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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
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              <text>724</text>
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              <text>03/11/01</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-D-34,2</text>
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          <name>Date (Catalogo)</name>
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              <text>1714 [date of Gloria of this mass]</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 2 Credo  [...]</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 11; Lage 1</text>
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              <text>Partitur [. –]; Parti.</text>
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          <name>Provenance</name>
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              <text>Jan Dismas Zelenka. Inventarium 15/1</text>
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          <name>Remarks</name>
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              <text>No score or performance materials (parts) for a Kyrie setting exist with this score of the Credo of Missa Judica me, ZWV 2, held by SLUB. The incipit given above from the Catalogo (1765) must be from the now-missing original version of the Kyrie. &lt;br /&gt;
Title page: Credo della Messa | Judica me, &amp;amp; discerne Causa mea &amp;amp;c: Psal: 42. | à 4 | Canto Alto Tenore Basso | Violini II, Viole II | Basso Continuo | Di Giovanni Disma | Zelenka Musico di Camara [sic] | di S: M: A  Re di Polania | Ellett: di Saxonia. &lt;br /&gt;
Thus, the original settings of the Kyrie (and perhaps original settings of the Sanctus, and Agnus) of the first version of Zelenka’s Messa Judica me et discerne causum meam now are missing. On the revised sections of this mass (Kyrie, Sanctus, Agnus) see III/Z/12/6.&lt;br /&gt;
None of Zelenka‘s usual dedications appear with this score of the Credo.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) the Gloria (No. 16: two scores with parts: III/Z/11/3), Kyrie (No. 17: parts only: III/Z/11/4), Credo (No. 17: score with parts (III/Z/11/4) and Sanctus (No 17: parts only: III/Z/11/4) are listed.  &lt;br /&gt;
See Remarks for the previous listing (III/Z/10/3). &lt;br /&gt;
The elegance of the inscription of the title page of the Credo (Mus. 2358-D-34,2, which RISM states is in the hand of court copyist Lindner) ) suggests that this was  a dedication copy. &lt;br /&gt;
See Zelenka-Dokumentation, 285, ZWV 2.</text>
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              <text>‘a 4 voci con Stromti’</text>
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              <text>III/Z/11/1</text>
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              <text>(Aut. 218)  Mus. 2358-D-34,1-2&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 2]&lt;br /&gt;&#13;
Messa  Judica me et discerne causum meam a 4 voci [mit Orch.]    D moll.    Part. u. St.  &lt;br /&gt;&#13;
1714  [...] 2 Bde m. 118 St.   quer-4to u. 4to    Mus.-Mscr.   Part. Orig.-Mscr.&lt;br /&gt;&#13;
Kyrie: 28 St.&lt;br /&gt;&#13;
Gloria: Part. [= Orig. Ms.] m. 25 St.&lt;br /&gt;&#13;
Credo: Part. [= Orig. Ms.] m. 34 St.&lt;br /&gt;&#13;
Sanctum []sic]: 31 St.    Kath. Hofkirche.  Stimmen stehen gesondert</text>
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              <text>Sächs. Landes-Bibl.</text>
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          <name>Status</name>
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              <text>Autogr. score of the Credo from Missa Judica me by Zelenka (Mus. 2358-D-34,2) is kept by SLUB; 34 parts are missing from Dresden. The Kyrie is missing from Dresden. The SLB card catalogue notes a total of 118 parts for this version of 1714 (Kyrie: 28 St.; Gloria: 25 St.; Credo: 34 St.; Sanctus: 31 St.). All now missing from Dresden.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
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              <text>[Messe] No 17.   Kyrie e Credo</text>
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              <text>Credo della Messa Judica me &amp; discerne Causa mea &amp;c: Psal: 42</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 2</text>
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          <name>RISM Links</name>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006556"&gt;212006556&lt;/a&gt;</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 17.   Kyrie e Credo, III/Z/11/1</text>
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>Music</text>
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                  <text>1765</text>
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          <name>Legacy ID</name>
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              <text>725</text>
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          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="90371">
              <text>03/11/02</text>
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        <element elementId="54">
          <name>Composer</name>
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              <text>ZELENKA [composed by BALIANI. See I/B/2/1]</text>
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          <name>D-Dl</name>
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              <text>Mus. 2358-D-29 [= Mus. 2243-D-1]</text>
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        <element elementId="80">
          <name>Date (Catalogo)</name>
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              <text>[rev. 1739]</text>
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          <name>Eitner</name>
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              <text>[V. 1 (1900), 315: Baliani, Carlo. In Dresden kath. Kirche im Ms., P. u. Stim., 1 Messe zu 5 St. mit 2 V. Va. Ob. u. Org.]</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 11; Lage 2</text>
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          <name>Materials (1765)</name>
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              <text>Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 11/54</text>
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              <text>Listed here are the original parts (now missing) for the score of Baliani’s mass (Mus. 2243-D-1), a work revised by Zelenka in 1739 and attributed to him in the Catalogo. These parts were catalogued by SLB as Mus. 2358-D-29. Note that the original scoring of five vocal parts seen in Mus. 2243-D-1) was reduced to four parts: SATB.  &lt;br /&gt;
Stockigt (‘After Six Weeks’) suggests this could have been one of two masses prepared for Maria Josepha’s churching (Kirchgang) held at Hubertusburg on 1.11.1739 following the birth of Saxon Prince Clemens Wenceslaus  (b 28.9.1739).&lt;br /&gt;
On Zelenka’s revisions of Balian’s ‘Messa senza Credo a 5 voci’, see Horn (Hkm, 175) and I/B/2/1. &lt;br /&gt;
Incipits are given in Zelenka-Dokumentation, 48–9, Nr. 31.&lt;br /&gt;
In the Catalogo della Musica di Chiesa’ (c1784) parts for the 18th listing of a Kyrie, Gloria, Sanctus, Agnus for this mass (attributed to Zelenka) are listed. (III/Z/12/1). There the scoring given for each section is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’</text>
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              <text>‘a 4 voci con Stromti’</text>
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              <text>III/Z/11/2</text>
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              <text>No card.</text>
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        <element elementId="70">
