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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>61</text>
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          <description>The physical order in the catologo</description>
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              <text>01-08-01</text>
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              <text>A/405 9</text>
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              <text>CANTONI [Incorrect attribution]</text>
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          <name>D-Dl</name>
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              <text>Mus. 2036-E-2</text>
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          <name>Date (Catalogo)</name>
          <description/>
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              <text>1699</text>
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              <text>V. 10 (1904), 35: Vannini, Fra Elia [...] Psalmi ad Completorium duabus, 3, 4 que vocibus musicis notis comp. [...]  Op. 5. Bononiae 1699 Silvani. 13 Stb. 4°. [Dresd. Mus.</text>
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          <name>Location (1765)</name>
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              <text>Schranck I; Fach 8; Lage 1</text>
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          <name>Materials (1765)</name>
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              <text>Parti</text>
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              <text>Dresden Hofkirche? (with inserts in the hands of Zelenka and his copyist ZS 2[?])</text>
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              <text>Set of 13 printed part books with inserts in the hand of Zelenka and ZS 2 (post early 1729). This probably came from Zelenka’s musical estate. RISM A/I V 979. &lt;br /&gt;
NB: Cover of the Organo book: Salmi | Organo | del Cantoni, which must account for the incorrect attribution to Thomae Cantoni  (the dedicatee), instead of the composer, Elia Vannini. &lt;br /&gt;
Title page (organ): Organum. |  PSALMI AD COMPLETORIUM |  Duabus, Tribus, Quatuorque Vocibus | MUSICUS NOTIS COMPOSITI |  CUM SINPHONIIS |  AD MODUM REVERENDO PATRI MAGISTRI | THOMAE CANTONI | Provinciali Romandiolae, atquae Picaeni, Scotiae, &amp;amp; Hyberniae Exprovinciali, ac olim Transpontinae de Urbe Theologiae Regenti|  A’REVERENDO PATRE|  ELIA VANNINI | CARMELITA A’MEDICINA | In Metropolitanae Sanctae Ravennae Templo Musices Praefecto, Dicati | OPUS QUINTAM | [colophon] | BON[N]ONIAE [Bologna] M. DC. XCIX. | Typis Marini SilVani, Sup. Permissa, sub Signo Minoris Fedes. Cum Privilegio.&lt;br /&gt;
Part books (8 vocal; 5 instrumental with cover labels in hand of copyist ZS 2: Canto Conc: Alto Conc: Tenor Conc: Basso Conc: Canto Ripieno: Alto Ripieno: Tenore Ripieno: Basso Ripieno: Violino Primo; Violino Secondo; Violino Tertio; Tiorba; Organo. &lt;br /&gt;
Contents: Cum invocarem à 4. concertato con trè Violini e suoi Ripieni; In te Domine. à 3. C A. e B. con trè Violini; Qui habitat. à 4  con trè Violini Pieno, e Fugato, con Ripieni; Ecce nunc. à 2. Alto, e Tenore, con due Violini; Te lucis. à 4, concertato. con tre Violini. e Ripieni; Ave Regina caelorum, à 2, C, A, con Violini.&lt;br /&gt;
NB: On a slip of manuscript Zelenka wrote out the intonation for Qui habitat. This slip is pinned into the part book for Basso Conc. The copyist ZS 2 then made copies of the intonation and pinned these into the part books for Tenore Ripieno, Basso Ripieno, and Organo.</text>
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              <text>‘a 2, 3, e 4 voci co’ VVni Viola e Basso’</text>
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              <text>I/C/8/1</text>
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              <text>Sächs. Landes-Bibl.</text>
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              <text>Thirteen printed part books for Completorium et Ave regina by Elia Vannini  (Mus. 2036-E-2) held by SLUB.</text>
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              <text>Completorium et Ave Regina . . . 13 libri stampati</text>
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              <text>VANNINI, Elia (b Medicina c1660–d 1699 or later)</text>
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              <text>Psalms; Antiphons</text>
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              <text>Op. 5</text>
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          <name>RISM Links</name>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=00000990065998"&gt;00000990065998&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>VANNINI, Elia (b Medicina c1660–d 1699 or later), Completorium et Ave Regina . . . 13 libri stampati, I/C/8/1</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>CANTONI [Incorrect attribution]</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <description>An account of the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77611">
              <text>62</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77612">
              <text>01-08-02</text>
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        <element elementId="53">
          <name>Additional</name>
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              <text>‘38’ (red ink on sticker)</text>
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          <name>Composer</name>
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              <text>CAPELLI, Giov[anni] Maria</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
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              <text>Mus. 2244-E-1</text>
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              <text>V. 2 (1900), 314: Capelli (Cappello), Abate Giovanni Maria (Gianmaria) [...] Mss. Dresd. kath. Kirche: 2 Tantum ergo[:] 1. Sopr. Solo e 2 V. Va. ed org[;] 2. 4. voc. c. 2 V. Va. ed org.</text>
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              <text>Schranck I; Fach 8; Lage 2</text>
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              <text>Partitura; Parti</text>
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          <name>Provenance</name>
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              <text>Giovanni Alberto Ristori?</text>
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          <name>Remarks</name>
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              <text>Score copy with cover (recent). Parts are missing from Dresden. &lt;br /&gt;
Caption title: No: 1 (upper right) Tantum Ergo:  Canto Solo con Violini  del Sigo  d. Pio: Maria Capelli (corrected from Capello). An Italian manuscript.&lt;br /&gt;
Scored for vn. 1,2; Soprano; b.c. ‘Le Violette col Basso’ written in margin. &lt;br /&gt;
Small round sticker on page 1 of score: ‘38’ (red ink). These marks are discussed by Bacciagaluppi &amp;amp; Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 152 and Table 5.</text>
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          <name>Scoring (1765)</name>
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              <text>‘a Soprano S co’ VVni Viola e Basso’</text>
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          <name>SFL_combination</name>
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              <text>I/C/8/2</text>
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          <name>SLB Card Catalog</name>
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              <text>Capelli, Giov. Maria:   Motetto:   Tantum ergo a Canto solo [con. Strom.]   G-dur    3/4    Part. u. St.   o. J.   1 H. mit 17 St.   qu-4to  u. 4to .   Mus. Mscr.   Part. : Orig-Mascr. ?   Kath. Hofkirche.  Stimmen stehen gesondert</text>
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          <description/>
          <elementTextContainer>
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              <text>Score copy of Tantum ergo (G) ‘a Soprano S co’ VVni Viola e Basso’ by Capelli  (Mus. 2244-E-1) held by SLUB; 17 parts to accompany the score missing from Dresden.</text>
