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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <text>03/13/01</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-E-39; -E-39a</text>
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              <text>28 March 1725</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
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              <text>Schranck III; Fach 13; Lage 1</text>
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              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 18/2</text>
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              <text>Autogr. score and set of 21 parts.&lt;br /&gt;
Mus. 2358-E-39: New cover to the score has the label to correspond with the Hofkirche Catalogo entry (c1784):&lt;br /&gt;
Schranck No. III |Lit.  Z. 13. Fach  II. Lage | [?]) Offertorium | Angelus Domini | à 4 voci | co’ VVni  Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit &lt;br /&gt;
Catalogue label (1765):  Schranck No. III|  Z. 13. Fach  1. Lage | No: 1)  Offertorium | per la Resurrezione  Angelus Domini  à 4 voci | co’ VVni Viola  e Basso |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Cover title with storage information:  Schranck No. III | Z. 13. Fach  1. Lage | No: 1)  Offertorium | per la Resurrezione | Angelus Domini | à 4 voci | co’ VVni Viola  e Basso |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Mus. 2358-E-39a: Cover title  on the blue-grey wrapper: Nro 2. 1 (1 is  non-autogr.) | Angelus Domini | a 5 | C:A:T2:B: VV: 2 | Oboe 2 | Viole 2 | e | Basso Continuo|  Mancano Fagotti | di | Zelenka. &lt;br /&gt;
Parts (NB: 21) for Tenore [solo]; Soprano; Soprano; Contra Alto; Contralto; Tenore [Ripieno]; Basso [vocal]; Basso [vocal]; Violino 1; Violino 2; Viola ; Viola (hands of Zelenka and Philipp Troyer?); Violoncello; Basso (instrumental); Basso (instrumental); Tiorba; Organo; Oboe 1; Oboe 2; Violino Pmo ‘M:P:’ (hand of Troyer); Violino 2 (Troyer).&lt;br /&gt;
The final Alleluia aria is a parody based upon aria No. 3, ‘Haec caeli est victoria’ of Zelenka’s Melodrama of 1723 (see III/Z/25/5). &lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17. Also Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34.  &lt;br /&gt;
NB: ‘Haec caeli est victoria’ contains a thematic reference to an aria in the opera Don Chisciotte (performed in Vienna during Carnival 1719) by Imperial composer and tiorbist, Francesco Bartolomeo Conti.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 1) Pro festo Resurrectionis Domni. Angelus Domini (III/Z/13/11). &lt;br /&gt;
Zelenka-Dokumentation, 122, Dok. 26; 303, ZWV 161.</text>
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              <text>Mus. 2358-E-39: Zelenka, Giovanni Disma:   (Aut. 236)   (Angelus Domini descendit. Z 161).   Offertorium per la Resurrezione.    Angelus Domini a 4 voci [m. Orch.]    A-Dur.   Part. u. St.   Dresda 1725.    1 H. m. 25 St. [! 21 survive].   4to.    Mus.-mscr.   Part.: Orig.-Mscr.    Kath. Hofkirche.    Stimmen stehen gesondert bei der [Partitur]&lt;br /&gt;&#13;
Mus. 2358-E-39a: Zelenka, [Jan Dismas]   [ Angelus Domini descendit, Z 161].    Angelus Domini a 5.   2 vl, 2 ob, 2 vle e bc (vgl. -E-39).    21 Stimmen = Ms (teil?: autogr.)   ca. 1725,   Dresden</text>
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              <text>per la Resurrezion ... Angelus Domini</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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              <text>ZWV 161</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006667"&gt;212006667&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006668"&gt;212006668&lt;/a&gt;</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), Offertoria: No 1.  Pro Festo Resurrectionis Domini. Angelus Domini, III/Z/13/1</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <text>745</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
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              <text>Schranck III; Fach 13; Lage 2</text>
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              <text>Jan Dismas Zelenka. Inventarium 18/3</text>
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              <text>Autogr. score in blue-grey cover. On the upper left corner of the cover is written storage information: Schranck No. 3 | [??] 13  Fach 2 Lage |  [...]  2 | Incipit .&lt;br /&gt;
Cover title (autogr.):  Offertorium à 4 .  VViol. 2. Viola 1 e | Basso Continuo. | NB Potest hoc offertoriu[m] cantari de Beata V: Mariae, | vel de quae=cumque alia Sancta et Sancto.  à Vienna | li 13 Juni: 1716 | di Giov: Disma  Zelenka.&lt;br /&gt;
Conclusion of the score: A M D G B V H  Vienna 13 Junii | 1716.&lt;br /&gt;
Thus, this source confirms that by mid 1716 Zelenka was in Vienna. It is unlikely that he travelled to Venice in that year, even though in 1715 funds were made available for Pisendel, Johann Christian Richter, Christian Petzold, and Zelenka to undertake this journey. According to an article on Dresden court oboist Johann Christian Richter, both he and the Dresden court violinist Johann Georg Pisendel were the only Dresden musicians known to have entered quarantine before travelling to Venice in March 1716. See Samantha Owens, 'Richter, Johann Christian,' in the Lexikon der Holzblasinstrumente, 608–609. &lt;br /&gt;
See also Zelenka-Dokumentation, 106, Dok. 6; 303, ZWV 166. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 2) De B. V. M. Currite ad aras (III/Z/13/12).</text>
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              <text>(Aut. 246)   Mus. 2358-E-4o &lt;br /&gt;&#13;
Zelenka, Giovanni Disma:    [Currite ad aras.   Z 166]&lt;br /&gt;&#13;
Offertorium de Beata Virgine Maria.    Currite as aras a 4 voci [mit Orch.]    G-dur.    Part. u. St.   (Vienna 1716)    1 H. m. 29 St.     qu 4to u. 4to    Mus.-Mscr.   Part.: Orig.-Ms.    Kath. Hofkirche.   Stimmen stehen gesondert</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Offertoria]: No 2.  De B. V. M. Currite ad aras, III/Z/13/2</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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              <description>A name given to the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Janice B. Stockigt</text>
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          <description>ID from previous system - used for matching</description>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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              <text>03/13/03</text>
            </elementText>
          </elementTextContainer>
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          <name>Composer</name>
          <description/>
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              <text>ZELENKA, Gio. Dis.</text>
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          <name>D-Dl</name>
          <description/>
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          <description/>
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              <text>c 1729</text>
