36
20
855
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/d7eab63a644d00ef758cc7f6156b667b.png
cc36b5d5e6089838e8e11a313c3097a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
704
Sort Order
The physical order in the catologo
03/02/03
Composer
TARANTINO
D-Dl
Mus. 2200-D-3
Eitner
V. 9 (1903), 351: Tarantino, ... im Archiv der kath. Kirche in Dresden [...] 1 Te Deum ebenso im Ms. P. u. Stb.
Location (1765)
Schranck III; Fach 2; Lage 3
Materials (1765)
Partitura
Remarks
Unbound score copy without title page. An Italian copy.<br />
Caption title: Te Deum laudamus a 5 | del Sigl | Nicola Fago | Tarantino. <br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for this Te Deum setting by Tarantino (Fago) (III/T/6/4). The scoring is given as: ‘à 5 voci co’ VVni. Viola, Corni ed Org.’ The listing is marked ‘fehlt’.
Scoring (1765)
‘a 5 voci co’ VVni Viola Basso e Corni ’
SFL_combination
III/T/2/3
SLB Card Catalog
Fago, Nicolo [detto Tarantino]: Te Deum laudamus à 5 voci [con Strom.]. F dur. 3/4. Part. o. J. 1 H. qu.-4to . Mus.-Mscr. Kath. Hofkirche.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Te Deum laudmus by Fago (‘Tarantino’: Mus. 2200-D-3) held by SLUB.
Title (Catalogo)
Te Deum laudamus
Title Partitura
Te Deum laudamus a 5
Uniform Composer
FAGO, Francesco Nicola (b Taranto 1677–d Naples 1745)
Uniform Title
Hymns
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006415">212006415</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
FAGO, Francesco Nicola (b Taranto 1677–d Naples 1745), Te Deum laudamus, III/T/2/3
Title
A name given to the resource
TARANTINO
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4729888b0b744bb550a701e0dcae88c2.png
26fb19f7c2ab914ac18a71ecfb8fe5b4
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
705
Sort Order
The physical order in the catologo
03/03/01
Composer
ULICH, Agost[in]o
D-Dl
Mus. 2877-E-2
Eitner
V. 10 (1904), 5: Uhlig, August. Im Archiv der Dresdner kath. Kirche im Ms. mit 2 Sub tuum praesiduum 4 voc. 2 V. Ob. Va. u. Org. und 1 Miserere ebenso, P. u. Stb., vertreten.
Location (1765)
Schranck III; Fach 3; Lage 1
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka?
Remarks
Unbound score. <br />
Caption title: three crosses (#) at the head of the score. <br />
Scoring: vn. 1,2; va.; SATB; b.c. (unfigured). <br />
Incomplete text. No identification of the author is given on the score.<br />
The copyist is identified as ZS 2. <br />
Augustin Uhlig first arrived in Saxony on 17 June 1719 from Sonnenberg in Bohemia (‘ex monte Solis in Boemia’). After serving in Leipzig’s Jesuit chapel as sacristan and organist, he left in October 1722 to become organist to the Kapellknaben ensemble of Dresden’s Catholic court church. (See Stockigt, ‘‘The Organists of Leipzig’s Royal Catholic Chapel: 1719–1756’ in: Hudební věda 2–3/2016, 161–176). Although Uhlig was formally appointed to the Hofkapelle as a violinist in 1732, on at least two occasions he is recorded as playing organ with this royal ensemble. In 1733 he played organ for a Te Deum performance at the Erbhuldigung ceremony for Friedrich August II in Bautzen. See Stockigt and Jóhannes Ágústsson, ‘The visit of Members of the Dresden Hofkapelle to Bautzen: May 1733.’ Clavibus unitis 5 (2016): 1–12. <br />
http://www.acecs.cz/medi /cu_2016_05_stockigt_agustsson.pdf.<br />
In 1739 Uhlig travelled to Hubertusburg to play organ with members of the Hofkapelle for the Kirchgang of Maria Josepha. See Stockigt, ‘ “After Six Weeks”: Music for the Churching Ceremonies of Maria Josepha, Electoral Princess of Saxony and Queen of Poland’, Identity and Locality in Early European Music, 1028-1740. Ed. Jason Stoessel, Ashgate, 2009, pp. 191–209.<br />
It is likely that at some stage Uhlig was a composition student of Zelenka who, with Pisendel, was a witness to Uhlig’s marriage in 1737. A now-missing Salve Regina setting by ‘Ulich’ was listed by Zelenka into his Inventarium (40/10): Salve à Sopr. Solo. Violino e Traversa. <br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Sub tuum praesidium No 1’ by Ulich (Uhlig: III/U/6/7). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
III/U/3/1
SLB Card Catalog
Uhlig, Aug.: Sub tuum praesidium [à 4 con strom.] G-moll C. Part. u. St. 1 H. mit 31 St. 4to Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Sub tuum praesidium Nr. 1 by Uhlig (Mus. 2877-E-2) held by SLUB; 31 parts missing from Dresden.
Title (Catalogo)
Sub tuum praesidium
Uniform Composer
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211011540">211011540</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773), Sub tuum praesidium, III/U/3/1
Title
A name given to the resource
ULICH, Agost[in]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/00001ed82d7b087523c0abfe8e71bc64.png
72eeb40c91507759525abc94e9b616b5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
706
Sort Order
The physical order in the catologo
03/03/02
Composer
ULICH, Agost[in]o
D-Dl
Mus. 2877-E-3
Eitner
V. 10 (1904), 5: Uhlig, August. Im Archiv der Dresdner kath. Kirche im Ms. mit 2 Sub tuum praesiduum 4 voc. 2 V. Ob. Va. u. Org. und 1 Miserere ebenso, P. u. Stb., vertreten.
Location (1765)
Schranck III; Fach 3; Lage 2
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka?
Remarks
Unbound score. <br />
Title page: Sub tuum<br />
Caption title: Sub tuum praesidium. <br />
Scored for vn. 1,2; va; SATB; b.c. (unfigured). <br />
Text is incomplete. No identification of the author is given on the score. <br />
The copyist is ZS 2. <br />
NB: An incomplete set of parts for this setting by Uhlig is found on the reverse side of the parts for a Sub tuum praesidium setting by Villicus. See III/V/4/6 (Mus. 2820-E-3). <br />
On Uhlig, see the previous entry III/U/3/2.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Sub tuum praesidium No. 2’ by Ulich [Uhlig] (III/U/6/8). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
III/U/3/2
SLB Card Catalog
Uhlig, Aug.: Sub tuum praesidium [à 4 con strom.] c-moll – C. Part. u. St. 1 H. mit 31 St. 4to Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Sub tuum praesidium Nr. 2 by Uhlig (Mus. 2877-E-3) held by SLUB; 31 parts missing from Dresden.
Title (Catalogo)
[Sub tuum praesidium]: No. 2
Title Partitura
Sub tuum
Uniform Composer
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211011541">211011541</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773), [Sub tuum praesidium]: No. 2, III/U/3/2
Title
A name given to the resource
ULICH, Agost[in]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/59affb97aa960191bbc34b8a8cee0743.png
bdf0f08ec3e22ccf958ac43750727c7b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
707
Sort Order
The physical order in the catologo
03/03/03
Composer
ULICH, Agost[in]o
D-Dl
Mus. 2877-E-1
Eitner
V. 10 (1904), 5: Uhlig, August. Im Archiv der Dresdner kath. Kirche im Ms. mit 2 Sub tuum praesiduum 4 voc. 2 V. Ob. Va. u. Org. und 1 Miserere ebenso, P. u. Stb., vertreten.
Location (1765)
Schranck III; Fach 3; Lage 3
Materials (1765)
—
Provenance
Jan Dismas Zelenka?
