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                <text>Feminism, Gender, Trans, Queer Theory and Sexuality</text>
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            <text>1952</text>
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            <text>Vietnam</text>
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            <text>Trinh T. Minh-ha and Jean Bourdier, &lt;em&gt;Night Passage&lt;/em&gt;, 2005, digital film, 98min.  Moongift Films. Accessed April 10, 2022.&lt;br /&gt;&lt;br /&gt;Surname Viet, Given Name Nam. 1989. USA. Directed by Trinh T. Minh-ha. 35mm. 108 min. Accessed April 10, 2022.&lt;br /&gt;&lt;a href="https://www.kanopy.com/en/product/239199"&gt;https://www.kanopy.com/en/product/239199,&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;p class="section-title"&gt;Trinh T Minh-ha Profile. Berkeley. Accessed April 10, 2022. &lt;a href="https://rhetoric.berkeley.edu/people/trinh-minh-ha/"&gt;https://rhetoric.berkeley.edu/people/trinh-minh-ha/&lt;/a&gt;&lt;/p&gt;</text>
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            <text>&lt;div class="gs_citr"&gt;Reed, P. J. (2020). The Enduring Power of Trinh T. Minh-Ha’s Anti-Ethnography. &lt;i&gt;ArtReview Asia&lt;/i&gt;.&lt;/div&gt;
&lt;a href="https://artreview.com/the-enduring-power-of-trinh-t-minh-ha-films/"&gt;https://artreview.com/the-enduring-power-of-trinh-t-minh-ha-films/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class="gs_citr"&gt;Ludlow, J. (1992). Woman, Native, Other: Writing, Postcoloniality and Feminism by Trinh T. Minh-ha, and: When the Moon Waxes Red: Representation, Gender and Cultural Politics by Trinh T. Minh-ha. &lt;i&gt;L'Esprit Créateur&lt;/i&gt;, &lt;i&gt;32&lt;/i&gt;(3), 101-102.&lt;br /&gt;&lt;a href="https://muse.jhu.edu/pub/1/article/526828/summary"&gt;https://muse.jhu.edu/pub/1/article/526828/summary&lt;/a&gt;&lt;/div&gt;</text>
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&lt;div class="gs_citr"&gt;Minh-Ha, T. T. (2020). &lt;i&gt;Lovecidal: Walking with the disappeared&lt;/i&gt;. Fordham University Press.&lt;/div&gt;
&lt;a href="https://doi.org/10.5422/fordham/9780823271092.001.0001" class="book-info__doi-link"&gt;https://doi.org/10.5422/fordham/9780823271092.001.0001&lt;/a&gt;,&lt;span&gt; &lt;/span&gt;&lt;span class="accessed-date"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Minh-Ha, T. T. (2014). &lt;i&gt;When the moon waxes red: Representation, gender and cultural politics&lt;/i&gt;. Routledge.&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Minh-Ha, T. T. (2010). &lt;i&gt;Elsewhere, within here: Immigration, refugeeism and the boundary event&lt;/i&gt;. Routledge.&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Minh-ha, T. T. (1995). " Who Is Speaking?": Of Nation, Community, and First-Person Interviews.&lt;/div&gt;
&lt;span&gt;In P. Zeglin Brand and C. Korsmeyer, &lt;/span&gt;&lt;em&gt;&lt;span class="html-italic"&gt;Feminism and Tradition in Aesthetics, &lt;/span&gt;&lt;/em&gt;193–214.&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;
&lt;div class="gs_citr"&gt;Trinh, T. M. H. (1992). &lt;i&gt;Framer framed&lt;/i&gt;. Routledge.&lt;/div&gt;
&lt;br /&gt;Minh-ha, T.T. (1989). &lt;em&gt;Women, Native: Writing Postcoloniality and Feminism&lt;/em&gt;. Bloomington, Indianapolis: Indiana University Press.</text>
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              <text>Trinh T Minh-ha</text>
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              <text>“Trinh T. Minh-ha” by Trịnh Thị Minh Hà is licensed under CC BY-SA 3.0.</text>
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