          <name>Status</name>
          <description/>
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              <text>Parts (prepared under Zelenka’s direction?) for Messa senza Credo by Baliani (see Mus. 2243-D-1) missing from Dresden.</text>
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        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90384">
              <text>[Messe] No 18.</text>
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          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90385">
              <text>Missae senza Credo</text>
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          <description/>
          <elementTextContainer>
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              <text>BALIANI, Carlo (b Milan c1680–d Milan 1747)</text>
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              <text>Mass movements (Kyrie; Gloria; Sanctus; Agnus)</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
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              <text>ZWV 214</text>
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                <text>BALIANI, Carlo (b Milan c1680–d Milan 1747), [Messe] No 18., III/Z/11/2</text>
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                <text>ZELENKA [composed by BALIANI. See I/B/2/1]</text>
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                  <text>1765</text>
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          <name>Legacy ID</name>
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            <elementText elementTextId="90391">
              <text>726</text>
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              <text>03/11/03</text>
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              <text>[Mus. 2190-D-2: olim Mus. 2358-D-39]</text>
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              <text>Schranck III; Fach 11; Lage 3</text>
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              <text>Jan Dismas Zelenka. Inventarium 8/32</text>
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              <text>Listed here in the Catlaogo (1765) are the parts (now missing) for a Missa tota composed by Imperial court theorbo player, Francesco Conti. See Contini (Conti). I/C/9/8. Note Conti’s original setting included trumpets (in C) and trombones in the scoring. Zelenka omitted these from this Dresden version. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784), where this work by Conti is also listed under the Zelenka’s name, parts only are shown for the Kyrie, Gloria, Credo, Sanctus, and Agnus of No: 19) Messa (III/Z/12/2). The scoring given for all sections is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ The Kyrie listing has the indication: ‘defect’.&lt;br /&gt;
See Horn (Hkm 166–73) for extensive discussion of this mass.</text>
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          <name>Scoring (1765)</name>
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              <text>‘a 4 voci con Stromti’</text>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
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        <element elementId="70">
          <name>Status</name>
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              <text>Score copy of Messa [Mirabilium Dei] by Francesco Conti [named Contini in the Catalogo,1765], Mus. 2190-D-2. formerly attributed to Zelenka (olim Mus. 2367-D-2), is held by SLUB. Zelenka’s parts are not found in Dresden.</text>
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        <element elementId="71">
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              <text>[Messe] No 19.</text>
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              <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732)</text>
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              <text>ZWV 215</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006792"&gt;212006792&lt;/a&gt;</text>
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              <elementText elementTextId="90408">
                <text>CONTI, Francesco (b Florence c1681/2–d Vienna 1732), [Messe] No 19., III/Z/11/3</text>
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                <text>ZELENKA [composed by CONTI. See I/C/9/8]</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="90411">
              <text>727</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
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            <elementText elementTextId="90412">
              <text>03/11/04</text>
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          <name>Composer</name>
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              <text>ZELENKA, Gio. Dis.</text>
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        <element elementId="55">
          <name>D-Dl</name>
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            <elementText elementTextId="90414">
              <text>[Credo and Agnus: Mus. 2358-D-40. Missing]</text>
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        <element elementId="56">
          <name>Eitner</name>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 2 Credo  [...] 7 Agnus [...]</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 11; Lage 4</text>
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          <name>Materials (1765)</name>
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              <text>Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 15/3. Credo dictu[m] Reformatu[m]; Agnus 17/?</text>
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          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90419">
              <text>Parts for the Credo and Agnus are missing, and  scores are not recorded in the catalogues of 1765 and c1784. In the later ‘Catalogo della Musica di Chiesa’ (c1784) parts are listed for [Messa:] No: 20) Credo; Agnus in either B flat Major or g minor (III/Z/12/3).&lt;br /&gt;
No ‘Agnus’ setting Zelenka listed  in his Inventarium (p.17) is in the key of the incipit given in the Catalogo c1784 (either B flat or g minor) .&lt;br /&gt;
The scoring is shown in the Catalogo c1784 is ‘à 4 voci co’ VVni, Oboi, Vla, ed Org.’ &lt;br /&gt;
See Zelenka-Dokumentation,  289, ZWV 33; 290 (where Wolfgang Reich gives the key of the Agnus Dei as g minor), ZWV 39; Th. Kohlhase , ‘Der Dresdener Hofkirchenkomponist’, 177.&lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Pnm, XXVIII E 232 Mělník 99. 8 parts (Seb. Böhm, c1750): Credo (‘dictu[m] reformatu[m]’). G minor. c1725. [Tutti?].  &lt;br /&gt;
2. CZ-Pnm, XXVIII E 232. Score copy of Credo. (Trolda, 1922, after CZ-Pnm Mělník 99).</text>
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          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90420">
              <text>‘a 4 voci con Stromenti’</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90421">
              <text>III/Z/11/4</text>
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          </elementTextContainer>
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        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90422">
              <text>?</text>
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        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90423">
              <text>Parts for Credo et Agnus attributed to Zelenka (Mus. 2358-D-40) missing from Dresden. Not catalogued by SLB.</text>
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        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90424">
              <text>[Messe] No 20.  Credo et Agnus</text>
