MUSICA SENZA NOME DELL’AUTORE
Title
MUSICA SENZA NOME DELL’AUTORE
Description
CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe]: No 5. Kyrie e Gloria, III/27/5
D-Dl
Missing? [See Mus. 2170-D-7]
Composer
MUSICA SENZA NOME DELL’AUTORE
Uniform Composer
CALDARA, Antonio (b Venice c1671–d Vienna 1736)
Title (Catalogo)
[Messe]: No 5. Kyrie e Gloria
Location (1765)
Schranck III; Fach 27; Lage 5
SFL_combination
III/27/5
Scoring (1765)
‘a 4 voci con Stromenti’
Materials (1765)
Partitura
Uniform Title
Masses
Remarks
Score of a Kyrie e Gloria by Antonio Caldara. Now missing.
This incipit of the Catalogo agrees with bars 1–3, vn. 1 of the ‘Synfonia’ and of the score of Caldara’s Missa Providentiae which came from the collection of Zelenka (Mus. 2170-D-7). See I/C/6/5. Except for the lack of key signature, the opening two bars of the bass of the Gloria in the score agree with the incipit given in the Catalogo of c1784 (III/27/5). This missing copy probably represents the source of Zelenka’s reworking of a Kyrie/Gloria which he ‘stretched’ with the addition of his own ‘Credo’ (ZWV 31), and reworking of Caldara’s materials for the Sanctus and Agnus to create a Missa tota.
See Stockigt, ‘Musica senza nome’, 27 (27.5).
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score only is shown for the Kyrie e Gloria (in d minor) listed under Musica senza nome dell’Autore: III/24/5. There, the scoring for the movements is given as: ‘à 4 voci co’ VVni Viola ed Org.’ Incipits of each movement are provided and these agree with the opening bars of the source Mus. 2170-D-7.
This incipit of the Catalogo agrees with bars 1–3, vn. 1 of the ‘Synfonia’ and of the score of Caldara’s Missa Providentiae which came from the collection of Zelenka (Mus. 2170-D-7). See I/C/6/5. Except for the lack of key signature, the opening two bars of the bass of the Gloria in the score agree with the incipit given in the Catalogo of c1784 (III/27/5). This missing copy probably represents the source of Zelenka’s reworking of a Kyrie/Gloria which he ‘stretched’ with the addition of his own ‘Credo’ (ZWV 31), and reworking of Caldara’s materials for the Sanctus and Agnus to create a Missa tota.
See Stockigt, ‘Musica senza nome’, 27 (27.5).
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score only is shown for the Kyrie e Gloria (in d minor) listed under Musica senza nome dell’Autore: III/24/5. There, the scoring for the movements is given as: ‘à 4 voci co’ VVni Viola ed Org.’ Incipits of each movement are provided and these agree with the opening bars of the source Mus. 2170-D-7.
Eitner
V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: 9 Messen [...] f. Chor u. Orch.
Status
Additional (original?) score for Caldara’s Missa Providentiae (listed as an anonymous work) missing from Dresden?
Sort Order
03/27/05
Collection
Citation
“MUSICA SENZA NOME DELL’AUTORE,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 29, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/4156.