SARRI, Dom[eni]co (also attr. to Zelenka. See III/Z/9/2)
Title
SARRI, Dom[eni]co (also attr. to Zelenka. See III/Z/9/2)
Description
SARRO, Domenico [Natale] (b Trani, Apulio 1679—d Naples 1744), [Messe]: No 4. Kyrie e Gloria . . . Libro legato, III/S/1/4
D-Dl
Mus. 2356-D-1
Composer
SARRI, Dom[eni]co (also attr. to Zelenka. See III/Z/9/2)
Uniform Composer
SARRO, Domenico [Natale] (b Trani, Apulio 1679—d Naples 1744)
Title (Catalogo)
[Messe]: No 4. Kyrie e Gloria . . . Libro legato
Location (1765)
Schranck III; Fach 1; Lage 4
SFL_combination
III/S/1/4
Scoring (1765)
‘a 5 voci co’ VVni Vla Basso ’
Materials (1765)
Partitura
Title Partitura
Messa à 5 voci
Uniform Title
Masses
RISM Links
Remarks
Mus. 2356-D-1 is a bound Italian score copy (from the royal collection?). Perhaps Zelenka’s copy acquired c1730–32 was based upon another source. (NB: Margin note ‘P’).
Cover label [upper left; 19th c.]: Sarri | Messa | à 5 voci, con Viol., | Tromba e Ob. | Part. | ms.
Title page: Messa à Cinque Voci Con Violini Tromba, e | oboè | Del Sigr. Domenico Sarri.
Conclusion of score: ‘Laus Deo’.
Final page, lower right corner: ‘35 file[tto]’, reference to the gold decorations pressed onto the spine of the binding.
This score of Sarro’s Kyrie e Gloria in D major (D-Dl, Mus. 2356-D-1) is in the hand of copyist ‘Naples A’, who also copied Sarro’s intermezzo Burlotto e Brunetta (D-Dl, Mus. 2356-F-1), and Pergolesi’s Domine ad adiuvandum (D-Dl, Mus. 3005-D-22) and Dixit Dominus (D–Dl, Mus. 3005-D-20).
‘[...] the Kyrie e Gloria in D by Sarro reached Dresden twice. The first time, it entered Zelenka’s personal collection between 1730 and 1732 (D Dl, Mus. 2358-D-42: See Horn, Hkm, 152); the second time, it arrived in Dresden between 1738 and 1740 as a Neapolitan score which Zelenka carefully checked against his own copy, detecting and correcting a mistake by its copyist (a homoteleuton, D Dl, Mus. 2356-D-1, pp. 128–130)’. Bacciagaluppi & Stockigt, ‘Manuscripts of Sacred Music in Dresden’, 156.
Sarri’s setting of the text ‘Gratias agimus tibi’ in the Gloria of this mass seems to have provided Zelenka with the model for his own setting of that same text in Missa votiva (ZWV 18). See III/Z/9/4. Discussed by Stockigt in ‘The Missa votiva’, 46–7.
Cover label [upper left; 19th c.]: Sarri | Messa | à 5 voci, con Viol., | Tromba e Ob. | Part. | ms.
Title page: Messa à Cinque Voci Con Violini Tromba, e | oboè | Del Sigr. Domenico Sarri.
Conclusion of score: ‘Laus Deo’.
Final page, lower right corner: ‘35 file[tto]’, reference to the gold decorations pressed onto the spine of the binding.
This score of Sarro’s Kyrie e Gloria in D major (D-Dl, Mus. 2356-D-1) is in the hand of copyist ‘Naples A’, who also copied Sarro’s intermezzo Burlotto e Brunetta (D-Dl, Mus. 2356-F-1), and Pergolesi’s Domine ad adiuvandum (D-Dl, Mus. 3005-D-22) and Dixit Dominus (D–Dl, Mus. 3005-D-20).
‘[...] the Kyrie e Gloria in D by Sarro reached Dresden twice. The first time, it entered Zelenka’s personal collection between 1730 and 1732 (D Dl, Mus. 2358-D-42: See Horn, Hkm, 152); the second time, it arrived in Dresden between 1738 and 1740 as a Neapolitan score which Zelenka carefully checked against his own copy, detecting and correcting a mistake by its copyist (a homoteleuton, D Dl, Mus. 2356-D-1, pp. 128–130)’. Bacciagaluppi & Stockigt, ‘Manuscripts of Sacred Music in Dresden’, 156.
Sarri’s setting of the text ‘Gratias agimus tibi’ in the Gloria of this mass seems to have provided Zelenka with the model for his own setting of that same text in Missa votiva (ZWV 18). See III/Z/9/4. Discussed by Stockigt in ‘The Missa votiva’, 46–7.
Eitner
V. 8 (1903), 426–7: Sarro (Sarri), Domenico [...] In Dresde. kath. Kirche , Mss. [...] P. u. Stb.: 3 Kyrie et Gloria 4 et 5 voc. c. instrum.
SLB Card Catalog
Sarri, Domenico: Messa [Kyrie e Gloria] à 5 voci con Viol., Trombe e eb. Part. qu.-4to Mus.-Mscr.
Status
Score of a Kyrie and Gloria in D by Domenico Sarro (Mus. 2356-D-1: royal collection) held by SLUB.
Identification
ZWV 213
Sort Order
03/01/04
Collection
Citation
“SARRI, Dom[eni]co (also attr. to Zelenka. See III/Z/9/2),” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4250.