REINHARDT
Title
REINHARDT
Description
REINHARDT, Johann Georg (b 1676/7; d Vienna 1742), Magnificat, II/R/16/9
D-Dl
Mus. 2793-D-3
Composer
REINHARDT
Uniform Composer
REINHARDT, Johann Georg (b 1676/7; d Vienna 1742)
Title (Catalogo)
Magnificat
Location (1765)
Schranck II; Fach 16; Lage 9
SFL_combination
II/R/16/9
Scoring (1765)
‘a 4 voci co’ VVni Vla Tromb. e Timp. Basso’
Materials (1765)
Partitura
Title Partitura
Magnificat
Uniform Title
Canticles [B. Mariae Virginis (Luc. I, 46–55)]
RISM Links
Remarks
Score copy in the hand of Zelenka.
Blue-grey cover with title (Zelenka’s hand): C (left) Nro. 6 (right; ‘24’ erased) | Magnificat | à 4 | C:A:T:B: | Violin: 2 | Viole 2 | Trombe 2 | Timpano | Basso Contin. | del S. Reinhardt | Organista di S.M.I | e Catholica.
Conclusion of the score (hand of Zelenka): A M D G B V M OO SS H AA P I R.
This example was copied between late 1725 and early 1729: Zelenka’s pre early 1729 style bass clef is used, and in the figured bass the figure 4 is raised with a stroke (usage begun late in 1725). Incipits are given in Zelenka-Dokumentation, 64, Nr. 199.
Eitner (V. 8, 181) attributes this Magnificat to Mathias Karl Reinhardt.
Concordances:
1. CZ-Pnm, OSEK (cisterciáci). č př. 65/52: A Magnificat setting in C by ‘Reinharth’ is listed in the catalogue of Florian Burian (1720–33). See CZ-Pnm, OSEK (cisterciáci), 65/52 (36).
2. CZ-Pak, 1078. Included in the collection titled Vesperae Breves. De Dominica. de Confessore. De Virginibus et Apostolis. à Canto, Alto, tenore, Basso, Violinis 2 e Fondamento. di Sig. Giorgio Reinhardt. Ex rebus Josephi Sehling. Štefan, ([1129] Sign. 1078).
See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No 26.
Blue-grey cover with title (Zelenka’s hand): C (left) Nro. 6 (right; ‘24’ erased) | Magnificat | à 4 | C:A:T:B: | Violin: 2 | Viole 2 | Trombe 2 | Timpano | Basso Contin. | del S. Reinhardt | Organista di S.M.I | e Catholica.
Conclusion of the score (hand of Zelenka): A M D G B V M OO SS H AA P I R.
This example was copied between late 1725 and early 1729: Zelenka’s pre early 1729 style bass clef is used, and in the figured bass the figure 4 is raised with a stroke (usage begun late in 1725). Incipits are given in Zelenka-Dokumentation, 64, Nr. 199.
Eitner (V. 8, 181) attributes this Magnificat to Mathias Karl Reinhardt.
Concordances:
1. CZ-Pnm, OSEK (cisterciáci). č př. 65/52: A Magnificat setting in C by ‘Reinharth’ is listed in the catalogue of Florian Burian (1720–33). See CZ-Pnm, OSEK (cisterciáci), 65/52 (36).
2. CZ-Pak, 1078. Included in the collection titled Vesperae Breves. De Dominica. de Confessore. De Virginibus et Apostolis. à Canto, Alto, tenore, Basso, Violinis 2 e Fondamento. di Sig. Giorgio Reinhardt. Ex rebus Josephi Sehling. Štefan, ([1129] Sign. 1078).
See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No 26.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Additional
—
Eitner
V. 8 (1903), 181): attributes the works listed in the Catalogo (1765) under Reinhardt to Mathias Karl Reinhard[t]: In Dresden kath. Kirche befinden sich von einem Reinhardt [...] 1 Magnificat, 4 voc. 2 V. Va. Ob. Trombe. Timp. Org.
SLB Card Catalog
Reinhar[d]t, [Johann Georg]: Magnificat à 4 [con strom.]. C-dur. C. Part. 4to. Mus. -Mscr. Kath Hofkirche. Lt Mitt. v. Herrn Dr. F. W. Riedel v. 9.6.1961 ist das gleiche Werk vorhanden in Wein. Österr. Nat. Bibl H.K.361
Status
Score of Magnificat by Reinhardt held by SLUB (Mus. 2793-D-3).
Sort Order
02-16-09
Collection
Citation
“REINHARDT,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 29, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3993.