CIAMPI, Vicenzo
Title
CIAMPI, Vicenzo
Description
CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762), Te Deum laudamus, I/C/9/2
D-Dl
Mus. 3059-E-1
Composer
CIAMPI, Vicenzo
Uniform Composer
CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762)
Title (Catalogo)
Te Deum laudamus
Location (1765)
Schranck I; Fach 9; Lage 2
SFL_combination
I/C/9/2
Scoring (1765)
‘a 4 voci co’ VVni Viola Basso e Trombe’
Materials (1765)
Partitura
Title Partitura
Te Deum
Uniform Title
Hymns
Date (Catalogo)
21 September 1758
RISM Links
Remarks
Score copy. Blue-grey cover. Fold through the centre of the manuscript.
Cover label (pasted over an earlier label, of which ‘1’ is visible) to correspond with the entry in the missing Catalogo (c1784): Schranck No: I. | Lit: C. 12. Fach 4. Lage | Te Deum lauda= | mus | à 4 voci | co’ VVni. Oboi, Viola, ed Org. | Partitura sola | del Sigr Ciampi | Incipit.
Title page: Te Deum | 1758 | 21 7bre (September): | Del Sigr: Vincenzo Ciampi.
Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given.
The hand of this copyist is the same as that seen in Ciampi’s Missa solenne (I/C/9/1) now held in Berlin (also dated ‘1758 | 21 7bre’ [September]), as well as the mass movements by Puppi (II/P/14/2).
I am grateful to Wolfgang Eckhardt who has advised that the watermark (three hats; countermark, the letter ‘B’) is probably from a paper mill in the Veneto, also seen in Galuppi’s Magnificat, Mus. 2973-D-27.
Cover label (pasted over an earlier label, of which ‘1’ is visible) to correspond with the entry in the missing Catalogo (c1784): Schranck No: I. | Lit: C. 12. Fach 4. Lage | Te Deum lauda= | mus | à 4 voci | co’ VVni. Oboi, Viola, ed Org. | Partitura sola | del Sigr Ciampi | Incipit.
Title page: Te Deum | 1758 | 21 7bre (September): | Del Sigr: Vincenzo Ciampi.
Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given.
The hand of this copyist is the same as that seen in Ciampi’s Missa solenne (I/C/9/1) now held in Berlin (also dated ‘1758 | 21 7bre’ [September]), as well as the mass movements by Puppi (II/P/14/2).
I am grateful to Wolfgang Eckhardt who has advised that the watermark (three hats; countermark, the letter ‘B’) is probably from a paper mill in the Veneto, also seen in Galuppi’s Magnificat, Mus. 2973-D-27.
Stamps
Sächs. Landesbibliothek.
Additional
A 59
Eitner
V. 2 (1900), 423–4: Ciampi, Legrenzo Vincenzo, auch nur mit Vincenzo gez. [...] Ms. 59. Dresd. Mus.: Te deum laudamus à 4 v. con Strom. Comp. i. J. 1758. P. Mss. Dresd. kath. Kirche: …1 Te deum à 4 voci c. orch.
SLB Card Catalog
Ciampi, Legrenzio Vicenzo: Te Deum laudamus à 4 voci co[n strom.] Part. qu.-8vo . Mus. -Mscr.
Status
One score copy of Te Deum laudamus by Ciampi (from the royal collection: Mus. 3059-E-1) held by SLUB.
Sort Order
01-09-02
Collection
Citation
“CIAMPI, Vicenzo,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3625.