MUSICA SENZA NOME DELL’AUTORE
Title
MUSICA SENZA NOME DELL’AUTORE
Composer
MUSICA SENZA NOME DELL’AUTORE
Title (Catalogo)
Vexilla Regis: et Ecce quomodo moritur justus . . . 20 libretti
Location (1765)
Schranck III; Fach 33; Lage 4
SFL_combination
III/33/4
Scoring (1765)
‘a 4 Voci’
Materials (1765)
Partitura; Parti
Uniform Title
hymns
RISM Links
Remarks
Missing.
Stockigt, ‘Musica senza nome’, 49 (33.4).
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts (20 libretti) for anonymous settings of Vexilla Regis et Ecce quomodo moritur justus (III/28/4).
On Good Friday 1734 (Feria VI. in Parasceve) the Dresden Diarium Missionis reported:
Hora 9. Concio ... cantatur prius Cantus de Passione cum Organo. ... Post adoratam a Clero Crucem, portatur haec per subdiaconum ad Serenissimos. Reportatur rursum, ut et laici adorare possint. ... Musici omnes processionem comitantur, cantantes Ecce quomodo moritur justus...’ (At 9 o’clock, sermon ... previously the Passion hymn was sung with organ ... After the Veneration of the Cross by the clergy, it is carried by the subdeacon to the King and Queen. It is brought back again so that also the laiety may venerate the Cross. ... All the musicians accompanied the procession singing Ecce quomodo moritur justus...)
See the RISM entry where Vexilla Regis is attributed to Bernhard de Clairvaux.
Stockigt, ‘Musica senza nome’, 49 (33.4).
In the ‘Catalogo della Musica di Chiesa’ (c1784) score and parts (20 libretti) for anonymous settings of Vexilla Regis et Ecce quomodo moritur justus (III/28/4).
On Good Friday 1734 (Feria VI. in Parasceve) the Dresden Diarium Missionis reported:
Hora 9. Concio ... cantatur prius Cantus de Passione cum Organo. ... Post adoratam a Clero Crucem, portatur haec per subdiaconum ad Serenissimos. Reportatur rursum, ut et laici adorare possint. ... Musici omnes processionem comitantur, cantantes Ecce quomodo moritur justus...’ (At 9 o’clock, sermon ... previously the Passion hymn was sung with organ ... After the Veneration of the Cross by the clergy, it is carried by the subdeacon to the King and Queen. It is brought back again so that also the laiety may venerate the Cross. ... All the musicians accompanied the procession singing Ecce quomodo moritur justus...)
See the RISM entry where Vexilla Regis is attributed to Bernhard de Clairvaux.
Status
Score and parts for anonymous settings of Vexilla Regis et Ecce quomodo moritur justus missing from Dresden.
Sort Order
03/33/04
Collection
Citation
“MUSICA SENZA NOME DELL’AUTORE,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4235.