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          <name>Eitner</name>
          <description/>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Offertorien</text>
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          </elementTextContainer>
        </element>
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          </elementTextContainer>
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              <text>Autogr. score.  Blue-grey wrapper with label which corresponds to the Hofkirche ‘Catalogo’ (c1784):  Schranck No. III | Lit. Z. 13. Fach  13. Lage | No. [illegible] Offertorium | [illegible] | à 4 voci | senza stromenti | Partitura e parti|  del Sigr Zelencka | Incipit. The score has no dedication.&lt;br /&gt;
See Zelenka-Dokumentation, 309, ZWV 207, also Kohlhase, Zelenka-Studien I, where the setting of Veni Sancte Spiritus of 1739 (ZWV 210) is speculated as being a parody of this Benedictus sit Deus Pater setting from c1729 (ZWV 207)&lt;br /&gt;
In the Zelenka-Dokumenation, Benedictus sit Deus Pater is classified under the category ‘Incerta und fälschlich zugeschreiben Werke’. See also Zelenka-Studien I, 375. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 3) De SS. Trinitate. Benedictus sit Deus à 4 voci senza stromenti (III/Z/13/13).</text>
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          <name>Scoring (1765)</name>
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          <elementTextContainer>
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              <text>‘a 4 voci senza Strom.’</text>
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        <element elementId="67">
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          <description/>
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        </element>
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              <text>Zelenka, Giovanni Disma: (?) &lt;br /&gt;&#13;
Offertorium de S. S. Trinitate:   Benedictus sit Deus  a 4 voci  [a capp.   [senza stromenti [mit b.c.]]     D-dur.    Part. u. St.    1 H. m. 8 St.    quer-4to u. 4to    Mus.-Mscr.    Part.= Orig. Ms.   Kath. Hofkirche.   Stimmen stehen gesondert    = Z 207; vermutl. nicht von Zelenka.</text>
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          <name>Stamps</name>
          <description/>
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          </elementTextContainer>
        </element>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
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              <text>Autogr. score of Benedictus sit Deus Mus. 2358-E-41 attr. to Zelenka (Mus. 2358-E-41) held by SLUB; eight parts to accompany the score missing from Dresden.</text>
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          </elementTextContainer>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
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              <text>[Offertoria]: No 3.  De SSa Trinitate. Benedictus sit Deus</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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          </elementTextContainer>
        </element>
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          <description/>
          <elementTextContainer>
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            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90856">
                <text>ZELENKA, Gio. Dis.</text>
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          </element>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Janice B. Stockigt</text>
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          <description>ID from previous system - used for matching</description>
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          </elementTextContainer>
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          <description/>
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              <text>ZELENKA, Gio. Dis.</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90860">
              <text>Mus. 2358-E-42</text>
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          </elementTextContainer>
        </element>
        <element elementId="80">
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          <description/>
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          <description/>
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          </elementTextContainer>
        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90863">
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          </elementTextContainer>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
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        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
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              <text>Part-autogr. score with grey-blue cover.&lt;br /&gt;
Cover title (autogr.): L: J: C: | Da pacem Domine! | a 2 Cori | ora reali ora obligati: | Violi 2 | Oboe 2 | Viola | e | Basso Continuo | di | G: D: Z:.&lt;br /&gt;
Dedication: A M D G B M V OO SS H AA P I R.&lt;br /&gt;
Perhaps composed for a special devotion at the outbreak of the first Silesian War (1740)? The draft score begins in Zelenka’s hand but is completed by another scribe. See Th. Kohlhase in ‘Echtheitsfragen aus quellenkritischer Sicht’, 125–36 (also Zelenka-Studien I, 338), who suggests that this might be the reworking of an earlier composition. &lt;br /&gt;
See also Zelenka-Dokumentation, 304, ZWV 167. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Offertoria: No: 4) Da pacem Domine (III/Z/13/14).</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>‘a 4 voci e 2. Cori con Stromenti’</text>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90868">
              <text>III/Z/13/4</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90869">
              <text>(Aut. 246)   Mus. 2358-E-42&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:  &lt;br /&gt;&#13;
Offertorium: Da pacem Domine a 4 voci, 2 Cori  [m. Orch.  Z 167]    B-dur.    Part. u. St.   &lt;br /&gt;&#13;
1 H. m. 23 St.    4to    Mus.-Mscr.   Part.: Orig.-Ms.    Kath. Hofkirche.    Stimmen stehen gesondert</text>
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        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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          </elementTextContainer>
        </element>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90871">
              <text>Part-autogr. score of Da pacem Domine by Zelenka (Mus. 2358-E-42) held by SLUB; 23 parts catalogued by SLB missing from Dresden.</text>
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          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90872">
              <text>[Offertoria]: No 4.  De Tempore. Da pacem Domine</text>
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          <description/>
          <elementTextContainer>
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          <description/>
          <elementTextContainer>