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        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
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              <text>Missing</text>
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            <elementText elementTextId="90426">
              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
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              <text>Mass movements</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 33; ZWV 39?</text>
            </elementText>
          </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90429">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 20.  Credo et Agnus, III/Z/11/4</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="90430">
                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <name>Creator</name>
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                  <text>Janice B. Stockigt</text>
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              <name>Subject</name>
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                  <text>Music</text>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
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          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="90431">
              <text>728</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="90432">
              <text>03/11/05</text>
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          </elementTextContainer>
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        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90433">
              <text>ZELENKA, Gio. Dis.</text>
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        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90434">
              <text>Mus. 2358-D-14</text>
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        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90435">
              <text>‘a Dresda 1725: 25 Novem:’</text>
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        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
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            <elementText elementTextId="90436">
              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 4 Gloria</text>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90437">
              <text>Schranck III; Fach 11; Lage 5</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90438">
              <text>Partitur; Parti</text>
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        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90439">
              <text>Jan Dismas Zelenka. Inventarium 4/3</text>
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          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90440">
              <text>Bound autogr. score of a Kyrie and Gloria. Parts are missing.&lt;br /&gt;
Title page: Kyrie della Messa | Fidei | di G. D. Z.&lt;br /&gt;
Caption title: (Kyrie) a Dresde li 25 Novem: | 1725 (left) Kyrie a 4 di Giov: Disma | Zelenka (right).&lt;br /&gt;
Concl. Kyrie: A M D G V M OO SS H AA PP I R  Dresda li 1725&lt;br /&gt;
Caption title (Gloria):  Left side of the head of page which might have given a date is missing. ‘[e]m:’ may be read. Right: Gloria a 4 di Giov [?] Dismas Zelenka&lt;br /&gt;
Two labels to correspond with the catalogues of 1765 and c1784 are kept with the score:&lt;br /&gt;
1. (attached at the end of the score): Schranck No. III | Z  11. Fach 5. Lage | No. 21) Messa Fidei | Kyrie e Gloria | à 4 voci | co‘ VVni Viola e Basso | Partitura e parti cav. | del Sigr. Zelencka | Incipit.&lt;br /&gt;
2. (attached to the front cover): Schranck No. III | Lit. Z.  12. Fach  4. Lage | No: 21) Kyrie e Gloria | à 4 voci (insert in pencil: della Messa Fidei) | co’ VVni, Viola, ed Org. | Partitura e parti | del Sigr Zelencka | Incipit.&lt;br /&gt;
A fragment of another label is also kept in the back of the volume. [Ky]rie et Gl[oria] | Senza Pa. &lt;br /&gt;
Missa Fidei is the second of a trio of ‘Ordinary’ Mass settings by Zelenka bearing the titles of the three Theological (or Heavenly) Virtues—Faith (Fides), Hope (Spes), and Charity (Charitas). According to Norbert Schulz Missa Spes (ZWV 5) was dated 1724. Missa Fidei (ZWV 6) was dated by Zelenka ‘25 Novem. 1725’, and Missa Charitatis (ZWV 10) comes from c1727. &lt;br /&gt;
Missa Fidei might have been composed for the feast of St Francis Xavier, 1725. A report of the music for the feast in that year given in the Dresden Diarium Missionis (3.12.1725) notes Zelenka’s musical contributions: ‘Cantatum cum assistentia [...] Musicam produxit D. Zelenka’.&lt;br /&gt;
On this setting, see Zelenka-Dokumentation, 128, Dok. 34; 286, ZWV 6. &lt;br /&gt;
Concordance?:&lt;br /&gt;
Inventarium (Slaný: 1751). A mass in C attributed to ‘Zelinka’ is listed under Missae Breviores Nr. VII as: ‘Missa ex C. à C.A.T.B. Violinis 2bus,  Clarinis 2bus  et Tympanis necessariis Auctore Sigl. Zelinka.’ (No oboes are included. The only wind instruments listed in the collection of the Slaný Piarist college are four trumpets (Tubae Campestres), two horns (Litui), and wooden instruments for funerals (Tubuli lignii pro pompa funebri).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 21) Kyrie; Gloria (III/Z/2/4.).</text>
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              <text>According to a remark in his Inventarium, p. 14 (‘NB. specat ad Missa integra[e] sub num: IIII’) Zelenka took this Gloria setting into his now-missing Missa Spei (ZWV 5)—the fourth of his listings under the title ‘Missae integrae’. &lt;br /&gt;
See also Zelenka-Dokumentation, 1 286, ZWV 5.&lt;br /&gt;
Concordance?:&lt;br /&gt;
Inventarium (Slaný: 1751). A mass in C attributed to ‘Zelinka’ is listed under Missae Breviores Nr. VII as: ‘Missa ex C. à C.A.T.B. Violinis 2bus, Clarinis 2bus et Tympanis necessariis Auctore Sigl. Zelinka.’ (No oboes are included. The only wind instruments listed in the collection of the Slaný Piarist college are four trumpets (Tubae Campestres), two horns (Litui), and wooden instruments for funerals (Tubuli lignii pro pompa funebri).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) two scores and a set of parts are listed for [Messa:] No: 22) Gloria (III/Z/12/5). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’</text>
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On the revised score of Missa Sancti Spiritus, see III/Z/7/1.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) a set of parts is also listed as [Messa:] No: 23) Kyrie and Gloria (III/Z/12/6). There, the scoring given for the Kyrie and the Gloria is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’</text>
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              <text>NB: Card for Missa Sancti Spiritus: &lt;br /&gt;&#13;
(Aut. 205) Mus. 2358-D-18 1-2&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 4]&lt;br /&gt;&#13;
Missa Sancti Spiritus a 4 voci con 2 Violini, 2 Oboi, 2 Flauti, Viola, 2 Trombe e Basso continuo.   D dur.   Part. u. St.    1723.   2 Bd  m. 64 St.    4to     Part.:  Orig.-Mus.-Mscr.   Mus. Mscr.   Kyrie:  24 St.  Gloria:  9 St (unvollst.)   Ganze Messe:  31 St.   Kath. Hofkirche  Stimmen stehen gesondert</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 2 Credo ???</text>
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              <text>Bound autogr. score in Zelenka’s hand kept in blue-grey cover. Damaged.&lt;br /&gt;
Cover title: D# (upper left) Nro 7 (Upper right) |  Credo à 5 | CC2:A:T:B: | Violini 2   Obe 2 | Travers. 2 Viola | Fagotto [solo?] | Basso Contin: the remainder is illegible. &lt;br /&gt;
