3 20 855 http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/371d7573e3ed99f039aa15f35b001cf8.png d6148340a6bf4e5a31328d5c3190cf0f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 41 Sort Order The physical order in the catologo 01-10-01 Composer CORBISIERO D-Dl Mus. 2869-D-1 Eitner V. 3. (1900), 48: Corbisieri, Francesco [...] In der kath. Kirche in Dresden unter Corbisiero im Ms. ein Kyrie et Gloria à 4 voci c. 2 V. Va. Oboi, Corni ed organo. Location (1765) Schranck I; Fach 10; Lage 1 Materials (1765) Partitura; Parti Remarks The score (‘Partitura’) listed in the Catalogo (1765) for the Messa by Corbisiero is missing from Dresden. A set of 19 parts for a Kyrie and Gloria is held. Title on wrapper: No: 1 | Messa ex A dur | a 4. voci | Corbisiero (pencil]) del Sigr. Corbisiero. Parts (8 vocal; 11 instrumental) : *Organo (cover: ‘No 1) | Organo/ Kyrie e Gloria à quattro Voci con | Violini Oboè e Corni da Caccia | Del Sigr D. Franco Corbisiero; *Canto Primo [insert for Canto Solo of Laudamus te and Quoniam settings]; Canto Primo Ripieno; *Alto Primo [insert for Alto Solo of Domine Deus]; Alto Primo Ripieno; *Tenore Primo; Tenore Primo Ripieno; *Basso Primo; Basso Primo Ripieno; *Violino Primo ; Violino Primo ; *Violino Secondo; Violino Secondo; *Oboè Primo; *Oboè Secondo; *Tromba Prima ‘Del Sigr D. Franco Corbisiero’ ; *Tromba Seconda; Organo; Violon celli. NB: Parts marked with an asterisk* probably comprise the original set. Although the Dresden example is attributed to Francesco Corbisiero (see parts for Organo, and Tromba Prima), this work is probably by the older brother, Antonio. The backgrounds of both Francesco and Antonio Corbisiero place them in the circle of Neapolitan composers represented in the Catalogo of 1765. Hanns-Bertold Dietz (‘Corbisiero, Antonio’and ‘Corbisiero, Francesco’, Oxford Music Online) points out that there are wrong attributions to the output of sacred music of these two composers. Scoring (1765) ‘a 4 voci co’ VVni Viola Oboe, Corni e Basso’ SFL_combination I/C/10/1 SLB Card Catalog Corbisiero, Francesco: Kyrie e Gloria à quattro Voci con Violini, Oboè e Corni da Caccia. Adur, 3/4. o. j. 19 St. 4to. Mus.Mscr. St. Kath. Hofkirche Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Set of 19 ms parts for Kyrie e Gloria by Corbisiero (2869-D-1) held by SLUB; the score copy missing from Dresden. Title (Catalogo) Messa Title Partitura Kyrie e Gloria à quattro Voci Uniform Composer CORBISIERI, Antonio? (b Marzano di Nola 1720–d Naples 1790) or Francesco? (b c1733–d Naples after 1802) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006898">212006898</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CORBISIERI, Antonio? (b Marzano di Nola 1720–d Naples 1790) or Francesco? (b c1733–d Naples after 1802), Messa, I/C/10/1 Title A name given to the resource CORBISIERO http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/e48dc70dc138cd8562b78e1f5aa5d4f2.png 6c66f63383713f03c07a8686298b39f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 42 Sort Order The physical order in the catologo 01-10-02 Additional A 70 [Eitner] Composer COZZI († c.1658) D-Dl Mus. 1487-E-1 Eitner V.3 (1900), 91: Cozzi, Carlo [...] In Bibl. Dresd. Mus. Ms. A 70 ein Beatus vir 4 voc. cum instrum. in P. (auch in Dresd. kath. Kirche.) Location (1765) Schranck I; Fach 10; Lage 2 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 35/ 7. ‘P’; Psalmi varii: Beatus No 6 Remarks Score copy. Blue-grey cover. Cover title (hand of Zelenka): No 7 (upper right) | Beatus vir | à | C: A: T: B: | Violini unisoni conc. | Viola conc: | con | Organo | del Sigl: Cozzi | a (lower left). ‘copi:’ and margin note ‘Cop:’ appear with this entry in Zelenka’s Inventarium. He also wrote ‘long:’ in the column in which the tonality is specified. Zelenka’s alterations to the score are minimal. The Dresden source has a viola part, but there are no orchestration instructions to imply the addition of oboes. One marking of ‘Solo’ and the tempo indication ‘Andante’ are possibly in the hand of Zelenka. According to Eitner, two score copies were held in Dresden. The attribution of this setting to Carlo Cozzi, who flourished until the mid 17th century, is almost certainly faulty. (Note the musical attributes of the incipit). On stylistic grounds Horn (Hkm, 132) also questions whether this setting is by a composer of earlier times whose only known published compositions demonstrate the conservative double-choir idiom. An example of a Beatus vir setting attributed to Cozzi exists in Prague: CZ-Pak, 296. Štefan ([309] Sign. 296), prov. Sehling. However, the incipit provided by Štefan does not agree with the incipit in this Catalogo (1765). Instead, it agrees with a Beatus vir setting attributed to Antonio Negri, father of contralto Maria Catterina Negri. (Antonio accompanied his daughter to Prague in the 1720s when she was employed to sing in Count Sporck’s operatic venture). Antonio Negri’s Beatus vir was included in Zelenka’s collection and entered into this Catalogo (1765). See II/N/6/2 (Mus. 2883-D-2). RISM ID no. 550269659. On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 7. Incipit given in Zelenka-Dokumentation, 54, Nr. 86. Horn (Die wichtigsten Schreiber, 164) identifies the copyist of Mus. 1487-E-1 as ZS O. Scoring (1765) ‘a 4 voci co’ VVni Viola e Basso’ SFL_combination I/C/10/2 SLB Card Catalog Cozzi, [Carlo]: Beatus vir [à 4 voci con strom.] [Ps. 112]. Part. quer-4to . Mus.-Mscr. Stamps Sächs. Landes-Bibl. Status Score copy of Beatus vir attributed to Cozzi (Mus. 1487-E-1) held by SLUB. Title (Catalogo) Salmo: Beatus vir Title Partitura Beatus vir Uniform Composer ?Negri, Antonio Uniform Title Psalms (ps. 111) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006861">212006861</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?Negri, Antonio, Salmo: Beatus vir, I/C/10/2 Title A name given to the resource COZZI († c.1658) http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/32980d90a35295f1f4b83725484b13c9.png f5be983ea276688fa5708503ee5bd06d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 43 Sort Order The physical order in the catologo 01-10-03 Composer CZERWENKA D-Dl Missing Eitner V. 3. (1900), 128–9: Czerwenka, Franz Joseph [...] Von einem Czerwenka besitzt das Archiv der kath. Kirche in Dresden eine Litania lauretana a 4 voci, c. 2 V. Va. ed org. Location (1765) Schranck I; Fach 10; Lage 3 Materials (1765) Partitura Remarks Sacred works listed in 18th century Bohemian catalogues are attributed to ‘Wen: Czervenka’ (Osek 1720+) and ‘D. Cžerwenka Anno 1720’, Cžervenka, and Czervenka (Catalogue of the Piarist college, Kosmonosích). Dlabač (Allgemeines historisches Künstler-Lexikon, 311) has five entries of musicians with the family name Czerwenka, each from the latter half of the 18th century. This now-missing work is likely to be one of a group of five relatively short settings of the Litany of Loreto by Bohemian composers that were entered into this Catalogo (1765). Although each work comes from Zelenka’s music collection, none is listed into his Inventarium. These settings might have been acquired for use in the Dresden Catholic court church following the expansion in 1727 of the Kapellknaben ensemble, and of Marian devotions. In that year the annual letter to Rome reported: ‘At the beginning of the school year the number of young musicians was increased in order to amplify Marian devotions, and all Saturdays and also ferial days preceding Marian feasts will be celebrated with litanies [...].’ Annuae Litterae Missionis Dresdensis ad annum 1727, ARSI (I-Rar), Boh 143, 19. Besides Czerwenka, the composers of similar Litanies of Loreto (all provenance of Zelenka) are Gerbich (Görbig), the Cistercian Grünberger (OC), Muck, and Schütze. Each composer is also represented with compositions listed into the Osek music catalogues. In some copies of these litanies the scribe gives a phonetic spelling or an interpretation of the written name of the composer: Korbischi = Görbig or Gerbich; Krusberger = Grünberger; Muk = Muck. Scoring (1765) ‘a 4 voci co’ VVni Viola e Basso’ SFL_combination I/C/10/3 SLB Card Catalog No card Status Score of Litaniae Lauretanae by Czerwencka missing from Dresden. Apparently known to Eitner, but not catalogued by SLB. Title (Catalogo) Litaniae Lauretanae Uniform Composer CERVENKA; Czervenka; Czerwenka, Uniform Title Litanies Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CERVENKA; Czervenka; Czerwenka,, Litaniae Lauretanae, I/C/10/3 Title A name given to the resource CZERWENKA http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/efd537860cb8d0893d67111e9ffef0fe.png 155f824ed82d284397e68f753d85140c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 44 Sort Order The physical order in the catologo 01-06-01 Additional A 41 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-4 Eitner V. 2 (1900), 274: Caldara, Antonio [...] Ms. Bibl. Dresd. Musikal: Ms. A 41. Missa Matri dolorosa à 4 v. c. strom. Hmoll P. von Zelenkas Hand. Location (1765) Schranck I; Fach 6; Lage 1 Materials (1765) Partitura, Parti Provenance Jan Dismas Zelenka. Inventarium 8/34. Remarks Bound score copy of a Missa tota. Parts are missing from Dresden. Title on outer cover: No. 1: Missa di Caldara (pencil). Inner wrapper (blue-grey paper): Storage Catalogue information in hand of Schürer written in the upper left which relates to the Catalogo (1765): H or 11? (in Zelenka’s hand?): Schranck No I. | C 6. Fach 1. Lage. | No 1.) Messa à 4 voc: | co’ VVni Viola ed Organo | Tromboni | Partitura e parti cav: Cover title (Zelenka’s hand): Nro 34 (upper right) | Missa Matris | Dolorosae | à 4 | C: A: T: B: | Violini 2 | Viole o’ Tromboni 2 | Violoncello concertati | e | Basso Contin: | del S: Caldara. Scoring indications (p. 3): Violino 1 e Oboe 1; Violino 2 (e) Oboe 2; Alto Tromb; Ten[ore] Tromb; Canto; Alto; Tenore; Basso; Violoncello è Fagotto concertato; Organo. Incipits given in Zelenka-Dokumentation, 51–2, Nr. 69. Copy in the hand of ZS 0 (Horn, Die wichtigsten Schreiber, 172), with instructions (for copyist of parts?) in Zelenka’s hand. On Caldara sources held by SLUB see Horn (Hkm, 160–66). He gives the date of entry of this mass into Zelenka’s Inventarium as c1729 (Hkm, 151). Concordances: 1. CZ-Pak, 201. Štefan ([211] Sign. 201), prov. Görbig; Novák. RISM ID no. 550267242; 2. CZ-Pkřiž, XXXVI A 24. Music collection of the Kreuzherren Prague. Nine parts from the third quarter of the 18th c. RISM ID no. 550282581,and XXXV D 180 ms Gayer (pre-1734). Scoring (1765) ‘a 4 voci coVVni Viola Trombone e Basso’ SFL_combination I/C/6/1 SLB Card Catalog Two cards: Mus. 2170 -D-4: Caldara, Antonio: Messa. A 4 voci con violini, oboi, viola, tromboni ed organo. H-moll. Part. u. St. 1 Bd m. 33 st. Mus.-Mscr. 4to. Stimmen stehen gesondert. Kath. Hofkirche.Mus. 2170 -D-4: Caldara, Antonio: Missa Matris? dolorosae à 4 + 2 Viol., 2 Viole e Tromb., Vcello conc. e B.c. [Tit. u. bassbeziff. v. Zelenka’s hand] Hmoll Mus.-Mscr. Part. 4to. Stamps Sächs. Landes-Bibl. Status Score copy of Missa Matris Dolorosae by Caldara (Mus. 2170-D-4) held by SLUB; 33 parts to accompany the score missing from Dresden. Title (Catalogo) Messe No 1 Title Partitura Missa Matris Dolorosae Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006714">212006714</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), Messe No 1, I/C/6/1 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a49b785eb5880fa3bfc4d617dc06c918.png 3bc696e997c76dc342c5e9bce8a5a19f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 45 Sort Order The physical order in the catologo 01-06-02 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-12 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: 9 Messen [...] f. Chor u. Orch. Location (1765) Schranck I; Fach 6; Lage 2 Materials (1765) Partitura, Parti Provenance Jan Dismas Zelenka. Inventarium 7/28. ‘P’. Remarks Bound score copy of a Missa tota. Parts are missing from Dresden. Cover label on binding: Missa (pencil) | Caldara, Antonio | Missa: Mundata est lepra ejus | à 4 con Strom[en]ti. Cover title (hand of Zelenka) on blue-grey wrapper: a (upper left) Nro 28 (upper right) | Missa Mundata est lepra ejus. Math. 8 v.1 | à 4 | C: A: T: B: | Violin 2 | Viola | Basso Conti: | del | S: Caldara. Zelenka’s additional notation on the score copy made by ZS 0 (Horn: Die wichtigsten Schreiber, 172), suggest that he worked on this mass before early 1729. At the conclusion of the score is written a partly readable note: 1 thlr (= 1 thaler); 15 grn (= 15 groschen). NB: Zelenka’s accompanying note ‘P’. The text reference of Zelenka’s copy of Caldara’s Missa Mundata est lepra ejus is from the gospel of Matthew 8, verses 1–3: (When he came down from the mountainside, large crowds followed him. A man with leprosy came and knelt before him and said, ‘Lord, if you are willing, you can make me clean.’ Jesus reached out his hand and touched the man. ‘I am willing,’ he said. ‘Be clean!’ Immediately he was cured of his leprosy). A margin note with the entry in the Inventarium reads: Caldara si verum est. On Caldara sources held by SLUB see Horn (Hkm, 160–66). Concordance? CZ-MEa Sign. 38. The incipits given in Zelenka-Dokumentation, 51, Nr. 68. match those of an example of this mass from Mělník. Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/2 SLB Card Catalog Caldara, Antonio: Missa : Mundata est lepra ejus. A 4 [con Strom.ti] [mit Einfügungen von Zelenka’s Hand]. St. u. Part. Mus.-Mscr. o. J. 1 Bd m. 22 St. 4to . Stimmen stehen gesondert. Kath. Hofkirche Stamps Sächs. Landesbibliothek. Depositum Kath. Hofkirche. Status Score copy of Missa Mundata est lepra ejus by Caldara (Mus. 2170-D-12) held by SLUB; 22 parts to accompany the score missing from Dresden. Title (Catalogo) [Messe] No 2 Title Partitura Missa Mundata est lepra ejus Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006720">212006720</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 2, I/C/6/2 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/185b0aab29775bbe9b1f61adf236c2d1.png 4b0788c7818f44e03266188bded6ff45 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 46 Sort Order The physical order in the catologo 01-06-03 Additional A 42 Composer CALDARA, Ant[oni]o D-Dl Mus. 997-D-53 (olim Mus. 2170-D-3) Eitner V. 2 (1900), 275: Caldara, Antonio [...] Ms. Bibl. Dresd. Musikal: Ms. A 42. Missa (Kyrie, Gloria u Credo) a 4 v. P. Location (1765) Schranck I; Fach 6; Lage 3 Materials (1765) Partitura, Parti Remarks Bound score copy. Parts are missing from Dresden. Cover label: No. 3 | Missa Caldara | [= Palestrina]. All in pencil. Caption title: Antonio Caldara (red pencil. F. A. Fischer). Nro 11. Although ascribed to Caldara, this Kyrie, Gloria and Credo setting is a work by Palestrina (L’homme armé). Copyist ZS 0. Zelenka added figures to the bass line of this score. Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/3 SLB Card Catalog Mus. 2170 -D-3 Caldara, Antonio: Missa : Missa [brevis à 4 voci m. beziff. Bass]. Part. . 4to . Mus.-Mscr. [Palestrina, G. P.] [Messen 4v. bc. L’homme armé]. Mus. 977-D-53.Mus. 977-D-53Palestrina, Giovanni Pierluigi da: [Messens 4v, bc. L’homme armé. vorh. Kyrie, Gloria u. Credo. Partitur. Ms, 1. Viertel 18. jh. (Wien?) 1 [...]: 26 S. 4to . (Due to an erroneous attribution of this work to Caldara by F. A. Schubert [a red crayon entry p. 1] it was kept under Mus. 2170 -D-3 until 1984. From Zelenka’s collection). Cf. New Palestrina GA v. 10 (1940) 60 f. Stamps Sächs. Landesbibliothek. Status Score copy of a Missa [L’homme armé: Mus. 997-D-53] by Palestrina (GA XII), formerly attributed to Caldara (olim Mus. 2170-D-3), held by SLUB; parts to accompany the score were not catalogued by SLB. Title (Catalogo) [Messe] No 3 Uniform Composer PALESTRINA, Giovanni Pierliugi da (c1525–1594) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc [GA XII] RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006690">212006690</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource PALESTRINA, Giovanni Pierliugi da (c1525–1594), [Messe] No 3, I/C/6/3 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/d327a24bf972f7fd6f01b53d1a8810c8.png bae758a11ea7391bde43cdb4090f13f5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 47 Sort Order The physical order in the catologo 01-06-04 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-11 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: 9 Messen [...] f. Chor u. Orch. Location (1765) Schranck I; Fach 6; Lage 4 Materials (1765) Partitura, Parti Provenance Jan Dismas Zelenka. Inventarium 11/ 57. Remarks Bound score copy. Parts are missing from Dresden. Cover label on binding: No 4 Missa (pencil) | Caldara, Antonio | Missa à 4 con Strom[en]ti. Cover title on blue-grey inner wrapper: F: (upper left) Nro 37 57 (upper right) | Missa à 4 | VV. 2 | C.A.T.B. | e | Basso Continuo | del Sigl. Caldara. On the reverse of this cover another title in the hand of Zelenka: Nro 24. (upper right) | Missa à 4 | Violin 2 | e | Basso Contin | Caldara. Caption title (red pencil; F. A. Schubert?): Caldara. This work seems to be a late acquisition, having been entered into Zelenka’s Inventarium between 1736 and 1739. Horn, however, identifies the copyist of Mus. 2170-D-11 as ZS 1 (early 1730s). See Die wichtigsten Schreiber, 165. Incipits given in Zelenka-Dokumentation, 53, Nr. 72. On Caldara sources held by SLUB see Horn (Hkm, 160–66). Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/4 SLB Card Catalog Caldara, Antonio: Missa à 4 [con Strom.ti]. Fdur. 4/4. Part. o. J. 1 Bd. qu 4to . Mus.-Mscr. Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum Kath. Hofkirche. Status Score copy of Missa (F) by Caldara (Mus. 2170-D-11) held by SLUB; parts to accompany the score missing from Dresden and not catalogued by SLB. Title (Catalogo) [Messe] No 4 Title Partitura Missa à 4 con Strom[en]ti Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006715">212006715</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 4, I/C/6/4 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/78c8106c6d6c2d97c2f74225e37b2849.png 16450294805f10a47edb7896e032f1a1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 48 Sort Order The physical order in the catologo 01-06-05 Composer CALDARA, Ant[oni]o [Credo by J. D. Zelenka. ZWV 31] D-Dl Mus. 2170-D-7 Date (Catalogo) — Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: 9 Messen [...] f. Chor u. Orch. Location (1765) Schranck I; Fach 6; Lage 5 Materials (1765) Partitura, Parti Provenance Jan Dismas Zelenka. Inventarium 5/10. ‘P’. Remarks Score copy. Parts are missing from Dresden. Cover title page (hand of Zelenka): No 10 (upper right) replaced with No 5 (the number assigned in the Catalogo, 1765) | Missa Providentiae | à 4 | C: A: T: B: | Violin 2 | Viola e | Basso Continuo | del | S: Antonio Cal= | dara. Cover title page [Zelenka]: No 10 [upper right] replaced with No. 5 (the number assigned in the Catalogo, 1765) | Missa Providentiae| à 4 | C: A: T: B: | Violin 2 | Viola e | Basso Continuo | del| S: Antonio Cal= | dara. Except for occasional additions of instrumentation and instructions of dynamics added by Zelenka, the score is not in his hand. The Credo, however, was composed by Zelenka (ZWV 31). On p. 72 he wrote: Segue il Credo | in Unu[m] Deum | di G: D: Zelenka. Another copy of this Kyrie e Gloria once was held in the Hofkapelle collection. See the listing of a Kyrie and Gloria under MUSICA SENZA NOME DELL’AUTORE, III/27/5. (I was unable to locate this example in SLUB). It probably was the source acquired by Zelenka and used as the basis of this present score (Mus. 2170-D-7). In circa 1727 Zelenka acquired six mass settings by Italian and Imperial composers. He entered these into his Inventarium immediately after listings of masses he composed in 1726 (No. 7: Missa Paschalis ZWV 7; No. 8: Missa Nativitatis Domini ZWV 8) and c1727 (No. 9: Missa Corporis Domini[ci]). Immediately following the listings of these six masses Zelenka entered his own Missa Charitatis ZWV 10, also from circa 1727. This group of six masses was entered into the Inventarium (p. 5) as No. 10, Antonio Caldara, Missa Providentiae (D-Dl, Mus 2170-D-7); No. 11, Francesco Durante, Missa Modestiae (D-Dl, Mus. 2397-D–10); No. 12, Francesco Mancini, Missa Temperantiae (D-Dl, Mus. 2203-D–2); No. 13, Alessandro Scarlatti, Missa Magnanimitatis (now missing); No. 14 (p. 6), Johann Joseph Fux, Missa Fiduciae (D-Dl, Mus. 2130-D-1), and No. 15, Johann Georg Reinhard, Missa Vita hominis brevis est (D-Dl, Mus. 2793-D-2). Each mass was ‘stretched’, and each was adapted to accommodate the musical conditions of the Dresden Hofkirche. Each mass entry is accompanied by the letter ‘P’. (A concordance for each mass is found today in Prague). See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 147–8, and Stockigt ‘From Italy to Zerbst via Prague and Dresden: The transmission and transformation of a Missa attributed to Alessandro Scarlatti’ (Fasch Studien, 13). I am very grateful to Bruno Musumeci who has communicated his recognition that the Sanctus attributed to Bach, BWV 239, is based upon the opening of the Gloria of Zelenka’s reworking of this Mass by Caldara. See Peter Wollny, ‘Zur Identifizierung einiger anonym überlieferter liturgischer Werke aus Johann Sebastian Bachs Notenbibliothek’, Bach-Jahrbuch (2017), 43–87. On this mass see Horn (Hkm, 163), who identifies the copyist as ZS O (Die wichtigsten Schreiber, 164). Incipits given in Zelenka-Dokumentation, 49–50, Nr. 63. Concordances: 1. CZ-Pkřiž, XXXVI A 105. 12 parts in the Kreuzherren collection from the second quarter of the 18th century for Kyrie and Gloria only. Title given as Missa Sancti Wenceslai. RISM ID no. 550282634. 2. D-B, Mus. ms 2740 (Poelchau collection. Based upon Zelenka’s reworking). RISM ID no. 452002734 Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/5 SLB Card Catalog •Caldera [sic], Antonio: Missa Providentiae a 4 [con Strom.ti]. [Credo von Zelenka]. Part. u. St. 1 H mit 25 St. Mus.