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            </elementText>
          </elementTextContainer>
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          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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          </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="90878">
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            <description>An account of the resource</description>
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            <description>A name given to the resource</description>
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              <text>03/13/05</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-E-35</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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              <text>Jan Dismas Zelenka. Inventarium 61/9. (as ‘Gaude plaude’ with remark:  ‘de SS: Trinitate’)</text>
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              <text>Autogr. score with grey-blue cover. &lt;br /&gt;
Cover title (autogr.): a # (upper left); Nro 9 (upper right) | Gaude laetare | Mottetto à Tenore Solo | VV 2 2 | Oboe 2 | Viola | e | Basso Continuo | di | G: D: Zelenka.&lt;br /&gt;
No dedication.&lt;br /&gt;
Concl. of score: Dresda | 17 Maii 1731. &lt;br /&gt;
NB: To his listing of this work in the Inventarium, Zelenka added: ‘de SS: Trinitate’.&lt;br /&gt;
Although listed in the Catalogo (1765) as a soprano solo, originally this work was composed for tenor –  subsequently altered from tenor to soprano, probably for one of the two male soprano castrati of the Hofkapelle: Ventura Rochetti (‘Venturini’) or Giovanni Bindi. A similar re-scoring by Zelenka for soprano of a work originally set for solo tenor  occurred with the psalm setting Laudate pueri (D-Dl, Mus.  2358-D-67; ZWV 81). &lt;br /&gt;
Jóhannes Ágústsson, in ‘The Secular Vocal Collection of Jan Dismas Zelenka’ (19–20), suggests that this was sung as a ‘debut’ work written by Zelenka for the  tenor Johann Joseph Götzel who only recently had entered the Dresden Hofkapelle. Together with Tobias Butz (Putz) Johann Joseph Götzel had previously been engaged as a horn player in the personal Hoffstadt of Saxon Electoral Prince Friedrich August II (later August III) and Maria Josepha. See Ágústsson and Stockigt, ‘The Eestablishment ofthe Catholic Cemetery in Dresden’, 42,45, 57.&lt;br /&gt;
Zelenka-Dokumentation, 143, Dok. 57; 304, ZWV 268. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 1) Gaude laetare (III/Z/13/15). NB: There, the scoring given is: ‘à Tenore Solo co’VVni, Oboi, Vla ed Org.’</text>
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              <text>(Aut. 245)   Mus. 2358-E-35&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Motetto:   Gaude laetare a Soprano ò Tenore Solo [mit Orch.   Z 168]   A-dur.   Part. u. St.   (Dresda 1731)   1 H. m. 22 St.   4to   Mus.-Mscr.   Part.: Orig.-Ms.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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              <text>Motetti: No 1.  Gaude laetare</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010939"&gt;211010939&lt;/a&gt;</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-E-501; -E-501a</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 13; Lage 6</text>
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            <elementText elementTextId="90910">
              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium  26/4 (‘Dormi parve, Dormi Deus’) and 61/3 (‘O Magnu[m]’)</text>
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          <name>Remarks</name>
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              <text>Mus. 2358-E-501: Score copy without cover. Recitative (O magnum mysterium) and aria (Dormi Deus incarnate) in hand of Zelenka copyist ZS 1 (from early 1730s).  Five staves [vl. 1; vl 2; vla; Tenor; b.c.]. &lt;br /&gt;
Caption title: Motetto pro Nativitate.&lt;br /&gt;
Mus. 2358-E-501a:  Set of 16 parts with two grey-blue wrappers. The outer wrapper has a label to correspond with the Hofkirche Catalogo (c1784): Schranck No. III | Lit. Z. 13. Fach  16. Lage | No. 2) Motetto | Pro Nativitate Domini | O Magnum Mysterium | à Contr’alto Solo | co’ VVni Viola Flauti ed Org. | Partitura e parti | del Sigr Zelencka | Incipit &lt;br /&gt;
Cover title (autogr.): No 1 (upper left) L:J:C: No. 2 (upper right; non- autogr.) | Mottetto à Contralto Solo | Violini | Flauti Traversi 2 | Viola | e | Basso Continuo | di | G:D:Z.&lt;br /&gt;
Parts (these have been re-paginated and reflect more than two occasions of performance): Alto solo; Violino I x 3; Violino 2 x 3; Violetta x 2; Traversa 2 x 2; Flauto a bec x 2; Violone R e Fagotto (‘e Fagotto’ in Zelenka’s hand); Violoncello o Fagotto (‘o Fagotto’ in Zelenka’s hand); Organo. Scribes are Zelenka, ZS 1, ZS 2 (from 1730), Johann Georg Kremmler (from 1733), and one identified by RISM as S-Dl-040.&lt;br /&gt;
The aria ‘Dormi nate, dormi Deus’ was originally No. 29, ‘Reviresce, effloresce pacis’ from Zelenka’s Melodrama composed for Prague, 1723 (see III/Z/25/5 in this catalogue). &lt;br /&gt;
In the revision of that aria as a motet, parts in Zelenka’s hand for two flutes—as well as their inclusion in the instrumentation given on the cover to the parts—suggest that the first working occurred after the return to Dresden of Johann Joachim Quantz as second flautist to Buffardin. The later  addition of two somewhat simplified parts for recorders might be an addition, or an alternative to a pair of flutes. The use of flutes and/or recorders (these would have been played either by oboists of the Hofkapelle, or by Kapellknaben: the four ‘Flauten’ that Fürstenau [II, 37] notes that were purchased in 1709 for the Catholic court church were probably recorders) provide the pastoral effect required for a work performed in the Catholic court church on Christmas Eve.&lt;br /&gt;
Purple pencil markings in both score and parts suggest a much later use of this motet for Christmas Eve in the Dresden Hofkirche.&lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17; 304, ZWV 171. &lt;br /&gt;
See Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 2) Pro Nativitate Domini. O Magnum mÿsterium (III/Z/13/16). There, the scoring given is: ‘à Contralto Solo co’VVni, Vla, Fl: ed Org.’&lt;br /&gt;
A listing in the non-thematic music catalogue of the Cistercian monastery at Osek (Northern Bohemia) might refer to this work:  f. 26b: [Gradualia] de festis Solemnionibus … [ab A: 1723]: ‘Aria per il Natale de N: J: S: à Contralto. Zelenka’ (?ZWV 171?).</text>
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              <text>Mus. 2358-E-501&lt;br /&gt;&#13;
Zelenka, [Jan Dismas]&lt;br /&gt;&#13;
[O magnum mysterium. Z 171]   Motetto pro Nativitate (f. A solo, 2 vl, vla u. bc, E dur)&lt;br /&gt;&#13;
Partitur = Ms 1. H. 18 Jh., Dresden&lt;br /&gt;&#13;
1 Heft (= 10  S.) m. Titelumschlag des Kapellarchivs [...]  &lt;br /&gt;&#13;
Mus. 2358-E-501a&lt;br /&gt;&#13;
Zelenka, Jan Dismas&lt;br /&gt;&#13;
