16 20 855 http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/7ac01e7cf58521a397c53b576fb08b5c.png 787e88577dd4085795f6ab7d6c156c2c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 302 Sort Order The physical order in the catologo 02-03-08 Additional A 217b (-E-7) Composer LOTTI, Anto. D-Dl Mus. 2159-E-7; Mus. 2159-E-7a Eitner V. 6 (1902), 226: Lotti, Antonio [...] In Dresden Mus. [...] Laudate Dnum. 4 voc. con Strom. [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Laudate Dominum 4 voc. [...] Location (1765) Schranck II; Fach 3; Lage 8 Materials (1765) Partitura; Parti Provenance Ristori? (parts) Remarks Mus. 2159-E-7: Bound score copy. Cover label: Laudate Dominum [pencil]: A 217b (pencil). Caption title: Laudate Dominum a 4. con Istr[umen]ti (left) Del Sig. l Anto Lotti (right). Mus. 2159-E-7a: Set of 23 parts, partly in Ristori’s? hand. Cover label corresponds with this listing in the Catalogo (1765): Lit: L. Schranck No II. | 3. Fach 8. Lage. | Laudate Dominum | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti del Sigr Lotti. Incipit. Caption title on each part (except Fagotto): Laudate Dominum. Parts (8 vocal; 15 instrumental): Canto (Ristori); Alto (Ristori); Tenore (Ristori); Basso (Ristori); Canto Ripo; Alto Ripo; Tenore Ripo; Basso Ripo; Violino Primo; Violino Primo (Ristori); Violino Primo (Ristori); Violino Secunda (Ristori); Violino Secunda (Ristori); Violino Secunde; Alto Viola (Ristori); Alto Viola (Ristori); Violoncello (Ristori); Violone R. (Ristori); Tiorba (figured) (Ristori); Basso Continuo (in A, as are the rest of the parts, and figured) (Ristori); Hauboits [sic] P[rim]o (Ristori); Haubois [sic] 2 [secon]do (Ristori: NB: this part descends to c#’); Fagotto (Ristori). This set of parts is similar to a set of 8 vocal and 15 instrumental parts for a Confitebor composition by Lotti (Mus 2159-D-11), not entered in the Catalogo (1765). They are in the hands of Ristori and Kremmler I. See the example of the part for Canto Conc[ertante] given by Landmann in Drei Studien, Example III. 66, 387. Scoring (1765) ‘a 4 voci con stromenti’ SFL_combination II/L/3/8 SLB Card Catalog Mus. 2159-E-7: Lotti, A.; ‘Laudate dominum’ (Psalm) à 4 voc. con strom [Ps. 117]. Part. quer-4o. Mus. -Mscr. Mus. 2159-E-7a: Lotti, Antonio; ‘Laudate dominum’. A 4 voci con violini, viola ed organo [Ps. 116]. A-dur. St. 23 St. 4to. Mus. -Mscr. Kath. Hofkirche. Status One score and 23 parts of Laudate Dominum by Lotti (Mus. 2159-E-7; -E-7a) held by SLUB. Title (Catalogo) [Psalmi] Laudate Dominum Title Partitura Laudate Dominum Uniform Composer LOTTI, Antonio (b Hanover 1666–d Venice 1740) Uniform Title Psalms (ps. 116) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006086">212006086</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006091">212006091</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Psalmi] Laudate Dominum, II/L/3/8 Title A name given to the resource LOTTI, Anto. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/1b333846d179232b3ffbef048bf95dba.png 7b013a6021bb35dade97c3196e6f7cb9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 303 Sort Order The physical order in the catologo 02-03-09 Additional — Composer LOTTI, Anto. D-Dl Mus. 2159-E-8; Mus. 2159-E-8a Eitner V. 6 (1902), 226: Lotti, Antonio [...] Im Archiv der kath. Kirche zu Dresden, Schrank 2: [...] Credidi 4 voc. a Capella c. 2 V. Va. Org. Location (1765) Schranck II; Fach 3; Lage 9 Materials (1765) Partitura; Parti Remarks Mus. 2159-E-8: Bound score copy. Tre lunae watermark. Cover label: empty. Caption title: Credidi a 4 da Cap[el]la (left) Del Sr Anto Lotti (right). Mus. 2159-E-8a: Set of 24 parts. A pale brown cardboard sheet kept with the parts might be part of the cover. Cover label corresponds with this listing in the Catalogo (1765): Lit: L. Schranck