VIVALDI, Ant[oni]o
Title
VIVALDI, Ant[oni]o
Description
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), Laudate pueri, III/V/4/11
D-Dl
Mus. 2389-E-3
Composer
VIVALDI, Ant[oni]o
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Title (Catalogo)
Laudate pueri
Location (1765)
Schranck III; Fach 4; Lage 11
SFL_combination
III/V/4/11
Scoring (1765)
‘a Sopr. solo con stromti’
Materials (1765)
Partitura; Parti
Title Partitura
Laudate pueri
Uniform Title
Psalms (ps 112)
RISM Links
Remarks
Faded score without cover. Tre lunae watermark. Parts are missing.
Caption title (barely legible): [Laudate pueri à] Canto solo con Istromti Del [...]rica [...].
This source appears to have the same origins as Mus. 2389-E-1 and Mus. 2389-E-2. See III/V/4/9-10.
Michael Talbot (email 15.3.2019) advises that this Dresden source of RV 601 ‘is most certainly in the hand of Giovanni Antonio Mauro, as “Scribe/Hand 4” is now known to be (not Vivaldi’s father, as previously thought). But certain additions (by comparison with the composer's autograph manuscript) show that it was prepared under Vivaldi's supervision. It must therefore have been from Vivaldi, rather than from Mauro, that this work was ordered from Dresden.’ Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 166) identifies several movements of this setting as being based upon other compositions of Vivaldi.
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for ‘Laudate pueri’ by Vivaldi (III/V/ 6/20). The scoring is given as: ‘à Soprano Solo co’ VV.ni Viola ed Org.’
Vivaldi’s three sacred settings for solo soprano held by SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 601 see 268–74 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this psalm setting for solo voice was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Caption title (barely legible): [Laudate pueri à] Canto solo con Istromti Del [...]rica [...].
This source appears to have the same origins as Mus. 2389-E-1 and Mus. 2389-E-2. See III/V/4/9-10.
Michael Talbot (email 15.3.2019) advises that this Dresden source of RV 601 ‘is most certainly in the hand of Giovanni Antonio Mauro, as “Scribe/Hand 4” is now known to be (not Vivaldi’s father, as previously thought). But certain additions (by comparison with the composer's autograph manuscript) show that it was prepared under Vivaldi's supervision. It must therefore have been from Vivaldi, rather than from Mauro, that this work was ordered from Dresden.’ Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 166) identifies several movements of this setting as being based upon other compositions of Vivaldi.
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for ‘Laudate pueri’ by Vivaldi (III/V/ 6/20). The scoring is given as: ‘à Soprano Solo co’ VV.ni Viola ed Org.’
Vivaldi’s three sacred settings for solo soprano held by SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 601 see 268–74 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this psalm setting for solo voice was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: [...] — Laudate pueri .
SLB Card Catalog
Vivaldi, Antonio: Laudate pueri à Canto Solo con Strom.ti. G-dur. 2/4 . Part. [RV 601] 1 H. quer-4to [deleted] 8vo. Mus.-Mscr. Kath. Hofkirche
Status
Score of Laudate pueri by Vivaldi (Mus. 2389-E-3) held by SLUB. Parts missing from Dresden and not catalogued by SLB.
Identification
RV 601
Sort Order
03/04/11
Collection
Citation
“VIVALDI, Ant[oni]o,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4266.