[O magnum mysterium. Z 171]   Motetto a Contralto solo, Violini 2, Flauti tr. 2, Viola e B.c. (vgl. dir Part. -E-501)&lt;br /&gt;&#13;
16 Stimmen = Ms (teil autogr.)   1. H.   18 Jh., Dresden</text>
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              <text>[Motetti]: No 2.  Pro Nativitate Dni. O Magnum Mysterium</text>
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              <text>ZWV 171</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211011136"&gt;211011136&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211011137"&gt;211011137&lt;/a&gt;</text>
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              <text>03/13/07</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-E-36</text>
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              <text>c1734; completed c1738</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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              <text>Schranck III; Fach 13; Lage 7</text>
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              <text>Jan Dismas Zelenka. Inventarium 61/12</text>
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              <text>Recently-bound autogr. score. Two labels  correspond with Hofkirche catalogues 1765; c1784.&lt;br /&gt;
Label from Catalogo (1765) (inner cover); Schranck No. III | Z. 13. Fach  7. Lage | No: 3.)  Motetto | pro Resurrezione | Barbara dira | Contr’Alto Solo | co’ VVni Viola Fag: concert. |  Partitura e parti cav: | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Lit.  Z. 13. Fach  17. Lage | [No. ?]) Motetto | [pro Resurrezione] | [Barbara dira] à 4 Contr’Alto Solo | co’ VVni  Viola, Fag. conc:  ed Org. | Partitura e parti  del Sigr Zelencka | Incipit &lt;br /&gt;
Dedication: (very faint at conclusion): L: G: C: &lt;br /&gt;
See Freemanová &amp;amp; Stockigt, ‘Jan Dismas Zelenka and a Prague performance of San’t Elena al Calvario by Leonardo Leo’, where it is suggested that the first aria of the motet of three movements, ‘Barbara dira effera’, and the motet ‘Sollicitus fossor’ (ZWV 209) were inserted into Leo’s oratorio (‘San’t Elena al Calvario’) for a performance given at the Clementinum College Prague, 1734. It is also suggested that at a later time Zelenka added a recitative and final Allelulia aria to the aria Barbara dira effera for a performance in Dresden (possibly following the move to the Dresden Hofkapelle from Prague of the bassoonist Anton Möser, a one-time member of the Prague orchestra of Count Wenzel Morzin). See also the listing of ‘Sollicitus fossor’ (Mus. 2358-E-38): III/28/5.&lt;br /&gt;
NB: This score has the same watermark (pp. 33–4; 41-2) as those seen ‘Sollicitus fossor’ and ‘Qui nihil sortis’ (III/28/4)—both works by Zelenka but listed as anonymous compositions in the MUSICA SENZA NOME DELL'AUTORE section of the  catalogues of 1765 and c1784.&lt;br /&gt;
Zelenka-Dokumentation, 303, ZWV 164.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 3) Pro Resurrectionis Domini. Barbara dira (III/Z/13/17). There, the scoring given is: ‘à Contralto Solo co’VVni, Vla, Fag: concert: ed Org.’</text>
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Motetto: Pro Resurrectione Domini. Barbara dira a Contr’alto Solo [mit Orch.]    F-dur    Part. u. St.    1 H. m. 13 St.    4to    Mus.-Mscr.   Part.= Orig. Ms.   Kath. Hofkirche.    Stimmen stehen gesondert</text>
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              <text>[Barbara dira effera]</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006665"&gt;212006665&lt;/a&gt;</text>
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              <text>Jan Dismas Zelenka. Inventarium 25/1 and 61/1</text>
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              <text>Autogr. score with blue-grey cover.&lt;br /&gt;
Cover title (autogr.):  Mottetto per il | Natale del | N: S: J: | a 4 Flau: | Viol. 2 | Viola 1 | Tenore | e Organo | di Giov: D: | Zelenka.&lt;br /&gt;
The recitative of this motet was originally set as ‘Proh! quae aëris inclementia’, No. 23 from Zelenka’s Melodrama of 1723 (see III/Z/25/5 in this catalogue), followed by the aria ‘Auster lux perennis’. &lt;br /&gt;
See Zelenka-Dokumentation, 114, Dok. 17 and 304, ZWV 172. Pairs and flutes and recorders (oboists often doubled on the recorder) provide the pastoral effect required for a work to be performed on Christmas Eve. See also Th. Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34. &lt;br /&gt;
I have suggested that in this aria of the Melodrama Zelenka made a musical reference to a phrase from Fux’s  opera of 1716: Orfeo ed Euridice. See Stockigt, Jan Dismas Zelenka, 128, and Ex. 4.12.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 4) Pro Nativitate Domini. Pro quos criminis (III/Z/13/18). The scoring given is ‘à Tenore Solo co’VVni, Vla, Ob: 4 Fl: ed Org.’&lt;br /&gt;
A listing in the non-thematic music catalogue of the Cistercian monastery at Osek (Northern Bohemia) might refer to this work.  f. 26b, [Gradualia] de festis Solemnionibus … [ab A: 1723]: ‘Motteto per il Natale. T. solo il Concert: Zelencka’ (ZWV 172?).</text>
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Motetto: Pro Nativitate Domini. Pro[h] quos criminis a Tenore [oder Soprano] Solo [mit Orch.]   C-dur.   Part u. St.   1 H. m. 21 St.   Mus. Mscr.   Part. = Orig. Mscr.   Katho[l]ische Hofkirche.   Stimmen stehen gesondert</text>
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                  <text>Janice B. Stockigt</text>
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          <elementTextContainer>
            <elementText elementTextId="90972">
              <text>752</text>
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            <elementText elementTextId="90973">
              <text>03/13/09</text>
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              <text>ZELENKA, Gio. Dis.</text>
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          <name>Eitner</name>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] Motetten u. s. w.</text>
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              <text>Schranck III; Fach 13; Lage 9</text>
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              <text>Missing from Dresden since the 19th century.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under 5 Motetti: No: 6): “de temp[ore], Basso solo, oboe 2, Corni di Caccia 2 Viola et Basso Conti:” &lt;br /&gt;
The text is taken from the Czech translation of Psalm 150 as published in the Protestant Kralická Bible, which Jaroslav Smolka (Prague, 1990) reported as being banned in Bohemia at that time. ‘De tempore’ means that the work might be performed at any time of the Temporal Cycle of the church calendar.&lt;br /&gt;
Ferdinand Tadra (1844–1910), historian and organizing member of the Prague choral society Hlahol, was probably responsible for arranging the loan from Dresden of Zelenka’s autograph of Chvalte boha silného, which was performed in Prague in 1895. &lt;br /&gt;
See Jana Vojtéšková,  ‘Die Zelenka-Überlieferung’, 97. Also Zelenka-Dokumentation, 303, ZWV 166.&lt;br /&gt;