No II. | 3. Fach 9. Lage | Credidi | à 4 voci | à Capella | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Lotti | Incipit (score). Parts (8 vocal; 16 instrumental) : Canto; Alto; Tenor; Basso; Canto Rip[ein]o; Contr’alto Rip[ien]o; Tenore Rip[ien]o; Basso Rip[ien]o; Violino P[rim]o; Violino Primo; Violino Primo; Violino 2do; Violino 2do; Violino Secondo; Tenor Viola (tenor clef); Tenor Viola (tenor clef); Violoncelli; Bassus; Teorba; Organo (figured); Oboe Primo; Oboe Secondo ; Fagotto; Fagotto. NB: Landmann (Drei Studien, Abb. III. 2, 334) illustrates the Canto Ripieno part in the hand of Balch (c1751). See also her Katalog der Dresdener Hasse – Musikhandschriften where Ortrun Landmann presents examples of parts in the hand of the copyist Balch (pp. 334–6). Scoring (1765) ‘a 4 voci , a Capella con stromenti’ SFL_combination II/L/3/9 SLB Card Catalog Mus. 2159-E-8; -E-8a: Lotti, Antonio: Credidi. A 4 voci a capella con violini, viola, ed organo. [Ps. 115]. A-moll. Part. u. St. 1 Bd mit 24 St. quer-4to u. 4to. Mus. -Mscr. Kath. Hofkirche. Stamps [Mus. 2159-E-8]: Sachs. Landesbibliothek Depositum der Kath. Hofkirche; [-E-8] Sächs. Landes-Bibl. Status Score and 24 parts of Credidi by Antonio Lotti (Mus. 2159-E-8; Mus. 2159-E-8a) held by SLUB. Title (Catalogo) [Psalmi] Credidi Title Partitura Credidi a 4 da Cap[pel]la Uniform Composer LOTTI, Antonio (b Hanover 1666–d Venice 1740) Uniform Title Psalms (ps. 115) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006504">212006504</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006502">212006502</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource LOTTI, Antonio (b Hanover 1666–d Venice 1740), [Psalmi] Credidi, II/L/3/9 Title A name given to the resource LOTTI, Anto. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/b591eff4a26d4b4c42199a587b365c46.png dbebff9a23827dec6d00e1c7a6d9cc95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 304 Sort Order The physical order in the catologo 02-04-01 Additional — Composer LULLY D-Dl [Mus. 1827-D-1] Eitner V. 6 (1902), 244. Lully, Jean-Baptiste [...] Motetes (6) a 2 choeurs pour la chapelle du Roy. Paris 1684 Christph. Ballard. 17 Stb. Sing-und Instrumental-Stim. [. . . Dresd. Mus. in Kopie Ms. 218. Location (1765) Schranck II; Fach 4; Lage 1 Materials (1765) Parti Remarks Seventeen printed part books for Lully’s ‘6 Motetts’ are missing from SLUB. Two 19th century score copies (c.1825) are held. They are: Mus. 1827-D-1: Six motets by Lully (publ. Paris, 1684), comprising: Psalm 50, Miserere mei Deus; Canticum Zachariae; Ambrosian Hymn (Te Deum laudamus); Psalm 129, De profundis; Dies irae; Canticum pro Baptismo Delphini ‘Plaude laetare Gallia’. The timpani part of the Te Deum is notated at the conclusion, an indication that this score was copied from the set of part books. Mus. 1827-D-2: four of the six motets by Lully (publ. Paris, 1684) in the hand of Dresden court composer Franz A. Schubert (1768–1827), comprising: the Ambrosian Hymn (Te Deum laudamus); De profundis; Dies irae; Plaude laetare. Schubert’s remark on the inner side of the front cover: ‘Ist unter August den 2ter König von Pohlen | und Sachsen nach Dresden | von König Ludewig den 14ten von Frankreich an an König August den 2ter geschickt worden. Franz Schubert’. (c1825. Information from Dr O. Landmann’s remarks in the SLB card catalogue). Scoring (1765) ‘a 2 Choeurs avec les Instruments’ SFL_combination II/L/4/1 Stamps BIBLIOTHECA MUSICA REGIA Status Seventeen printed part books for the ‘6 Motetts’ [. . . 17 libri stampati] by Lully, listed in the Catalogo (1765), are presumed to have gone missing after Eitner’s publication; 19th c. score copies exist (Mus. 1827-D-1; -D-2). Title (Catalogo) 6 Motetts . . . 