Neither date nor dedication is found in this badly water-damaged score of a Credo setting, which the Catalogo of 1765 falsely attributed to Zelenka. See Zelenka-Dokumentation, 310, ZWV 216.&lt;br /&gt;
Zelenka listed this as an anonymous (‘N:N:’) work in his Inventarium as the seventh of his collection of Credo settings: 7. D#: Credo a 5 CC:2. A.T.B: W. 2, Oboe 2, Traversa 2, Tromba Sola, Viole e Bass=Continu[e]. N:N:’.&lt;br /&gt;
The vocal scoring of this Credo, which includes two soprano voices, suggests that the work was acquired by Zelenka following the arrival of the Italian-trained castrati in mid-1730, when two male sopranos became available to sing in the Catholic court church. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 32) Credo (III/Z/13/5). There, the scoring is given as: ‘à 4 voci co’ VVni. Viola, 1 Trombe ed Org.’</text>
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              <text>(Aut. 213)  Mus. 2358-D-28&lt;br /&gt;&#13;
Zelenka, Giovanni Disma (?):   [Messensätze.  ohne Z Nr.]&lt;br /&gt;&#13;
Credo a  5 voci [mit Orch.]    D dur.    Part.   1 H.    4to     Orig.-Mus.-Mscr.    Kath. Hofkirche.</text>
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              <text>[Messe] No 32.  Credo</text>
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              <text>Autogr. score with two blue-grey wrappers. &lt;br /&gt;
Cover title (inner wrapper): No: 1  (non-autogr.) |  Sanctus et Agnus | ex | Missa ex G. &lt;br /&gt;
Labels on outer wrapper correspond with the Hofkirche catalogues of 1765 and c1784.&lt;br /&gt;
Schranck No. III | Z. 12. Fach  11. Lage | No: 33)  Sanctus et Agnus | à | Capella |  Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Lit. Z.  13. Fach  6. Lage | No: 33) Sanctus e Agnus | à 4 voci | à Capella | Partitura sola | del Sigr Zelencka | Incipit. &lt;br /&gt;
The incipit given here (and in the Catalogo of c1784) deviates from the score: the fourth note returns to b’. &lt;br /&gt;
Zelenka-Dokumentation (309, ZWV 202) lists this as a doubtful, or falsely attributed work. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) scores only are listed for [Messa:] No: 33) Sanctus; Agnus (III/Z/13/6). The scoring for both sections is given as: ‘à 4 voci à Capella’ (even though there is a hint [‘NB: Violin’, p. 6] that the voices were doubled with instruments, as was usual with the a capella repertoire used  by the Kapellknaben of Dresden’s Catholic court church.&lt;br /&gt;
Zelenka held a number of Sanctus et Agnus settings (many from masses of Palestrina) for use by the Kapellknaben. See the collection of 14 Palestrina Sanctus et Agnus settings listed in the following section of the Catalogo (1765) as being anonymous under the heading ‘Musica senza Nome dell’Autore’: III/27/15. Discussed by Stockigt, ‘Musica senza nome dell’Autore: anonymous works in the Catalogo of the music collection of the Dresden Hofkirche, 1765.’ Studi vivaldiani 7 (2007): 3–52. See also the Remarks under Caldara’s Missa vix orimur, morimur (I/C/6/8).</text>
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              <text>‘a 4  voci a Capella’</text>
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              <text>(Aut. 204)  Mus. 2358-D-17&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: (?)   [Messensätze.  Z 202]&lt;br /&gt;&#13;
Sanctus und Agnus a 4 voci [a capp. mit B. c.]     G dur.    Part.    1 H.    4to     Original-Mus.-Mscr.  (Autorschaft fraglich)    Kath. Hofkirche.</text>
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              <text>[Messe] No 33.  Sanctus et Agnus</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 6 Sanctus  [...] 7 Agnus</text>
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              <text>Autogr. score with two blue-grey wrappers. &lt;br /&gt;
Cover title: No: 2  (non-autogr.) |  Sanctus er Agnus | . . . 11  (illegible)&lt;br /&gt;
Caption title: Sanctus et Agnus | ex Missa Nigra Su[m] | di G.D.Z. &lt;br /&gt;
Concl. of score: A M D G B V M OO SS H AA P i R.&lt;br /&gt;
Label on outer wrapper: Schranck No. III | Z. 12. Fach  12. Lage | No: 34)  Sanctus et Agnus | à | Capella   Partitura sola | del Sigr Zelencka | Incipit. &lt;br /&gt;
NB the rhythm of the first and second notes of bar 2 was changed from two minims to dotted minim followed by a crotchet in the score, and in this incipit.&lt;br /&gt;
The second label corresponds with the Catalogo c1784 entry: Schranck No. III | Lit. Z. 13. Fach  7. Lage  (illegible) | à 4 voci | à Capella | Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
NB: Agnus II is a parody (Kyrie II from Palestrina’s Missa Nigra sum). &lt;br /&gt;
Zelenka-Dokumentation, 290, ZWV 34.  &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) scores only are listed for [Messa:] No: 34) Sanctus; Agnus (III/Z/13/7). The scoring for both sections is given as: ‘à 4 voci à Capella’ (SAATB) and bc.&lt;br /&gt;
Zelenka held a number of Sanctus et Agnus settings (many from masses of Palestrina) for use by the Kapellknaben. See the collection of 14 Palestrina Sanctus et Agnus settings listed in the following section of the Catalogo (1765) as being anonymous under the heading ‘Musica senza Nome dell’Autore’: III/27/15. Discussed by Stockigt, ‘Musica senza nome dell’Autore: anonymous works in the Catalogo of the music collection of the Dresden Hofkirche, 1765.’ Studi vivaldiani 7 (2007): 3–52. See also the Remarks under Caldara’s Missa vix orimur, morimur (I/C/6/8).</text>
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[Messa a 4 voci a capp. con Basso. c.]    D moll.   1 H.   4to    Mus.-Mscr.  Sanctus   Agnus   Kath. Hofkirche.</text>
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              <text>[Messe] No 34.  Sanctus et Agnus</text>
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              <text>20.12.1722</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Agnus</text>
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              <text>Schranck III; Fach 12; Lage 13</text>
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              <text>Partitura; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 17/1?</text>
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              <text>Autogr. score of 12 pages with blue-grey wrapper. Parts are missing.&lt;br /&gt;
Cover title: Nro Ima | Agnus Dei | a 4: C | C:A:T:B: | VV: 2 Con: Oboe  Viole 2 | e | Basso Continuo | di | Giov. Disma | Zelenka.&lt;br /&gt;
The work comprises three fragments now sewn together.&lt;br /&gt;
Fragment 1 (the incipit of the Catalogo comes from bar 1, vn. 1): pp 2–3. Agnus Nro 1. One sheet with notation on both sides (a replica of the Agnus D-13). Scored for CATB, vn. 1,2; ob. 1,2; b.c. This source has the appearance of a score from the early 1720s. It breaks off in the middle of ‘miserere no—.’ Fragment 2: (Agnus) This begins with an arioso section for solo bass (extending up to e’ with hyperbole at cadences). At the point where the bass is  joined by choir (plus vn. 1,2; va.; CATB; b.c. Text: Parce Domine) Zelenka crossed the music through to the point where Agnus dei is repeated (by the choir). Fragment 3: pp. 7–12. Agnus Dei ‘3’  may have been omitted: a ‘de’ (end of Vi-de) is noted where Dona nobis begins, followed by Dona nobis pacem.&lt;br /&gt;