Concordances: Sources for the motet Chvalte Boha silného (G: ZWV 165), now missing from Dresden, are: &lt;br /&gt;
1. CZ-Prague, Hlahol archive, Sign. 1848. Score copy (1877)&lt;br /&gt;
2. CZ-Pnm, XXIV F 1. Score copy with 25 parts (1895)&lt;br /&gt;
3. CZ-Pnm, XXVIII D 70. Vocal score (Trolda, 1930)</text>
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              <text>‘a Basso Solo co’ VVni Oboè e Corni’</text>
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        <element elementId="67">
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          <elementTextContainer>
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          <name>Status</name>
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          <elementTextContainer>
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              <text>The score of Chvalte Boha silného by Zelenka missing from Dresden. It was not catalogued by SLB.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
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          <elementTextContainer>
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              <text>[Mottetti]: No 6.  Chvalte Boha silného</text>
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          <name>Uniform Composer</name>
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          <elementTextContainer>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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              <text>Motets</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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              <text>ZWV 165</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Mottetti]: No 6.  Chvalte Boha silného, III/Z/13/9</text>
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
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              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="90989">
              <text>753</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="90990">
              <text>03/14/01</text>
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          </elementTextContainer>
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          <name>Composer</name>
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              <text>ZELENKA, Gio. Dis.</text>
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        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90992">
              <text>Mus. 2358-D-81,1,2,3,5; -D-81,6; D-81,8 sources</text>
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        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90993">
              <text>1733 and subsequent performances</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 3 Requiem</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
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              <text>Schranck III; Fach 14; Lage 1</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90996">
              <text>Partitura; Parti</text>
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          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Inventarium 51/4 (with comment: ‘raptissime compositum’)</text>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90998">
              <text>Requiem mass composed for the Dresden exequies (15–18 April 1733) following the death on 1.2.1733 in Warsaw of August II. Extensive reports of the exequies are given in the HStCal, the annual letter, and in the Diarium of the Dresden Jesuits.&lt;br /&gt;
Mus. 2358-D-81,1: Unbound autogr. score. Text: Requiem aeternam; Kyrie. I:N:J:C:  Requiem 1733 at head of score. ‘No 3’ (non-autogr.). &lt;br /&gt;
Mus. 2358-D-81,2: Unbound autogr. score. Text: Dies irae, ‘Siegue Recordare’.&lt;br /&gt;
Mus. 2358-D-81,2 (cont’d): Unbound autogr. score. Text: Recordare. &lt;br /&gt;
Dedication: O A M D G B V M OO SS H AA P I R (concl.).&lt;br /&gt;
Mus. 2358-D-81,3: Unbound autogr.  score. Sewn. Text:  Domine Jesu Christe | Offertorio. &lt;br /&gt;
Dedication: A M D G B V M OO SS H AA P I R (concl. Offertorio ‘Domine Jesu Christe’). Setting of the Sanctus is missing.&lt;br /&gt;
Mus. 2358-D-81,5: Unbound autogr. score. Text: Agnus; Intonatio ‘Lux aeterna’; ‘Requiem da Capo’.&lt;br /&gt;
Mus. 2358-D-81,6: Two autogr. trumpet parts: Tromba Ima; Tromba 2da for Requiem; Kyrie; Dies irae; Huic ergo parce deus; Sanctus; Requiem da Capo.&lt;br /&gt;
Mus. 2358-D-81,8: Set of parts for the Requiem (ZWV 46), now arranged according to scribes (showing original and subsequent performances of this work). See RISM ID No. 212006042. Although the Dresden Diarium reported Solemn Anniversary Requiems being held on on 1 February annually between 1734 and1738, music is not mentioned. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 1) Requiem; Dies irae; Offertorium; Sanctus; Agnus (III/Z/14/1). The scoring of the Requiem and Dies irae given ias: ‘à 4 voci co’VVni, Vla, Fl. Corni, Trombe, Timp. ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Ob: Fl: Vla, ed Org.’; scoring of the Sanctus is:  ‘à 4 voci co’VVni, Vla, Ob: Corni, Trombe, Timp: ed Org.’; scoring of the Agnus is:  ‘à 4 voci co’VVni, Oboi, Viola, ed Org.’ &lt;br /&gt;
On the exequies, see Zelenka-Dokumentation, Dok. 59a), 135–6; 290, ZWV 46.&lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Pkřiž, XXXV D 75. 19 parts (2nd quarter of the 18th century). RISM ID no. 550255324.&lt;br /&gt;
2. D-B, Mus.ms. 23543. RISM ID no. 452522196.</text>
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              <text>‘a 4 voci co’ VVni Viola, Flauti, Corni, Trombe e Timpani’</text>
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              <text>Mus. 2358-D-81,1,2,3,5:   Zelenka, Jan Dismas   [Requiem Z 46]     Requiem A[nno] 1733 (f. Soli, Chor u. Orch., D dur). Partitur = Ms autogr., 1733  [...] 4 S.    2o  u. 4o      &lt;br /&gt;&#13;
(Requiem u. Te decet |Kyrie in 1 Heft; Part. des Sanctus fehlt; Stimmen siehe -D-81,6)&lt;br /&gt;&#13;
Mus. Mus. 2358-D-81,6 : Zelenka, Jan Dismas   [Requiem Z 46]    (= gesamtes Setz)   2 Stimmen = Ms autogr., [1733] tr. 1, 2 &lt;br /&gt;&#13;
Mus. 2358-D-81,8 : Zelenka, Jan Dismas   [Requiem Z 46 | Dies irae]  48 Stimmen = Ms autogr., [1733], ca. 1763 u. 19 Jh. Dresden</text>
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        <element elementId="70">
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          <description/>
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              <text>Autogr. score of Requiem mass (without Sanctus) by Zelenka (Mus. 2358-D-81,1-3, -D-81,5) held by SLUB; 41 parts in the hands of various scribes (1733), plus 2 autogr. parts for tr. 1,2 held by SLUB (Mus. 2358-D-81,8).</text>
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        <element elementId="71">
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          <elementTextContainer>
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              <text>Missae pro Defunctis: No 1.</text>
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        <element elementId="79">
