5 10 41 https://omeka.cloud.unimelb.edu.au/kulturalautem/files/original/6665beb723516b5403fc518aacac0d72.mp4 e39e8c442e964f19778f8064d65ae2bc https://omeka.cloud.unimelb.edu.au/kulturalautem/files/original/6717786f2902fba15a87f0f5cdc1f426.mp4 f3f06d46c276b5b2a93f1fb9710c8965 https://omeka.cloud.unimelb.edu.au/kulturalautem/files/original/78eaebaed96ed84b36ee04837e725916.mp4 07562c0f39d8aa3ab565cfb985ab3843 https://omeka.cloud.unimelb.edu.au/kulturalautem/files/original/255768b7de6e07937c8b91ea50c9c680.mp4 c11e2582914cae0c53c7f49c727a6f2d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vaihoho (dadolin kanta; sung poetry) Subject The topic of the resource Oral Traditions And Expressions Description An account of the resource TETUM Istória orál Fataluku nian maioria mak dadolin kanta ne'ebé ema koñese ho naran vaihoho. Vaihoho uza metáfora atu konta kona-ba akontesimentu istóriku. Uluk vaihoho sira barak liu haree ba tema domin no sentimentu terus tanba domin, maibé agora sira konta barak kona-ba konflitu, funu no triste. Tema seluk mak kona-ba ko'a hare no silu batar. Vaihoho mak dadolin tradisionál ne'ebé bele ko'alia ka kanta, dala barak tuir formatu bolu-hatán no koru boot ka ki'ik mak kanta. Vaihoho ne'ebé kanta ho parte rua baibain kanta atu simu bainaka, ka iha kazamentu, tempu ko'a hare, serimónia hakoi mate no servisu todan (hanesan hamoos foos, dada ai boot sai husi ai-laran, monta ai-riin ba uma foun, foti meci, la'o dook no halimar). Ema Fataluku uza simbolizmu no imajen bainhira sira konta vaihoho, ne'ebé bele badak ka bele naruk loos. Dadolin vaihoho bele konta ka kanta uza lingua loron-loron nian, maibé dala barak ema uza lingua Fataluku aas ne'ebé inklui liafuan ne'ebé baibain la uza. Atu bele kanta vaihoho presiza kompriende didi'ak nia regulamentu komplikadu nomós kompriende liafuan aas barak. Tanba nune'e, oportunidade atu aprende vaihoho agora menus ona no ema uitoan de'it ne'ebé moris depois de 1980 hatene kanta vaihoho. Peskiza ida-ne'e dokumenta vaihoho oi-oin, inklui kantiga barlake nian, lipal vaihoho nu, ne'ebé uza bainhira halo negosiasaun kona-ba barlake; kantiga fahe hare (orontafa) ne'ebé kanta bainhira prepara foos ba serimónia; kantiga kona-ba domin, iha-rala vaihoho, no kantaiga kona-ba hasoru susar durante hala'o rezisténsia iha tempu okupasaun Indonézia, halu vaihoho, ne'ebé uza metáfora kona-ba ai boot ne'ebé monu ba rai; no vaihoho iharala, kantiga kona-ba oan-kiak iha tempu funu. Kanta iha serimónia hakoi-mate, sa’u, mak uza bainhira avó ruma mate no iha ninia rituál espesífiku inklui oferta animál no tais. Tanba rituál sa'u lulik, ekipa peskiza labele dokumenta ida-ne'e, maske akontese beibeik iha área Lautem. ENGLISH Much of Fataluku oral literature is held and told through the vast body of sung poetry known as vaihoho. Vaihoho engage metaphor to tell historical events. Vaihoho were once predominantly themed around the melancholia of love, but are now more about recent tragedies of conflict, war and loss. Others themes pertain to harvest. Vaihoho are traditional poems either spoken or sung, often in call-and-response format performed a capella by choirs of varying sizes. Vaihoho two-part singing is performed for welcoming guests, weddings, harvests, funerals and heavy work (threshing rice, hauling a tree from the forest, planting the post of a house, harvesting sea worms, walking, passing the time). Symbolism and imagery is engaged in the telling of vaihoho, which range in length from one to many stanzas. Vaihoho poems may be told in the ordinary daily language, but often use a high literature language with rare or archaic words. To be able to sing vaihoho requires understanding its complicated and intricate rules and archaic words. For this reason opportunities to learn vaihoho are diminished today, and few people born after 1980 are able to sing vaihoho. A range of vaihoho were documented in this study, including a bride price song, lipal vaihoho nu, used in negotiating a wedding contract; rice husking songs (orontafa) used when preparing rice for ceremonies; songs about love, iha-rala vaihoho, and songs about the hardships of the period of resistance to the Indonesian occupation, halu vaihoho, which uses a metaphor of a large tree that falls on the land; and vaihoho iharala, songs about the orphans left after war. Funeral singing, sa’u, is used at the funerals of elders, and has its own rituals involving making offerings of gifts of animals and textiles. As sa'u rituals are sacred, these were not able to be documented by researchers, despite their frequent occurrence in the Lautem region. Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Halu Vaihohonu (Dadolin funu nian , War song) - Aldeia Vailana Subject The topic of the resource [Grupu dadolin ] Dadolin funu vaihoho [Isinging group] sing War song Description An account of the resource TETUM Kantiga funu, halu vaihoho, konta kona-ba terus no triste husi konflitu no masakre ne'ebé akontese bainhira Indonézia okupa Timor-Leste. Ema barak hetan oho no balun halai subar iha ai-laran. Kantiga ne'e uza metáfora ai boot ida monu iha rai Timor hodi konta katak ema barak mate, liu-liu nasaun nia joven sira. ENGLISH War song, halu vaihoho, tells about the tragedy of the conflict and massacres involved when Indonesia occupied Timor Leste. Many people were killed, and some were able to escape by hiding in forest areas. The song uses the metaphor of a large tree that fell across Timor Leste, killing a large number of people and taking with it the country's youth. Creator An entity primarily responsible for making the resource Many Hands International Source A related resource from which the described resource is derived Preservation of Endangered Forms of Fataluku Cultural Expression Project Date A point or period of time associated with an event in the lifecycle of the resource 07 / November / 2012 Rights Information about rights held in and over the resource Video, photo and text rights: Many Hands International Language A language of the resource Fataluku Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Adeia Vailana, Suco Lore I , Post Adminstrativu Lospalos, canta dadolin kanta funu Leuro Lospalos poetry sung poem vaihoho Vailana war