Remarks
Score without cover.<br />
Caption title: con strom: Tutti â 4 Voc: | di Sigre Uhlich.<br />
A pencilled sign on page 16: ‘Vivace’.<br />
The identification ‘di Sigre Uhlich’ written into the caption title of this Miserere is not in the hand of the copyist of the score (ZS 2), but it probably is in the hand of Johann Georg Schürer under whose direction this Catalogo (1765) was prepared—as testified in an autograph statement on the final page of the catalogue. <br />
As a former Kapellknabe of the Dresden Hofkirche (from 1732), Schürer certainly would have known Uhlig (who until 1733 had been organist of the Kapellknaben).<br />
On Augustin Uhlig see III/U/3/2.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Miserere setting by Ulich [Uhlig] (III/U/6/9). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’<br />
Concordance <br />
CZ-Pkřiž XXX E 38. Parts for CATB vn. 1, vn. 2, org.x 2. ‘Del Signore Augustino Ulig’
Scoring (1765)
‘a 4 voci co’ VVni Vla e Basso’
SFL_combination
III/U/3/3
SLB Card Catalog
Uhlig, Aug.: Miserere Tutti à 4 voc: con strom.] C-moll – [Cut Common time]. Part. u. St. 1 H. mit 33 St. 4to Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Miserere by Uhlig (Mus. 2877-E-1) held by SLUB; 33 parts missing from Dresden.
Title (Catalogo)
Miserere
Uniform Composer
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773)
Uniform Title
Psalms (ps. 50)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211011539">211011539</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
UHLIG (Uhlich; Uhlick; Ulich; Ulick), Augustin (b Sonnenberg Bohemia 1703–d Dresden 1773), Miserere, III/U/3/3
Title
A name given to the resource
ULICH, Agost[in]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/ca103b93f77445c30aa387ae55ec9be4.png
1d71504b45509c00db8a9fc5ab0765a0
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
708
Sort Order
The physical order in the catologo
03/03/04
Composer
URIO, P[adre]
D-Dl
Mus. 2141-D-1
Eitner
V. 10 (1904), 13: Urio, Francesco Antonio [...] Ms. kathol. Kirche Dresd: Beatus vir, 4 voc. c. 2 V. Ob. Va. Org. P. Stb.
Location (1765)
Schranck III; Fach 3; Lage 4
Materials (1765)
Partitura
Provenance
Jan Dismas Zelenka. Inventarium 37/28. ‘P’; Psalmi varii: Beatus No 13
Remarks
Score copy.<br />
Cover title (Zelenka’s hand): Upper left ‘C’; Upper right ‘Nr 28’ (which agrees with Zelenka’s listing in the Inventarium). Beatus à 4 | de Padre Urio.<br />
A cover note to a manuscript copy of four psalms composed by Francesco Antonio Urio from a Marian Vespers – Laudate pueri, Laetatus sum, Nisi Dominus and Lauda Jerusalem – held in the Kreuzherren collection, Prague (CZ-Pkřiž; XXXV E 52) states that the Franciscan Friar Padre Francesco Antonio Urio ‘OFM’ (Ordo Fratrum Minorum) was ‘Maestro di Capella nella Chiesa de Francisci di Venetia’.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Beatus vir setting by Padre Urio (III/U/6/10). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’<br />
NB: Zelenka’s c1725 setting of Laudate pueri (ZWV 82, c1725) might have been influenced by this setting of Padre Urio.<br />
Incipit given in Zelenka-Dokumentation, 66, Nr. 219.<br />
Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 28.<br />
Horn (‘Die wichtigsten Schreiber’, 165) identifies the copyist as ZS O.
Scoring (1765)
‘a 4 voci con stromenti’
SFL_combination
III/U/3/4
SLB Card Catalog
Urio, Franc. Ant. Beatus à 4 [con strom.] C-dur 6/8 Part. 1 H. quer-4to Mus.-Mscr. Kath. Hofkirche
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Beatus vir by Padre Urio (Mus. 2141-D-1) held by SLUB.
Title (Catalogo)
Beatus vir
Title Partitura
Beatus à 4
Uniform Composer
URIO, Francesco Antonio (b Milan c1631—d. unknown c1719)
Uniform Title
Psalms (ps. 111)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006761">212006761</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
URIO, Francesco Antonio (b Milan c1631—d. unknown c1719), Beatus vir, III/U/3/4
Title
A name given to the resource
URIO, P[adre]
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/167b13a4458c3e99833b81a3e582725f.png
430c9b0be4dc7bb7445fbfd7a1f96fb1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
709
Sort Order
The physical order in the catologo
03/37/03
Composer
Musica senza nome dell’Autore
Location (1765)
Schranck III; Fach 37; Lage 3
Materials (1765)
Partitura
Remarks
No source found for Cantiones Sacrae De diversis Authoribus.<br />
In the ‘Catalogo della Musica di Chiesa’ (c1784) a score is marked for Cantiones Sacrae De diversi Author: à 4 voci senza stromenti: (III/29/4).
Scoring (1765)
‘a 4 Voci a Capella’
SFL_combination
III//37/3
Status
Volume titled Cantiones Sacrae De diversis Authoribus missing from Dresden.
Title (Catalogo)
Cantiones Sacrae De diversis Authoribus
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Musica senza nome dell’Autore
-
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86bd1875f580914813e9a697cb818088
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
710
Sort Order
The physical order in the catologo
03/04/01
Composer
VALLE, Pietro
D-Dl
Mus. 2878-E-1
Eitner
V. 10 (1904), 29: Valle, Pietro della [...] in der kathol. Kirche zu Dresden: Larvae crudeles, Sopr. c. 2 V. Ob. Va. Corni, Org. Ms. P. u. Stb. Ob dies der obige ist, bleibt zweifelhaft. Ich halte ihn<br />
für einen Komponisten des 18. Jhs.
Location (1765)
Schranck III; Fach 4; Lage 1
Materials (1765)
Partitura
Remarks
Score copy without cover. No watermarks.<br />
Head of score: No. 18. Motetto Canto Solo Con Sinf[oni]a dell Sig. Piero Valle. This name is written over an erasure. <br />
This work in five movements in the hand of a Dresden court copyist. <br />
The instrumental writing shows signs of early classical orchestration. (The oboes have independent parts).<br />
Concerning Pietro Volle, I am grateful to Claudio Bacciagaluppi who advised me that there is probably a misspelling in the SLB card catalogue. These are reasons he gives:<br />
1. Eitner does not mention a Pietro Volle, but Larvae crudeles is listed as a composition by Pietro Valle (EitnerQ, vol. 10, p. 29).<br />
2. Neither RISM online nor Sartori's card catalogue of music manuscripts in Italy mention a Pietro Volle.<br />
3. A motet in 'furore' style with the term 'larvae' in the title appears to be popular among Milanese composers: RISM online lists two soprano motets by Johann Christian Bach ('Larvae tremendae') and Gaetano Piazza ('Tetrae larvae'), Sartori's cards list a bass motet by Carlo Monza (again 'Larvae tremendae'...).<br />
Thus, for the time being, Larvae crudeles (cruel demons) can be attributed to the Milanese composer Pietro Valle.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for the motet ‘Larvae crudeles’ by Pietro Valle (III/V/6/11). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’
Scoring (1765)
‘a Soprano solo co’ VVni Vla e B e Corni’
SFL_combination
III/V/4/1
SLB Card Catalog
Mus. 2878-E-1 Volle, Pietro Motetto Canta Solo Con Sinf.a. A dur C. Part. 1 H. quer-4to Mus. –Mscr. Kath. Hofkirche
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche
Status
Score copy of the motet Larvae crudeles by Pietro Valle held by SLUB.
Title (Catalogo)
Motetto: Larvae crudeles
Title Partitura
Motetto [...] dell Sig. Piero Valle
Uniform Composer
?VALLE, Pietro [Listed in the SLB Catalogue as as Pietro Volle]
Uniform Title
Motets
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
?VALLE, Pietro [Listed in the SLB Catalogue as as Pietro Volle], Motetto: Larvae crudeles, III/V/4/1
Title
A name given to the resource
VALLE, Pietro
-
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3fc1d6dff7fc7f07224dd7c0f8906d57
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
711
Sort Order
The physical order in the catologo
03/04/10
Composer
VIVALDI, Ant[oni]o
D-Dl
Mus. 2389-E-2
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: Sum in medio, Sop. c. 2 V. Va. Org. P. u. Stb. wie die folgenden: Inturbato [sic] mare, ebenso. [...]