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          <description/>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <description/>
          <elementTextContainer>
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              <text>Requiems</text>
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        <element elementId="81">
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 46</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006045"&gt;212006045&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=1"&gt;1&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006046"&gt;212006046&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2"&gt;2&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006047"&gt;212006047&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=3"&gt;3&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006048"&gt;212006048&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=5"&gt;5&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006049"&gt;212006049&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006042"&gt;212006042&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=81"&gt;81&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=8"&gt;8&lt;/a&gt;)</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 3 Requiem</text>
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              <text>Schranck III; Fach 14; Lage 2</text>
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              <text>Zelenka’s Inventarium entry of this work reads: ‘NB: Fuit hoc Requiem factum et productum pro Anniversario Invictiss. Imper. Josephi ad Mandatum Serenissimae Nostrae Principessae’, indicating that the work was commissioned by Maria Josepha before she received the title ‘Queen’ (coronation January 1734). On 17 April 1731, the 20th anniversary of the death of Joseph I, the Dresden Diarium Missionis reported that a Requiem for Emperor Joseph had been produced by Zelenka: ‘Requiem pro Caesare Josepho produxit D. Zelenka.’ The entry of 22 April 1732 recorded that at 11 am a Requiem for Emperor Joseph with music by Zelenka: “ora 11. Requiem pro Imperatore Josepho ... Musicam fecit D. Zelenka.’ In 1739, 1740, and 1741 a Requiem is reported on the anniversaries of the death of Joseph I without mention of the music until 1741, when Hasse was responsible: ‘Anniversarium pro Imperatore Josepho I. Hora 11. Cantatum Requiem ((…….)) D. Hasse.’ &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 2) Requiem; Dies irae; Offertorium; Sanctus; Agnus (III/Z/14/2). The scoring of the Requiem is given is: ‘à 4 voci co’VVni, Vla, Oboi, Flauti, Chalmeaux ed Org.’; scoring for the Dies irae is given as: ‘à 4 voci co’VVni, Viola, Oboi ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Viola, Oboi, ed Org.’; scoring of the Sanctus is:  ‘à 4 voci co’VVni, Viola, Oboi ed Org.’; scoring of the Agnus is:  ‘à 4 voci co’VVni, Oboi, Viola, ed Org.’&lt;br /&gt;
Ferdinand Tadra (1844–1910), historian and organizer of the Prague choral society Hlahol, was probably responsible for arranging the loan from Dresden of Zelenka’s autograph of this d-minor Requiem (ZWV 48). See Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 177. &lt;br /&gt;
The only known 18th c. example of sections from this Requiem (ZWV 48) survives at Bratislava (formerly from the Piarist monastery at Podolínec) as an incomplete set of parts prepared in 1770. &lt;br /&gt;
Zelenka-Dokumentation, Dok.59a, 2) 135; 291, ZWV 48. &lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Prague, Hlahol archive, Sign. 1847. Score copy (1878)&lt;br /&gt;
2. SK-J, H-252. Incomplete set of parts (1770). RISM ID no. 570001803. (The ‘Christe eleison’ and ‘Benedictus’ settings differ from the example held by Hlahol).</text>
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              <text>The score and parts of ‘Requiem factum et productum pro Anniversario Invictiss. Imper. Josephi ad Mandatum Serenissimae Nostrae Principessae’ by Zelenka missing from Dresden and not catalogued by SLB.</text>
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              <text>[Missae pro Defunctis]: No 2.   [Requiem; Dies irae; Offertorium; Sanctus; Agnus]</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under Missae pro Defunctis: No: 3) Requiem; Dies irae; Offertorium (without score); Sanctus; Agnus (III/Z/14/3). &lt;br /&gt;
The scoring is given is: ‘à 4 voci co’VVni, Oboi, Viola, 3. Tromboni ed Org.’; scoring for the Dies irae, Sanctus and Agnus is given as: ‘à 4 voci co’VVni, Oboi, Viola ed Org.’; scoring of the Offertorium is: ‘à 4 voci co’VVni, Viola, ed Org.’&lt;br /&gt;
Might this be part of the Requiem Zelenka composed for the exequies held on 3 March 1724 in the Dresden Hofkirche following the death of his father? On that day the Dresden Diarium Missionis reported ‘Hora 10. cantatum Requiem pro parente Domini Zelenka, quod ipse composuit et cum Regiis Musicis produxit.‘ (At 10 o’clock, Requiem Mass for a parent of Zelenka: he himself composed and produced it with the royal musicians).&lt;br /&gt;
See Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 170, and Zelenka-Dokumentation, Dok.59a, 3) 135–6; 291, ZWV 49. &lt;br /&gt;
Concordance:&lt;br /&gt;
CS-Pnm, XXXIII A 75 (‘Floriano Burian Oss: Prof:/A. 1730’. Stamp: ‘Osecky kláster’).</text>
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              <text>[Missae pro Defunctis]: No 3.  Senza Offertorio</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Score held in two vols. Parts are missing.&lt;br /&gt;
Mus. 2358-D-46&lt;br /&gt;
Bound autogr.  score&lt;br /&gt;
Cover title (autogr.) (damaged):  Responsoria [et?] Invitatorii | pro | Officio Defunctoru[m] | Audi [...] Castrum Dorloris |  [...] Regii et | in Requiem [...] Dresden ... ad | [...] | [...] Comp[osuit J. D. Zelenka ejus ejusdem | [...] [...] [1730 [sic]: in red crayon].&lt;br /&gt;
Mus. 2358-D-6 &lt;br /&gt;
Bound autogr. score&lt;br /&gt;
Cover title (autogr.): Responsoria pro primo | Nocturno | a 4 | C:A:T:B: | di G:D:Z:&lt;br /&gt;
See Zelenka-Dokumentation, Dok. 60, 136–9; 291, ZWV 47. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Responsoria pro Offic: Defunctorum (III/Z/14/4). The scoring is given as: ‘à 4 voci co’VVni, Vla. Fl. Ob. ed Org.’ Score and parts were held.</text>
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              <text>(Aut. 222)   Mus. 2358-D-46&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria Invitatorium pro officio Defunctorum a 4 voci  [mit Orch]    B-dur.   Part.   (Dresda) 1733     1 Bd   quer-4to      Orig.-Mus.-Mscr.   Kath. Hofkirche. &lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,1&lt;br /&gt;&#13;
Zelenka, J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro prim. Nocturno à 4 C. A. T. B. [col Organo]   quer-4to   Orig.-Mus.-Mscr.   angeb.: Responsoria pro secundo tertii&lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,3&lt;br /&gt;&#13;
Z[elenka], J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro secundo Nocturno à 4 C. A. T. B. [col Organo]   Part.   quer-4to     Orig.-Mus.-Mscr.  1 an: Responsoria pro prim . . .&lt;br /&gt;&#13;
(Aut. 169)   Mus. 2358-D-6,4&lt;br /&gt;&#13;