-Mscr. qu-4to u. 4to. o. J. Stimmen stehen gesondert. • Zelenka, Jan Dismas [Messensätze. = Z 31] Credo (f. 4 V, 2 vl, vla, u. bc, d moll) in: Caldara, Antonio: Missa Providentiae. Mus. 2170-D-7. Stamps Sächs. Landes-Bibl. Status Score copy of Missa Providentiae by Caldara (Mus. 2170-D-7, with Credo by Zelenka) held by SLUB; 25 parts missing from Dresden. Title (Catalogo) [Messe] No 5 Title Partitura Missa Providentiae Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc [Credo: ZWV 31] RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006716">212006716</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 5, I/C/6/5 Title A name given to the resource CALDARA, Ant[oni]o [Credo by J. D. Zelenka. ZWV 31] http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/22a8d22d3f0619a45dfd190d258a5291.png 4f70f53829c9267a467066475fce0880 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 49 Sort Order The physical order in the catologo 01-06-06 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-8 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: 9 Messen [...] f. Chor u. Orch. Location (1765) Schranck I; Fach 6; Lage 6 Materials (1765) Partitura, Parti Provenance Jan Dismas Zelenka. Inventarium 11/ 56a Remarks Unbound score copy in poor condition. Parts are missing from Dresden. Cover: gb (upper left) Nro. 56 (upper right) | Missa à 4 (Zelenka) dicta Reformata (NB: Reformata is not in Zelenka’s hand). No 6 (pencil). Note that although the term ‘Missa Reformata’ is used by Zelenka in the Inventarium it might be that the term is not a title, but reference to Zelenka’s own extensive reworkings and revisions of Caldara’s mass. The source of this mass supplied to Zelenka is probably the next listing in the Catalogo (1765): I/C/6/7. Information relating to the storage of this source is given on the left side of this cover in the hand of Schürer under whose supervision the Catalogo (1765) was compiled. His information corresponds with the listing of this Mass in this Catalogo (1765): Schranck No I. | C 6. Fach 6. Lage. | No 6.) Messa à 4 voci rifformata | co’ VVni Viola ed Org. Parti:[tura] e parti cav. Incipit (two bars), which includes the alteration made in red ink by Zelenka to vn. 1, bar 1 of the score. Kept with the score is the label to correspond with the entry in the missing Catalogo (c1785): Schranck No: I. | Lit C. 8. Fach 6. Lage | No: 6) Messa | à 4 voci rifformata | co’ VVni Viola ed Org.| Partitura e parti | del Sigr. Caldara. Incipit (as above). From its position in Zelenka’s Inventarium, this copy seems to have been acquired between 1736 and 1739. This source is in the hand of Zelenka and an unidentified scribe. The Kyrie was not copied by Zelenka, but it was reworked by him. Many alterations seen in the score are in Zelenka’s hand in red ink, including changes in the opening bar of vn. 1 (which then alters the incipit). Oboes are added and alterations are made to violin parts and to the bass line, including the addition of figures. On this source see Horn (Hkm, 162) who notes that this is the ‘Credo’ Mass of the same type as Mozart’s Missa Brevis F Major (K. 192). In this Dresden source (Mus. 2170-D-8), however, the Credo refrains are consistently deleted, although it cannot be determined whether these deletions were made by Zelenka or by a later user of the score. Incipits are given in Zelenka-Dokumentation, 52, Nr. 71. Concordance: CZ-Pak, 202. Štefan, ([210] Sign. 202), prov. Görbig; Novák. NB: the incipit given agrees with the incipit given for the listing of this mass in the Catalogo (1765), I/C/6/7. RISM ID no. 550267241. Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/6 SLB Card Catalog Two cards: 1. Caldara, Antonio: Missa dicta Reformata a 4 [con Strom.ti]. [Part.: Handschrift Zelenkas]. Part. u. St. o. J. 1 H mit 36 St. qu-4to u. 4to . Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert. 2. Caldara, Antonio: Messa. A 4 voci con violini, viola ed organo. Part. u. St. Mus.-Mscr. 1 Bd mit 8 St. + 36 St. qu-4to u. 4to. Kath. Hofkirche. Stimmen stehen gesondert. Stamps Sächs. Landes-Bibl. Status Score copy of Missa dicta Reformata by Caldara (Mus. 2170-D-8) held by SLUB; 8 + 36 parts to accompany the score missing from Dresden. Title (Catalogo) [Messe] No 6 . . . rifformata Title Partitura Missa dicta Reformata Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006717">212006717</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 6 . . . rifformata, I/C/6/6 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/502dfb53f2cc87c09c53f720946832c1.png 2819dd31dbd8c56bb42d288daec9bc8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 50 Sort Order The physical order in the catologo 01-06-07 Composer CALDARA, Ant[oni]o D-Dl Missing Eitner V. 2 (1900), 275: Caldara, Antonio [...] No listing of parts for Caldara masses. Location (1765) Schranck I; Fach 6; Lage 7 Materials (1765) Parti Provenance [Jan Dismas Zelenka. Inventarium 11/ 56a] Remarks This missing source (comprising parts only) was almost certainly the basis for the work shown in the previous listing named Missa dicta Reformata: (I/C/6/6; Mus. 2170-D-8). This missing set of parts (eight, were once held, according to the SLB card catalogue) might be the original Dresden source from which Zelenka’s copyist prepared a score which then became the basis of Zelenka’s version of the Mass made to suit musical conditions of the Dresden Catholic court church at that time. The incipit given for this listing is the original vn. 1 part in bar 1 of Mus. 2170-D-8. See I/C/6/6. Scoring (1765) ‘a 4 voci coVVni Viola e Basso’ SFL_combination I/C/6/7 SLB Card Catalog Mus. 2170 -D-8: Caldara, Antonio: Messa. A 4 voci con violini, viola ed organo. Part. u. St. Mus.-Mscr. 1 Bd mit 8 St. + 36 St. qu-4to u. 4to. Kath. Hofkirche. Stimmen stehen gesondert. Status See previous entry (I-6-6; Mus. 2170-D-8). Title (Catalogo) [Messe] No 7 Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 7, I/C/6/7 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/caca1471dbbd6f6727bb63f2f6fd0ecc.png a846c6214238d24455ac68f0a87e11c7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 51 Sort Order The physical order in the catologo 01-06-08 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-13 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: [...] 6 Messelteile f. Chor u. Orch. Location (1765) Schranck I; Fach 6; Lage 8 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 7/23. ‘Oss.’ and ‘NB: manca’ Remarks Score copy of a Missa tota with grey-blue wrapper. Parts are missing from Dresden. Cover title (hand of Zelenka): D# No: 1 (23 ) | Missa Vix orimur=morimur | à 4 | C: A: T: B: | Violin 2 | Viola | Trombe 2 | Timpani (Trombe 2 and Timpani are bracketed with the instruction ‘ad libitu’) | e | Basso Continuo | di S: | Caldara. Despite the title ‘Gloria e Credo’ given in the Catalogo (1765), this is a Missa tota. The incipit of the Catalogo (1765) is of the Kyrie from Missa vix orimur, morimur. Zelenka’s alterations were made before early 1729. Horn identifies the copyist of Mus. 2170-D-13 as ZS O (Die wichtigsten Schreiber, 172) and Zelenka (Die wichtigsten Schreiber, 164). The title given to this work in the Catalogo begins ‘Missa Brevis’, to which Zelenka later added ‘Vix orimur, morimur’. Of this complete mass setting Horn (Hkm,162) writes: ‘Vix orimur, morimur’ (as soon as born, we die), No. 23, is one of the shortest Masses in the Dresden repertoire [...] Incipits are given in Zelenka-Dokumentation, 50, Nr. 67. To this work Zelenka added solemn instrumentation to the Kyrie, Gloria, and Credo. A facsimile edition of the work (with Foreword by Brian Pritchard) shows that although the Kyrie, Gloria, and Credo are heavily reworked by Zelenka, little (if any) alteration occurs in the remaining sections. This has led to my suggestion (given in ‘Bach’s Missa BWV 232/I’, 42) that a solemn Missa (Kyrie-Gloria) performed by members of the Dresden Hofkapelle might conclude with ‘Ordinary’ or a cappella settings of the Sanctus and Agnus performed by the Kapellknaben/Juvenes of Dresden’s Catholic court church. Zelenka’s remark ‘Oss.’ suggests his copy came from a source held at the Cistercian monastery at Osek. Concordances: 1. CZ-Pak, 216. Štefan, ([225] Sign. 216), prov. J. V. Fischer (Osek Regens Chori c.1733). RISM ID no. 5502672562. 