Gina Athena Ulysse

Title

Gina Athena Ulysse

Birthplace

Pétion-Ville, Haiti

Primary Sources

Ulysse, G.A. (2024). Tools of the Trade; or, Women’s Works. Meridians: Feminism, Race, Transnationalism, 23(1), 175–181. https://doi.org/10.1215/15366936-10926976

Ulysse, G.A. (2024). In Other Words: A Rasanblaj of Not So Random Everyday Notes. Palimpsest: A Journal on Women, Gender, and the Black International, 13(1), 37–46. https://doi.org/10.1353/pal.2024.a930523

Ulysse, G.A. (2022). One Priestess’s Salutation: A Study in Movement. Frontiers: A Journal of Women Studies, 43(3), 240–243. https://doi.org/10.1353/fro.2022.0052

Ulysse, G.A. (2022). Greeting a mambo: A study in motion. Frontiers: A Journal of Women Studies, 43(3), 244–247. https://doi.org/10.1353/fro.2022.0053

Ulysse, G.A., & Guest, K. J. (2020). Afterword: Toward decolonizing anthropology’s public spaces. AMERICAN ETHNOLOGIST, 47(2), 198–202. https://doi.org/10.1111/amet.12903

Ulysse, G.A. (2019). Homage to Those Who Hollered before Me/Meditations on Inheritances and Lineages, Anthropological and Otherwise. Anthropology News, 60(2), e41-e47. https://doi.org/10.1111/AN.1133

Ulysse, G.A. (2019). Skin Castles: Some Not So Random Notes on Performing a Taxonomy of Rages against Empire. Third Text, 33(4/5), 521–539. https://doi.org/10.1080/09528822.2019.1654780

Ulysse, G.A. (2017). Because when god is too busy: Haiti, me & the world. Wesleyan University Press. https://www.weslpress.org/9780819577351/because-when-god-is-too-busy/

Ulysse, G.A. (2017). Why Rasanblaj, Why Now? New Salutations to the Four Cardinal Points in Haitian Studies. Journal of Haitian Studies, 23(2), 58–80. https://www.jstor.org/stable/26431818

Ulysse, G.A. (2015). Why Haiti needs new narratives: A post-quake chronicle. Wesleyan University Press. https://www.weslpress.org/9780819575456/why-haiti-needs-new-narratives/

Ulysse, G.A (2008). Downtown Ladies: Informal Commercial Importers, a Haitian Anthropologist and Self-Making in Jamaica. Chicago: University of Chicago Press. https://doi.org/10.7208/9780226841236

Ulysse, G.A. (2006). Papa, Patriarchy, and Power: Snapshots of a Good Haitian Girl, Feminism, & Dyasporic Dreams. Journal of Haitian Studies, 12(1), 24–47. http://www.jstor.org/stable/41716760

Secondary Sources

Romoli Venturi, P., & Ulysse, G.A. (2024). The Meditation on Rasanblaj Questionnaire (MRQ) #3. Anthropology Now, 16(1), 57–63. https://doi.org/10.1080/19428200.2024.2352348

Jallo, Z., & Ulysse, G.A. (2024). The Meditation on Rasanblaj Questionnaire (MRQ) #2. Anthropology Now, 16(1), 40–44. https://doi.org/10.1080/19428200.2024.2352342

Gill, L. K., & Ulysse, G.A. (2023). Bwapin Rasanblaj: A Curated Conversation. Feminist Studies, 49(2), 328–351. https://doi.org/10.1353/fem.2023.a915912

Bannann, L. (2013). Gina Athena Ulysse. Gastronomica, 13(2), 18–20. https://doi.org/10.1525/gfc.2013.13.2.18

Daniels, K. M., & Ulysse, G.A. (2011). To Move Mountains: An Interview with Artist and Academic Activist Gina Athena Ulysse. Journal of Haitian Studies, 17(1), 258–266. https://www.jstor.org/stable/41711920


Extra Resources

Gina Athena Ulysse. Homepage. Accessed February 2, 2023. https://ginaathenaulysse.com/

Ulysse, G.A. (April 28, 2022). I Want to Know Who I Am At Work When I Am Not Under Duress: Riffs on Boundaries, Protection, and Inspiration. Public Seminar. Accessed February 2, 2023. https://publicseminar.org/essays/i-want-to-know-who-i-am-at-work-when-i-am-not-under-duress/

Gina Athena Ulysse: Remixed ode to rebel's spirit (March 30, 2018). The British Museum. YouTube. Accessed February 2, 2023. https://youtu.be/vnjBmJiYNYQ

World101x: Full Interview with Gina Athena Ulysse (September 6, 2014). UQx World101x Anthropology of Current World Issues. YouTube. Accessed February 2, 2023. https://youtu.be/_cgpiii9NhA

Collection

Caribbean

Citation

“Gina Athena Ulysse,” Decoloniality, First Nations Thinkers and thought and practices from the Global South, accessed December 27, 2024, https://omeka.cloud.unimelb.edu.au/decoloniality-and-thinkers-from-the-global-south/items/show/206.

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