Location (1765)
Schranck III; Fach 4; Lage 10
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 62/14
Remarks
Faded part-autogr. score without cover. Tre lunae watermark. Parts are missing.<br />
Caption title: Motetto à Canto Solo con Istromti Del Vivaldi. <br />
This example has the same provenance as Mus. 2389-E-I. See III/V/4/9. <br />
Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 2 ‘In turbato mare’ by Vivaldi (III/V/6/19). The scoring is given as: ‘à Sopr. Solo co’ VV.ni Viola ed Org.’<br />
Vivaldi’s three solo settings for soprano are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 627 see 297–8 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.<br />
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 176) identifies movements of this setting as being based upon other compositions of Vivaldi.
Scoring (1765)
‘a Sopr. solo con stromti’
SFL_combination
III/V/4/10
SLB Card Catalog
Vivaldi, Antonio: Motetto: ‘In turbato mare’. a Canto Solo con Strom.ti. Part. u. St. [RV 627] 1 H. mit 11 St. quer-8vo, 4to. Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert et RV: Teil-Autogr.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Part-autogr. score of solo motet In turbato mare by Vivaldi (Mus. 2389-E-2) held by SLUB; 11 parts missing from Dresden.
Title (Catalogo)
[2 Motetti]: No 2 In turbato mare
Title Partitura
[In turbato mare]
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Uniform Title
Motets
Identification
The designated identification in relevant index eg ZWV, BWV etc
RV 627
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212000234">212000234</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), [2 Motetti]: No 2 In turbato mare, III/V/4/10
Title
A name given to the resource
VIVALDI, Ant[oni]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/29d987b2336db7e5110e7a0d79c37009.png
eacc2f3ca83a2e78b4dc3b3400ac3857
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
712
Sort Order
The physical order in the catologo
03/04/11
Composer
VIVALDI, Ant[oni]o
D-Dl
Mus. 2389-E-3
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: [...] — Laudate pueri .
Location (1765)
Schranck III; Fach 4; Lage 11
Materials (1765)
Partitura; Parti
Remarks
Faded score without cover. Tre lunae watermark. Parts are missing.<br />
Caption title (barely legible): [Laudate pueri à] Canto solo con Istromti Del [...]rica [...]. <br />
This source appears to have the same origins as Mus. 2389-E-1 and Mus. 2389-E-2. See III/V/4/9-10. <br />
Michael Talbot (email 15.3.2019) advises that this Dresden source of RV 601 ‘is most certainly in the hand of Giovanni Antonio Mauro, as “Scribe/Hand 4” is now known to be (not Vivaldi’s father, as previously thought). But certain additions (by comparison with the composer's autograph manuscript) show that it was prepared under Vivaldi's supervision. It must therefore have been from Vivaldi, rather than from Mauro, that this work was ordered from Dresden.’ Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 166) identifies several movements of this setting as being based upon other compositions of Vivaldi.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for ‘Laudate pueri’ by Vivaldi (III/V/ 6/20). The scoring is given as: ‘à Soprano Solo co’ VV.ni Viola ed Org.’<br />
Vivaldi’s three sacred settings for solo soprano held by SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi. On RV 601 see 268–74 (especially). See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this psalm setting for solo voice was among a group of works commissioned by Zelenka from Vivaldi. 38–9.
Scoring (1765)
‘a Sopr. solo con stromti’
SFL_combination
III/V/4/11
SLB Card Catalog
Vivaldi, Antonio: Laudate pueri à Canto Solo con Strom.ti. G-dur. 2/4 . Part. [RV 601] 1 H. quer-4to [deleted] 8vo. Mus.-Mscr. Kath. Hofkirche
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score of Laudate pueri by Vivaldi (Mus. 2389-E-3) held by SLUB. Parts missing from Dresden and not catalogued by SLB.
Title (Catalogo)
Laudate pueri
Title Partitura
Laudate pueri
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Uniform Title
Psalms (ps 112)
Identification
The designated identification in relevant index eg ZWV, BWV etc
RV 601
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212000233">212000233</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), Laudate pueri, III/V/4/11
Title
A name given to the resource
VIVALDI, Ant[oni]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/0fb46064a32a6e6a148216c63aa0dafb.png
3a66a381ad9eb164a826be4ad8bc9e43
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
713
Sort Order
The physical order in the catologo
03/04/02
Additional
A 404 M (Org.)
Composer
VANINI, P[atre]
D-Dl
Mus. 2036-E-1
Date (Catalogo)
1693
Eitner
V. 10 (1904), 35: Vannini, Fra Elia [...] Psalmi ad Vesperas musicis 3, et 4 voc [...] cum 4 Instrumentis musicalibus a Rev. Patre Elia [...] Op. 3 [...] Bononiae 1693 P. Maria Monti. 9 Stb. 4to. [Bologna, auch in Part. von Busi gesetzt. Dresden Mus. . . .]
Location (1765)
Schranck III; Fach 4; Lage 2
Materials (1765)
Parti
Provenance
Dresden Hofkirche? (and hand of Giovanni Alberto Ristori)
Remarks
Set of 9 printed part books, each with cover label (hand of Giovanni Alberto Ristori). <br />
Cover label: Salmi conc[erta]ti a 4 co’ Strum[en]ti con le Litanie della B. V. a 8 del P. Vannini. <br />
Title page: (Cantus): PSALMI AD VESPERAS| MUSICIS TRIUM, ET QUATTUOR VOCEM CONCENTIBUS | Accommodati cum quattuor Instrumentis Musicalibus | A’ REV. PATRE ELIA VANNINI | Carmelita Medicinensi in Metropolitanae Sanctae Ravennae Ecclesiae Templo Musices Praefecto | OPUS TERTIUM | Ad Illustrissimum, & Reverendissimum Dominum | D. RAYMUNDUM DE COMITIBUS | FERRETTIS | Eiusdem Sanctae Ecclesiae Rauennatensis Archiepiscopum, | et Principem &c. | Bononiae [Bologna] Typis Petri-mariae Montium. 1693. Superiorum permissu. | Veneunt a Marino Silvano, sub Signo Violini; cum Privileggio.<br />
Part books (4 vocal; 5 instrumental) : Canto; Alto; Tenore; Basso; Violino Primo (with addition to the title of: ‘per le Litanie Canto 2 Coro’); Violino 2 (with addition to the title of: ‘per le Litanie Alto 2[d]o Coro’); Violino 3[z]o (with addition to the title of: ‘per le Litanie Tenore 2[d]o Coro’); Basso Viola (with addition to the title of: ‘per le Litanie Basso 2[d]o Coro’); Organo (figured). <br />
Contents: Domine ad adiuuandum me. a quattro, con Strumenti; Dixit Dominus. a quattro, con Strumenti; Confitebor. a 3. Canto, Alto, e Basso, con Violini; Beatus vir. a quattro, con Strumenti; Laudate pueri. a 3. Canto, e due Alti con Violini; Laudate; Dominum. A quattro, con Strumenti; Secondo Laudate Dominum. a quattro, con Strumenti; Magnificat. a quattro, con Strumenti; Litanie [Della B. V.] à otto voci pieni.<br />
Unlisted in the later ‘Catalogo della Musica di Chiesa composta Da diversi Autori secondo l’Alfabetto Amaro IIIza’ (c1784).<br />
These part books for a Vesperae de Confessore show little signs of use.
Scoring (1765)
‘a 4 voci con stromti’
SFL_combination
III/V/4/2
SLB Card Catalog
Vannini, Elia: op. 3. Psalmi ad Vesperas musicis, trium et quatuor vocum concertibus. Accommodati cum quatuor inst. musicalibus. [Organum, Cant-, Alto, Ten., Bassus, Viol. 1, 2 et 3, Bassus, Viola]. In St. Bononiae. 9 Bde. 8vo.
Stamps
BIBLIOTHECA MUSICA REGIA.