2. CZ-Pkřiž, XXXVI A 99. Six parts from the Kreuzherren collection Prague. Provenance Chr. Gayer, pre-1734. RISM ID no. 550282631. Scoring (1765) ‘a 4 voci coVVni Viola Trombe e Timp.’ SFL_combination I/C/6/8 SLB Card Catalog Caldera [sic], Antonio: Missa Vix orimur, morimur. a 4 [con Strom.] [mit Einfügungen von Zelenka’s Hand] Part. Mus.-Mscr. o.J. 1 H m. 55 St. Stimmen stehen gesondert 4to . Stamps Sächs.Landes.Bibl. Status Score copy of Missa vix orimur, morimur by Caldara (Mus. 2170-D-13) held by SLUB; 55 parts missing from Dresden. Title (Catalogo) [Messe] No 8. Gloria e Credo [sic] Title Partitura Missa vix orimur, morimur Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006721">212006721</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 8. Gloria e Credo [sic], I/C/6/8 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/9d38f452e189e8973a30848e4edd4b0b.png 7aac1b841f5b5117b6e610ac3465d166 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 52 Sort Order The physical order in the catologo 01-07-01 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-14 Eitner V. 2 (1900), 275: Caldara, Antonio [...] No listing of parts for Caldara masses. Location (1765) Schranck I; Fach 7; Lage 1 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 9/37. ‘P’. Remarks Set of 26 parts in hand of various copyists, with additions by Zelenka and one other scribe. Some parts seem to be additions to the original set. The score is missing from Dresden. Cover title: No: 8 | D | Caldara | Messa à 4 co’ V.V. e Viola | partit[ur]a e parti Cavate. Zelenka’s addition of an independent vn. 1 part to the opening bar provides the incipit given in the Catalogo (1765). At the head of the solo alto part is written in Zelenka’s hand: ‘per la Notte Santa’ (Christmas Eve). This remark suggests at least one occasion on which this work was performed in Dresden. The title given in Zelenka’s Inventarium – ‘Quid mihi et tibi’ (RISM and the Zelenka-Dokumentation, p. 31 read this as ‘Quia mihi et tibi’) – a reference to the response of Jesus to Mary at the wedding at Cana: ‘Quid mihi et tibi est mulier?’ (John 2: 4). Parts (8 vocal; 18 instrumental ): Soprano; Contr’Alto; Tenore Concer.; Basso Concertato; Hautbois I; Hautbois II; Violino I; Violino 2; Viola; Fagotto (‘ô Violone Rip.’ an addition); Organo o Tiorba (‘o Tiorba’ an addition); Canto; Alto (signed ‘Johannes Tha[m]me’); Tenore (signed ‘Johannes Thamme’); Basso; Violino I (first two staves pinned over with an alteration in Zelenka’s hand); Violino I (M: P: = Monsieur Pisendel; first two staves pinned over with an addition in Zelenka’s hand); Violino II; Violino II; Viola; Viola; Violoncello; Fagotto; Fagotto; Violone Ripieno. The hands of ZS 2 and Giovanni Alberto Ristori are seen in parts for this Mass in A. (Mus. 2170-D-14: I/C/7/1). These performance materials bear similarities to parts prepared for Francesco Poppe’s Litaniae Lauretanae (Mus. 3610-E-2a: II/P/1/6). These works come from the early 1730s. NB: Zelenka’s margin note: ‘P’. Concordances: Several concordances for this mass are found in RISM. The incipits, however, do not correspond with the opening of this work because they are based upon the part for choral soprano. The Dresden source shows that Zelenka added an accompanying violin flourish to the opening bars. The incipit given in 1765 is based upon this addition. 1. CZ-Pkřiž, XXXV C 124. Seven parts for ‘Missa Sanctis Michaelis Archangeli’ in the Kreuzherren collection Prague (1700-1732, first third of the 18th century). RISM ID no. 550248881. 2. CZ-Pak, 198. Štefan, ([212] Sign. 198), prov. Novák. Set of ten parts, ‘Ex liberalitate Illmi DD Episcopi Comitis D. Sporck donati et de perditi Credo assumpta è post Obitum D. Görbig Cap. . .’. (the Credos generously given by Bishop Count Sporck [Prague Canon and titular Bishop of Adraa Johann Rudolph Sporck (1696-1759), nephew of Franz Anton Sporck, and the uncle of Johann Wenzel Sporck] recovered after the death of Dominus Görbig). RISM ID no. 550267243. Incipits given in Zelenka-Dokumentation, 52, Nr. 70. On Caldara sources held by SLUB see Horn (Hkm, 160–66). Scoring (1765) ‘a 4 voci co VVni Viola Basso e Trombe’ SFL_combination I/C/7/1 SLB Card Catalog Caldera [sic], Antonio: Messa V a 4 voci con v.v.ni, viola ed Org. senza Partitura. Adur. 4/4. o. J. 26 St. 4to . Mus. -Mscr. St. Kath. Hofkirche Stamps Sächs. Landes-Bibl. Status Twenty-six parts of Missa Quid mihi et tibi by Caldara (Mus. 2170-D-14) held by SLUB; score copy with Zelenka’s reworkings is missing from Dresden and not catalogued by SLB. Title (Catalogo) [Messe] No 9 Title Partitura Missa Quid mihi et tibi Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006722">212006722</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 9, I/C/7/1 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/f8929cc294abcd6ee524a0762903fdf8.png 3a8ebb70fb01a1ea3f5db1e6a320deeb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 53 Sort Order The physical order in the catologo 01-07-02 Composer CALDARA, Ant[oni]o (with additions by Zelenka) D-Dl Mus. 2170-D-10 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: [...] 6 Messelteile f. Chor u. Orch. Location (1765) Schranck I; Fach 7; Lage 2 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium Missa: 6/20 [final version. Margin: ‘Kyrie del Zelenka/ il resto del Caldara’]; NB: Gloria: 14/ 5 struck out; Agnus 17/ 5 struck out. Remarks Bound score copy of Gloria (composed by Caldara: unknown copyist) with Sanctus (composed by Zelenka pre early 1729) and Agnus Dei (by Zelenka, post early 1729). Title on outer binding: No. 10 (pencil) Caldara, Antonio | Gloria, Agnus, Sanctus | a 4 voci con Stromti. Inner wrapper (red pencil): Caldara. Caption title (red pencil): Caldara. Horn (Hkm, 163–4) notes that this mass first consisted of Caldara’s Gloria alone. Zelenka’s settings of the Sanctus and Agnus Dei then were added and a now-missing Kyrie also was composed. Zelenka’s reworking of the Credo now is missing. The Sanctus, Osanna, Agnus Dei were worked by Zelenka between 1726 and early 1729, while the Agnus Dei II comes from after early 1729. Concordances: 1. CZ-Pkřiž, XXXV B 253b. Set of 21 arts, prov. Chr. Gayer. NB: a Kyrie setting to precede the Gloria is also kept with this collection. The Gloria incipit of this Kreuzherren example is of the opening two bars of the clarino solo (in C). Zelenka’s addition of an independent vn. 1 part to the opening bar of the Dresden example provides the incipit given in the Dresden Catalogo (1765). Thus, these two incipits differ. 