PRENESTINI

PRENESTINI

PALESTRINA, Giovanni Pierliugi da (b Palestrina 1525–d Rome 1594), [44. Offertoria]: No 16. Pro Acsensione Dni: Ascendo ad Patrem, II/P/12/18

Mus. 997-E-11

PRENESTINI

PALESTRINA, Giovanni Pierliugi da (b Palestrina 1525–d Rome 1594)

[44. Offertoria]: No 16. Pro Acsensione Dni: Ascendo ad Patrem

Schranck II; Fach 12; Lage 18

II/P/12/18

‘a 4 voci a Capella’ [sic]

Partitura; Parti

Ascendo ad Patrem

Offertories

Score copy by Zelenka (pre late 1728/early 1729) and one other copyist (ZS O; Horn, ‘Die wichtigsten Schreiber’). Without cover and title page. Parts are missing.
Caption title: Schranck No. 2 P. 12. Fach 18. Lage No. 16. Offertorium pro ascensione | Dni. Partit: e parti cavati. Palestrina’s name is added in pencil.
This copy is scored for SAATB, b.c. (figured). The score has markings in red ink which indicate alterations to the vocal scoring, with occasional alterations to the pitch. Zelenka’s reworkings are seen throughout the score for SAATB, b.c. (written and figured by Zelenka). His instructions in the score include the addition of accidentals. Vocal scoring has been changed from SATTB to SAATB.
At the head of the text Ego rogabo Patrem (page 9) is Zelenka’s instruction: Secunda pars. ante quam fit Praeludium. This work is included in Zelenka’s copy of Palestrina’s: 18 Cantiones Sacrae (Mus. 997-E-37).
On Palestrina offertories and motets held by SLUB see Horn (Hkm, 100 ff.)

Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.

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Prenestini, [= Palestrina, G. P.]: Offertorium pro ascensione Domini. “Ascendo ad Patrem.” 5 vocum. Part. u. St. o.J. 1 H. mit 31 St. 4o. G.A.: II, 33 Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert

Score copy of Ascendo ad Patrem by Palestrina held by SLUB (Mus. 997-E-11); 31 parts missing from Dresden.

GA II, 33

02-12-18