Status
Nine printed part books for PSALMI AD VESPERAS by Elia Vannini (Mus. 2036-E-1) held by SLUB.
Title (Catalogo)
8 Salmi con le Litanie della B. V. ... 9 libri stampati
Title Partitura
PSALMI AD VESPERAS
Uniform Composer
VANNINI, Elia (b Medicina c1660–d in or after 1699)
Uniform Title
Psalms; Litanies
Identification
The designated identification in relevant index eg ZWV, BWV etc
Op. 3
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=00000990065996">00000990065996</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VANNINI, Elia (b Medicina c1660–d in or after 1699), 8 Salmi con le Litanie della B. V. ... 9 libri stampati, III/V/4/2
Title
A name given to the resource
VANINI, P[atre]
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/7a0d81f627d34df975a84daa33a9d4d5.png
4c77f8d650f27656f64c7eb3fbcd3eaf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
714
Sort Order
The physical order in the catologo
03/04/03
Composer
VIGNATI
D-Dl
Mus. 2246-D-1
Location (1765)
Schranck III; Fach 4; Lage 3
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 48/4
Remarks
Score copy. Blue-grey cover. Parts are missing. <br />
Cover title: N 12. (upper left; Zelenka’s hand) | Salve Regina | à 4 (replacing 8) | 2 Canti A. T. B. | Violini unisoni | Viola concertato | col | Organo | del Sigl Vignati.<br />
Storage information in the hand of Johann Georg Schürer is given on the cover (upper left): Schranck No: III | V. 4. Fach 3. Lage | Salve Regina | à 5. voci | co’ VVni Viola e Basso | Partitura e parti | del Sigr. Vignati | Incipit. (This information corresponds with the entry into this Catalogo of 1765).<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the antiphon ‘Salve Regina’ by Vignati (III/V/6/12). Scoring: ‘à 5 voci co’ VVni. Oboi, Viola ed Org.’ Below this entry ‘fehlt’ is written. <br />
Although the score is definitely written for five voices (SSATB), Zelenka’s entry in his Inventarium states ‘C:A:T:B:’. (It is not uncommon to see a reduction in voices in Zelenka’s reworkings for the musical conditions of the Catholic court church, especially repertoire to be used by the Kapellknaben). <br />
The incipit is given in Zelenka-Dokumentation, 66, Nr. 220. Horn (‘Die wichtigsten Schreiber’, 165) identifies the copyist of the notation as ZS O.
Scoring (1765)
‘a 5 voci con stromti’
SFL_combination
III/V/4/3
SLB Card Catalog
Vignati, [Gius.]: Salve Regina a 5 voci, Viol.ni unisoni, Viola concertata col Org. Part. u. St. 1 H. mit 27 St. qu 4to u. 4to Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score of Salve Regina by Vignati (Mus. 2246-D-1) held by SLUB; 27 parts missing from Dresden.
Title (Catalogo)
Salve Regina
Title Partitura
Salve Regina
Uniform Composer
VIGNATI, Giuseppe (b Bologna? late 1600s–d Milan 1768)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006785">212006785</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VIGNATI, Giuseppe (b Bologna? late 1600s–d Milan 1768), Salve Regina, III/V/4/3
Title
A name given to the resource
VIGNATI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/54a70c557f045616c9aa4092e54191ff.png
bb6a123866a61365961ef37b4f5aa2cb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
715
Sort Order
The physical order in the catologo
03/04/04
Composer
VILLICUS
D-Dl
Mus. 2820-E-1
Date (Catalogo)
c1730 [Landmann]
Eitner
V. 10 (1904), 87: Villicus, . . . Das Archiv der kathol. Kirche in Dresden besitzt im Ms: 2 Salve regina 1. für Sopr. 2 V. e FI. concertato, 2. für Sopr. 2 V. Va. Ob. concert. Org. .
Location (1765)
Schranck III; Fach 4; Lage 4
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 49/13.
Remarks
Autogr. [?] score. Without cover. Parts are missing.<br />
Caption title: Salve Regina. No composer name given. <br />
Scoring is for: Obois [!] Sola; Violino Sola; Viola; Canto Solo; Organo (unfigured).<br />
NB: Eitner reversed the order of these two Salve Regina settings by Villicus.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the antiphon ‘Salve Regina No 1’ by Villicus (III/V/6/13). The scoring is given as: ‘à Soprano Solo co’ VVni. Viola, Ob. Concert: ed Org.’ Hand of ZS 2 in the score.<br />
Villicus was a violinist in the 'Pohlnische Capell-Musici'. His name is appears with this ensemble in the lists for 1730 and 1731 of Catholics eligible to be buried in the Catholic cemetery of Dresden. See Ágústsson and Stockigt in ‘Records of Catholic Musicians, Actors, and Dancers at the Court of Augustus II, 1723–1732’. See also Alina Żórawska-Witkowska in ‘The Saxon Court of the Kingdom of Poland’, Music at German Courts, 61–2.<br />
Incipit given in Zelenka-Dokumentation, 66, Nr. 221.<br />
It is possible that Villicus was a composition student of Zelenka.
Scoring (1765)
‘a Soprano solo con Violino ed oboè concto’
SFL_combination
III/V/4/4
SLB Card Catalog
[Villicus, Balthasar] [‘Salve Regina’. F dur] für S solo, ob solo, vl solo, vla u. org. – Satze: Salve (F, C, Adagio) — Ad te clamamus (d, 3/4) — Eja ergo (B) — Et Jesum (F) O clemens pia (F, [...], Adagio). Ms um 1730 vermutl autogr. [...] Partitur = 65.1 Bl. (34,5 x 20 ,5 cm). Unter ‘Villicus’ auf S. 15 des themat. Katalogo der Hofkirchen-Musik [...] (Schranck III, Autoren S-Z) registiert. Kopftitel S. 1 nur ‘Salve Regina’. Vormals: Kath. Hofkirche; Mus. 2879-D-2.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Salve Regina Nr. 1 by Villicus (Mus. 2820-E-1) held by SLUB; no parts held in Dresden (it is not known whether parts to accompany the score were catalogued by SLB).
Title (Catalogo)
2 Salve Regina: No 1
Title Partitura
Salve Regina
Uniform Composer
VILLICUS; VILICUS, Balthasar Antel (d December 1731)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007310">212007310</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VILLICUS; VILICUS, Balthasar Antel (d December 1731), 2 Salve Regina: No 1, III/V/4/4
Title
A name given to the resource
VILLICUS
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c1ec263c6838bec4ba53244c713bbb55.png
31eebf1345543304562a0b0fa945318a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
716
Sort Order
The physical order in the catologo
03/04/05
Composer
VILLICUS
D-Dl
Mus. 2820-E-2; Mus. 2820-E-2a
Date (Catalogo)
c1730 [Landmann]
Eitner
V. 10 (1904), 87: Villicus, . . . Das Archiv der kathol. Kirche in Dresden besitzt im Ms: 2 Salve regina 1. für Sopr. 2 V. e FI. concertato, 2. für Sopr. 2 V. Va. Ob. concert. Org.