Concl. of score: Laus Deo et omnibus Sanctiss. ejus | Pragae 1722 | 20 Decemb. (an indication that late in 1722 Zelenka was in Prague – probably in connection with commissions for the coming festivities for the coronation of Emperor Charles VI and his Empress as King and Queen of Bohemia). In February 1723 an account in the Prague press (Pražské poštovské noviny) reported a performance of a work by Zelenka in the church of S. Salvatore at the Clementinum college. It is possible that the work heard was a test piece composed by Zelenka, and perhaps this Agnus Dei was part of that work. The report (in translation) reads: ‘Last Tuesday, on the final day of Shrovetide, at the normal devotion held by the Reverend Fathers of the order of the Society of Jesus in . . . S. Salvatore in the royal Old City of Prague, an excellent, newly-composed work of Mr Jan Zelenka, a native Czech and chamber musician of His Royal Highness, King of Poland and Elector of Saxony, was heard during the Solemn High Mass. [It was performed by] about seventy musicians, and conferred great glory and pomp upon this celebration’. Dated 13 Feb. 1723. Repr. Jirí Berkovec (ed.), Musicalia v Pražském Periodickém Tisku 18 Století, 43.&lt;br /&gt;
Zelenka-Dokumentation, 110, Dok. 13; 290, ZWV 37. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 35) Agnus (III/Z/13/8). Scoring is given as: ‘à 4 voci co’ VVni, Viola ed Org.’</text>
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              <text>Mus. 2358-D-13&lt;br /&gt;&#13;
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              <text>03/12/14</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Agnus</text>
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              <text>Autogr. score with three blue-grey covers and wrappers.  Parts are missing. &lt;br /&gt;
Cover title (outer): Nro II | Agnus Dei | à 4. | C:A:T:B: | VV. 2 Oboe 2 Con: Viole 2 | e | Basso Continuo |  di Giov. Disma | Zelenka.&lt;br /&gt;
Cover title (inner): Nro IIdo | Agnus Dei | a 4. | C:A:T:B: | VV. 2 Oboe 2 Viole 2 | e | Basso Contin. | Dresda li 28 Decem: | 1725 | di Giov. Disma | Zelenka. &lt;br /&gt;
The outermost wrapper has two labels attached which correspond to the Hofkirche catalogue listings of 1765 and c1784.&lt;br /&gt;
The earlier label may be read only in part: No. 111 |   . . . 14. Lage | . . . Dei | . . . voci | . . . Viola, Basso | . . . etato | . . . arti cav: | . . . Zelencka |  [incipit illegible]&lt;br /&gt;
Schranck No. III | Lit. Z. 13. Fach  9. Lage | No. 36) Agnus| à 4 voci | co’ VVni Oboi, Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit. &lt;br /&gt;
Zelenka-Dokumentation, 129, Dok. 36; 290, ZWV 38. Note that 22 parts once accompanied this score.&lt;br /&gt;
In the later, ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 36) Agnus (III/Z/13/9). The scoring is given as: ‘à 4 voci co’ VVni, Vla, Ob: concert: ed Org.’&lt;br /&gt;
This work might have been intended for performance on 1.1.1726, titular feast day of the Society of Jesus [In Circumcisione Domini]. On that day the Diarium of the Dresden Jesuits reported: Cantatum cum assistentia. ... Musicam produxit D. Zelenka.)&lt;br /&gt;
Caption title: Agnus Dei a 4 di G:D:Z: &lt;br /&gt;
No Dedication. Much of this score lacks text and figuring for the continuo.</text>
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Zelenka, Giovani Disma:   [Messensätze.  Z 38]&lt;br /&gt;&#13;
Agnus a 4 voci [mit Orch.]     G dur.   Part.    Dresda 1725    1 H. m. 22 St.    4to     Mus.-Mscr.  Part. = Orig. Ms.     [Stimmen  Sui  der Partitur]     Kath. Hofkirche.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>2.2.1724</text>
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              <text>Partitur; Parti</text>
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              <text>Bound autogr. score. Blue-grey cover. Parts are missing.&lt;br /&gt;
Cover title (autogr.): Nro II | Credo à 2 Cori | obligati | Violini 2 | Viola  e|  Basso Conti |=nuo | di | Giovanni Disma | Zelenka &lt;br /&gt;
The inner back cover has a second title page (with date) of this Credo: Nro. II | Credo à 2 Cori | obligati | di Giovan  Disma Zelenka | à Dresda | 1724. 2 Februa:&lt;br /&gt;
This score has signs of reworking which was undertaken in or after 1726. Additions are made to the parts for violins 1 and 2, “Senza Organo’ is obliterated (p. 19), and additional figuring is given throughout. &lt;br /&gt;
Kept with the score are two labels which correspond with the catalogues of 1765 and c1784.&lt;br /&gt;
1. Schranck No III | Lit: Z.  12. Fach  7. Lage | [no. 24 [?] Credo | à | 2. Cori] | à 4 voci | co’ VVni Viola ed Org. | Partitura e Parti | del Sigr. Zelenka. Incipit. &lt;br /&gt;
2. Schranck No. III | Z. 11. Fach  2. Lage | No: 24) Credo | à | 2 Cori | co’ VVni, Viola e Basso, | Partitura e parti cav. | del Sigr Zelencka | Incipit. &lt;br /&gt;
At the conclusion of the text of the Credo (‘Qui propter nos homines, et propter nostram salutem descendit de caelis’) is this remark in Zelenka’s hand: NB: Symph [ink blot obliterates da?] Capo. That is, the opening Symphonia of 12 bars was to be repeated before the text: Et incarnatus est.&lt;br /&gt;
The Dresden Diarium Missionis entry of 2.2.1724 (Purification BVM) reported that  Zelenka and the royal musicians added lustre to the sung mass. (‘Habui Cantatum, quod solennius cum Regiis Musicis fecit D. Zelenka’). See also Zelenka’s Gloria setting dated on this same day: III/Z/10/3.&lt;br /&gt;
See Zelenka-Dokumentation, 289, ZWV 32. &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa composta Da diversi Autori secondo l’Alfabetto Amaro IIIza’ score and parts are listed for [Messa:] No: 24) Credo (III/Z/12/7). The scoring is given as: ‘à 2 Cori | à 4 voci | co’ VVni. Oboi, Vla ed Org.’</text>
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              <text>(Aut. 214)  Mus. 2358-D-30 [!] &lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messensätze.  Z 32]&lt;br /&gt;&#13;
Credo a 2 cori a 4 voci [mit Orch.]    F dur.    Part. u. St.   1 Bd m. 23 St.     4to   Mus.-Mscr.   Part.-Orig. Ms.   (Kyrie u. Gloria)   Kath. Hofkirche.  Stimmen stehen gesondert</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Jan Dismas Zelenka. Not entered in the Inventarium.</text>
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              <text>Unbound autogr. score of a Missa tota. Nineteenth c. copies of the title page and pp. 3–4 of the score are kept with this Dresden source. These replacement sheets (damaged) were prepared by a Dresden copyist. The originals are held in Vienna (A-Wn, Sign 18363).&lt;br /&gt;
Title page (copy from Vienna): L: J: C: [ Laus Jesu Christo] MISSA ULTIMARUM PRIMA dicta MISSA DEI PATRIS, EIDEM MAGNO DEO CREATORI rerum omnium, ac Patri optimo, maximóque, In summa humilitate, In demississima veneratione In profundissima adoratione, corde contrito et humiliato (quod ille non despicit) consecrata; ab Infima, subjectissima indignissima sua creatura Joanne Disma Zelenka 1730 [sic]. Trans: ... FIRST OF THE FINAL MASSES named the MASS OF GOD THE FATHER, DEDICATED TO GOD THE GREAT CREATOR of all things, best and supreme Father, in deepest humility and humblest veneration, in most profound adoration, with a contrite and humbled heart (which He does not despise), by his lowest, most obedient, and most unworthy creature ... &lt;br /&gt;
In 1740 Zelenka began a final large-scale project which was never completed: in that year he composed the first of his Missae ultimae. No event presents itself for the composition of what was to be the beginning of this great unfinished cycle of Mass settings. On 21 September (the date is noted on the final page of the Mass), on the day before the departure of the court for Poland, Zelenka completed this Missa Dei Patris (Missa ultimarum prima, ZWV 19) whose title page is given above.&lt;br /&gt;
Missa Dei Filii (Missa ultimarum secunda, ZWV 20) and Missa Omnium Sanctorum (ZWV 21) followed. See III/Z/12/4 and III/Z/12/5. &lt;br /&gt;
A M D G B M V OO SS H AA P I R (concl. Kyrie); &lt;br /&gt;
A M D G B M V OO SS H AA P I R (concl. Gloria); &lt;br /&gt;
Sit Laus Deo B M V OO SS H R AA P (concl. Credo);&lt;br /&gt;
 L D B M V OO SS AA P R (concl. ‘Benedictus| Osanna’); &lt;br /&gt;
