BERNABEI
Title
BERNABEI
Description
BERNABEI, Guiseppe Antonio? (b Rome 1649–d Munich 1732), Alma Redemptoris, I/B/3/2
D-Dl
Mus. 2119-E-1
Composer
BERNABEI
Uniform Composer
BERNABEI, Guiseppe Antonio? (b Rome 1649–d Munich 1732)
Title (Catalogo)
Alma Redemptoris
Location (1765)
Schranck I; Fach 3; Lage 2
SFL_combination
I/B/3/2
Scoring (1765)
‘a 3 Canone A. T. B’
Materials (1765)
Partitura
Title Partitura
Alma redemptoris
Uniform Title
Antiphons
RISM Links
Remarks
Bound score copy. Blue-grey score cover with later hard binding.
Label on outer binding: Bernabei: G. A. | Alma redemptoris | à 3 voci | col Basso. (hand of Moritz Fürstenau).
Cover title (in Zelenka’s hand): N 3zo | Alma à 3 | di Sigl. Bernabei.
Caption title (Zelenka’s hand): Canon à 3. Trinus et Unus. Alma.
This work was first copied in Vienna in 1717 by Philipp Troyer for Zelenka’s music collection in four volumes: Collectaneorum Musicorum Libri Quatuor, Liber III, 325–6 (See Mus. 1-B-98: III/ 37/2).
On this, the later copy, Zelenka figured the bass line. His reworking took place some time after late 1725-early 1726 . The lack of initials or a first name for the composer Bernabei led Eitner to attribute this work to Vincenzo Bernabei. However, Wolfgang Horn (Hkm, 130–31) attributes the setting to Guiseppe Antonio Bernabei, and identifies the copyist as ZS 0 (c1725–early 1730s).
Incipit given in Zelenka-Dokumentation, 49, Nr. 44.
Label on outer binding: Bernabei: G. A. | Alma redemptoris | à 3 voci | col Basso. (hand of Moritz Fürstenau).
Cover title (in Zelenka’s hand): N 3zo | Alma à 3 | di Sigl. Bernabei.
Caption title (Zelenka’s hand): Canon à 3. Trinus et Unus. Alma.
This work was first copied in Vienna in 1717 by Philipp Troyer for Zelenka’s music collection in four volumes: Collectaneorum Musicorum Libri Quatuor, Liber III, 325–6 (See Mus. 1-B-98: III/ 37/2).
On this, the later copy, Zelenka figured the bass line. His reworking took place some time after late 1725-early 1726 . The lack of initials or a first name for the composer Bernabei led Eitner to attribute this work to Vincenzo Bernabei. However, Wolfgang Horn (Hkm, 130–31) attributes the setting to Guiseppe Antonio Bernabei, and identifies the copyist as ZS 0 (c1725–early 1730s).
Incipit given in Zelenka-Dokumentation, 49, Nr. 44.
Stamps
BIBLIOTHECA MUSICA REGIA. Sächs. Landes-Bibl.
Additional
A 32
Eitner
V. 1 (1900), 466: Bernabei, Vincenzo [...] In Dresd. in kath. Kirche befindet sich im Ms. ein Alma redemptoris à 3 in Canone: A. T. B. ohne Vornamen, daher fraglich, welchem der 3 B. sie zugehört. Derselbe Satz auch in Dresd. Mus. Ms. D a 2 a S. 319 und A 32. 4 Bll. P., auch ohne Vornamen.
SLB Card Catalog
Bernabei: Alma [redemptoris] à 3 [voci Alt, Ten e Basso col Basso cont. Canon à 3]. [C-dur 4/4; a. d. Ein-bd. ; G. A. Bernabei] Part. 4to. Mus. -Mscr.
Status
Score copy of Alma Redemptoris by Bernabei (Mus. 2119-E-1) held by SLUB.
Sort Order
01-03-02
Collection
Citation
“BERNABEI,” Catalogue of the Music Collection of the Dresden Catholic Court Church 1765, accessed July 27, 2024, http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/items/show/3577.