Location (1765)
Schranck III; Fach 4; Lage 5
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Not listed in the Inventarium
Remarks
Mus. 2820-E-2. Blue-grey wrapper. <br />
Cover title (hand of Zelenka): 10 (upper left) No: 2 (upper right: not Zelenka) | Salve â Soprano Solo | Violino | Traversa | e | Basso Continuo. | di | S: V:. <br />
Title page (hand of ZS 2): Salve | a Flute | Violino | Canto | con Basse.<br />
Much of the text is missing from this copy, which has only a few marks from Zelenka, and these are mainly of tempo/affect (p. 7: Allegro; p. 11: Adagio). <br />
At the conclusion of the score is written ‘S. D. G.’<br />
NB: Eitner’s reversed the order of these two Salve Regina settings by Villicus.<br />
Mus. 2820-E-2a. Set of five plus 1 parts kept in blue-grey wrapper.<br />
Cover label corresponds to the entry in the Catalogo, vol. III (c1784): Schranck No III. | Lit: V. 6. Fach 14. Lage | No: 2.) Salve Regina | à | Sopranos Sol con VVno | e Flauto concertato| Partitura e parti | del Sigr Villicus | Incipit.Horn (‘Die wichtigsten Schreiber’,165) identifies the copyist of the score as ZS 2.<br />
Parts: Canto Solo (Hand of ZS 2); Tiorba (Hand of ZS 2); Violino; Fleute Travers.; Violoncello. The violoncello part originally was for ‘Organo’, which has been erased, over which Zelenka wrote: ‘Sempre Pianissimo’. A part for ‘Tiorba / Organo [hand of Zelenka?]’ (figured) since has been found, and all parts have been re-ordered and re-numbered<br />
On Villicus, see III/V/4/4.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the antiphon ‘Salve Regina No. 2’ by Villicus (III/V/6/14). The scoring is given as: ‘à Soprano Solo co’ VVni. e Flauto concert[at]o’<br />
Incipit given in Zelenka-Dokumentation, 66, Nr. 221b.
Scoring (1765)
‘a Soprano solo con Violino ed Flauto conc.’
SFL_combination
III/V/4/5
SLB Card Catalog
Mus. 2820 -E-2: [Villicus, Balthasar] [‘Salve Regina’. G dur] Für S solo, vl, fl, u. bc/org. – ...Verzeichnet auf S. 15 des themat. Katalogs der Hofkirchers-Musikalien (Schrank III, Autoren S-Z). Vormals: Kath. Hofkirche; Mus. Q 1501.<br />
Mus. 2820 -E-2a: Villicus [Balthasar] [‘Salve Regina’. G dur] Für S solo, vl, fl, u. bc/org, vgl. Mus. 2810 -E-2. Mss ca. 1730. Dresden (Ms vermutl. autogr.) 6 stimmen ...Vormals: Kath. Hofkirche; Mus. 2879-D-3.
Stamps
Sächs. Landes-Bibl.
Status
Score copy of Salve Regina Nr. 2 by Villicus (Mus. 2820-E-2) held by SLUB; five parts are held by SLUB (Mus. 2820-E-2a).
Title (Catalogo)
[2 Salve Regina]: No 2
Title Partitura
Salve â Soprano Solo
Uniform Composer
VILLICUS; VILICUS, Balthasar Antel (d December 1731)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007472">212007472</a><br />
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007305">212007305</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VILLICUS; VILICUS, Balthasar Antel (d December 1731), [2 Salve Regina]: No 2, III/V/4/5
Title
A name given to the resource
VILLICUS
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/2211571f3b37cb615bb6c5d821f1e6fa.png
240c1daea8ea0e399ffaa8d41fc7c1ad
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
717
Sort Order
The physical order in the catologo
03/04/06
Composer
VILLICUS
D-Dl
Mus. 2820-E-3
Date (Catalogo)
c1730 [Landmann]
Eitner
V. 10 (1904), 87: Villicus, . . . Das Archiv der kathol. Kirche in Dresden besitz im Ms: [...] — Ferner ein Sub tuum praesiduum 4 voc. 2 V. Ob. Va Org. [...]
Location (1765)
Schranck III; Fach 4; Lage 6
Materials (1765)
Parti
Provenance
Jan Dismas Zelenka. Unlisted in the Inventarium
Remarks
Set of 22 (8 vocal; 14 instrumental) parts. Blue-grey wrapper.<br />
Cover title (hand of Zelenka): B (upper left); Nr. 3 (upper right) | Sub tuum praesidiu[m] | à 4 | C. A. T. B. | Violin 2 | Obo[e] 2 ad libitu[m] | Viola | e | Basso Contin. | S: V:. <br />
Lower right corner in small letters: J D Z.<br />
These parts seem to represent two layers of performance materials: one for the Kapellknaben, the other for members of the Dresden Hofkapelle led by Pisendel.<br />
On Villicus, see the listing: III/V/4/4.<br />
Parts: Set 1 (pp 20–29): Canto (21); Alto (23); Tenor (25); Basso (27); Viola (29). <br />
NB: These parts have another setting of Sub tuum (c minor) written on the reverse. Parts are for Canto; Alto; Tenor; Basso; Organo où Violoncello. On the reverse of the part for ‘Organo ou Violoncello’ is the viola part for the second setting. NB: These parts are for the Sub tuum praesidium setting attributed to Augustin Uhlig. See III/U/3/2 (Mus. 2877-E-3).<br />
Set 2 (pp 1 [cover]–19): Canto; Alto; Tenore; Basso; Violino Pmo ‘M. P.’; Violino Pmo (incorrect phrasing in bar 3 is corrected); Violino Pmo; Violino IIo; Violino IIo; Violino IIo; Violone Ripieno; Tiorba (figured); Organo (ou?) Violoncello (erased). (figured); Oboe Pmo; Oboe 2do; Fagotto Rip; Fagotto Ripieno. <br />
Copyist not known. <br />
NB: The Violino I parts have pencilled corrections, including added accidentals, and corrections to pitch notation. <br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) parts only are listed for the antiphon Sub tuum praesidium by Villicus (III/V/6/15). The scoring is given as: ‘à 4 voci co’ VVni. Viola, Ob: concert.o ed Org.’ <br />
Incipit given in Zelenka-Dokumentation, 66, Nr. 221c.
Scoring (1765)
‘a 4. voci con stromenti’
SFL_combination
III/V/4/6
SLB Card Catalog
Villicus, [Balthasar] [‘Sub tuum praesidium’, D dur] Sub tuum praesidiu[m] | â 4 | C: A: T: B: | Violin 2 | Oboi 2 ad libitu[m] | Viola | e | Basso Contin. | S[ignor]: V[illicus]: | unter r.: ‘J D Z[elenka]....Vormals: Kath. Hofkirche; Mus. 2879-D-4.
Stamps
Sächs. Landes-Bibl.
Status
Twenty-two parts for Sub tuum praesidium by Villicus (Mus. 2820-E-3) held by SLUB.
Title (Catalogo)
Sub tuum praesidium
Title Partitura
Sub tuum praesidiu[m]
Uniform Composer
VILLICUS; VILICUS, Balthasar Antel (d 1731. Violinist in the Pohlnische Capell-Musici)
Uniform Title
Antiphons
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007304">212007304</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VILLICUS; VILICUS, Balthasar Antel (d 1731. Violinist in the Pohlnische Capell-Musici), Sub tuum praesidium, III/V/4/6
Title
A name given to the resource
VILLICUS
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/80b511b346c60f5f0d3711997b39e714.png
1c45be4285cb897c927d8490c80e03e8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
718
Sort Order
The physical order in the catologo
03/04/07
Composer
VILLICUS
D-Dl
Mus. 2820-D-1
Date (Catalogo)
c1730 [Landmann]
Eitner
V. 10 (1904), 87: Villicus, . . . Das Archiv der kathol. Kirche in Dresden besitz im Ms: [...] — Miserere a 4 voc. 2 V. Va. Ob. concert. Organo.
Location (1765)
Schranck III; Fach 4; Lage 7
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Unlisted in the Inventarium
Remarks
Bound score copy. Blue-grey wrapper. Parts are missing.<br />
Cover title [Zelenka]: gb (upper left); Nr. (none given) | Miserere à 4 | Violini 2 | Oboe 2 NB Concertante Oboe Imo | Viola | e | Basso Continuo | del | S. Villicus. <br />
The ‘Concertante Oboe’ is found in the movement ‘Sacrificium Dei Spiritus’. <br />
This score (in the hand of ZS 1) shows no sign of having been reworked by Zelenka, although he did add or alter some figures of the bass.<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the antiphon ‘Miserere’ by Villicus (III/V/6/16). Scoring is given there as: ‘à 4 voci co’ VVni. Viola, Ob: concert.o ed Org.’ <br />
On Villicus, see III/V/4/4.<br />
Incipit given in Zelenka-Dokumentation, 66, Nr. 221a.