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          <description/>
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              <text>Motetto: Tantum ergo</text>
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          <name>Title Partitura</name>
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              <text>Tantum Ergo</text>
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        <element elementId="73">
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              <text>CAPELLI, Giovanni Maria (b Parma c1648?–d Parma 1726)</text>
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          <name>Uniform Title</name>
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          <description/>
          <elementTextContainer>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006773"&gt;212006773&lt;/a&gt;</text>
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            <description>An account of the resource</description>
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                <text>CAPELLI, Giovanni Maria (b Parma c1648?–d Parma 1726), Motetto: Tantum ergo, I/C/8/2</text>
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            <description>A name given to the resource</description>
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                <text>CAPELLI, Giov[anni] Maria</text>
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                  <text>Janice B. Stockigt</text>
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Caption title: Tantum Ergo Canto Solo con V.V. Penitori Ripieno  Del Sigr Ma Capello | No: 2. The comment ‘Penitori Ripieno’ refers the scoring for the setting of the text ‘Penitori genitoque’: SATB; vn. 1,2; b.c. f. (The text ‘Penitori genitoque’ implies this is a setting of the hymn for Benediction of the Blessed Sacrament). An Italian source.&lt;br /&gt;
Small round sticker on page 1 of score: ‘37’ (red ink). These stickers are discussed by Bacciagaluppi &amp;amp; Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 152 and Table 5.</text>
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              <text>Capelli, Giov. Maria: Offertorium: Tantum ergo ? a Canto solo [con. Strom.] B-dur  4/4  art u. St.  o. J.  1 H.   qu-4to .  Mus. Mscr.  Kath. Hofkirche.</text>
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              <text>Unbound score copy in three volumes. Parts are missing from Dresden. &lt;br /&gt;
Vol. 1 (-D-1,1): Title page to Kyrie; Gloria (Heinichen’s hand): Missa |  à 4 con Strom | [four remarks deleted] | del Sigr. Carli [sic] Bolognese | 1727. &lt;br /&gt;
Caption title (Heinichen’s hand): Messa à 4 Concertata Con VV. e R [?] Di Angelo Anto Caroli | (another hand) No. 36 | 2 scudo 1 giul. ‘39’ (minuten?) is written at the conclusion. &lt;br /&gt;
Vol. 2 [ Credo: -D-1,2] : Caption title (Heinichen’s hand): Del Sig. Angelo Anto Caroli | (another hand) No. 35 |  a 4 giuli. ‘19’ (minuten?) is written at the conclusion of this score. &lt;br /&gt;
Vol. 3 [-D-1,3]: Title page (Heinichen’s hand): Sanctus | Agnus Dei. Heinichen’s hand is seen throughout the score. His alterations in red ink include: deletion of an opening orchestral Sinfonia; deletions of sections in the setting; alterations and additions to parts for vn. 1 and vn. 2 (‘una ottava piu Bassa’); rewritings; alterations to the vocal parts and text; addition of oboes in the Credo; indications of simplification of oboe parts. &lt;br /&gt;
Horn (Hkm, 125) notes that the two Caroli mass settings in SLUB (among the earliest extant works by this composer) demonstrate the procedure often practised by Heinichen and Zelenka of producing missing parts of the Mass Ordinary by re-texting passages of the existing material. Horn names these constructions ‘Stretched (gestreckte) Masses’.</text>
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              <text>‘a 4 voci co’ VVni Viola e Basso’</text>
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1. Caroli, Angelo Antonio (Bologne): Messa à 4 voci con Strom.   A-moll.  [Mit Korrekturen von Heinichens Hand]    Part u. St.    o. J.    3 Lagen u. 21 St.     qu-8vo   u. 4to.  Mus. Mscr. Stimmen stehen gesondert.  Kath. Hofkirche.&lt;br /&gt;&#13;
2. Caroli, Ang. Ant.: Messa a 4 voci conc. con V.V. e B. [Mit Correct. v. Heinichens Hand]. Amoll.  Part.  qu-8vo.</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212007300"&gt;212007300&lt;/a&gt;</text>
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The present source (Mus. 2952-D-2) comprises Gloria (v. 1) and Sanctus (v. 2). Each is in Heinichen’s hand. Parts are missing from Dresden. &lt;br /&gt;
Caption title, v. 1 (the setting in G): Gloria (‘abbreviato’) del Sigr Angelo Ant. Caroli Bolognese. ‘32’ [minuten?] is noted at the conclusion of this movement. &lt;br /&gt;
This work has no Kyrie setting. (None of the Kyrie settings of Caroli held by SLUB today matches the incipit given in this Catalogo, 1765). The incomplete Gloria, however, is preceded by two bars of manuscript, perhaps the final cadence of the Kyrie? &lt;br /&gt;
Caption title, v. 2 (setting in G): Sanctus et Agnus dei; Cavato dal Gloria del Sigr. Angelo Anto Caroli Bo | lognese. The conclusion bears the date: ‘Mense Augusti 1726’. &lt;br /&gt;
Horn (Hkm, 125) notes that in this G Major setting Heinichen’s reworking includes not only the addition of Sanctus and Agnus Dei through parody of individual Gloria segments, but also the abbreviation of some passages. On the now lost title page of the source Mus. 2952-D-2 Heinichen remarked: ‘Messa . . . abbreviata e aggiustata all’uso della cappella di Dresda di Giov. Heinichen’ (known from the SLB card catalogue). This remark indicates that, apart from the Gloria, the Kyrie and Credo of this mass existed when it was catalogued by the SLB.</text>
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1. Caroli, Ang. Ant.:   Messa a 4 voci con strom.    Gdur.   Part. u. St.   Fussn.: Messa abbreviata e aggiastata all’uso della capella di Dresda di Giov. Heinichen.   o. J.    4 Lagen u. 21 St.   qu-8  qu.-4to  . u.4to .   Mus.-Mscr.   Stimmen stehen gesondert.   Kath. Hof-kirche&lt;br /&gt;&#13;
2.   Caroli, Angelo Antonio:   Messa a 4 voci concert. con strom. [Fussnote: Messa abbreviata e aggiastata all’ uso della capella di Dresda di Giov. Heinichen.]   mit dessen Hs.    Gdur.    Part. qu-8 + qu.-4to .    Mus.-Mscr.</text>
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              <text>V. 2 (1900), 356. Caselli, Vincenzo, ein unbekannter Komponist, von dem die Kgl. Musikaliensamlg. in Dresden besitzt: Motetto „sit avernus“ à Mezzo Sopr. solo c. strom. P. Pour Monsieur Pasqualino. (Besitzt auch Dresd. kath. Kirche.)</text>
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              <text>Mus. 2366-E-1: Bound score copy in an Italian hand.&lt;br /&gt;
Caption title: Caselli pour Monsieur Pasqualino (left). Caselli (in pencil; right). &lt;br /&gt;
The scoring is set out for Corni 1,2 (alto clef, without key signature); Oboè 1,2; Violini 1,2; Viola; Alto (sometimes soprano notation is used, and there are alterations to the vocal line); b.c; Timbali.  &lt;br /&gt;
Mus. 2366-E-1a: Unbound score copy. Parts are missing from Dresden. &lt;br /&gt;
Title page: No: 2. (upper left) | Mottetto. del S. Caselli (del S. Caselli added in pencil). This is probably a copy of -E-1.  &lt;br /&gt;
Caselli’s motet Sit avernus seems to have been performed by the Italian alto castrato, Pasquale Bruscolini (known as Pasqualino) who, according to Fürstenau (II, 280), arrived in Dresden on 6 March 1753. This copy is in the same hand as the motet Si ab alto monte (D-Dl, Mus. 2-E-14), a source listed as an anonymous work under ‘MUSICA SENZA NOME DELL’AUTORE’ at the end of this catalogue of 1765.  See III/28/1. &lt;br /&gt;
(Is the composer Caselli the same Caselli whose name appears in the Requiem by Galuppi? See D-Dl, Mus. 2973-D-23,1, a Venetian source).</text>
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1. Mus. 2366-E-1Caselli, [Vincenzo]:  [Motetto: ‘Sit avernus’ a Mezzosopran. c. strom.]   Part.   quer-4to .  &lt;br /&gt;&#13;