17 libri stampati Uniform Composer LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687) Uniform Title Motets Identification The designated identification in relevant index eg ZWV, BWV etc lwv 25; lwv 64|ii; lwv 55; lwv 62; lwv 64|i; lwv 37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687), 6 Motetts . . . 17 libri stampati, II/L/4/1 Title A name given to the resource LULLY http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/8949a5b13ba64d89d89748ca4bcec160.png 09dfc482302bf631b74ebc8cefa7d89f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 305 Sort Order The physical order in the catologo 02-04-23 Additional la 23 and la 6c Composer LULLY D-Dl Mus. 1827-F-27,1; Mus. 1827-F-27,2. Date (Catalogo) publ. 1690–1691. Amsterdam Eitner V. 6 (1902), 248. Lully, Jean-Baptiste [...] Les Trio des Opéra de Msr. de Lully, Mis en ordre pour les concerts . . . Amsterdam 1691 [Dresd. Mus. Location (1765) Schranck II; Fach 4; Lage 2 et 3 Materials (1765) Parti Provenance Jan Dismas Zelenka Remarks Six printed books (3 x 2 vols.). RISM L 3061; L 3062 On the reverse of the front cover of each volume titled ‘Lully Trio Basse’ (Mus. 1827-F-27,1; -F-27,2) Zelenka wrote: ‘A Zelenka Music: de S. Maieste le Roy de Pologne et Eletori de Saxe 1716 a Vienne.’ Title page 2 (Mus. 1827-F-27,1 and Mus. 1827-F-27,2): Les Trio | des | Opera | de Monsieur de Lully | Mis en ordre pour les concerts | Propres à chanter, & à joüer sur la Flute, le Violon, & autres Instruments | A Amsterdam, | Dans l’Imprimerie de P. & J. BLAEU, & se vendent sur le Pype-Markt, proche le Schilt van Vrankryk. 1690 (Mus. 1827-F-27,1) or 1691 (Mus. 1827-F-27,2). Ded. Monseigneur Philibert de la Tour. Jóhannes Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’, 42) notes that in his Élements ou Principes de musique of 1696 (41) Étienne Loulié pointed to the pedagogical value of Lully’s Trios to assist the novice with the phrasing of French instrumental music. Perhaps Zelenka purchased this copy not only to have French repertoire at hand (as I have previously noted), but also as the means of acquiring instruction in the good taste [‘bon goust’] of the French performance style – part of the purpose of educational travel Zelenka requested in his petition to August II with the dedication of Missa Sanctae Caeciliae (ZWV 1), 1712. (The petition is given by Stockigt, Jan Dismas Zelenka, 36 (English translation); 307–08 (original German). Scoring (1765) ‘la Flute, le Violon, et autres Instruments’ SFL_combination II/L/4/2-3 SLB Card Catalog Mus. 1827-F-27,1: Lully, [Joh. Baptist]: Vgl LWV 47; 45; 49?; 50; 51; 53; 54; 57; 58; 59; 60; 61; 63; 65; 69:, Les Trio des opera de Lully, mis en ordre pour les concerts. Propres à chanter, et à jouer sur la Flûte, le Viol. et autres instr. Aus d. Nachl. Zelenka’s. 3 Stb. Premier Dessus, Second Dessus, Basse. A Amsterdam 1690: Blaeu [o. Nr.] 3 Bde qu.-8to. Forts. LWV 71; 73; 74,?; Mus. 1827-F-27,2: Lully, [J. B.] LWV ... Les Trio des opera de Lully, mis en ordre pour les concerts. Propres à chanter, et à jouer sur la Flûte, le Viol. et autres instr. Aus dem Nachlasse Zelenka’s, der diese trios 1716 in Wien gekauft hat vide Basse. 3 Stb. Premier Dessus, Second Dessus, Basse. A Amsterdam 1691: Blaue [o. Nr.]. 3 Bde qu.-8vo Status Six printed part books for 189 Trios propres a chanter, et a jouer (1690–91) by Lully held by SLUB. Title (Catalogo) 189 Trio, propres a chanter, et a jouer sur la Flute, le Violon, et autres Instruments . . . 6 libri stampati Title Partitura LES TRIO | DES OPERA | DE | MONSIEUR DE LULLY Uniform Composer LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687) Uniform Title Trios Identification The designated identification in relevant index eg ZWV, BWV etc lwv 47?; 45; 49?; 50; 51; 53; 54; 57; 58; 59; 60; 61; 63; 65; 69 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource LULLY, Jean-Baptiste (b Florence 1632–d Paris 1687), 189 Trio, propres a chanter, et a jouer sur la Flute, le Violon, et autres Instruments . . . 