2. CZ-Pkřiž, XXXV B 253a. Set of 13 parts for the Gloria, provenance Gayer, dated 1721. Incipits given in Zelenka-Dokumentation, 50, Nr. 66. Scoring (1765) ‘a 4 voci coVVni Viola Basso e Trombe’ SFL_combination I/C/7/2 SLB Card Catalog Two cards for Mus.2170 -D-10 : 1. Caldara, Antonio: Gloria, Sanctus, Agnus. A 4 voci con violini, viola trombe ed organo. Part. u. St. Mus. -Mscr. Stimmen stehen gesondert. 1 Bd mit 20 St. 4to. Kath. Hofkirche. 2. Caldara, Antonio: Gloria, Agnus, Sanctus [a 4 con Strom.] [Die letzten 8 Seiten von Zelenka’s Hand] DDur 4/4. o. J. 1 Bd qu.-4to . Mus.-Mscr. Part[1?]. Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score copy of Gloria, Sanctus, Agnus from Missa Intende in adjutorium meum by Caldara (Mus. 2170-D-10) held by SLUB; 20 parts to accompany the score missing from Dresden. Title (Catalogo) [Messe] No 10. Gloria, Sanctus et Agnus Title Partitura Missa Intende in adjutorium meum Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Mass movements RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006719">212006719</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 10. Gloria, Sanctus et Agnus, I/C/7/2 Title A name given to the resource CALDARA, Ant[oni]o (with additions by Zelenka) http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/3631be9fdd68870ad30f98c4460ca2f3.png 4ac43b5a9ab9e0bf865aa77ee46952ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 54 Sort Order The physical order in the catologo 01-07-03 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-D-9 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. Dresden kath. Kirche: [...] 6 Messelteile f. Chor u. Orch. Location (1765) Schranck I; Fach 7; Lage 3 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 6/18. [Gloria 14/6. Struck out, bound in with Nos. 76, 78; Sanctus 16/6. Struck out, bound in with Nos. 74, 78; Agnus 17/6. Bound in with Nos. 74, 76] Remarks Bound score copy in blue-grey wrapper of Gloria by Caldara in an unknown hand with instructions for the copyist of parts in Zelenka‘s hand; Sanctus composed and written by Zelenka, pre early 1729; the Agnus Dei is Zelenka’s reworking of Caldara’s Domine filii genite with his own conclusion on p. 50; Dona nobis pacem is Zelenka’s reworking of Caldara’s Amen setting of the Gloria. Label on outer wrapper: Caldara, Antonio | Gloria, Sanctus et Agnus Dei | a 4 voci con Stromti. Title on inner wrapper (Zelenka’s hand): Kyrie Nro 18 10 | Gloria, Sanctus | et | Agnus Dei à 4 | C: A: T: B: | Violin 2 | Viola 2 | Tromba 1 | e | Basso Continuo. NB Kyrie del J. D. Zelenka | Il resto del Sigl. Caldara. The Kyrie is missing. Caption title: (red pencil): Caldara. Label on the original (?) wrapper now kept with the bound score to correspond with the entry in the missing Catalogo (c1784): Schranck No. I. | Lit. C. 9. Fach | 3. Lage | No: 11 Gloria, Sanctus | Agnus | à 4 voci | co’ VVni Viola. 1 Trombe ed Org. | Partitura sola |del Sigr Caldara. Incipit. Zelenka worked on this setting before early 1729. Concordance: CZ-Pkřiž, XXXVI A 102. Set of four parts for the Gloria setting, MS Gayer. Pre-1734. RISM ID no. 550282630. Incipits given in Zelenka-Dokumentation, 50, Nr. 64. On Caldara sources held by SLUB see Horn (Hkm, 160–66). Scoring (1765) ‘a 4 voci coVVni Viola Basso e Trombe’ SFL_combination I/C/7/3 SLB Card Catalog Caldara, Antonio: Gloria, Sanctus, Agnus Dei a 4 [con Strom.ti] [Die letzten 7 Seiten von Zelenka’s Hand]. Cdur 4/4. Part. Mus.-Mscr. o. J. 1 Bd. qu.-4to . Kath. Hofkirche Stamps Sächs. Landes. Bibl. Sächsisches Landesbibliothek Depositum der Kath. Hofkirche Status Score copy of Gloria, Sanctus, Agnus from Missa Divi Xaverii by Caldara (Mus. 2170-D-9) with Zelenka’s reworkings held by SLUB. Kyrie by Zelenka is missing from Dresden and was not catalogued with this setting. Title (Catalogo) [Messe] No 11 Gloria, Sanctus et Agnus Title Partitura Missa Divi Xaverii Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Mass movements RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006718">212006718</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), [Messe] No 11 Gloria, Sanctus et Agnus, I/C/7/3 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/77603a257a0d234cffdcdd3761991df6.png 72ac0e8e6f0937bd11cf8d1306bc2215 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 55 Sort Order The physical order in the catologo 01-07-04 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-E-1. Date (Catalogo) Publ. 1715, Bologna Eitner V. 2 (1900), 275: Caldara, Antonio [...] Motetti a due. e tre Voci dedic…Ottoboni [...] Op. 4. Bolog. 1715 Silvani. kl. fol. C. A. B. Violone e Tiorba, e org. 5 Stb. Abdruck der Dedic. im Kat. 2 der B Bologna p.389. [Dresd. Mus.] Location (1765) Schranck I; Fach 7; Lage 4 Materials (1765) Parti Remarks Five printed part books for Canto; Alto e Canto secondo; Basso; Tiorba (‘Violone ò Tiorba’ is printed on each page of the part); Organo. Each has the dedication: MOTETTI | A due, e tre voci | DEDICATI | All’ Eminentiss., e Reverendis. | SIGNOR CARDINALE | PIETRO OTTOBONI | Vicecancelliero di Santa Chiesa | DA ANTONIO CALDARA | Opera Quarta | in Bologna, M.DCC.XV. | Per il Fratelli Silvani, sotto le Scuole, all’ Insegna del Violino. | Con licenza de Superiori. e con Privilegio. Titles of Caldara’s twelve Motetti (Op. 4) are: 1. Caro mea à due Canti; 2. Ad Dominum cum tribular à due voci Canto, e Basso; 3. Ego sum panis vivus à due Voci Canto, e Alto; 4. Transeunte Domino à due voci Alto, e Tenore; 5. Benedictus Deus à due Contralti; 6. Transfige dulcissime Iesu à due voci Alto, e Basso; 7. O sacrum convivium à trè Voci, due Canti, e Basso; 8. Respice in me Domine à tre Voci Canto Alto e Basso; 9. Exaudi Domine à tre Voci due Canti, e Basso; 10. Miserere mei Domine à tre Voci Canto, Alto, e Basso; 11. Peccavi super numerum à tre Voci Alto, Tenore, e Basso; 12. Laboravi in gemitu meo à tre Voci Alto, Tenore, e Basso. NB: At least eleven of these motets were reworked by Zelenka as ‘12 Offertoria: Pro Quadragesima’. They are listed into this Catalogo as anonymous works. See MUSICA SENZA NOME DELL’AUTORE: III/28/6 to III/28/17. Four of these reworkings relate to entries made by Zelenka under the heading ‘Quadragesimalia’ in his Inventarium, 56/1–4; Miserere mei Domine (Nr. 10 from Caldara’s Op. 4); Ave crucis (Nr. 1 from Caldara’s Op 4. with altered text); Respice in me Domine (Nr. 8 from Caldara’s Op. 4); Peccavi super numerum (Nr. 11. from Caldara’s Op. 4). The only setting of Caldara not listed as an anonymous work is Benedictus Deus. Scoring (1765) ‘a 2. e 3 voci senza stromenti’ SFL_combination I/C/7/4 SLB Card Catalog Caldara, Antonio: op. 4. [12] Motetti a due, e tre voci. Canto, Alto, Basso, Violone o Tiorba, Organo. Bologna: Silvani 1715. [o. Nr] 5 Stb. 4to. Stamps KGL. ÖFFENT. BIBLIOTHEK DRESDEN. Sächs. Landes-Bibl. Status Five part books of 12 Motetti by Antonio Caldara (Mus. 2170-E-1) held by SLUB. RISM C 55. Title (Catalogo) 11 [sic] Motetti . . . 5 libri stampati Title Partitura Motetti a due, e tre Voci Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Motets Identification The designated identification in relevant index eg ZWV, BWV etc Op. 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), 11 [sic] Motetti . . . 