2. Mus.-Mscr.Mus. 2366-E-1a. Caselli, Vincenzo:   Motetto ‘Sit avernus’ à Contr.Alto Solo [con Strom.]   D-dur  4/4.   Part. u. St.   o. j.   3 Lagen u. 28 St.   quer-4to .   Mus.-Mscr.   Kath. Hofkirche.   Stimmen stehen gesondert.</text>
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          <description>ID from previous system - used for matching</description>
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              <text>67</text>
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          </elementTextContainer>
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          <elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="77722">
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          <description/>
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          <description/>
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              <text>Unbound score copy of Gloria and Credo settings. This source comes from Italy.&lt;br /&gt;
Caption title (Gloria): Gloria, à 4 Con[certa]ta Con Sinf[oni]a e Breve [?] dell Sig. Chiesa. &lt;br /&gt;
The score is set out over eight staves. The upper stave is notated for two trumpets (one stave), two violins (two staves), four voices SATB (four staves), b.c.  &lt;br /&gt;
Caption title [Credo]:  Credo à 4. Breve [?] Con Sinf[oni]a e trombe dell Sig. Chiesa. &lt;br /&gt;
Note that each Dresden examples of the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2);  Chiesa (Melchiorre?): Gloria from Gloria e Credo (Mus. 3284-E-1); Chiesa, Melchiorre: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2).&lt;br /&gt;
The article ‘Chiesa, Melchiorre’ in GMO (author not named) reports that in Milan (1770) Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’.  &lt;br /&gt;
Might the three listings in the Catalogo (1765) of works attributed to ‘Chiesa’ represent compositions of the same composer? According to RISM listings each is by Melchiorre Chiesa</text>
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          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
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          <elementTextContainer>
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              <text>Chiesa, Giuseppe:   Gloria e Credo a 4 voci [con strom.]   Adur.   3/ 4   u. Cdur  3/4.   Part.o. J.   3 Lagen.   qu-4to.   Mus.Mscr.   Kath.Hofkirche</text>
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          <description/>
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            <elementText elementTextId="77730">
              <text>Score copy of Gloria (A) and Credo (C)  attributed to ‘Sig. Chiesa’ (Mus. 3283-D-1) held by SLUB.</text>
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          <description/>
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          <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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Cover label which corresponds with the entry in the missing Catalogo (c1784), which obliterates an earlier label (only ‘No. 20’ may be read): Schranck No. I. | Lit: C. 11. (replacing 8.) Fach 12. (replacing 8.?) Lage | Motetto | Soprano solo | In hoc Mare tempest[os]o, | co’ VVni Viola e Basso |  Partitura sola | del Sigr Chiesa. &lt;br /&gt;
Title page (hand of Iseppo Baldan): Mottetto | A Voce Sola con Strumenti | Composto li 28. Luglio L’Anno 1758: | In Milano | Del Sigl: Giuseppe Chiesa Milanese. &lt;br /&gt;
Conclusion of score: D. Giuseppe Baldan Copista di Musica al Ponto di San Gio. Grisostomo Venezia. The score copy is in the neat, florid hand found in most of the Galuppi sources held in SLUB. It was copied by Iseppo (Giuseppe) Baldan who supplied it to Dresden together with the greater part of the Galuppi collection. On the composers with the family name ‘Chiesa’ see the listing (I/C/8/7). The article ‘Chiesa, Melchiorre’ in GMO  (author not named) reports that in Milan (1770), Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. RISM and Eitner (II, 423–4)  attribute In hoc mare to Melchiore Chiesa (Ms. 58. Kgl. Musilaliensamlg.)</text>
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              <text>Chiesa, Giuseppe:  Motetto [‘In hoc mare tempestoso’] a voce sola con strum.   [2 Vl., Vla., 2 Corni e B.]   Composta li 28. luglio l’anno 1758 in Milano.   Part.  qu-8vo.   Mus.Mscr.</text>
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              <text>Bound score copy. A Neapolitan source.&lt;br /&gt;
Title page: No: 1 | Motetto | Alto Solo Con Sinfonia | Del Sigr. Melchior Chiesa. Scored for vn. 1,2; va.; Alto solo; b.c. (unfigured). &lt;br /&gt;
Note that the Dresden examples works by the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2);  Chiesa (Melchiorre?): Gloria from Gloria e Credo (Mus. 3284-E-1); Chiesa, Melchiorre: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2). &lt;br /&gt;
The article ‘Chiesa, Melchiorre’ in GMO  (author not named) reports that in Milan (1770), Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. RISM attributed this work to Melchiore Chiesa</text>
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              <text>Chiesa, Melchiore:  Motetto Alto solo [‘Coelo tonanto’ sic!] con sinfonia  [2 Vl., Vla., B.].  Part.  quer-4to.  Mus.Mscr.</text>
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              <text>Score copy of Caelo tonanti attributed to ‘Sigr. Melchior Chiesa’ (Mus. 3284-E-1) held by SLUB.</text>
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              <text>[Motetti] No 2: Caelo tonanti</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77780">
              <text>70</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77781">
              <text>01-09-01</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77782">
              <text>CIAMPI, Vicenzo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77783">
              <text>[See D-B, Mus. ms. 3609]</text>
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        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>21. Sept. 1758 (Eitner)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77785">
              <text>V. 2 (1900), 423–4: Ciampi, Legrenzo Vincenzo, auch nur mit Vincenzo gez. [...] Ms. 3609 B. B. Messa solenne 4 voc. c. instr. 21 Sept. 1758. P. Mss. Dresd. kath. Kirche: 1 Messe, 1 Kyrie u. Gloria [...]  à 4 voci c. orch.</text>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77786">
              <text>Schranck I; Fach 9; Lage 1</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
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              <text>Partitura</text>
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>From the Venetian copying house of Iseppo Baldan?</text>
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          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77789">
              <text>NB: Today, this Mass by Ciampi is held in Berlin (D-B, Mus. ms. 3609): Missa Solemnis für 4 St. und Instr. A-Dur (1758). The hand seen in the Berlin source is the same as that in Ciampi’s Te Deum (D-Dl, Mus. 3059-E-1). See the listing (I/C/9/1). &lt;br /&gt;
NB: This score is not in the hand of Baldan, but perhaps it was written by one of his copyists? It is dated ‘21 7bre 1758:’ — the same date given for Ciampi’s Te Deum setting: I/C/9/1. Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given. &lt;br /&gt;
This Berlin example (D-B, Mus. ms. 3609) must have been taken from Dresden pre-1900. See the entry of Eitner.</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77790">
              <text>‘a 4 voci co’ VVni Viola e Basso’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77791">
              <text>I/C/9/1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77792">
              <text>Unlisted</text>
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        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77793">
              <text>Score copy of Messa solenne by Ciampi not catalogued by SLB. A copy of a Missa Solemnis für 4 St. und Instr. A-Dur (1758) by Ciampi is held in Berlin (D-B, Mus. ms. 3609).</text>
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        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77794">
              <text>Messa solenne</text>