Scoring (1765)
‘a 4 voci co’ VVni Viola Basso ed oboè concertato’
SFL_combination
III/V/4/7
SLB Card Catalog
Villicus, [Balthasar] Miserere à 4 | Violini 2, Oboi 2 NB Concertante Oboe Imo/ Viola/e/ Basso Continuo/ del/ S. V: [v anderer Hand erganzt zu ‘Villicus’.] [Oben l, oben r # ohne Zahl]. Psalm 50, für SATB u. die engegeb. Instr, Satze: Miserere (g, 6/4, Adag.) -– Quoniam (d, C, And./ All./ Vivace). Asperges (a, 6/4 [Cut common time], o. Tempobez) – Docebo (d, C - Sacrificium (g, 6/4, Adag.) Gloria Patri (desgl.) – Sicut erat (g, C). Ms ca. 1730: Dresden. Partitur = 68 S. 1 Bl. (21,5 x 35,3 cm). der Titel auf S. 1 (c. a.) v.d. Hand Zelenkas; S. 1/2 u. Schlußblatt = blaues Umschlag-papier – Das Werk ist verzeichnet auf S. 15 des themat. Katalogs der Hofkirchen - Musik [...] (Schrank III, Autoren S–Z). Vormals: Kath. Hofkirche; Mus. 2879-D-4.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score copy of Miserere by Villicus (Mus. 2820-D-1) held by SLUB; parts to accompany the score are not held in Dresden.
Title (Catalogo)
Miserere
Title Partitura
Miserere à 4
Uniform Composer
VILLICUS; VILICUS, Balthasar Antel (d 1731. Violinist in the Pohlnische Capell-Musici
Uniform Title
Psalms (ps. 50)
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212009474">212009474</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VILLICUS; VILICUS, Balthasar Antel (d 1731. Violinist in the Pohlnische Capell-Musici, Miserere, III/V/4/7
Title
A name given to the resource
VILLICUS
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/329ec5bf67080af89a7a7d82c28d81f3.png
8a2e0dff1ca05f65f7799bbe9fb74a3c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
719
Sort Order
The physical order in the catologo
03/04/08
Composer
VITALLI
D-Dl
Mus. 1875-D-1
Date (Catalogo)
1677?
Eitner
V. 10 (1904), 109: Vitali, Giovanni Battista [...] No listing of this ms. Vitali’s publication is given as : 1677. Salmi concertati a 2, 3, 4, e 5 voci con strom... da G ... B ... Vitali Vice Maestro di Capella ... & Accademico Filaschise, Op. 6. Bologna 1677 G. Monti. 10 Stb. 4°. [Bologna. Modena.
Location (1765)
Schranck III; Fach 4; Lage 8
Materials (1765)
Parti
Remarks
A set of five parts. <br />
Cover title: Beatus vir | â 4 | C: A: T: B: | a Capella | ex | B. | di Sign: Giovan: Battista Vitalli.<br />
Parts: Canto; Alto; Tenore; Basso; Continuo (figured).<br />
This Beatus vir setting by Giovanni Battista Vitali might be a copy made from the publication Salmi concerti op. 6 (Bologna, 1677). Zelenka also held a copy of a setting of psalm 110 Confitebor by Vitali which, although unlisted in the Inventarium, appears as the ‘Confitebor’ listing No. 6 in Zelenka’s collection ‘Psalmi varii’ of c1735. <br />
See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, ‘Further Psalm Settings held by Zelenka’. <br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) parts only are listed for the psalm ‘Beatus vir’ by Vital[l]i (III/V/6/17). There, the scoring is given as: ‘à Capella.’<br />
The RISM entry of Vitali’s Beatus vir suggests that it probably originated from the Lutheran court church of the Dresden palace.
Scoring (1765)
‘a 4 voci a capella’
SFL_combination
III/V/4/8
SLB Card Catalog
Vitali, Giovan. Battista: Beatus vir à 4 C: A: T: B: a capella. B-dur C. St. 5 St. 4to. Mus.-Mscr. Kath. Hofkirche.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Five parts for Beatus vir by Vitali (Mus. 1875-D-1) are held by SLUB.
Title (Catalogo)
Beatus vir
Title Partitura
Beatus vir
Uniform Composer
VITALI, Giovanni Battista (b Bologna 1632–d Bologna 1692)
Uniform Title
Psalms (ps. 111)
Identification
The designated identification in relevant index eg ZWV, BWV etc
From Op. 6?
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007280">212007280</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VITALI, Giovanni Battista (b Bologna 1632–d Bologna 1692), Beatus vir, III/V/4/8
Title
A name given to the resource
VITALLI
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4edfa485fc3dbf4e6920bb5ae45038af.png
7927c4cade5c8b9f9f7ec732167a34bf
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
720
Sort Order
The physical order in the catologo
03/04/09
Composer
VIVALDI, Ant[oni]o
D-Dl
Mus. 2389-E-1
Eitner
V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: Sum in medio, Sop. c. 2 V. Va. Org. P. u. Stb. wie die folgenden: In turbato [sic] mare, ebenso. [...]
Location (1765)
Schranck III; Fach 4; Lage 9
Materials (1765)
Partitura; Parti
Provenance
Jan Dismas Zelenka. Inventarium 62/15
Remarks
Faded score (part autogr.) without cover. Tre lunae watermark. Parts are missing.<br />
Caption title (faded): Motetto à Canto Solo con Istromti Del Vivaldi.<br />
This early example has the same provenance as Mus. 2389-E-2 (see III/V/4/10). Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition.<br />
Vivaldi’s three sacred settings for solo soprano held in SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi (172–73), where it is proposed that the style of this work suggests that it was composed around 1730. See also the discussion of this setting on pages 298–230. See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9.<br />
Concordance:<br />
CZ-Pak, 1364. Štefan, ([1414] Sign. 1364), prov. Sehling. RISM ID no. 550268609<br />
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 1 ‘Sum in medio’ by Vivaldi (III/V/6/18). Scoring: ‘à Sopr. Solo co’ VV.ni V.la ed Org.’<br />
Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 177) identifies several movements of this setting as being based upon other compositions of Vivaldi.
Scoring (1765)
‘a Sopr. solo con stromti’
SFL_combination
III/V/4/9
SLB Card Catalog
Vivaldi, Antonio: Motetto: ‘Sum in medio’. à Canto Solo con [RV 632] Strom.ti. F-dur C Part. u. St. 1 H. mit 8 St. quer-8vo u. 4to. Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert et RV: Teil-Autogr.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Part-autogr. score of the solo motet In sum medio by Vivaldi (Sum in medio tempestum; Mus. 2389-E-1) held by SLUB; 8 parts missing from Dresden.
Title (Catalogo)
2 Motetti: No 1 In sum medio [Sum in medio tempestatum]
Title Partitura
[Sum in medio tempestatum]
Uniform Composer
VIVALDI, Antonio (b Venice 1678–d Vienna 1741)
Uniform Title
Motets
Identification
The designated identification in relevant index eg ZWV, BWV etc
RV 632
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212000235">212000235</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
VIVALDI, Antonio (b Venice 1678–d Vienna 1741), 2 Motetti: No 1 In sum medio [Sum in medio tempestatum], III/V/4/9
Title
A name given to the resource
VIVALDI, Ant[oni]o
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/ba7c8b78dba266bf21f02d40830b863b.png
31dc0def8ae4a56e243629281b5bef4f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
721
Sort Order
The physical order in the catologo
03/10/01
Composer
ZELENKA, Gio. Dis.