5 libri stampati, I/C/7/4 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/9badb99d8410027be70002a9c8bd815e.png 14a624e9c9e344b895f8d02ea8c1c973 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 56 Sort Order The physical order in the catologo 01-07-05 Additional A 45 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-E-4 Eitner V. 2 (1900), 276: Caldara, Antonio [...] Mss. in Dresd. Mus: […] Miserere mei 4 voc. 2 V. 2 Viole ed Org. Ms. A 45. P.Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch. Location (1765) Schranck I; Fach 7; Lage 5 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Unlisted in the Inventarium. Remarks Bound score copy. Parts are missing from Dresden. Cover on the binding with label to correspond with the entry in the missing Catalogo (c1784): Schranck No. I. | Lit: C. 9. Fach 4. Lage | Miserere | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr. Caldara. Incipit. This label obliterates an earlier label, now illegible (except A 45, in pencil). Inner blue-grey wrapper to the score with title (hand of Zelenka): gb (upper left); Nro. . . (upper right) | Miserere mei Deus | à 4 | Violin 2 | Viole 2 | ed | Organo | di | S: Caldara. Caption (red pencil, in the hand of F. A. Schubert?): Caldara. Zelenka’s markings of instrumentation (addition of oboes; additions to the string parts; ‘Tutti’ and ‘R[ipieno]’ indications), figuring of the bass line (post 1725), and markings of tempo are seen throughout the copy. Horn identifies the copyist as ZS 1 (Die wichtigsten Schreiber, 165). Zelenka added a dedication at the end of the score: A M D G B V M OO SS H AA P I R. Concordance: CZ-Pkřiž, XXXVI B 264. Set of nine parts (C conc; A. conc; T; B conc; vn. 1,2; A tbn. conc; T tbn. conc; org.) from the second quarter of the 18th century is held in the Kreuzherren collection Prague. RISM ID no. 550283049. Horn (Hkm, 160) notes that an un-revised copy of this setting is kept in Dresden, Mus. 2170-D-5,1. It probably provided the model for the copyist, who left all systems above the vocal part empty so that instrumentation could be added later. This source has the stamps of the Bibliotheca Musica Regia and Sachs. Landes-Bibl. ‘A 46.c’ is pencilled on the upper left of the title page. Incipit given in Zelenka-Dokumentation, 53, Nr. 81a. On Caldara’s Miserere setting held by SLUB see Horn (Hkm, 160). Scoring (1765) ‘a 4 voci con stromenti’ SFL_combination I/C/7/5 SLB Card Catalog Caldara, Antonio: Miserere mei Deus a 4 [con Strom.ti]. Part u. St. o. J. 2 Bde u. 15 St. [Organo u. Singst. zus. geb.!] quer-4to u. 4to . Mus.-Mscr. Kath. Hofkirche: Stimmen. Stimmen stehen gesondert. [Titel u. Korretituren von Zelenka’s Hand]. Stamps Sachs. Landes-Bibl. Status Two score copies of Miserere by Caldara, one with Zelenka’s reworkings (Mus. 2170-E-4) held by SLUB; 15 parts to accompany one of these sources is missing from Dresden. Title (Catalogo) Miserere Title Partitura Miserere mei Deus Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Psalms (ps. 50) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006727">212006727</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), Miserere, I/C/7/5 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/2a0abc42301d465a0122dd32590a1dc1.png c8fc3d16d87a26a3686bd02abb40466e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 57 Sort Order The physical order in the catologo 01-07-06 Additional A/44a Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-E-2; -E-2a Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. in Dresd. Mus: Beatus vir a 6. c. ripieni, 2 V. col Organo ex Gd. Ms. A 44a. P. Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch. Location (1765) Schranck I; Fach 7; Lage 6 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 36/16. ‘P’. ; Psalmi varii: Beatus No 5 Remarks Mus. 2170-E-2,1: Bound score copy with blue-grey wrapper. It is in the hand of copyist ZS 0 (Horn, Die wichtigsten Schreiber, 173) with figures, dynamics, and scoring instructions, etc. added by Zelenka. Title on wrapper (hand of Zelenka): Upper right: Nro 16 | Beatus vir | à 6 | Canto et Alto Concert. | C. A. T. B. Ripieni | 2 Violini | col | Organo | G# | del Sigr Caldara. Mus. 2170-E-2,2. Set of 25 (8 vocal; 12 + 5 instrumental) parts with blue-grey wrapper. Horn identifies the copyist as ZS 0 (Die wichtigsten Schreiber, 174). Title on wrapper: g (left): N: 16 (erased) 5to (upper left) | Beatus vir à 6 | C:A: Concert | C:A:T:B: Ripien | Violin 2 | Viol 1 | e | Organo | Parti 20 | Caldara. The (earlier?) set of 20 parts probably accompanied Zelenka’s score (as noted on the score cover): Canto concertato; Alto concertato sempre; Tenore; Basso; Canto Rip.; Alto Rip.; Tenore Rip.; Basso Rip.; Violino Pmo; Violino Pmo; Violino 2do; Violino 2do; Viola; Violoncello; Violone Rip.; Tiorba; Organo; Hautbois 1mo; Hautbois 2do; Fagotto. Hand of ZS 0. Five additional parts (hand of ZS 1) comprise: one part each for Violino Pmo; Violino 2do; Viola; Violone Ripieno; Fagotto. Note that the parts for oboes, bassoon, and violone (the ripieno section) are based upon – but do not exactly follow – the parts for violin and organ, an indication that the Dresden copyists edited these. This is a ‘number’ setting of nine movements. The score and parts of the opening ritornello do not agree exactly. (Two bars have been added to the parts – not evident in the score). A noteworthy feature of the solo vocal writing, according to the Dresden parts, is that the soprano and alto soloists are not required to sing with the vocal ripienists at the setting of verse 9 (which is composed as a short, dramatic Szene). Figures added to the score by a scribe different from the copyist of the score. Zelenka’s additions consist of the inclusion of oboes (‘VV’ and ‘T’ on the violin stave), marks of dynamics, marks of orchestration, and a part for viola, although no viola stave is provided (eg, ‘NB. Viola col Tenore’, p. 24). On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 16. Incipits are given in Zelenka-Dokumentation, 53, Nr. 80. On Caldara Vespers psalm settings held by SLUB see Horn (Hkm, 160). Concordance: CZ-Pak, 186. Set of nine parts (without va.). Štefan, ([197] Sign. 186), prov. Joseph Antonín Sehling. RISM ID no. 550267228. Scoring (1765) ‘a 4 voci co’ VVni Viole e Basso’ SFL_combination I/C/7/6 SLB Card Catalog Caldara, Antonio: Beatus vir à 6. Canto et Alto concert. C., A., T., B. ripieni, 2 Vio. col Org. G-dur. [Ps. 112]. 20 + 5 St. 4to . Mus.-Mscr. Stamps Sächs. Landes-Bibl. Status Score copy of Beatus vir by Caldara (Mus. 2170-E-2,1) held by SLUB.; 25 (20 + 5) parts to accompany a score held by SLUB (Mus. 2170-E-2,2). Title (Catalogo) Beatus vir Title Partitura Beatus vir Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Psalms (ps. 111) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006723">212006723</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006724">212006724</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), Beatus vir, I/C/7/6 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/bcee1c540a601ce36f4b63e1d5a02a46.png 61aebc0484e2a21dda17e2918c8d47bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 58 Sort Order The physical order in the catologo 01-07-07 Additional A 44 Composer CALDARA, Ant[oni]o D-Dl Mus. 2170-E-3; -E-3a. Date (Catalogo) 172 Eitner V. 2 (1900), 275: Caldara, Antonio [...] Mss. in Dresd. Mus: [...] Laudate pueri a 5 v. c. strom. P. Ms. A 44. [...] Mss. Dresd. kath. Kirche [...] 