O A M D G B M V OO SS H AA P I R (concl. score).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) a score only is listed for Messa No: 25): Kyrie, Gloria, Credo, Sanctus, Agnus (III/Z/12/8). Parts are not shown. A note beneath the listing reads: ‘Ist am 19 Juny 1826 zur Copiatur gegeben übergeben worden | die Partitur allein ohne Stimmen.’&lt;br /&gt;
NB: The Prague source of this work is attributed to Ristori. See below.&lt;br /&gt;
On this work, see Zelenka-Dokumentation, 149, Dok. 71; 288, ZWV 19, and (ed. R. Kubik), EdM 93, 1985. &lt;br /&gt;
Concordances:&lt;br /&gt;
1. CZ-Pak, 1101. Incipits of a Kyrie and Gloria setting which correspond with these movements of Missa Dei Patris are attributed to Giovanni Alberto Ristori, ‘partim S[ehlin]g’. This example includes trumpets (Clarini 1 and 2 ‘ex C’). Parts are for Canto; Alto;  Tenore;  Basso;  Violino Primo; Violino Primo; Violino Secondo; Viola di Brazzia;  Clarino I ex C; Clarino 2da ex C;  Violone;  Organo. Štefan, ([1152] Sign. 1101), partim Sehling.&lt;br /&gt;
2. The incipit agrees with a listing in the Osek Inventory, 1754 of a Kyrie and Gloria setting by Zelenka (Missae Solennes, sive festivales), sub littera C fol. 14, No. 19. Kyrie et Gloria à C:A:T:B: Violinis 2, Violetta, et Organo.</text>
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4 H.   quer - 4to    Orig.-Mus.-Mscr.   Kath. Hofkirche.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Bound autogr. score of the Gloria from Missa Dei Filii. Blue-grey cover. Parts are missing.&lt;br /&gt;
Cover title: L: J: C: | GLORIA ex MISSA | ULTIMARUM | Secunda. | Dicta: MISSA DEI FILII | à 4 | C:A:T:B: | VViolin 2 | Obe 2 | Viola | Basso Continuo | di G: D: Zelenka.&lt;br /&gt;
In 1740 Zelenka began a final large-scale project of the composition of six masses (the ‘Missae ultimae’), a project which was not completed. In that year he composed the first of these. See III/Z/12/3. &lt;br /&gt;
Missa Dei Filii was probably written between late 1740 and early February 1741.&lt;br /&gt;
Dedication: Concl. of Gloria: A M D G B V M OO SS H | [P I R?].&lt;br /&gt;
At the time of viewing this source the original blue-grey wrapper to the Gloria was kept at the back of the score. &lt;br /&gt;
Two labels which correspond to the catalogues of 1765 and c1784 are attached to the front cover of this wrapper: Schranck No. III. | Lit. Z.  12. Fach  9. Lage | No: 26) Gloria | à 4 voci (insert in pencil: ex ?) | co’ VVni, Viola, ed Org. | Partitura sola | defect | del Sigr Zelencka | Incipit.&lt;br /&gt;
A label which corresponds to this Catalogo (1765) is also attached to this wrapper: Schranck No. III. | Z. 12. Fach  4. Lage | Gloria |  à 4 voci | co’ VVni, Viola e Basso, Partitura sola defect | del Sigr Zelencka | Incipit.  &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) a score only is listed for [Messa:] No: 26) Gloria (III/Z/12/9). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ The listing has the indication ‘defect’. The Kyrie from Missa Dei Filii, C Major (Mus. 2358-D-15,1) is unlisted in the Catalogo (1765). However, the Kyrie and ‘Cum Sancto Spirito’ fugue are entered in the later Catalogo of c1784  (scoring as for the Gloria), preceded by the Christe eleison setting: III/Z/8/2. &lt;br /&gt;
On this Mass, see Zelenka-Dokumentation, 149, Dok. 72; 288, ZWV 20 and (edd. P. Horn, Th. Kohlhase), EdM 100, 1989). Also Patricia Corbin, ‘Missa Dei Filii ZWV 20: An Introduction to the Late Masses of Jan Dismas Zelenka (1679–1745)’, 9–32.</text>
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Missarum ultimarum secunda dicta Missa Dei Filii   (Kyrie in C dur; Gloria in G dur; 4. V + Orch.)  Ms autogr.  Partitur: Kyrie = 1 Heft (qu 8vo);   Gloria = 3 Hefte (qu 8vo)   [Im Gloria fehlt ‘Gratias agimus’ bis ‘Filius Patris’]</text>
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              <text>03/12/05</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>3.2.1741 (Credo)</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die Kgl. Musikalien Samlg. in Dresd Ms. A 428 und 429, Missa ultimarum sexta et forte omnium ultima dicta. Autogr. P.</text>
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              <text>Schranck III; Fach 12; Lage 5.</text>
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              <text>Jan Dismas Zelenka. Not entered in the Inventarium.</text>
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              <text>Bound autogr. score of a Missa tota kept in four sections. In 1740 Zelenka began a final large-scale project which never was completed: in that year he composed the first of his Missae ultimae. No event presents itself for the composition of what was to be the beginning of this great cycle of mass settings. On 21 September (the date is noted on the final page of the mass), on the day before the departure of the court for Poland, Zelenka completed Missa Dei Patris (Missa ultimarum prima, ZWV 19). See III/Z/12/3. Missa Dei Filii (Missa ultimarum secunda, ZWV 20: III/Z/12/4) followed. It was composed between Missa Dei Patris and this, the last-known mass of the series: Missa Omnium Sanctorum (Missa ultimarum sexta et forte omnium ultima, ZWV 21), whose Credo is dated 3 February 1741. Zelenka’s reason for naming Missa Omnium Sanctorum as the sixth Mass of the series is unclear, but it would seem that the third, fourth, and fifth masses remained unwritten.&lt;br /&gt;
Blue-grey covers are kept with the sections of this mass.&lt;br /&gt;
Cover title, section 1:  L: J: C: | Missa Ultimaru[m] Sexta | et forte | omnium ultima | dicta | Missa OO: SSrum di  G: D: Z:&lt;br /&gt;
Cover title section 2:  L: J: C: | Gloria ex Missa Ultimaru[m] Sexta, et forte | omnium ultima dicta: | Missa OO: Sanctoru[m] &lt;br /&gt;
Cover title section 3:  L: J: C:  Credo ex Missa Ultimaru[m] Sexta | et forte Omnium Ultima dicta: | Missa OO: SSrum di | G: D: Z:&lt;br /&gt;
Cover title section  4: L: J: C: | Sanctus et Agnus | ex Missa | Ultimaru[m] Sexta | et forte |  Omnium Ultima dicta: | Missa OO: SSrum di | G: D: Z:&lt;br /&gt;
Dedications: Concl. part 2 (Gloria): A M D G B M V OO SS H AA P I R 1741 3 Febrarii; &lt;br /&gt;
Caption part 3 (Credo): A M D G B M V OO SS [?] H; &lt;br /&gt;
Concl. part 3 (Credo): A M D G B M V OO SS H AA P I R; &lt;br /&gt;
Concl. Osanna: O A M D G B M V OO SS H AA P I R. &lt;br /&gt;
NB: Final page of score: ‘Siegue’.&lt;br /&gt;
On this Mass, see Zelenka-Dokumentation, 149, Dok. 73; 288, ZWV 21, and (ed. W. Horn), EdM 101, 1989. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 27) Kyrie, Gloria. Credo, Sanctus, Agnus (III/Z/12/10). The scoring is given as: ‘à 4 voci co’ VVni. Viola ed Org.’ A margin note reads: Die Partitur ist am 19 Juny zur Copiatur gegeben worden. (This refers to the copy by  Franz Hauser, now kept in Vienna: A-Wgm, Q 636).&lt;br /&gt;
Eitner notes that this work was kept in the royal collection (Die Kgl. Musikalien Samlg. in Dresd.) with catalogue numbers  Ms. A 428 und 429. Today, these numbers are not visible on the covers to the mass sections of Mus. 2358-D-9.</text>
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Missa ultimarum sexta et fortè [fortasse?] omnium ultima dicta missa omnium sanctorum [?]  a moll.   Part.&lt;br /&gt;&#13;
Orig.-Mus.-Mscr.   quer - 8vo</text>
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              <text>[Messe] No 27.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Bound autogr. score (incomplete). Blue -grey cover. &lt;br /&gt;
Cover title: D (left) Nro 2da (right) | Kyrie  Sanctus | et | Agnus | à 4 | C:A:T:B: | Violini 2 | Oboe 2 | Viole 2 | et | [Basso Continuo] | di | Giovanni Disma Zelenka.&lt;br /&gt;
The score finishes after bar 2 of ‘Dona nobis pacem’, which begins with the motif used for Kyrie II, an indication that a repetition was to take place with replacement of text.&lt;br /&gt;