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          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77795">
              <text>CIAMPI, Vincenzo (Legrenzio)  (b Piacenza d’Adige 1719–d Venice 1762)</text>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77796">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77798">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=452009171"&gt;452009171&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77797">
                <text>CIAMPI, Vincenzo (Legrenzio)  (b Piacenza d’Adige 1719–d Venice 1762), Messa solenne, I/C/9/1</text>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77799">
                <text>CIAMPI, Vicenzo</text>
              </elementText>
            </elementTextContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Catalogo della Musica di Chiesa 1765</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="305">
                  <text>Music</text>
                </elementText>
              </elementTextContainer>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1765</text>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77800">
              <text>71</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77801">
              <text>01-09-02</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77802">
              <text>A 59</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77803">
              <text>CIAMPI, Vicenzo</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77804">
              <text>Mus. 3059-E-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77805">
              <text>21 September 1758</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77806">
              <text>V. 2 (1900), 423–4: Ciampi, Legrenzo Vincenzo, auch nur mit Vincenzo gez. [...] Ms. 59. Dresd. Mus.: Te deum laudamus à 4 v. con Strom. Comp. i. J. 1758. P. Mss. Dresd. kath. Kirche: …1 Te deum à 4 voci c. orch.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77807">
              <text>Schranck I; Fach 9; Lage 2</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77808">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77809">
              <text>From the Venetian copying house of Iseppo Baldan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77810">
              <text>Score copy. Blue-grey cover.  Fold through the centre of the manuscript. &lt;br /&gt;
Cover label (pasted over an earlier label, of which ‘1’ is visible) to correspond with the entry in the missing Catalogo (c1784): Schranck No: I. |  Lit: C.  12. Fach  4. Lage | Te  Deum lauda= | mus | à 4 voci | co’ VVni. Oboi, Viola,  ed Org. | Partitura sola | del Sigr Ciampi | Incipit. &lt;br /&gt;
Title page: Te Deum | 1758 | 21 7bre (September): | Del Sigr: Vincenzo Ciampi.&lt;br /&gt;
Although this score is not in the hand of Baldan, it comes from his copying house. If the date given above is correct, this would be the latest of the dated scores listed in the Catalogo from Baldan’s Venetian business and thus, a terminus ante quem for the sacred music he supplied to Dresden is given. &lt;br /&gt;
The hand of this copyist is the same as that seen in Ciampi’s Missa solenne (I/C/9/1) now held in Berlin (also dated ‘1758 | 21 7bre’ [September]), as well as the mass movements by Puppi (II/P/14/2). &lt;br /&gt;
I am grateful to Wolfgang Eckhardt who has advised that the watermark (three hats; countermark, the letter ‘B’) is probably from a paper mill in the Veneto, also seen in Galuppi’s Magnificat, Mus. 2973-D-27.</text>
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          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77811">
              <text>‘a 4 voci co’ VVni Viola Basso e Trombe’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77812">
              <text>I/C/9/2</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77813">
              <text>Ciampi, Legrenzio Vicenzo: Te Deum laudamus à 4 voci co[n strom.]  Part.  qu.-8vo .  Mus. -Mscr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77814">
              <text>Sächs. Landesbibliothek.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77815">
              <text>One score copy of Te Deum laudamus by Ciampi (from the royal collection: Mus. 3059-E-1) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77816">
              <text>Te Deum laudamus</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77817">
              <text>Te Deum</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77818">
              <text>CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77819">
              <text>Hymns</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77821">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006938"&gt;212006938&lt;/a&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77820">
                <text>CIAMPI, Vincenzo (Legrenzio) (b Piacenza d’Adige 1719–d Venice 1762), Te Deum laudamus, I/C/9/2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77822">
                <text>CIAMPI, Vicenzo</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Catalogo della Musica di Chiesa 1765</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              </elementTextContainer>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="305">
                  <text>Music</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="18">
      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77823">
              <text>72</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77824">
              <text>01-09-03</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77825">
              <text>A 61 (Organo)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77826">
              <text>COLONNA</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77827">
              <text>Mus. 1807-D-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77828">
              <text>1691</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77829">
              <text>V. 3 (1900), 19: Colonna, Giovanni Paulo [...] Im Druck [...] Messa e Salmi concertati a 3. 4. e 5. voci, se piace, con strumenti, e ripieni à beneplacito [...] Op. 10. Bolog. 1691 Monti. 16 Stb. 4to. [Bologna, auch in P. im Ms. [...]  Dresd. Mus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77830">
              <text>Schranck I; Fach 9; Lage 3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77831">
              <text>Parti</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77832">
              <text>A set of 16 printed part books for Messa e Salmi by Giovanni Paolo Colonna. These materials seem not to have had heavy use.&lt;br /&gt;
Title page (from Violone o Tiorba book): MESSA E SALMI | Concertati à 3. 4. e  5. voci, con  Stru- | menti e Ripieni à beneplacito | DI GIO. PAULO COLONNA | Maestro di Capella nella Perinsigne Collegiata di S. Petronio di | Bologna, &amp;amp; Accademico Filarmonico | CONSACRATI | ALL’EMINENTISS. E REVERENDISS. SIG. PRINCIPE | CARD. PAMPHILII | Gran Prioe di Roma per la Sacra Religione Gerosolomitana, e | Meritissimo Legato di Bologna. | Opera Decima |  . . . in Bologna per Pier-Maria Monti 1691. Con licenza de’Superiori, | Si vendono da Marino Silvani, all’Insegna del Violino, con Privilegio.&lt;br /&gt;
Part books (10 vocal; 6 instrumental) : Canto 1 obligato; Canto 2 a beneplacito; Alto obligato; Tenore a beneplacito; Basso obligato; Canto 1 R; Alto R; Canto 2 R; Tenore R; Basso R; Violino Pmo; Violino 2; Alto Viola; Violoncello; Violone o Tiorba; Organo. &lt;br /&gt;
Each book has a cover label cover which, apart from naming the voice and and/or instrument, gives the title and composer: Messe, e Salmi, concti a 3, 4, 5 Voci | con Strum[en]ti e Ripieni a bene placito | del Colonna. &lt;br /&gt;
Contents  (as listed in the Tavola of the Organo book): Messa (Kyrie, Gloria e Credo) à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni se piace; Domine à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Dixit à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Confitebor à 3. Canto Alto e Basso con Violini se piace; Beatus vir à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Laudate pueri à 3. Canto Alto e Basso con Violini se piace; Laudate Dominum à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito; Magnificat à 3, 4, e 5 voci se piace, con Strumenti, e Ripieni à beneplacito.&lt;br /&gt;
