reported that in 1720 (after the composition of this Mass) work on the organ of the church was paid for by the electoral prince and princess.
See Zelenka-Dokumentation, 285–6, ZWV 3.
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 31) Messa senza Gloria Corporis Domni.: Kyrie, Credo, Sanctus, Agnus (III/Z/13/4).
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche
Eitner
V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche, 21 vollständige Messen, alle in P. u. Stb.
SLB Card Catalog
(Aut. 203) Mus. 2358-D-10.1–3<br />
Zelenka, Giovanni Disma: [Messen. Z 3]<br />
Missa Corporis Domini [senza Gloria] a 4 voci [m. Orch.] C dur. Part.<br />
3 H: Kyrie, Credo, Sanctus + Agnus 4to Orig.-Mus.-Mscr. Kath. Hofkirche.
Zelenka, Giovanni Disma: [Messen. Z 3]<br />
Missa Corporis Domini [senza Gloria] a 4 voci [m. Orch.] C dur. Part.<br />
3 H: Kyrie, Credo, Sanctus + Agnus 4to Orig.-Mus.-Mscr. Kath. Hofkirche.
Status
Score of Zelenka’s Missa Corporis Domini (Mus. 2358-D-10,1-3) held by SLUB.
Identification
ZWV 3
Sort Order
03/12/09
Collection
Citation
“ZELENKA, Gio. Dis.,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4297.