6 libri stampati, II/L/4/2-3 Title A name given to the resource LULLY http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/49d6e8cdec72ad892247e07533094362.png 8a29b2f0f4a3963ebbf9657a425cda57 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 306 Sort Order The physical order in the catologo 02-05-01 Additional A 220c Composer MAJO, Giuseppe de D-Dl Mus. 2475-D-1 Eitner V. 6 (1902): 285. Majo, Giuseppi de [...] Die Kgl. Musikalien-Samlg. in Dresden besitz im Ms. 220c ein Salve regina per Sopr. solo c. strom. in Ad. P. Location (1765) Schranck II; Fach 5; Lage 1 Materials (1765) Partitur Provenance Ristori? Remarks Bound score copy. A Neapolitan copy in the hand of ‘Ristori A’. Cover label: empty. Title page: Salve Regina à Voce sola | di soprano con VVni | Del Sigr D. Gius[epp]e de Majo. Conclusion of score: Laus Deo. Re the copyist ‘Ristori A’: ‘The copyist we identify as “Ristori A” not only wrote settings of Salve Regina by Giuseppe de Majo (D-Dl, Mus. 2475-D-1) and Giovanni Gualberto Brunetti (D-Dl, Mus. 4387-E-1), but also the first acts of Ristori’s Temistocle and Porpora’s Semiramide riconosciuta (D Dl, Mus. 2455-F-6.1 and D-Dl, Mus. 241 7-F-2). See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 154. Scoring (1765) ‘Sopr. Solo con stromti’ SFL_combination II/M/5/1 SLB Card Catalog Majo, Gius. de: Salve Regina à Sopr. solo con [strom.] A-dur. Part. qu 4to. Mus. Mscr. Status Score of Salve Regina by Giuseppe de Majo held by SLUB. Title (Catalogo) Salve Regina Title Partitura Salve Regina Uniform Composer MAJO, Giuseppe de (b Naples 1697–d Naples 1771 Uniform Title Antiphons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MAJO, Giuseppe de (b Naples 1697–d Naples 1771, Salve Regina, II/M/5/1 Title A name given to the resource MAJO, Giuseppe de http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/08418456338c77dacbb81d937c63b56b.png 919dcf85843ca0e19b360bb3924ed169 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 307 Sort Order The physical order in the catologo 02-05-02 Additional A 221a Composer MANZINI D-Dl Mus. 2203-D-2 Date (Catalogo) 1718? Eitner V. 6 (1902), 293. Mancini, Francesco [...] Missa temperantiae à 4 voci c. strom. Ms. 221a Kopie von Zelenka. P. [Dresd. Mus.] Location (1765) Schranck II; Fach 5; Lage 2 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 5/12. ‘P’ Remarks Bound score copy with alterations in the hand of Zelenka. Blue-grey cover with title (hand of Zelenka): D # (upper left) No 12 (upper right) | Missa Temperantiae | Kyrie | Gloria Sanctus et | Agnus | à 4 | C: A: T: B | Violin 2 Viola | Trombe 2 e | Basso Continuo | di | S: Mancini. This mass is written on paper whose watermark bears the Imperial eagle, a paper type produced in Silesia or Bohemia. The watermark is reproduced in Illustration 7 in Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 174. Zelenka’s notation throughout the score indicates at least two revisions. The first took place c1727–28 (including a newly composed Sanctus), with further revision after that time. On the reworking see Horn (Hkm, 177). Incipits of this setting are given in Zekenka-Dokumentation, 57–8, Nr. 125. In circa 1727 Zelenka acquired six mass settings by Italian and Imperial composers. He entered these into his Inventarium immediately after listings of masses he composed in 1726 (No. 7: Missa Paschalis ZWV 7; No. 8: Missa Nativitatis Domini ZWV 8) and circa 1727 (No. 9: Missa Corporis Domini[ci]). Immediately following the listings of these six masses Zelenka entered his own Missa Charitatis ZWV 10, also from circa 1727. This group of six masses was entered into the Inventarium (p. 5) as No. 10, Antonio Caldara, Missa