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                <text>Feminism, Gender, Trans, Queer Theory and Sexuality</text>
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            <text>1963</text>
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            <text>Great Britain</text>
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            <text>King, J (2022, April 15). "51% #1708 Shani Orgad. Rosalind Gill, on Confidence Culture." &lt;em&gt;51% Podcast&lt;/em&gt;. Podcast. Accessed August 22 2022. &lt;br /&gt;&lt;a href="https://www.wamc.org/show/51/2022-04-15/51-1708-shani-orgad-rosalind-gill-on-confidence-culture"&gt;https://www.wamc.org/show/51/2022-04-15/51-1708-shani-orgad-rosalind-gill-on-confidence-culture,&lt;/a&gt;</text>
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            <text>&lt;div class="gs_citr"&gt;
&lt;div class="gs_citr"&gt;Banet-Weiser, S., Gill, R., &amp;amp; Rottenberg, C. (2020). Postfeminism, popular feminism and neoliberal feminism? Sarah Banet-Weiser, Rosalind Gill and Catherine Rottenberg in conversation. &lt;i&gt;Feminist theory&lt;/i&gt;, &lt;i&gt;21&lt;/i&gt;(1), 3-24.&lt;/div&gt;
&lt;/div&gt;
&lt;a href="https://journals.sagepub.com/doi/full/10.1177/1464700119842555"&gt;https://journals.sagepub.com/doi/full/10.1177/1464700119842555&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class="gs_citr"&gt;Barker, M. J., Gill, R., &amp;amp; Harvey, L. (eds.) (2018). Mediated intimacy: Sex advice in media culture. &lt;i&gt;Sexualities&lt;/i&gt;, &lt;i&gt;21&lt;/i&gt;(8), 1337-1345.&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Elias, A., Gill, R., &amp;amp; Scharff, C. (eds.) (2017). &lt;i&gt;Aesthetic labour: Beauty politics in neoliberalism&lt;/i&gt; (pp. 3-49). Palgrave Macmillan UK.&lt;br /&gt;&lt;a href="https://link.springer.com/chapter/10.1057/978-1-137-47765-1_1"&gt;https://link.springer.com/chapter/10.1057/978-1-137-47765-1_1&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Gill, R., &amp;amp; Orgad, S. (2015). The confidence cult (ure). &lt;i&gt;Australian Feminist Studies&lt;/i&gt;, &lt;i&gt;30&lt;/i&gt;(86), 324-344.&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Gill, R., &amp;amp; Ryan-Flood, R. (Eds.). (2010). &lt;i&gt;Secrecy and silence in the research process: Feminist reflections&lt;/i&gt; (p. 228). London: Routledge.&lt;/div&gt;
&lt;br /&gt;&lt;span&gt;&lt;/span&gt;</text>
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        <name>Bibliography</name>
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            <text>&lt;div class="gs_citr"&gt;
&lt;div class="gs_citr"&gt;Gill, R. (2021). Being watched and feeling judged on social media. &lt;i&gt;Feminist Media Studies&lt;/i&gt;, &lt;i&gt;21&lt;/i&gt;(8), 1387-1392.&lt;/div&gt;
&lt;a href="https://www.tandfonline.com/doi/pdf/10.1080/14680777.2021.1996427"&gt;https://www.tandfonline.com/doi/pdf/10.1080/14680777.2021.1996427&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;
&lt;div class="gs_citr"&gt;Orgad, S., &amp;amp; Gill, R. (2021). &lt;i&gt;Confidence culture&lt;/i&gt;. Duke University Press.&lt;/div&gt;
&lt;span&gt; &lt;a href="https://www.dukeupress.edu/confidence-culture"&gt;https://www.dukeupress.edu/confidence-culture&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;
Gill, R. (2019). Post-postfeminism?: New feminist visibilities in postfeminist times. In &lt;i&gt;An Intergenerational Feminist Media Studies&lt;/i&gt; (pp. 54-74). Routledge.&lt;br /&gt;&lt;a href="https://openaccess.city.ac.uk/id/eprint/15641/3/"&gt;https://openaccess.city.ac.uk/id/eprint/15641/3/&lt;/a&gt;&lt;br /&gt;
&lt;div class="gs_citr"&gt;&lt;br /&gt;Gill, R. (2018). Not all creatives are created equal. &lt;i&gt;Nature human behaviour&lt;/i&gt;, &lt;i&gt;2&lt;/i&gt;(8), 526-527.&lt;br /&gt;&lt;a href="https://openaccess.city.ac.uk/id/eprint/21281/3/"&gt;https://openaccess.city.ac.uk/id/eprint/21281/3/&lt;/a&gt;&lt;/div&gt;
&lt;div class="gs_citr"&gt;
&lt;div class="gs_citr"&gt;&lt;br /&gt;Gill, R. (2014). Unspeakable inequalities: Post feminism, entrepreneurial subjectivity, and the repudiation of sexism among cultural workers. &lt;i&gt;Social Politics: International Studies in Gender, State &amp;amp; Society&lt;/i&gt;, &lt;i&gt;21&lt;/i&gt;(4), 509-528.&lt;/div&gt;
&lt;br /&gt;Gill, R., &amp;amp; Scharff, C. (Eds.). (2013). &lt;i&gt;New femininities: Postfeminism, neoliberalism and subjectivity&lt;/i&gt;. Springer.&lt;br /&gt;&lt;br /&gt;Gill R. (2009). Breaking the silence: The hidden injuries of neo-liberal academia. In Ryan-Flood R., Gill R. (Eds.), &lt;em&gt;Secrecy and silence in the research process: Feminist reflections&lt;/em&gt; (pp. 228–244). Routledge.&lt;br /&gt;&lt;br /&gt;Gill, R. (2007). &lt;i&gt;Gender and the Media&lt;/i&gt;. Polity.&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Gill, R. (2007). Postfeminist media culture: Elements of a sensibility. &lt;i&gt;European journal of cultural studies&lt;/i&gt;, &lt;i&gt;10&lt;/i&gt;(2), 147-166.&lt;br /&gt;&lt;a href="https://journals.sagepub.com/doi/full/10.1177/1367549407075898"&gt;https://journals.sagepub.com/doi/full/10.1177/1367549407075898&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="gs_citr"&gt;Gill, R., &amp;amp; Herdieckerhoff, E. (2006). Rewriting the romance: new femininities in chick lit?. &lt;i&gt;Feminist Media Studies&lt;/i&gt;, &lt;i&gt;6&lt;/i&gt;(4), 487-504.&lt;br /&gt;&lt;a href="https://www.tandfonline.com/doi/abs/10.1080/14680770600989947"&gt;https://www.tandfonline.com/doi/abs/10.1080/14680770600989947&lt;/a&gt;&lt;/div&gt;</text>
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              <text>Rosalind Gill</text>
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              <text>“Rosalind Gill” by AGEMI - Advancing Gender Equality in the Media is licensed under CC BY 3.0.</text>
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