VIVALDI, Ant[oni]o
Title
VIVALDI, Ant[oni]o
Description
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), 2 Motetti: No 1 In sum medio [Sum in medio tempestatum], III/V/4/9
D-Dl
Mus. 2389-E-1
Composer
VIVALDI, Ant[oni]o
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Title (Catalogo)
2 Motetti: No 1 In sum medio [Sum in medio tempestatum]
Location (1765)
Schranck III; Fach 4; Lage 9
SFL_combination
III/V/4/9
Scoring (1765)
‘a Sopr. solo con stromti’
Materials (1765)
Partitura; Parti
Title Partitura
[Sum in medio tempestatum]
Uniform Title
Motets
RISM Links
Remarks
Faded score (part autogr.) without cover. Tre lunae watermark. Parts are missing.
Caption title (faded): Motetto à Canto Solo con Istromti Del Vivaldi.
This early example has the same provenance as Mus. 2389-E-2 (see III/V/4/10). Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.
Vivaldi’s three sacred settings for solo soprano held in SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi (172–73), where it is proposed that the style of this work suggests that it was composed around 1730. See also the discussion of this setting on pages 298–230. See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Concordance:
CZ-Pak, 1364. Štefan, ([1414] Sign. 1364), prov. Sehling. RISM ID no. 550268609
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 1 ‘Sum in medio’ by Vivaldi (III/V/6/18). Scoring: ‘à Sopr. Solo co’ VV.ni V.la ed Org.’
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 177) identifies several movements of this setting as being based upon other compositions of Vivaldi.
Caption title (faded): Motetto à Canto Solo con Istromti Del Vivaldi.
This early example has the same provenance as Mus. 2389-E-2 (see III/V/4/10). Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.
Vivaldi’s three sacred settings for solo soprano held in SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi (172–73), where it is proposed that the style of this work suggests that it was composed around 1730. See also the discussion of this setting on pages 298–230. See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Concordance:
CZ-Pak, 1364. Štefan, ([1414] Sign. 1364), prov. Sehling. RISM ID no. 550268609
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 1 ‘Sum in medio’ by Vivaldi (III/V/6/18). Scoring: ‘à Sopr. Solo co’ VV.ni V.la ed Org.’
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 177) identifies several movements of this setting as being based upon other compositions of Vivaldi.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: Sum in medio, Sop. c. 2 V. Va. Org. P. u. Stb. wie die folgenden: In turbato [sic] mare, ebenso. [...]
SLB Card Catalog
Vivaldi, Antonio: Motetto: ‘Sum in medio’. à Canto Solo con [RV 632] Strom.ti. F-dur C Part. u. St. 1 H. mit 8 St. quer-8vo u. 4to. Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert et RV: Teil-Autogr.
Status
Part-autogr. score of the solo motet In sum medio by Vivaldi (Sum in medio tempestum; Mus. 2389-E-1) held by SLUB; 8 parts missing from Dresden.
Identification
RV 632
Sort Order
03/04/09
Collection
Citation
“VIVALDI, Ant[oni]o,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4274.