Z[elenka], J. D. [Officium Defunctorum.  Z 47]&lt;br /&gt;&#13;
Responsoria pro tertii nocturno à 4 C. A. T. B. [col Organo]   Part.   quer-4to   Orig.-Mus.-Mscr.  2 an: Responsoria pro prim . . .</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010667"&gt;211010667&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=1"&gt;1&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010668"&gt;211010668&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2"&gt;2&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010669"&gt;211010669&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=3"&gt;3&lt;/a&gt;)&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010670"&gt;211010670&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=6"&gt;6&lt;/a&gt;,&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=4"&gt;4&lt;/a&gt;)</text>
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Brown title page with autogr. title: Te Deum | laudamus | à 5.| VV: 2 | Oboe 2 | Viola 1 | Trombe  2 | Tympa. | e | Basso Continuo | di Giovanni | Disma Zelenka.&lt;br /&gt;
Concl. of score: Laus Deo semper.  Page 54: Salv[um] fac tacet. &lt;br /&gt;
The now-missing date of this score (25.3.1724) was provided by Norbert Schulz, 16, but the event for which this work was composed is not known.&lt;br /&gt;
This setting contains three parodies of arias from Zelenka’s Melodrama of 1723 (ZWV 175). See Kohlhase, ‘Zelenkas geistliche Parodien’, 419–34.&lt;br /&gt;
On Dresden performance practice of the Ambrosian Hymn, see Th. Kohlhase’s preface to his edition Jan Dismas Zelenka: Te Deum in D (Carus-Verlag, 1984).&lt;br /&gt;
See Zelenka-Dokumentation, 301, ZWV 145.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Te Deum laudamus No. 1) (III/Z/15/1).  &lt;br /&gt;
Two damaged labels with information (illegible) kept at the back of the recently-bound volume.</text>
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          <elementTextContainer>
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          <elementTextContainer>
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              <text>(Aut. 223)   Mus. 2358-D-47&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Te Deum laudamus a 5 voci [mit Orch.]   [Z 145]   D-dur.   Part. u. St.     Dresda 1724.   1 Bd m. 26 St.    4o     Mus.-Mscr.   Part.: Orig.-Ms.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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          <description/>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Schranck III; Fach 15; Lage 2</text>
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              <text>Bound autogr. score without covers. Accompanied by three parts with the chant ‘Salvum fac’.&lt;br /&gt;
Dedications: A M D G M OO SS H AA P I R (head of score): O A M V G B V M OO SS H AA P I R  | 1731 (concl. of score).&lt;br /&gt;
Zelenka listed this into the Inventarium as ‘Te Deu[m] à 2 Cori: NB in P[rimo] Choro sunt 2 C[anto]’. The two choruses comprise SSATB soli (two soprano soloists with equal ranges and vocal abilities are required for the aria ‘Tu Rex gloriae’, while ‘Per singulos dies’ is set as a solo trio for two sopranos and alto), and SATB (ripieno) chorus. &lt;br /&gt;
Perhaps Zelenka’s Te Deum setting of 1731 (ZWV 146) was  performed in the Hofkirche in the presence of the crown prince in November 1731 when a Thanksgiving was held following the successful birth of Saxon Princess Maria Josepha (4 November).  (‘pro quo continuò in Ecclesia presente Serenissimo Principe Regio Solenne Te Deum laudamus decantavimus’). Annuae Literae Regiae Missionis Dresdensis pro anno 1731, ARSI (I-Rar), Boh 148,22. The HStCal  reported that in the castle/court church during the morning sermon, public thanks were given and the Te Deum laudamus was played with trumpets and timpani. (HStCal, 1733). &lt;br /&gt;
It is probable that this setting also was performed at the St Petri Dom during the Erbhuldigung ceremonies held in Bautzen for Elector Friedrich August I, May 1733. Documentation of this event shows that Zelenka, who also sang as a tenor in the performance, went with Pisendel in advance to negotiate performing space in St Petri for the thirty musicians of the Hofkapelle (twenty-one instrumentalists and nine singers, plus servant) who travelled to Bautzen for this occasion. See Stockigt, ‘The visit of members of the Dresden Hofkapelle to Bautzen: May 1733’, in Understanding Bach, 9, 89–92© Bach Network UK 2014. Also Stockigt &amp;amp; Ágústsson, ‘Well-born and virtuoso Kapellmeister’: Visits of Jan Dismas Zelenka and the Dresden Hofkapelle to Bautzen, 1733’, Clavibus unitis 5 (2016), 1–12. &lt;br /&gt;
On Dresden performance practice of the Ambrosian Hymn, see Th. Kohlhase’s preface to his edition Jan Dismas Zelenka: Te Deum in D (ZWV 145: Carus-Verlag, 1984). Also Zelenka-Dokumentation, 134, Dok. 58; 301, ZWV 146.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Te Deum laudamus No. 2) (III/Z/15/2). The scoring is given as: ‘à 4 voci co’VVni, Vla. Oboi, Trombe, Timpani ed Org.’</text>
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Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Te Deum laudamus No. 2 a 4 voci [mit Orch.]   [Z 146]   D-dur.   Part. u. St.      1 Bd m. 36 St.    4to     Mus.-Mscr.   Part.: Orig.-Ms.   [1731]   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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              <text>Bound autogr. score. Two covers (grey-blue)&lt;br /&gt;
1. Cover title (autogr.): L. J. C. | Litaniae Lauretanae factae | sub Titulo: | Consolotrix afflictorum. | di | G. D. Zelenka&lt;br /&gt;
2. Cover title (autogr., from a lost dedication copy?):  L. J. C. | Litaniae Lauretanae factae | sub Titulo: | Consolotrix Afflictorum. | et Serenissimae Poloniarum Reginae, Electrici| Saxoniae | in profundissima veneratione | dedicatae | ab humillimo devotissimo | servo | Joanne Disma Zelenka. &lt;br /&gt;
Dedications: O A M D G B M V L OO SS H (head); OO A M D G B M V OO SS H 1744 (concl.). Note that the usual concluding letters (P I R, or similar) are not given.&lt;br /&gt;
This is the first of two settings of the Litany of Loretto from 1744.  Litaniae Lauretanae No. 1, with the subtitle ‘Consolatrix afflictorum’ (ZWV 151), was composed at the onset of an illness suffered by Maria Josepha. The title page of the autograph score, dated 1744, bears this dedication: ‘L J C  Litaniae Lauretanae factae sub Titulo: Consolatrix Afflictorum et Serenissimae Poloniarum Reginae, Electrici Saxoniae in profundissima veneratione dedicatae ab humillimo devotissimo servo Joanne Disma Zelenka’. (Transl: Litanies [...] composed with the title Consolatrix afflictorum and dedicated with profoundest veneration to Her Serene Highness, the Queen of the Polands, Electress of Saxony, by her most humble and devoted servant, Jan Dismas Zelenka).&lt;br /&gt;
See Zelenka-Dokumentation, 150, Dok. 74; 302, ZWV 151. Also Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 156–7.&lt;br /&gt;
In the undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed under the heading Litaniae Lauretanae No. 1) (III/Z/15/3).</text>