D-Dl
Mus. 2358-D-31
Date (Catalogo)
1736 ‘in die OO: SS’ (Credo)
Eitner
V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,
Location (1765)
Schranck III; Fach 10; Lage 1
Materials (1765)
Partitur; Parti
Provenance
Jan Dismas Zelenka. Inventarium 11/53
Remarks
Bound autogr. score of a Missa tota in 5 parts. Blue-grey covers to sections are kept in the binding. Despite the key signature (see the incipit here*), this work is in the key of a minor. Parts are missing.<br />
Cover title part 1 (hand of Zelenka): A (upper left) Numero 53 (upper right) | Kirie ex Missa | SANCTISSIMAE | TRINITATA |TIS. | à 4 | C: A: T: B: | Violin 2 | Oboe 2 | Traversa 2 | Viola di | G: D: Z:<br />
Cover title part 2 (hand of Zelenka): A (upper left); Numero 53 (upper right) | Gloria ex Missa | SANCTISSIMAE | TRINITATA | TIS. | di | G: D: Z:<br />
Caption title: Gloria della Messa detta | Missa Sanctiss[im]ae Trinitatis.<br />
Cover title part 3 (hand of Zelenka): C (upper left); Credo ex Nro 53 | Missa Sanctissimae | TRINITA= | TIS | di | G: D: Z:<br />
Caption title: Credo ex Missa SSmae Trini | tatis.<br />
Cover titles part 4 (hand of Zelenka): A (upper left); ex Nro 53 (upper right) | Sanctus ex Missa | S.S. Trinitatis. <br />
Following page: Sanctus ex Missa | SS: Trini | tatis.<br />
Cover titles part 5 (hand of Zelenka): A (upper left); ex Nro 53 (upper right) | Agnus Dei ex Missa | Sanctissimae TRINI | TATIS | di | G: D: Z:<br />
The occasion for the composition of this Missa tota is unknown. It is likely that the Kyrie and Gloria of this modestly-scored mass (trumpets, timpani, horns are not included) were composed to be performed on Trinity Sunday in 1736 (Dedication of the Dresden Catholic Hofkirche which, in 1736, fell on 27 May) when the court and many of the royal musicians were in Poland. The Credo, however, was dated by Zelenka later that year at the conclusion of this movement when he wrote: ‘1736 in die OO: SS’ (Feast of All Saints). Thus, it would appear that this mass composed for the Dresden Hofkirche and dedicated to the Holy Trinity, was completed with a setting of the Credo on the feast of All Saints 1736.<br />
Dedications: Concl. part 1 (Kyrie): A M D G B V M OO SS H AA P I R; <br />
Concl. part 2 (Gloria): O A M D G B V M OO SS H AA P I R; <br />
Concl. part 3 (Credo): A M D G B M V OO SS H AA P I R: 1736 in die OO:SS;<br />
Concl.part 5 (Agnus Dei): O A M D G B V M OO SS H AA P I R. <br />
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus and Agnus are listed as [Messa] No: 14), Messa Votiva (III/Z/11/1). <br />
Concordance:<br />
CZ-Pkřiž, XXXV D 132. Seventeen performance parts from third quarter of the 18th c. for Missa Sanctissimae Trinitatis were held in the by the Prague Kreuzherren Order. This mass was performed at the church of St Francis Serafin on the feast of the Dedication of the Church in 1781 and 1782. RISM ID no. 550255395<br />
See Zelenka-Dokumentation, 144, Dok. 67; 288, ZWV 17 and (ed. Th. Kohlhase), EdM 103, 1987. Also Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 143-4.
Scoring (1765)
‘a 4 voci co’ VVni Vla e Flti’
SFL_combination
III/Z/10/1
SLB Card Catalog
(Aut. 215) Mus. 2358-D-31<br />
Zelenka, Giovanni Disma: [Messen. Z 17]<br />
Messa Sanctissimae Trinitatis a 4 voci [mit Orch.] A moll. Part. u. St. 1 Bde m. 25 St. quer–4to Part.: Orig.-Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche.
Status
Score of Missa Sanctissimae Trinitatis by Zelenka (Mus. 2358-D-31) kept at SLUB; 25 parts missing from Dresden.
Title (Catalogo)
[Messe] No 14. SS. Trinitatis
Title Partitura
Missa Sanctissimae Trinitatis
Uniform Composer
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)
Uniform Title
Masses
Identification
The designated identification in relevant index eg ZWV, BWV etc
ZWV 17
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211010847">211010847</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 14. SS. Trinitatis, III/Z/10/1
Title
A name given to the resource
ZELENKA, Gio. Dis.
-
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b6e5cb928ab27a6e5994e73b4b5149bb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
722
Sort Order
The physical order in the catologo
03/10/02
Additional
[B. 258 (-D-8)]
Composer
ZELENKA, Gio. Dis.
D-Dl
Mus. 2358-D-7a
Date (Catalogo)
Dedication copy 1712; revised c1727/28
Eitner
V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,
Location (1765)
Schranck III; Fach 10; Lage 2
Materials (1765)
Partitur; Parti [–.]
Provenance
Jan Dismas Zelenka. Inventarium 6/21
Remarks
Mus. 2358-D-7a/7b : Autogr. score of a Missa tota which shows at least three (or more) workings: the original version of 1711, the version of 1712 (some changes to instrumentation), and revisions made either late in c1727 or 1728. These are noted in a lighter ink. A blue-grey wrapper is kept with the score. Parts are missing.<br />
Cover title (autogr.): Nro 21 upper right (this number agrees with the number given in Zelenka’s Inventarium) Missa Sanctae | Caeciliae | à 4 | di Giov: Disma | Zelenka.<br />
The estimated date of the revision is made on the basis of the combination of Zelenka’s notation of the bass clef which changed between late 1728 and early 1729; his use of a stroke (instead of a #) with the figure 4 to indicate that the interval is to be raised in the figures added to the original working at the time of the re-working), and the sign to separate systems of the score, a change first seen in his scores of c1725. These features are best demonstrated in Zelenka’s rewriting of the movement ‘Cum Sanctus Spiritus’ (especially pp. 31–37). Zelenka’s revisions involve transposition of ‘Et unam sanctum’ and changing the original soprano vocal solo to alto (as well as minor alterations to the violin obbligato), and ‘Et vitam’ (Credo); and the addition of settings of Sanctus; Osanna; Agnus Dei. <br />
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria,Credo, Sanctus and Agnus are listed as [Messa] No: 15), Messa S. Caeciliae (III/Z/11/2). A pencilled note on the back cover of the original wrapper reads: ‘Fach 11. Lage 2 – a reference to the place of storage of this source in the later Catalogo of c1784.<br />
Dedication: Zelenka’s autograph dedication to Friedrich August, I which precedes the score, reads:<br />
Missa S: Caeciliae: Augustissimo Poloniarum Regi FRIDRICO AUGUSTO (praeparante prius ad hoc viam Serenissimo Principe Egone de Fristenberg [Fürstenberg] Saxoniae Locumtenentis Regii, Maximo semper meo Patrono ac Dno) in summa veneratione dedicata et coram eadem Maiestate Regia humillime juxta ac fructuose (si quidem jam dicta Regia Maiestas reflectendo supra tenuem hanc laborem meum ordinarium solax [solacium] meum centum Imperialibus annue gratiosissime augmentavit) producta Dresdae AD: 1712. à Joanne Disma Zelenka Musico Regio.<br />
Zelenka’s autogr. petition to Friedrich August I (written in German) requesting to be sent to France and Itsly which accompanied the score of c1712 is now kept with a copy of the mass made by Franz Hauser in 1826 (‘Missa Sollemnis’) in Vienna (A-Wn, Sign 15773).<br />
Perhaps the indication [–.] under Partitura for the entry of this mass in the Catalogo (1765) implies that in 1765 the parts were either incomplete or a defective set existed.<br />
Mus. 2358-D-8 is a bound score copy of Missa Sanctae Caeciliae in the hand of Philipp Troyer. It is a variant of Mus. 2358-D-7a. The title page (non-autogr.) of Mus. 2358-D-8 reads: Serenissimo ac Potentissimo | Poloniarum Reg | FREDERICO Augusto. | Electori Saxoniae &. | Domino Domino | suo | Clementissimo | humillimó | D. D. D. | subjectissimum obsequentissimum | humillimumque mancipium | Joannes Dismas | Zelenka. Cammer: Musicus. Inner cover: (pencil) Ars Mus. B ??6/ Ars Mus. 49a. A stamp of the Königl. öffentlichen Bibliothek (1806–1917) is seen on the title and opening page of the score ; at the conclusion Mus. B. 258 (pencil) is written.<br />
See Zelenka-Dokumentation, 103, Dok. 2; 285, ZWV 1a; ZWV 1b. <br />
In 1712 several movements were reworked by Zelenka and taken into his sepulchro oratorio of that year: Attendite et videte (ZWV 59).<br />
Concordance:<br />
CZ-Pkřiž, XXX D 77. A copy (provenance Gayer, who copied three of the nine parts) of the Credo from Missa Sanctae Caeciliae in the Prague Kreuzherren collection. Some parts contain the dedication formulae used by Zelenka, but with the omission of the letters P I R, (or similar) which indicate that the work was composed to a commission from the Dresden court: O A M D Dl et B M V H (C and A parts); A M D Gl (viola part); O A M D Gl (organ part). On this source, see Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 152–3.<br />
A-Wn 15773, copy by Franz Hauser 1826.<br />
NB: In the inventarium of the Slaný Piarist college, listing Nr. 92 (from 1713) is given as ‘Missa S Caeciliae à 9. C.A.T.B. 2 Violinis 2 Clarin: ex B cu[m] Orgo duplici. Authre Dno Joanne Kallaska. I am very grateful to Robert Hugo for bringing this entry to my attention.