See Zelenka-Dokumentation, 289, ZWV 26.  &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 28) Kyrie, Sanctus, Agnus (III/Z/13/1). The scoring of the Kyrie is given as: ‘à 4 voci co’ VVni. Vla.  3 Tromboni ed Org.’; the scoring of the Sanctus and Agnus is: ‘à 4 voci co’ VVni. Viola ed Org.’ &lt;br /&gt;
RISM refers to Zelenka-Dokumentation and Horn as identifying these three movements as being those of the revised Kyrie, Sanctus and Agnus of Missa Judica me (ZWV 2). See III/Z/11/1.</text>
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              <text>(Autogr. 219)  Mus. 2358-D-9&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:  [Messensätze.  Z 26]&lt;br /&gt;&#13;
[Messa a 4 voci mit Orch.]   Kyrie, Sanctus et Agnus.   [D moll]   Part.   1 Bd.   quer - 4to   &lt;br /&gt;&#13;
Original.-Mus.-Mscr.    Agnus = unvollständig.   Kath. Hofkirche</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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              <text>03/12/07</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie</text>
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              <text>Schranck III; Fach 12; Lage 7</text>
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              <text>Jan Dismas Zelenka. Inventarium 13/6?</text>
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              <text>The parts for this Kyrie setting are missing from Dresden.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) parts only are listed for [Messa:] No: 29) Kyrie (III/Z/13/2). There, the scoring is given as: ‘à 4 voci co’ VVni. Viola ed Org.’ &lt;br /&gt;
Perhaps this is the listing in the Breitkopf non-thematic catalogue (Ostermesse 1769), given on page 17 as ‘Kyrie, à 2 Oboi, 2 Violini, 2 Viole, 4 Voci, e Fondamento. P. 1 thl. 12 gl. St. 1 thl. 12 gl.’.&lt;br /&gt;
Concordance:&lt;br /&gt;
D-B, Sing-Akademie zu Berlin Notenarchiv  - SA 685. Two scores and set of 17 parts for this Kyrie (ZWV 28). RISM ID no. 469068500.</text>
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              <text>‘a 4 voci con Stromenti’</text>
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              <text>III/Z/12/7</text>
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              <text>Parts for a Kyrie setting (ZWV 28) missing from Dresden. Not catalogued by SLB.</text>
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              <text>[Messe] No 29.  Kyrie</text>
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              <text>Mass movements</text>
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              <text>ZWV 28</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 29.  Kyrie, III/Z/12/7</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-D-32; -D-32a; -D-32b</text>
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              <text>23.6.1725; 3.11.1725</text>
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          <name>Eitner</name>
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              <text>V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 6 Sanctus</text>
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          <name>Location (1765)</name>
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              <text>Schranck III; Fach 12; Lage 8</text>
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          <name>Materials (1765)</name>
          <description/>
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            <elementText elementTextId="90750">
              <text>Partitura; Parti</text>
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          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90751">
              <text>Jan Dismas Zelenka. Inventarium 13/3; 16/3</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90752">
              <text>Mus. 2358-D-32:  Autogr. score of the Kyrie with two blue-grey wrappers. A pencilled remark on the outer cover reads: Kyrie in Part. + St. | Sanctus nur St.&lt;br /&gt;
Cover (outer) title: No: IIImo  (non-autogr.) |  Kyrie a 4:   a|  C:A:T:B: | VViolin: 2. Oboe 2 Viole 2 | e | Basso Continuo | Dresdae li 23 Juni: 1725 | di | Giov. Disma | Zelenka&lt;br /&gt;
Cover (inner) title:  Kyrie a 4:| a Dresda 23 Juni: | 1725 | di | Giov: Disma | Zelenka&lt;br /&gt;
Title page: Kyrie a 4  a Dresda 23 Junio | 1725 | Zelenka.&lt;br /&gt;
Caption title: Kyrie a 4&lt;br /&gt;
Dedication at concl. of score: A M D G B V M OO SS H AA P i R.&lt;br /&gt;
Two labels which correspond to the catalogues of 1765 and c1784 are attached to the outer wrapper.&lt;br /&gt;
Schranck No. III | Lit. Z. 13. Fach  3. Lage |No. 30) Kyrie e Sanctus | à 4 voci  defect. | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Z. 12. Fach  8. Lage | No: 30)  Kyrie e Sanctus | à 4 voci | con Oboi concertato |  Parti cav: | Sanctus senza Partitura | del Sigr Zelencka | Incipit.&lt;br /&gt;
Mus. 2358-D-32a:  Set of 18 parts (autogr.) in blue-grey wrapper: Soprano Conc.; Contra Alto; Tenore Con:; Basso; Soprano Ripieno; Alto Ripie:; Tenore Rip:; Violino 1 ‘M:P:’ Violino 1; Violino 2; Violino 2; Alto Viola (alto clef); Viola 2 (tenor clef); Tiorba; Organo; Oboe 1; Oboe 2; Fagotto. NB: No violone/lower string part.&lt;br /&gt;
Cover title:  No: IIImo  (non-autogr.)|  Kyrie a 4: a | C:A:T:B: | Violin: 2. Oboe 2 Viole 2 | e Basso Conti: |  di | Giov. Disma  Zelenka.  &lt;br /&gt;
Mus. 2358-D-32b: Set of 16 part-autogr. parts kept in blue-grey wrapper for a Sanctus setting: Canto; Alto; Tenore; Basso (x2); Violone; Organo (x2); Alto; Tenore; Violino 1mo (x2); Violino 2do (x2); Viola (x2). &lt;br /&gt;
Cover title:  No: IIImo a (non-autogr.) |  Sanctus a 4: a | C:A:T:B: VV:  2 | Oboe 2 Viole 2 | e Basso Contin: |  Dresd: li 3 Novem 1725 | Giov. Disma| Zelenka. &lt;br /&gt;
The feast closest to date of the settings of the Kyrie (23 June 1725) is the Nativity of St John the Baptist (24 June), often mentioned in the Dresden Diarium Missionis as being celebrated with music: Zelenka in 1727 and 1728, and Ristori, 1724. (Could this be the name day of each composer?). &lt;br /&gt;
See Zelenka-Dokumentation, 122, Dok. 27; 289, ZWV 27; 290, ZWV 35.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 30) Kyrie; parts only for the Sanctus (III/Z/13/3). The Sanctus (here, marked ‘defect’) contains parodies from Palestrina’s Missa sine nomine (D-Dl, Mus. 997-D-38).</text>
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              <text>‘a 4 voci co’ VVni Viola, ed oboè concertato’</text>
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              <text>Mus. 2358-D-32a:   Zelenka, Jan Dismas:  [Messensätze. Kyrie a moll]  [ Z 27]&lt;br /&gt;&#13;
Kyrie a C. A. T. B. 2 vl, 2 ob, 2 vle e bc.  18 Stimmen = Ms autogr.  [1725].   S [m. Solo], A, T, B; S rip, A rip, T rip,; vl 1, 2 (je 2x), vla 1, 2, tiorbe, org; ob 1, 2, fag.   4o    dazu Titelumschlag (vgl. die Part. Mus. 2358-D-32) &lt;br /&gt;&#13;
Mus. 2358-D-32b:   Zelenka, Jan Dismas:  [Messensätze. Sanctus]   [Z 35]&lt;br /&gt;&#13;
Sanctus a C. A. T. B. 2 vl, 2 ob, 2 vle e bc.  16 Stimmen = Ms teilweise autogr., ca. 1725.   &lt;br /&gt;&#13;
S, A (2x), T (2x), B; vl 1, 2 (je 2x), vla 1, 2, b. cb, org (2x) (Bläserstimmen fehlen)</text>
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          <name>Stamps</name>
          <description/>
          <elementTextContainer>
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              <text>Sächs. Landesbibliothek. Depositum der Kath. Hofkirche (Mus. 2358-D-32b)</text>
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          <description/>
          <elementTextContainer>