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Zelenka, Giovanni Disma:&lt;br /&gt;&#13;
Litaniae Lauretanae No 1  facta sub titulo: Consolatrix Afflictorum  a 4 voci [m. Orch. Z 151]    G-dur.   Part. u. St.   (1744)  1 Bd m. 32 St.    4o  u. 4o    Mus.-Mscr.   Part.: Orig.-Ms.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Autogr. scores of six Ave Regina settings bound together. Each is numbered (Nro 1mo; Nro 2;  Nro 3;  Nro 4to; Nro  5to; Nro  6).&lt;br /&gt;
Parts are missing except for one violin part for Nr. 2 in Zelenka’s hand. (This part demonstrates the manner in which a Dresden violinist would play a bass line. In the score of No 2 ‘Violini e Viola’ is written at the beginning of the bass /organ stave). &lt;br /&gt;
On the upper right of page 1 (in Schürer’s hand?) is written storage information which relates to this Catalogo (1765): Schranck N. 3 | Z. 16 Fach 10. Lage | 6 Ave Regina | parti cav:&lt;br /&gt;
Dedication and date at concl. score: A M D G B V M OO SS H AA P I R 1737.&lt;br /&gt;
See Zelenka-Dokumentation, 299–300, ZWV 128.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ score and parts for each of the six settings are listed under the heading 6 Ave Regina. [Nos. 1–6] (III/Z/16/1). Each setting is listed with its incipit given. The scoring for each is  ‘à 4 voci co’VVni, Vla ed Org.’ &lt;br /&gt;
NB: An incorrect G clef (instead of soprano clef) has been used for the incipit both here (above) and in the Catalogo (c1784). &lt;br /&gt;
On these settings, see Frederic Kiernan, ‘Six Ave regina coelorum settings (1737) by Jan Dismas Zelenka (1679–1745): Context and Critical Edition.’ MMus Diss., The University of Melbourne, 2013. Published by A-R Editions, 2018.</text>
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              <text>‘a 4 Voci. con Stromti.’</text>
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              <text>Zelenka, Giovanni Disma: (Aut. 242)&lt;br /&gt;&#13;
Ave Regina   No 1–6.   a 4 voci  [m. Orch.]   D-Dur,  [Z 128]   Part. u. St.   1 H. m. 31 St.   4to u. 4to.   Mus.-mscr.   Part.: Orig.-Mscr.  Kath. Hofkirche.   Stimmen stehen gesondert</text>
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              <text>Score of six Ave Regina settings  (C; d; C; g; G; a) by Zelenka (Mus. 2358-E-20) held by SLUB; 31 parts to accompany the scores missing from Dresden. One violin part held (autogr.) for Nr. 2.</text>
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          <elementTextContainer>
            <elementText elementTextId="91157">
              <text>[Antiphonae]: 6. Ave Regina . . . Tutti insieme</text>
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          <elementTextContainer>
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          <name>RISM Links</name>
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            <elementText elementTextId="91163">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010331"&gt;211010331&lt;/a&gt;</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Antiphonae]: 6. Ave Regina . . . Tutti insieme, III/Z/16/10</text>
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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                <elementText elementTextId="3">
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          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
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              <text>761</text>
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          </elementTextContainer>
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              <text>ZELENKA, Gio. Dis.</text>
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        <element elementId="55">
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          <description/>
          <elementTextContainer>
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        <element elementId="80">
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          <description/>
          <elementTextContainer>
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        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91170">
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          </elementTextContainer>
        </element>
        <element elementId="60">
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              <text>Autogr. score of three Regina coeli settings by Zelenka. The upper instrumental parts (vn 1, vn 2, va) of No. 3 are the hand of another scribe. Parts are missing.&lt;br /&gt;
The new cover has the label attached which corresponds to the Hofkirche Catalogo (c1784): &lt;br /&gt;
Schranck No. III |Lit.  Z. 15. Fach  2. Lage |  (illegible) | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Zelenc[ka] | Incipits.&lt;br /&gt;
On the upper left of page 1 is written information to correspond with storage given in the Hofkirche ‘Catalogo’ (1765): Schranck No. 3 | Z. 16 Fach 11. Lage | No: 1 | 3 Regina coeli | parti cav:. No incipit.&lt;br /&gt;
Dedication (concl. No. 2):  A M D G B M V OO SS H AA P I R.&lt;br /&gt;
See Zelenka-Dokumentation, 300, ZWV 129. No. 2 is discussed in Stockigt, Jan Dismas Zelenka, Ex. 5.17 (176-8)&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) scores and parts for each of the three settings are listed under the heading Antiphonae: 8 Regina Coeli.  Nos. 1–3 are bracketed together (III/Z/16/2). Each listing has an incipit provided, and the scoring for each is given as ‘à 4 voci co’VVni, Viola ed Org.’ The Catalogo (1765) does not itemize the settings in a minor and C Major.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="91177">
              <text>(Aut. 241)   Mus. 2358-E-16&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:   [3 Regina coeli.   Z 129]&lt;br /&gt;&#13;
Regina Coeli. No 1. 2. 3.  a 4 voci [m. Orch.]   1.  C-dur.   2. A-moll.  3. C-dur.  Part. u. St.   &lt;br /&gt;&#13;
1 H. m. 35 St.   quer 4to u. 4to      Mus.-Mscr.   Part.: Orig.-Mscr.   Kath. Hofkirche.   Stimmen stehen gesondert</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91180">
              <text>[Antiphonae]: Regina Coeli: No 1.</text>
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          <description/>
          <elementTextContainer>
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          <elementTextContainer>
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          <elementTextContainer>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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              <text>ZWV 129</text>
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          </elementTextContainer>
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        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="91186">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010505"&gt;211010505&lt;/a&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="91185">
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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See Zelenka-Dokumentation, 300, ZWV 132.&lt;br /&gt;
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