Scoring (1765)
‘a 4 voci con Stromti’
SFL_combination
III/Z/10/2
SLB Card Catalog
(Aut. 202) Mus. 2358-D-7a<br />
Zelenka, Giovanni Disma : [Messen. Z 1b]<br />
[Messa Sanctae Caeciliae a 4 voci [m. Orch.] G dur. Part. Dresda 1712 1 Bd m. 17 St. 4to Mus.-Mscr. Part.: = Orig.-Ms. Kath. Hofkirche. Stimmen stehen gesondert
Stamps
Sächs. Landes-Bibl.
Status
Zelenka’s original autogr. score (c1712) of Missa Sanctae Caeciliae (Mus. 2358-D-7a) is held by SLUB.; 17 parts for this mass are missing from Dresden.
Title (Catalogo)
[Messe] No 15. S. Caeciliae
Title Partitura
Missa Sanctae Caeciliae
Uniform Composer
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)
Uniform Title
Masses
Identification
The designated identification in relevant index eg ZWV, BWV etc
ZWV 1
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006519">212006519</a><br />
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=1001071761">1001071761</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 15. S. Caeciliae, III/Z/10/2
Title
A name given to the resource
ZELENKA, Gio. Dis.
-
http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/43547cfa8854800417ae095312ce0af7.png
515fbac6e719ca575f23631ad07f9cf1
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Catalogo della Musica di Chiesa 1765
Description
An account of the resource
The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.
Creator
An entity primarily responsible for making the resource
Janice B. Stockigt
Subject
The topic of the resource
Music
Date
A point or period of time associated with an event in the lifecycle of the resource
1765
Music
A entry in the catalogo
Legacy ID
ID from previous system - used for matching
723
Sort Order
The physical order in the catologo
03/10/03
Composer
ZELENKA, Gio. Dis.
D-Dl
Mus. 2358-D-34a (1724)
Date (Catalogo)
1714: revised 2.2.1724
Eitner
V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Gloria [...]
Location (1765)
Schranck III; Fach 10; Lage 3
Materials (1765)
Partitur; Parti
Provenance
Jan Dismas Zelenka. Inventarium 14/2
Remarks
Mus. 2358-D-34a: Autogr. cover title: Nro 17 (replacing II) | Gloria a 4: f. | C:A:T:B: | VV: 2 Oboe 2 Viole 2 | e | Basso Continuo a Dresdae | li 2 Febru: | 1724 | di | Giov. Disma Zelenka<br />
Caption (autogr.): A M D G V O H (centre). Concl. of score: Laus deo semper.<br />
The score of this movement (Mus. 2358–D-34a) is the revised version of the Gloria from Zelenka’s Missa Judica me et discerne causum meam (ZWV 2; Mus. 2358–D-34,1,1), 1714. This version (Mus. 2358-D-34a) is dated 2 February 1724, feast of the Purification BVM. On that day, the Dresden Jesuit Diarium entry noted: ‘Habui Cantatum, quod solennius cum Regiis Musicis fecit D. Zelenka’. ([...] Sung Mass to which Zelenka and the royal musicians gave lustre). Originally, Zelenka retained the alto and tenor violas and trombones in the scoring, but later wrote into the margin (p. 3) ‘senza tromboni’. See also his Credo setting also dated 2.2.1724 (Mus. 2358-D-30): III/Z/12/2.<br />
In the later, ‘Catalogo della Musica di Chiesa’ (c1784) two scores and one set of parts for the Gloria are listed as [Messa:] No: 16 (III/Z/11/3). NB: Although two scores of this Gloria are shown in the Catalogo of c1784, only one copy is listed this Catalogo of 1765.<br />
Mus. 2358-D-34,1,1: The original version of the Gloria from Missa Judica me et discerne causum meam. Zelenka has the year of composition of this Gloria on the title page to the score in a chronogram embedded in the string of his Latin names: Ioannes LVCas IgnatIVs DIsMas ZeLenka. = I+L+V+C+I+I+V+D+I+M+L = 1+50+5+100+1+1+5+500+1+1000+50: 1714. Note that in 1714 Zelenka used his baptismal name, ‘Lucas’ together with ‘Dismas’ and ‘Ignatius’. Zelenka’s usual dedication formula does not appear in the version of 1714. <br />
See Zelenka-Dokumentation, 115–6, Dok. 23; 289, ZWV 30.<br />
Concordances:<br />
1. CZ-Pak, 1398: Set of 14 performance parts (Kohlhase notes that these were written in the second third of the 18th century: ‘Der Dresdener Hofkirchenkomponist’, 139). Štefan ([1463] Sign. 1398), prov. Sehling. The title is ‘Gloria solenne Divinae praesentiae’. RISM ID no. 550268659. Jana Vojtéšková (Die Zelenka-Überlieferung), considers it probable that Sehling received the copies of this work from the Cistercian monastery at Osek in Northen Bohemia.<br />
2. CZ-Pu (National Archive, Prague), Loreto box ŘK 259–262. A set of parts from the collection of the Loreto in Prague (prov. Taubner). Cover: Jesus Maria Joseph| Gloria in Excelsis | S. Polycarpi Epis. & Martyris | à 4 Vocibus. | Canto, Alto, | Tenore, Basso. | Hubois 2. | Alto Viola. | Tenore Viola | con | Organo. | Pro S: Domo Lauretanae | Sub Num: | 44. I am grateful to Robert Hugo for bringing this source to my attention. This source appears to be a slightly altered version of the Gloria (1714 version: Zelenka’s instrumental introduction of 25 bars in Mus. 2358-D-34a is missing from this Loreto copy).
Scoring (1765)
‘a 4 voci con Stromti’
SFL_combination
III/Z/10/3
SLB Card Catalog
(Aut. 218a) Mus. 2358-D-34a<br />
Zelenka, Giovanni Disma: [Messensätze. Z 30 ]<br />
Gloria [ex Missa: Judica me et discerne causum meam] a 4 voci [mit Orch.] D moll. Part.<br />
1724 1 Bd 4to Orig.-Mus.-Mscr. Kath. Hofkirche.
Stamps
Sächs. Landesbibliothek. Depositum der Kath. Hofkirche
Status
Autogr. score of the 1724 Gloria setting by Zelenka (Mus. 2358-D-34a) is kept in SLUB; parts not catalogued by SLB (but 25 now-missing parts were catalogued for the original Gloria of 1714).
Title (Catalogo)
[Messe] No 16. Gloria
Title Partitura
Gloria à 4
Uniform Composer
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)
Uniform Title
Mass movements
Identification
The designated identification in relevant index eg ZWV, BWV etc
ZWV 30 [from ZWV 2]
RISM Links
<a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006551">212006551</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Description
An account of the resource
ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 16. Gloria, III/Z/10/3
Title
A name given to the resource
ZELENKA, Gio. Dis.