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              <text>[Messe] No 30.  Kyrie e Sanctus</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006540"&gt;212006540&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006541"&gt;212006541&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;a)&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006542"&gt;212006542&lt;/a&gt; (Mus. &lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=2358"&gt;2358&lt;/a&gt;-D-&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=32"&gt;32&lt;/a&gt;b)</text>
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              <elementText elementTextId="90763">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 30.  Kyrie e Sanctus, III/Z/12/8</text>
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                <text>ZELENKA, Gio. Dis.</text>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
                </elementText>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="3">
                  <text>Janice B. Stockigt</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="305">
                  <text>Music</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="306">
                  <text>1765</text>
                </elementText>
              </elementTextContainer>
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    </collection>
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      <name>Music</name>
      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
          <name>Legacy ID</name>
          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="90766">
              <text>743</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="90767">
              <text>03/12/09</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90768">
              <text>ZELENKA, Gio. Dis.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90769">
              <text>Mus. 2358-D-10,1-3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90770">
              <text>c1719</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90771">
              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche, 21 vollständige Messen, alle in P. u. Stb.</text>
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        </element>
        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90772">
              <text>Schranck III; Fach 12; Lage 9</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90773">
              <text>Partitura</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90774">
              <text>Jan Dismas Zelenka. Inventarium 5/8</text>
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          </elementTextContainer>
        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90775">
              <text>Mus. 2358-D-10,1: Bound autogr. score in 3 vols. with blue-grey wrappers.&lt;br /&gt;
Cover title vol. 1:  C (upper left); Nro 22 (upper right) | Kyrie ex Missa | Corporis Domini | à 4 |  C: A: T: B: | Violini 2 |  Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: KYRIE | Z&lt;br /&gt;
Concl. Kyrie: Laus Deo M V S C H  &lt;br /&gt;
Mus. 2358-D-10,2: Cover title vol. 2: a (upper left); Nro 22 (upper right) | Credo ex Missa | Corporis Domini | à 4 |  C: A: T: B: | Violini 2 | Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: CREDO | Z&lt;br /&gt;
Concl. Credo: Laus Deo B M V S C OO SS H &lt;br /&gt;
Mus. 2358-D-10,3&lt;br /&gt;
Cover title vol. 3:  C/a (upper left); Nro 22 (upper right) | Sanctus et Agnus | à 4 | Missa Corporis D’ni | C: A: T: B: | Violin 2 | Oboe 2 | Viola e |  Basso Continuo | di | Giovanni Disma Zelenka.&lt;br /&gt;
Title page: SANCTUS | et | AGNUS | Z&lt;br /&gt;
Concl. Agnus Dei: Laus Deo . . . (lower part of page destroyed) &lt;br /&gt;
Labels to correspond with the catalogues of 1765 and c1784 are kept at the back of vol. 1: Schranck No. III | Z. 12. Fach  9. Lage | No: 31) Kyrie Credo Sanctus | et Agnus | Corporis Domini | à 4 voci | co’ VVni, Viola e Basso, | Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
Schranck No. III | Lit. Z. 13. Fach  12. Lage | No: 31) Messe | Corporis  [Domini?] | à 4 voci | co’ VVni, Viola, ed Org. | Partitura sola | del Sigr Zelencka | Incipit.&lt;br /&gt;
The autograph score has two organ parts. The  second, notated on the lowermost stave in the key of B flat, is marked ‘Organo transposito’. (See lowermost stave on page 5 of vol. 1). Had this work been written for performance in the Dresden’s royal Catholic chapel then it seems almost certain that the organ (or perhaps the positiv) of the church at the time of performance was tuned a tone higher than the pitch at which the royal musicians (most of the woodwind players then were French) played. Fürstenau (II, 39) reported that in 1720 (after the composition of this Mass) work on the organ of the church was paid for by the electoral prince and princess. &lt;br /&gt;
See Zelenka-Dokumentation, 285–6, ZWV 3.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 31) Messa senza Gloria Corporis Domni.: Kyrie, Credo, Sanctus, Agnus (III/Z/13/4).</text>
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        </element>
        <element elementId="66">
          <name>Scoring (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90776">
              <text>‘a 4 voci con Stromenti’</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="67">
          <name>SFL_combination</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90777">
              <text>III/Z/12/9</text>
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          </elementTextContainer>
        </element>
        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90778">
              <text>(Aut. 203)  Mus. 2358-D-10.1–3&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 3]&lt;br /&gt;&#13;
Missa Corporis Domini [senza Gloria]  a 4 voci [m. Orch.]    C dur.    Part.&lt;br /&gt;&#13;
3 H:   Kyrie, Credo, Sanctus + Agnus    4to    Orig.-Mus.-Mscr.   Kath. Hofkirche.</text>
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        </element>
        <element elementId="69">
          <name>Stamps</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90779">
              <text>Sächs. Landesbibliothek. Depositum der Kath. Hofkirche</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="70">
          <name>Status</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90780">
              <text>Score of Zelenka’s Missa Corporis Domini (Mus. 2358-D-10,1-3) held by SLUB.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="71">
          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90781">
              <text>[Messe] No 31.  Senza Gloria</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="79">
          <name>Title Partitura</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90782">
              <text>Missa Corporis Domini</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="73">
          <name>Uniform Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90783">
              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="74">
          <name>Uniform Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90784">
              <text>Masses</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="90785">
              <text>ZWV 3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="76">
          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="90787">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006522"&gt;212006522&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006523"&gt;212006523&lt;/a&gt;&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006524"&gt;212006524&lt;/a&gt;</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90786">
                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 31.  Senza Gloria, III/Z/12/9</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="90788">
                <text>ZELENKA, Gio. Dis.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