3 Psalmen f. Chor u. Orch. Location (1765) Schranck I; Fach 7; Lage 7 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 35/6. ‘P’; Psalmi varii: Laudate pueri No 6 Remarks Mus. 2170-E-3: Bound score copy of Laudate pueri. Inner blue-grey wrapper with title (hand of Zelenka): Upper right: Nro 6 | Laudate pueri | à 8 | Canto praecin:[ente] solo | Canto. Alto. Tenore. Basso Ripieno | 2 Violini | con | Organo | Ex. C.b. | del Sigl. Antonio | Caldara. Inside cover: A 44 [pencil]. Features of the score suggest that Zelenka worked on this setting post 1725. Horn identifies the copyist of Mus. 2170-E-3 (score) as ZS O (Die wichtigsten Schreiber, 173). Mus. 2170-E-3a: Set of 13 parts (5 vocal; 8 instrumental: NB: the part for solo soprano is missing). Original blue-grey wrapper with label to correspond with the entry in the missing Catalogo (c1784): Schranck No: I. | Lit: C | 9. Fach 6. Lage | Laudate pueri | à voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Caldara. Incipit. Parts: Canto Ripieno; Alto; Alto; Tenore; Basso; Violino 1; Violino 1; Violino 2; Violino 2; Violoncello; Violone; Continuo (figured by Zelenka); Fagotto. NB: No viola part. Concordance: CZ-Pkřiž, XXXV A 7. Set of nine parts (C solo; CATB; vn. 1,2; 2 org.) from the first quarter of the 18th century in the Kreuzherren collection Prague. RISM ID no. 550266519. On this setting see Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 6. Incipits are given in Zelenka-Dokumentation, 53, Nr. 79. On Caldara Vespers psalm settings held by SLUB see Horn (Hkm, 160). Scoring (1765) ‘a 4 voci co’ VVni Viole e Basso’ SFL_combination I/C/7/7 SLB Card Catalog Mus. 2170 -E-3 Caldara, Antonio: Laudate pueri à 8. Canto praecin: solo. Canto. A., Ten., Basso Ripieno, 2 Viol., c. Org. [Ps. 113] C-Moll. Part. quer-4to. Mus.-Mscr. Mus. 2170 --E-3a. Caldara, Antonio: Laudate pueri a 4 voci [con. Strom.]. C-moll 4/4. St. o. J. 13 St. 4to. Mus.-Mscr. Kath. Hofkirche (vormals Mus. 2170-E-10 ) Stamps Sächs. Landes-Bibl. (score and parts). Status Score copy of Laudate pueri by Caldara (Mus. 2170-E-3) held by SLUB; 13 parts held by SLUB (Mus. 2170-E-3a). Title (Catalogo) Laudate pueri Title Partitura Laudate pueri Uniform Composer CALDARA, Antonio (b Venice c1671–d Vienna 1736) Uniform Title Psalms (ps. 112) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006725">212006725</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CALDARA, Antonio (b Venice c1671–d Vienna 1736), Laudate pueri, I/C/7/7 Title A name given to the resource CALDARA, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/f689c522c3297780ec037575535ac7bd.png c018d6b9692c31ac3561128fab6e0098 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 59 Sort Order The physical order in the catologo 01-07-08 Composer CAMPRA D-Dl Mus. 2124-E-1 Date (Catalogo) 2nd ed. 1700 Eitner V. 2 (1900), 302: Campra, André [...] Motets a 1, 2, et 3 voix, avec la Bc [...] 2. éd. 1700 ib. {...} Dresd. Mus. Location (1765) Schranck I; Fach 7; Lage 8 Materials (1765) Partitura Remarks Bound publication in three vols. RISM: C 684 Title page: MOTETS | A I. II. ET III VOIX, | AVEC LA BASSE-CONTINUE | Par Monsieur CAMPRA, Maistre de Musique | de l’Eglise de Paris. | SECONDE EDITION. | livre premier. | . . . | A PARIS, | Chez CHRISTOPHE BALLARD, seul Imprimeur du Roy pour la Musicque, ruë Saint Jean de Beauvais, au Mont-Parnasse. | M. DCC. | AVEC PRIVILEGE DU ROY. Contents Book I: Motets a voix seule: Paratum cor meum; O sacrum convivium; Quemadmodum desiderat servus ad fontes aquarum; Salve Regina, Mater misericordiae; Laudate Dominum in sanctis ejus; Insere Domine pectori meo; Exurge, Domine in adjutorium mihi. Contents Book 2: Motets a deux: Laudabit usque ad mortem; Diligam te Domine fortitudo mea; In Domino gaudebo; Tota pulchra es amica mea. Contents Book 3: Motets a trois: In te Domine spes unica mea; Dissipa, Domine; Quam dilecta tabernacula tua Domine virtutum. These printed materials might represent early vocal solo and ensemble music heard in Dresden’s Catholic court church (ded. 1708). Scoring (1765) ‘a 1, 2, e 3 voci ’ SFL_combination I/C/7/8 SLB Card Catalog Campra, [A.] [14] Motets a 1, 2, et 3 voix, avec la Basse-cont. 2. ed. Livre 1. Paris: Ballard 1700 [o. Nr.] 111 S. 4to . Stamps BIBLIOTHECA MUSICA REGIA; Sächs. Landes-Bibl. Status MOTETS A I. II. ET III VOIX (in 3 vols) by Campra (Mus. 2124-E-1) held by SLUB. Title (Catalogo) Motetti . . . un libro stampati Title Partitura MOTETS Uniform Composer CAMPRA, André (b Aix-en-Provence 1660–d Versailles 1744) Uniform Title Motets RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=00000990008442">00000990008442</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CAMPRA, André (b Aix-en-Provence 1660–d Versailles 1744), Motetti . . . un libro stampati, I/C/7/8 Title A name given to the resource CAMPRA http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/de84b7932d28b5b906dd51ea09c6776e.png bfba0f46b1e546a942a2cca2889494e4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 60 Sort Order The physical order in the catologo 01-07-09 Composer CANTA D-Dl Mus. 4975-D-1,1; D-1,2 Eitner V. 2 (1900), 312. Canuti, Giovanni Antonio. Dates c1680–1739 are given. Italian sources only are listed. Location (1765) Schranck I; Fach 7; Lage 9 Materials (1765) Partitura; Parti Remarks Two score copies bound together within one cover. Parts missing from Dresden. Cover label: Cantu, Giov. | Chirie e Gloria a 4 con storm. Title page to -D-1,1: Sig. Cantu (upper right) | Chirie a 4 | Con Sinf[oni]a | e Trombe da Caccia (‘Trombe’ in the score) | di Canta (red pencil; F. A. Schubert?). Scored for 2 trombe; vn. 1,2; ob. 1,2; va.; SATB; b.c. (figured). An Italian hand. Title page to -D-1,2 (a different hand): upper centre: Cavato tutte le parti (‘I have written out all the parts’) | Gloria a Quatro Con[certa]ta | Con Sinf. e Trombe [da caccia]| Dell’ Sig. Gio Cantù. Concl. of score: Laus Deo. NB: *The incipit of the Catalogo (1765) has an error of pitch. The Caccia parts are written in baritone clef. This source comes from Naples. Note that the Dresden examples works by the following composers have the same provenance: Chiesa, Melchiore: Caelo tonanti [Motetti] Nr. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: [Messe] Nr. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2). Scoring (1765) ‘a 4 voci co’VVni, Viola, Corni e Basso ’ SFL_combination I/C/7/9 SLB Card Catalog Mus. 4975-D-1,1: Cantù, [Giovanni] [Messensätze. Kyrie]. Chirie a 4, con Sinfonia e Trombe da Caccia. [A dur f. SATB, 2 vl, vla, org, 2 ob, 2 tr]. Partitur = Ms, ca. 1820. 32 S. qu. 8vo Mus. 4975-D-1,2: Cantù, Giovanni [Messensätze. Gloria]. Gloria a Quatro Concertata, con Sinfonia e Trombe. [G dur f. SATB soli u. Coro, 2 vl, org, 1 fl, 1 ob u. 2 tr]. Partitur = Ms, ca. 1820 . 84 S. qu. 8vo Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score copies of Chirie e Gloria a 4 by Cantù? (Mus. 4975-D-1,1;-D-1,2) held by SLUB. Title (Catalogo) Kyrie e Gloria Title Partitura Chirie e Gloria a 4 Uniform Composer ?CANTÙ, Giovanni Giuseppe (b Lucca c1688–d Lucca 1739) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006851">212006851</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006852">212006852</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?CANTÙ, Giovanni Giuseppe (b Lucca c1688–d Lucca 1739), Kyrie e Gloria, I/C/7/9 Title A name given to the resource CANTA