On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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              <text>‘a 3, 4, e 5 v. con stromti. 16 libri stamp.’</text>
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          <name>SLB Card Catalog</name>
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              <text>Colonna, Gio[v.] Paolo: Op. 10 Messa e Salmi concertati à 3, 4 e 5 voci, con strom., e ripieni à beneplacita.   Organo, Canto 1 oblig., Canto 2 a benepl., Alto obl., Tenor a benepl., Basso oblig., Canto 1 e 2 rip., Alto, Ten. e Basso rip., Viol. 1 e 2, Alto, Vla, Vcello, Viol. ò Tiorba.  Bologna  L Monti   1691.   [o. Nr.]   16 Bde.    8vo .</text>
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              <text>Sächs. Landesbibliothek.</text>
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          <description/>
          <elementTextContainer>
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              <text>Sixteen part books for Messa e Salmi  by Giovanni Paolo Colonna (Mus. 1807-D-1) held by SLUB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
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              <text>Kyrie, Gloria e Credo con 7 Salmi</text>
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          <description/>
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              <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695)</text>
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          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
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              <text>Masses : psalms</text>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>Op. 10</text>
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            <description>An account of the resource</description>
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                <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695), Kyrie, Gloria e Credo con 7 Salmi, I/C/9/3</text>
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            <description>A name given to the resource</description>
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                <text>COLONNA</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <description>An account of the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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      <description>A entry in the catalogo</description>
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        <element elementId="82">
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        <element elementId="53">
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          <description/>
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              <text>Mus. 1807-E-3*</text>
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          <description/>
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              <text>[publ. 1685]</text>
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              <text>V. 3 (1900), 21: Colonna, Giovanni Paulo [...] Im Manuscript [...] Ms. Dresd. Mus. A 63. Offertorium per li defonti à 8 v. c. strom. Stb. (auch in Dresd. kath. Kirche.)</text>
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              <text>Schranck I; Fach 9; Lage 4</text>
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          <description/>
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          <description/>
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              <text>Giovanni Alberto Ristori (?)</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
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              <text>A set of 14 manuscript parts bound together (19th c.?). Blue-grey wrapper to the parts.&lt;br /&gt;
Parts are for CATB (Coro P[rim]o); CATB (Coro 2do); Violino I; Violino II; Violetta; Violonzello; Organo; Organo.&lt;br /&gt;
Catalogue label on inner wrapper corresponds with the entry in the missing Catalogo (c1784):  Schranck No: I. | Lit. C. 12. Fach  5. Lage | Offertorium per li | Defuncti  à 8 voci. |  co’ VVni Viola ed Org. | Parti cav: senza Partitur |  del Sigr Colonna. Incipit A 63 (pencil).  A Dresden copy. li defonti, 8vv, 2 b.c. (org), Op.6 (1685)?  &lt;br /&gt;
On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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              <text>‘a 8 voci con stromenti’</text>
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        <element elementId="68">
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          <elementTextContainer>
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              <text>Colonna, [G. P.]:   Offertorium per li Defuncti à 8 [voci con strom.]    Part.  4to .    Mus.-Mscr.</text>
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          <description/>
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              <text>One set of 14 ms parts for the Offertorium pro Defunctis à 8 (‘Domine Jesu Christe’) by Colonna (from royal collection : Mus. 1807-E-3) held by SLUB.</text>
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          <description/>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>From Op. 6?</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>COLONNA, Giovanni Paolo (b Bologna 1637–d Bologna 1695), Offertorio per li Defunti, I/C/9/4</text>
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            <description>A name given to the resource</description>
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              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
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                  <text>Janice B. Stockigt</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
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                  <text>Music</text>
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              </elementTextContainer>
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                  <text>1765</text>
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      <description>A entry in the catalogo</description>
      <elementContainer>
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          <elementTextContainer>
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              <text>74</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="77868">
              <text>01-09-05</text>
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        <element elementId="53">
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              <text>A 62 12: A 62 (Organo)</text>
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          <name>Composer</name>
          <description/>
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              <text>COLONNA</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
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            <elementText elementTextId="77871">
              <text>Mus. 1807-E-2</text>
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        <element elementId="80">
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          <description/>
          <elementTextContainer>
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              <text>1694</text>
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        <element elementId="56">
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          <elementTextContainer>
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              <text>V. 3 (1900), 19: Colonna, Giovanni Paulo [...] Im Druck [...] Psalmi ad vesp. Musicis 3, 4, &amp; 5 voc [...] c. sinphonijs ex obligatione, &amp; c. alijs 5 partibus simul cum illis canentibus ad placit. [...] Op. 12. Bon. 1694 P. M. de Montibus. 15 Stb. 4to. [9 ???Stb. Dresd. Mus.</text>
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          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>A set of 16 printed part books for PSALMI AD VESPERAS by Colonna. (RISM C 3474). These materials appear not to have had heavy use. &lt;br /&gt;
