MUSICA SENZA NOME DELL’AUTORE

MUSICA SENZA NOME DELL’AUTORE

LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Messe]: No 2. Kyrie e Gloria, III/27/2

Missing? [See Mus. 2159-D-4]

MUSICA SENZA NOME DELL’AUTORE

LOTTI, Antonio (b Hanover 1666–d Venice 1740)

[Messe]: No 2. Kyrie e Gloria

Schranck III; Fach 27; Lage 2

III/27/2

‘a 5 voci con Stromenti’

Partitura; Parti

Masses

The incipit given here agrees with the first two bars of Lotti’s Missa Sapientiae (Mus. 2159-D-4); See listing II/L/3/3.
These now-missing parts of a Kyrie e Gloria by Antonio Lotti either represent the source received by Zelenka (which he then reworked), or else they are the result of the reworking for use in Dresden’s Catholic court church.
In the‘Catalogo della Musica di Chiesa’ (c1784), a score and parts are shown for the Kyrie and Gloria (G minor) under Musica senza nome dell’Autore: III/24/2. There, the scoring for the Kyrie and the Gloria is given as: ‘à 5 voci co’ VVni Viola, Ob: ed Organo’. Incipits of both Kyrie and Gloria are provided. The two incipits (Kyrie; Gloria) agree with those given for Missa Sapientiae' by Antonio Lotti (Mus. 2159-D-4). Listed in the Catalogo (1765), II/L/3/3 as score only.
See Stockigt, ‘Musica senza nome’, 26 (27.2).
For concordances see II/L/3/3.

Vol. VI, 225–8: Lotti, Antonio [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: 2 Kyrie et Gloria 4 voc. c. 2 V. Va. Org.

Additional (the original?) score and Zelenka’s parts for Lotti’s Missa Sapientiae (listed here as an anonymous work) missing from SLUB.

03/27/02