MUSICA SENZA NOME DELL’AUTORE

MUSICA SENZA NOME DELL’AUTORE

BELLINZANI [BELINZANI; BELIZANI], Paolo Benedetto (b Ferrara c1690–d Recanati 1757), [Ad Vesperas]: Beati omnes et Confitebor Angeloru[m], III/32/10

[from Mus. 2431-E-1; -E-2,8 and -E-2,9]

MUSICA SENZA NOME DELL’AUTORE

BELLINZANI [BELINZANI; BELIZANI], Paolo Benedetto (b Ferrara c1690–d Recanati 1757)

[Ad Vesperas]: Beati omnes et Confitebor Angeloru[m]

Schranck III; Fach 32; Lage 10

III/32/10

‘a 4 Voci con Strom.’

Parti

Psalms (ps. 94; ps. 137)

[publ. 1718]

These incipits of Beati omnes and Confitebor Angelorum match the opening bars of these settings in Bellinzani’s SALMI BREVI PER TUTTO L’ANNO. RISM B 1781
(Mus. 2431-E-1). See I/B/2/5.
Additional scores of these two settings (Mus. 2431-E-2,8; -E-2,11) must have been prepared in the later part of the 18th century.
The settings listed here in 1765 (also in c1784) are not for 8 voices (Coro 1 and Coro 2) as published (Mus.2431-E-1). Nor are 8 voices required in the manuscript scores Mus. 2431-E-2,8 and -E-2,11. In all Dresden sources of these two psalm settings the vocal scoring was given as ‘a 4 Voci con Strom.’.
Stockigt, ‘Musica senza nome’, 45 (32.9).
In the ‘Catalogo della Musica di Chiesa’ (c1784) parts only are indicated for these settings of Beati omnes and Confitebor Angelorum. Incipits. (III/27/22).

Set of parts for Bellinzani’s Beati omnes and Confitebor Angelorum from his publication SALMI BREVI PER TUTTO L’ANNO (Mus. 2431-E-1) missing from Dresden.

from Op. 2

03/32/10