Cover labels: Salmi a 3, 4, e 5 Voci conc:ti con |  V. V. e Ripieni |  del Colonna. Title page (on part for Organum): PSALMI |  AD VESPERAS |  Musicus trium, quator, &amp;amp; quinque Vocum concentibus unitis cum |  Sinphonijs ex obligatione, &amp;amp; cum alijs quinque partibus | simul cum illis Canentibus ad placitum |  EXCELLENTISSIMO |  D. DVCI MEDINAE COELI &amp;amp;C. | ORATORI PRO S. M. CATTOL. ROMAE |  DICTATIS |  A IOANNE PAVLO COLVMNA- In Perinsigni Collegiata S. Petronij Bononiae- Musices Praefecto.- OPVS DVODECIMUM- . . . - Bononiae, Typis Petri-mariae de Montibus. 1694. Superiorum permissu. | veneunt à Marino Siluano, sub signo Violini; cum Privilegio. &lt;br /&gt;
Part books (10 vocal; 6 instrumental): Canto 1; Canto 2; Alto; Tenore; Basso; Canto 1 R; Canto 2 R; Alto R; Tenore R; Basso R; Violino Pmo; Violino 2; Alto Viola; Tenore Viola; Basso cont[in]uo; Organo.&lt;br /&gt;
Contents: Domine adjuvandum; Dixit; Confitebor; Beatus vir; Laudate pueri; Laudate Dominum; Laetatus sum; Nisi Dominus; Lauda Ierusalem; Magnificat. &lt;br /&gt;
An example of Colonna’s Salmi Brevi Op. 1 (Bologna M DCCI) is also held by SLUB as a set of 10 part books (CATB; CATB; Org I; Org II). Mus. 1807-E-1 (labels on the Canto part book include 675, and A 62a ). This example is not listed in the Catalogo (1765).On ‘Colonna, Giovanni Paolo’ see the article by Peter Smith, and Marc Vanscheeuwijck in GMO.</text>
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              <text>Colonna, [G. P.]: op. 12.   Psalmi ad Vesperis Musicus trium, quatuor et quinque vocum vocentibus unitis cum Sinfonys ex obligatione, et cum alys quinque partibus simum cum aliis Canentibus ad placitum. Organo, Canto 1 e 2, Alto, Ten. e Basso, Canto 1 e 2, Alto, Ten., Basso rip., Viol. 1 u. 2, Alto Viola, Ten. Viola, Basso cont.    Bononiae 1694:   Monti [o. Nr.]   16 Bde.  Part.    8vo .</text>
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              <text>COLONNA, Giovanni Paolo  (b Bologna 1637–d Bologna 1695)</text>
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              <text>Op. 12</text>
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                <text>COLONNA, Giovanni Paolo  (b Bologna 1637–d Bologna 1695), 10 Salmi . . . 16 libri stamp., I/C/9/5</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>75</text>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77889">
              <text>01-09-06</text>
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              <text>A 63d</text>
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          <description/>
          <elementTextContainer>
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          <name>D-Dl</name>
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              <text>Mus. 2190-E-2</text>
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        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
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              <text>V. 3 (1900), 34: Conti, Francesco [...] Ms. A 63a Dresd. Mus: Hymni sacri per tutto l' anno a 4 voc. c. org. (auch in Dresd. kath. Kirche), 5 Stb. in fol., jüngere Hds: 1. Lucis creator optime. 2. Ad regias agni. 3. Salutis humanae. 4. Veni creator spiritus. 5.Jam sol recedit. 6. Tantum ergo sacramentum. 7. Ut queant laxis. 8. Ave maris stella. 9. Exultet orbis gaudiis. 10. Sanctorum mentis inclita. Ms. P. u. Stb. Dresd. kath. Kirche</text>
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              <text>Schranck I; Fach 9; Lage 6</text>
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              <text>The manuscript parts for these hymns are for Soprano; Alto (titled Hymni Sacri Pro Dominicis – upper left); Tenore (titled Hymni Sacri Pro Dominicis – upper left);  Basso (titled Hymni Sacri Pro Dominicis – upper left);  Organo (Hymni Sacri Pro Dominicis – upper left), a figured part.  &lt;br /&gt;
The hymns included in this collection are (showing the verses set): &lt;br /&gt;
1. Pro Dominicis:  Lucis creator (vs.1, 3, 5); &lt;br /&gt;
2. In Dominicis ab octava Paschae usque ad Ascensionem: Ad regias Agni (vs. 1, 4, 8); &lt;br /&gt;
3. In Acsensione Domine: Salutis humanae  (vs. 1, 3, 5);  &lt;br /&gt;
4. In Fest Pentecostes: Veni creator (vs. 1, 3, 5, 7); &lt;br /&gt;
5. In Festo SS Trinitatis: Jam sol recedit (vs. 1, 2, 3);  6. In Fest Corporis Christi: Pange lingua (vs. 1, 2, 5, 6); [Eitner: ‘Tantum ergo’]  &lt;br /&gt;
7. In Festo S: Joannis Baptistae: Ut queant laxis (vs. 1, 3, 5); &lt;br /&gt;
8. In Festo B: Mariae Virginis: Ave maris stella (vs. 1, 3, 5, 7);  &lt;br /&gt;
9. In Festis Apostolorum &amp;amp; Evangel: Exultet orbis (vs. 1, 3, 6); &lt;br /&gt;
10. In Festo plurimorum Martyrum: Sanctorum meritis  (vs. 1, 4, 6).</text>
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        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77897">
              <text>‘a 4 voci a Capella senza stromti’</text>
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          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77898">
              <text>I/C/9/6</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77899">
              <text>Mus. 2190-E-2. zu  2367  Contino, Giov? [replacing Conti, Francesco]:   [10 ] Hymni sacri [per tutto l’anno à 4 voci col Org.]    In St.   4to.    Mus.-Mscr.</text>
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          <description/>
          <elementTextContainer>
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          <elementTextContainer>
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              <text>Five parts for 10 Hymni Sacri per tutto l’anno by Francesco Conti  (Mus. 2367-E-2) held by SLUB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>10 Hymni Sacri per tutto l’anno</text>
            </elementText>
          </elementTextContainer>
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          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77903">
              <text>10 Hymni Sacri per tutto l’anno</text>
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          <description/>
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          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77905">
              <text>Hymns</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77907">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006762"&gt;212006762&lt;/a&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77906">
                <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732), 10 Hymni Sacri per tutto l’anno, I/C/9/6</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77908">
                <text>CONTI</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <elementTextContainer>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              </elementTextContainer>
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              </elementTextContainer>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77909">
              <text>76</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77910">
              <text>01-09-07</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Additional</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77911">
              <text>A 67</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77912">
              <text>CONTI</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77913">
              <text>Mus. 2190-E-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77914">
              <text>V. 3 (1900), 34: Conti, Francesco [...]  Ms. P. u. Stb. Dresd. kath. Kirche: Pie Jesu, per Ten. solo c. 2 V. Va. ed org.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77915">
              <text>Schranck I; Fach 9; Lage 7</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77916">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77917">
              <text>Jan Dismas Zelenka. Unlisted in Inventarium</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77918">
              <text>Score copy. Blue-grey cover. &lt;br /&gt;
Cover title (hand of Zelenka): a (upper left) | Nr. 2 (upper right) | Aria: | Pie Jesu | Tenor | VV 2 | Viola | e | Basso Conti: | de S: Conti. &lt;br /&gt;
This is a da capo aria without markings or reworkings by Zelenka. &lt;br /&gt;
