VIVALDI, Ant[oni]o
Title
VIVALDI, Ant[oni]o
Description
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), [2 Motetti]: No 2 In turbato mare, III/V/4/10
D-Dl
Mus. 2389-E-2
Composer
VIVALDI, Ant[oni]o
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Title (Catalogo)
[2 Motetti]: No 2 In turbato mare
Location (1765)
Schranck III; Fach 4; Lage 10
SFL_combination
III/V/4/10
Scoring (1765)
‘a Sopr. solo con stromti’
Materials (1765)
Partitura; Parti
Title Partitura
[In turbato mare]
Uniform Title
Motets
RISM Links
Remarks
Faded part-autogr. score without cover. Tre lunae watermark. Parts are missing.
Caption title: Motetto à Canto Solo con Istromti Del Vivaldi.
This example has the same provenance as Mus. 2389-E-I. See III/V/4/9.
Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 2 ‘In turbato mare’ by Vivaldi (III/V/6/19). The scoring is given as: ‘à Sopr. Solo co’ VV.ni Viola ed Org.’
Vivaldi’s three solo settings for soprano are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 627 see 297–8 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 176) identifies movements of this setting as being based upon other compositions of Vivaldi.
Caption title: Motetto à Canto Solo con Istromti Del Vivaldi.
This example has the same provenance as Mus. 2389-E-I. See III/V/4/9.
Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 2 ‘In turbato mare’ by Vivaldi (III/V/6/19). The scoring is given as: ‘à Sopr. Solo co’ VV.ni Viola ed Org.’
Vivaldi’s three solo settings for soprano are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 627 see 297–8 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 176) identifies movements of this setting as being based upon other compositions of Vivaldi.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: Sum in medio, Sop. c. 2 V. Va. Org. P. u. Stb. wie die folgenden: Inturbato [sic] mare, ebenso. [...]
SLB Card Catalog
Vivaldi, Antonio: Motetto: ‘In turbato mare’. a Canto Solo con Strom.ti. Part. u. St. [RV 627] 1 H. mit 11 St. quer-8vo, 4to. Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert et RV: Teil-Autogr.
Status
Part-autogr. score of solo motet In turbato mare by Vivaldi (Mus. 2389-E-2) held by SLUB; 11 parts missing from Dresden.
Identification
RV 627
Sort Order
03/04/10
Collection
Citation
“VIVALDI, Ant[oni]o,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4265.