CANTA
Title
CANTA
Description
?CANTÙ, Giovanni Giuseppe (b Lucca c1688–d Lucca 1739), Kyrie e Gloria, I/C/7/9
D-Dl
Mus. 4975-D-1,1; D-1,2
Composer
CANTA
Uniform Composer
?CANTÙ, Giovanni Giuseppe (b Lucca c1688–d Lucca 1739)
Title (Catalogo)
Kyrie e Gloria
Location (1765)
Schranck I; Fach 7; Lage 9
SFL_combination
I/C/7/9
Scoring (1765)
‘a 4 voci co’VVni, Viola, Corni e Basso ’
Materials (1765)
Partitura; Parti
Title Partitura
Chirie e Gloria a 4
Uniform Title
Masses
Remarks
Two score copies bound together within one cover. Parts missing from Dresden.
Cover label: Cantu, Giov. | Chirie e Gloria a 4 con storm. Title page to -D-1,1: Sig. Cantu (upper right) | Chirie a 4 | Con Sinf[oni]a | e Trombe da Caccia (‘Trombe’ in the score) | di Canta (red pencil; F. A. Schubert?).
Scored for 2 trombe; vn. 1,2; ob. 1,2; va.; SATB; b.c. (figured). An Italian hand.
Title page to -D-1,2 (a different hand): upper centre: Cavato tutte le parti (‘I have written out all the parts’) | Gloria a Quatro Con[certa]ta | Con Sinf. e Trombe [da caccia]| Dell’ Sig. Gio Cantù.
Concl. of score: Laus Deo.
NB: *The incipit of the Catalogo (1765) has an error of pitch. The Caccia parts are written in baritone clef.
This source comes from Naples. Note that the Dresden examples works by the following composers have the same provenance: Chiesa, Melchiore: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).
Cover label: Cantu, Giov. | Chirie e Gloria a 4 con storm. Title page to -D-1,1: Sig. Cantu (upper right) | Chirie a 4 | Con Sinf[oni]a | e Trombe da Caccia (‘Trombe’ in the score) | di Canta (red pencil; F. A. Schubert?).
Scored for 2 trombe; vn. 1,2; ob. 1,2; va.; SATB; b.c. (figured). An Italian hand.
Title page to -D-1,2 (a different hand): upper centre: Cavato tutte le parti (‘I have written out all the parts’) | Gloria a Quatro Con[certa]ta | Con Sinf. e Trombe [da caccia]| Dell’ Sig. Gio Cantù.
Concl. of score: Laus Deo.
NB: *The incipit of the Catalogo (1765) has an error of pitch. The Caccia parts are written in baritone clef.
This source comes from Naples. Note that the Dresden examples works by the following composers have the same provenance: Chiesa, Melchiore: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Eitner
V. 2 (1900), 312. Canuti, Giovanni Antonio. Dates c1680–1739 are given. Italian sources only are listed.
SLB Card Catalog
Mus. 4975-D-1,1: Cantù, [Giovanni] [Messensätze. Kyrie]. Chirie a 4, con Sinfonia e Trombe da Caccia. [A dur f. SATB, 2 vl, vla, org, 2 ob, 2 tr]. Partitur = Ms, ca. 1820. 32 S. qu. 8vo Mus. 4975-D-1,2: Cantù, Giovanni [Messensätze. Gloria]. Gloria a Quatro Concertata, con Sinfonia e Trombe. [G dur f. SATB soli u. Coro, 2 vl, org, 1 fl, 1 ob u. 2 tr]. Partitur = Ms, ca. 1820 . 84 S. qu. 8vo
Status
Score copies of Chirie e Gloria a 4 by Cantù? (Mus. 4975-D-1,1;-D-1,2) held by SLUB.
Sort Order
01-07-09
Collection
Citation
“CANTA,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 28, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3614.