It now is is established that this item is a work by Francesco Conti. See Horn, Hkm, 166–7. &lt;br /&gt;
It is possible that Zelenka met the tiorbist Francesco Conti during time he spent in Vienna (between 1716 and 1719) and in Prague also (1723), when Conti played in the performance of Fux’s opera Costanza e Fortezza. &lt;br /&gt;
Incipit is given in Zelenka-Dokumentation, 54, Nr. 85a. Horn (Die wichtigsten Schreiber, 164) identifies the copyist of Mus. 2190-E-1 as ZS O.&lt;br /&gt;
NB: A score is kept in Dresden (Mus. 2190-I-1) of Conti’s cantata for solo soprano (text by Apostolo Zeno), L’Istro, a work composed for the marriage celebrations in Vienna (1719) between Austrian Archduchess Maria Josepha and the Saxon Electoral Prince Friedrich August II.</text>
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          </elementTextContainer>
        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77919">
              <text>‘a Tenore Solo con stromenti’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77920">
              <text>I/C/9/7</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77921">
              <text>Conti, Fr.: Aria ‘Pie Jesu’ à Ten. [solo con strom.]    Tit.: Hs. Zelenka’s.   Part.   quer-4to .   Mus.-Mscr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77922">
              <text>Sächs. Landes-Bibl.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77923">
              <text>Score copy of Pie Jesu by Francesco Conti (Mus. 2190-E-1) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77924">
              <text>Aria: Pie Jesu</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77925">
              <text>Pie Jesu</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77926">
              <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77927">
              <text>Arias</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77929">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010938"&gt;211010938&lt;/a&gt;</text>
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          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77928">
                <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732), Aria: Pie Jesu, I/C/9/7</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77930">
                <text>CONTI</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="3631" public="1" featured="0">
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>01-09-08</text>
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              <text>V. 3 (1900), 38: Contino, Giovanni [...] Die Kgl. Musikaliensamlg. in Dresden besitzt unter Jean Contini 2 Messen zu 4 Stim. mit Instrum. im Ms. P. Nur wenn die Instr. von späterer Hd. hinzugesetzt wären, könnte man sie obigem C. zuschreiben, sonst. müssten sie von einem späteren Komponisten herrühren. Die 2. Messe, Ms. 69, deren Titelbl. Zelenka’s Hd. aufweist, trägt die Bez. „super Mirabilium Dei“.</text>
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Cover of blue-grey paper with catalogue label to correspond with the entry in the missing Catalogo (c1784):  Schranck No. I. | Lit. C.  12. Fach  8. Lage | Messa |  à 4 voci | co’ VVni Oboi, Viola ed Org. | Partitura sola | del Sigr  Contini. Incipit. &lt;br /&gt;
This label is pasted over Zelenka’s cover title, part of which may be read: gb (upper left) Nro 32 (upper right) | Missa | Mirabilium [... ] | Contini. &lt;br /&gt;
Title page (Zelenka’s hand): gb (upper left) Nro 32 (upper right) | Missa Mirabilium Dei | à 4 |  C: A: T: B: | Violin 2. | Viola, Violoncello | Basso Continuo | Contini. &lt;br /&gt;
Zelenka’s preparation of the performance materials for this mass led to these being attributed to him as the composer of Missa Mirabilium Dei. See III/Z/11/3. &lt;br /&gt;
This mass, attributed in the Catalogo (1765) to Contini, is now established as coming from the Imperial theorbo player and composer, Francesco Conti. Zelenka also listed a mass setting  titled S. Caroli Borromei by Conti (also with the mark ‘Oss’) into his Inventarium (7/25, missing from Dresden and unlisted in the Catalogo (1765). &lt;br /&gt;
Incipits given in Zelenka-Dokumentation, 54, Nr. 85. Horn (Die wichtigsten Schreiber, 164) identifies the copyist of Mus. 2190-D-2) as ZS O[. &lt;br /&gt;
Concordances: &lt;br /&gt;
1. CZ-Pkřiž, XXXV A 75a-d. This source came into the Kreuzherren collection during the first quarter of the 18th century. The incipits provided by the Kreuzherren example correspond with those of the Dresden source. RISM ID no. 550266591.&lt;br /&gt;
2. CZ-Pkřiž, XXXV A 41. Score and set of 11 parts for the Kyrie and Gloria of this Mass, attributed to Conti and titled ‘Kyrie et Gloria à 4. Voci 2 Violini 1 Viola et organo del Sigr: Franc: Conti compositore di S M. Cesarea Sumptibus Ch: Gayer’ also held by the Kreuzherren, Prague. This example came into the Kreuzherren collection c1730. RISM ID no. 550266553.</text>
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              <text>‘a 4 voci co’ VVni Viola e Basso’</text>
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                  <text>Janice B. Stockigt</text>
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              <text>V. 3 (1900), 183: Deslins, Joannes, bekannt durch [...] Kathol. Kirche in Dresden ein Offertorium de St. Stephan 4 voc. P. u. St.</text>
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              <text>Schranck I; Fach 11; Lage 1</text>
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              <text>Set of 12 parts. Blue-grey wrapper.&lt;br /&gt;
Cover title (hand of Zelenka): No 1 | Stephanus autem  F  | Offertorium | de | S. Stephano. a 4  |  di Giovanni | Deslins. &lt;br /&gt;
Parts (8 vocal; 4 instrumental, all in Zelenka’s hand from mid 1720s): Soprano; Soprano R.; Contralto; Contr.Alto R.; Tenore; Tenore R.; Basso; Basso R.; Violone; Tiorba e Violoncello; Organo (figured); Fagotto. &lt;br /&gt;
Horn (Hkm, 104) notes this to be one of two compositions by Deslins included among the Pietro Giovannelli (Joannellus) collection, Novi thesauri musici, Bks 1 and 3, published in Venice 1568 in 1568 by A. Gardano. (RISM 15684). The second work is a setting of Veni creator spiritus, Bk. 1. According to GMO most works in this collection were composed by singers of the Imperial Chapel, although a few were attached to the court of Duke Albert of Bavaria. &lt;br /&gt;
The Offertorium de S. Stephano is structured in two sections.  According to Zelenka’s instruction, organ preluding was to be performed before the second part of the Offertorium was begun. In the middle of the organ part ‘NB Fit praeludium’ is written. This instruction also seen in Zelenka‘s hymn settings. All other parts have ‘Praeludio tacet’ at this point.</text>
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              <text>‘a 4 voci a Capella’</text>
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              <text>Slins, Joannes de.  [‘Stephanus autem plenus gratia’]  Nro 1 |  Stephanus autem. F. |  Offertorium |  de|  S|  Stephano. |  a 4: |  di Giovanni |  Deslins |  F dur, in 2 Teilen, mit eingeschobenem (aber nicht notierem) Präludium  Ms. 1 drittel d. 18. jh: J. D. Zelenka.  12 Stimmen: S, A, T, B; S, A, T, B rip,; violone, tiorba e vlc, org (beziff); fag (33.5x20 cm). dazu blaues Umschlagdoppelblatt in Titel.  Vermutlich nach Vorlege der Partitur in der seit 1945 verschollen - Sammelbandschrift Mus. 1-D-7, die, wenn nicht von Zelenka schreiben, so doch wohl aus seinem Besitz gestammt hat.  Vormals: Kath. Hofkirche.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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            <elementText elementTextId="77974">
              <text>79</text>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
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              <text>01-11-02</text>
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        <element elementId="54">
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          <description/>
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              <text>DUNI</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77977">
              <text>Mus. 3154-D-2</text>
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          <description/>
