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                <text>Experiences of teaching online art during the pandemic and shifting pedagogy to prioritize student well-being within projects and assignments.</text>
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                <text>Art Education, Experiences in Distance and Isolation: Art Stories From the Pandemic.  17-18. </text>
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                <text>Editorial for 'Art Education' that addresses the shifting landscape of teaching and learning during Covid 19 times.</text>
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                <text>Editorial &#13;
The ripple effects of the pandemic; lived experiences of COVID-19; lost lives; economic meltdown; political division; Black Lives Matter; White privilege; the climate crisis; reopening the complex school system; school segregation; remote learning; students left behind by the digital divide; hunger; children in developing countries taking illegal and dangerous jobs, potentially rolling back years of social progress and public health (Gettleman &amp; Raj, 2020)—all highlighting the complexity of our knotted lives. Amid fears of the unknown and tensions around the globe, one can’t not see the glass half full from our position of public responsibility. Despite these entangled times, what does not change is our commitment and responsiveness as educators to empower others, strengthen our networks and communities, and respond educationally and creatively through our lived experiences.</text>
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                <text>Art Education &#13;
Volume 74, 2021 - Issue 1</text>
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                <text>Kantawala, Ami.</text>
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Mayo, Whitney.&#13;
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Mayo, Whitney.&#13;
Shaw, Ryan.&#13;
Sabol, F. Robert.&#13;
Tuttle, Lynn.&#13;
Weaver, James.</text>
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                <text>Society turns to the arts for comfort, escape, healing, entertainment and intellectual challenge. By&#13;
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or informally, or producing art either professionally or for leisure, the arts assist with building a sense&#13;
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workers around the world are now unemployed and given the short-term, casual and project-driven&#13;
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more conventional business models. While there are many current challenges for the arts as a result of&#13;
the pandemic, there has been significant engagement with the arts during lockdown periods, largely&#13;
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once COVID-19 is brought under control, the sector will rebuild and prosper again.</text>
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                <text>THE SOCIETAL IMPACTS OF COVID-19: A TRANSNATIONAL PERSPECTIVE (editors 	Veysel Bozkurt, Glenn Dawes, Hakan Gülerce, Patricia Westenbroek)</text>
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                <text>Over the past several months, new models of curriculum and the enactment of these models were devised and worked out in real time so that students might continue to learn and thrive despite abrupt changes to their day-to-day realities. Professional collaborations were key for many art educators adapting to online, at-home schooling, myself included. It was a collaboration with my colleague, Gloria Wilson, that led me to abandon my carefully planned art curriculum in favor of teaching toward the unknown. Over long Zoom sessions, we shared our anxieties about being asked to pivot to teaching online with only a few days in which to do it. We both wanted to offer students a curriculum that would help them (and us) cope with the dislocation from school campus and disruption to routines and relationships. Besides dread, we also saw in the pivot to online instruction an unusual opportunity to experiment with curriculum design and equity pedagogies in art and visual culture education. Our students ended up pursuing creative investigations focused on understanding and participating in the visual culture emerging in the time of COVID-19 (see Figures 1–3). They used arts-based methods to attend to what was new and changing in the world around them, collect and document what they noticed, and then visualize it in symbolic forms.</text>
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