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'History in stone: houses, ancient and modern in the news. ... An Abbey Art Colony', The Sphere, London, 18 September 1948, p. 375
Illustrated feature article on the Abbey Art Centre. One photograph depicts the front of the main house, seen from a garden along a row of raised borders and through an archway covering in flowering vines. The second photograph depicts an artist from…
'Australian art at the Berkeley Galleries: Mr E. McCarthy with Australian artist James Cant (right)', The Sphere, London, 18 March 1950
Illustrated Newspapers press clipping of a photograph taken at the exhibition opening of Australian Aboriginal Art: Paintings by James Cant after the original cave paintings recently discovered by Charles Mountford in the Arnhem Land Plateau, at the…
The Abbey Art Centre and Museum, Founded by William F. C. Ohly … P.S. Lindsay, A.T.D. (Lond.), Hon. Curator, c. 1957
Publicity brochure advertising the Abbey Art Centre Museum, open Saturday afternoon, 2:30-5pm, or by appointment. Illustrated on the front cover with a photograph of the tithe barn as seen from the driveway towards the Abbey Art Centre, with the…
Drawings and Water-Colours by Katerina Wilczynski, October — November 1942
Single sheet, folded, printed in black and white on cream wove paper, with an illustration by Katerina Wilczynski on the front cover showing [check which building], Oxford, and signed within the image 'WILS / OXFORD / 1942'. Inside is a biographical…
Shrine and Protectors, January 1955, by Helen Marshall
Signed with initials on reverse: ‘HM’. Inscribed by Phillip Martin with black marker lower right: ‘Sesto 1/55’. Inscribed with black marker verso: ‘Shrine and Protectors oil on paper 1955 100 x 149’; inscribed again in black verso: ‘Pos/Sesto 1955’;…
Lennamore, Bellarena (N. Ireland), 1950, by Helen Marshall
Unsigned. Dated in black biro lower left recto: ‘1950’; numbered in black biro lower right recto: ‘156’.
Rooster, 1950, by Helen Marshall
Unsigned. Inscribed in black pen below image on sketchbook page lower left: ’Rooster’; inscribed again and dated lower right below image: ‘1950 / 29 1/2 x 21 1/2’.
My Land, 1951, by Helen Marshall
Unsigned. Inscribed and dated in black ink recto beneath image: ‘My Land. oil & wax crayon on paper / 38 x 26 / London 1951 / Thames Ditton’.
The Reaper, Bellarena, 1950, by Helen Marshall
Unsigned. Dated in pencil lower centre recto: ‘1950’; inscribed by Phillip Martin in black marker pen verso: ‘154 / Bellarena / 1950 / oil on 3/ply / 37 x 27’; also with remain of stamp on reverse: ‘INSPEC...’ (probably a Customs inspection stamp).
Between Benevenue and the Strand (girl with donkey, white cottage beyond), 1951, by Helen Marshall
Signed lower right in black ink: 'HM'. Inscribed and dated in blue biro lower right recto: ‘H 1951’; inscribed in black marker verso: ‘Between Benevenue and the Strand / 50 x 19 1/2 / Shruns 1951 / oil on paper’.