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              <text>1745</text>
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          <description/>
          <elementTextContainer>
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              <text>V. 3 (1900), 276: This mass is listed among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni:  1 Missa zu 5 Stim. mit Orch.</text>
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          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Schranck I; Fach 11; Lage 2</text>
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              <text>Partitura</text>
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              <text>Bound score (autogr.?) of a Kyrie and Gloria setting. Without cover. &lt;br /&gt;
Caption title: Messa, à Cinque Voci, et Istrumenti obbligati. Duni. 1745. &lt;br /&gt;
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB.&lt;br /&gt;
After the deaths of both August II (1733) and August III (1763) most court records and royal music collections held in Warsaw were moved to Dresden. The music was then integrated into Dresden collections. Thus, works by the Polish-based Italian composer Antonio Duni, a Kapellmeister of the Polnische Kapelle, came into the collection of Dresden’s Catholic court church. See Bacciagaluppi &amp;amp; Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.&lt;br /&gt;
Note Eitner‘s incorrect attribution (a common error).</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77983">
              <text>‘a 5 voci co’ VVni Viola 1 Tromba e Basso’</text>
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          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
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            <elementText elementTextId="77984">
              <text>I/D/11/2</text>
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        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77985">
              <text>Duni, Antonio:    Messa à cinque Voci et Istrumenti obbligati.  DDur  4/4.  Part. 1745. 1 H.  qu.-4to.  Mus.-Mscr.  Orig. Mscr.    Kath. Hofkirche</text>
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        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77986">
              <text>Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.</text>
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          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77987">
              <text>Score (autogr.?) of Messa, à Cinque Voci (Nr. 1. Kyrie e Gloria only; D) by Duni (Mus. 3154-D-2) held by SLUB.</text>
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          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77988">
              <text>Messa: No 1</text>
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          </elementTextContainer>
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        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77989">
              <text>Messa, à Cinque Voci</text>
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          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77990">
              <text>DUNI, Antonio (b Matera 1700–d Schwerin? post-1766)</text>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77991">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77993">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006973"&gt;212006973&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="77992">
                <text>DUNI, Antonio (b Matera 1700–d Schwerin? post-1766), Messa: No 1, I/D/11/2</text>
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          <element elementId="50">
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                <text>DUNI</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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              <name>Subject</name>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="77995">
              <text>80</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="77996">
              <text>01-11-03</text>
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          </elementTextContainer>
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        <element elementId="54">
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          <description/>
          <elementTextContainer>
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              <text>DUNI</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77998">
              <text>Mus. 3154-D-1</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="77999">
              <text>1744</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78000">
              <text>V. 3 (1900), 276: This mass is listed among the ‘Mss. in der Kathol. Kirche in Dresden’ attr. to Egideo Romoaldo Duni:   Kyrie u. Gloria 4 voc. c. 2 V. Va. ed Org.</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Schranck I; Fach 11; Lage 3</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
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              <text>Partitura</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
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            <elementText elementTextId="78003">
              <text>Bound score of Kyrie and Gloria with cover.&lt;br /&gt;
Cover title: In Nomine Domini | Messa à 4 Voci|  con | Violini, Violetta, é Basso | del | Sigl Antonio Duni | [1]744. &lt;br /&gt;
This score is in the hand seen in all sources of sacred music by Antonio Duni listed into this Catalogo (1765), now held in SLUB. &lt;br /&gt;
After the deaths of both August II (1733) and August III (1763) most court records and royal music collections previously held in Warsaw were moved to Dresden and items of music were then integrated into the Dresden collections. Thus, works by the Italian composers based in Poland, including Antonio Duni (a Kapellmeister of the Polnische Kapelle), came into the collection of Dresden’s Catholic court church. See Bacciagaluppi &amp;amp; Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 143, citing Alina Zórawska-Witkowska, ‘The Saxon Court of the Kingdom of Poland’.&lt;br /&gt;
Note Eitner’s attribution (a common error).</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78004">
              <text>‘a 4 voci co’ VVni Vla e Basso’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78005">
              <text>I/D/11/3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78006">
              <text>Duni, Antonio:  Messa à 4 Voci Violini, Violetta è Basso.  Kyrie, Gloria.  Ddur.  4/ 4.  1744.  1H  4to .  Mus.-Mscr.  Orig.-Mscr.  Kath. Hofkirche</text>
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        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78007">
              <text>Sachs. Landes-Bibl. Depositum der Kath. Hofkirche.</text>
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          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78008">
              <text>Score of Messa, à Cinque Voci (Nr. 2. Kyrie e Gloria only; D) by Duni (Mus. 3154-D-1) held by SLUB.</text>
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        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78009">
              <text>[Messa] No 2 Kyrie e Gloria</text>
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        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78010">
              <text>Messa à 4 Voci</text>
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        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78011">
              <text>DUNI, Antonio (b Matera 1700–d Schwerin? post-1766)</text>
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        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78012">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="78014">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006972"&gt;212006972&lt;/a&gt;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78013">
                <text>DUNI, Antonio (b Matera 1700–d Schwerin? post-1766), [Messa] No 2 Kyrie e Gloria, I/D/11/3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="78015">
                <text>DUNI</text>
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