Providentiae (D-Dl, Mus 2170-D-7); No. 11, Francesco Durante, Missa Modestiae (D-Dl, Mus. 2397-D–10); No. 12, Francesco Mancini, Missa Temperantiae (D-Dl, Mus. 2203-D–2); No. 13, Alessandro Scarlatti, Missa Magnanimitatis (now missing); No. 14 (p. 6), Johann Joseph Fux, Missa Fiduciae (D-Dl, Mus. 2130-D-1), and No. 15, Johann Georg Reinhard, Missa Vita hominis brevis est (D-Dl, Mus. 2793-D-2). Each mass was ‘stretched’, and each was adapted to accommodate the musical conditions of the Dresden Hofkirche. Each mass entry is accompanied by the letter ‘P’. (A concordance for each mass is found today in Prague). See Bacciagaluppi & Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 147–8, and Stockigt ‘From Italy to Zerbst via Prague and Dresden: The transmission and transformation of a Missa attributed to Alessandro Scarlatti’ (forthcoming). Concordances: 1. CZ-Pak, 867. Štefan, ([912] Sign. 867). 16? parts (including two organ parts), partly in the hand of Chr. Gayer. The incipit for this version doesn’t correspond with the incipit of the Catalogo (1765) because Zelenka altered the rhythm of the opening bar in all parts. RISM ID no. 550268059. 2. CZ-Pnm 65/52, Non-thematic catalogues 1720, 1733. A ‘Missa à Kyrie et Gloria ex d. S. Martino Sacra. Mancini’ is listed in the Index Musicaliorum (1723–33) of Florian Burian (Osek), and in the later thematic catalogue of 1753/4 as the first lisiting under ‘Missae Solennes’ (with the same incipit as the vn 1 parts given in the Dresden Catalogo of 1765, that is, with Zelenka’s rhythmic alteration). 3. CZ-Pkřiž, XXXV D 39 (score, 1726–1750) and CZ-Pkřiž, XXXV D 182 (set of 14 + 2 parts for the Kyrie and Gloria of this setting with the title: Missa | Ut non Confundar | à 4 Voci | con | Violini 2 |Tromba | Organo è Tiorba | 1718. | Del | Sigr Manczini). Scoring (1765) ‘a 4 voci co’ VVni Viola Basso Trombe e Timpani’ SFL_combination II/M/5/2 SLB Card Catalog Mancini, Fr., (Autogr. 173b). Missa Temperantiae à [4 voci con strom.] [Tit. v. Zelenka’s Hs., ebenso Correcturen von ders. Hand.] 4to Orig.-Mus.-Mscr. Status Score of Missa Temperantiae by Mancini (Mus. 2203-D-2) held by SLUB. Title (Catalogo) Messa senza Credo Title Partitura Missa Temperantiae Uniform Composer MANCINI, Francesco (b Naples 1672–d Naples 1737) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212008359">212008359</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MANCINI, Francesco (b Naples 1672–d Naples 1737), Messa senza Credo, II/M/5/2 Title A name given to the resource MANZINI http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/64bf4198498959f3c3971b841fb9062f.png bdbf7627cf99287f2acb1fbb1ffb25df Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 308 Sort Order The physical order in the catologo 02-05-03 Additional A 221b Composer MANZINI D-Dl Mus. 2203-E-1 Eitner V. 6 (1902), 293. Mancini, Francesco [...] Motetto à 9 voci con strom. Mus. 221 b P. [ Dresd. Mus. Location (1765) Schranck II; Fach 5; Lage 3 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 61/5 Remarks Bound score copy. Blue-grey (the original) inner cover. Cover title (hand of Zelenka): g (upper left) N 5 (upper right) | Resonate Vos lyrae sonorae | de S: Laurentio | Mottetto à 9 | VV: 2 | Viola | del | S: Mancini. Scored for SSSAATTBB; vn. 1,2; b.c. No reworking is seen in this score. Catalogo incipit comes from the Sym[p]honia, bar 1, vn. 1. Incipit given in Zekenka-Dokumentation, 58, Nr. 127. Concordances: 1. CZ-Pak, 875. Set of 11 parts. Štefan ([919] Sign. 875), prov. Sehling. RISM ID no. 550268066. 2. CZ-Pkřiž, XXXV C 297. Set of nine parts (1736) held by the Kreuzherren, Prague. RISM ID no. 550255213. Scoring (1765) ‘a 4 voci e 2. Cori co’ VVni Viola e Basso’ SFL_combination II/M/5/3 SLB Card Catalog Mancini, Fr. Motetto à 9 [voci con strom.] Resonate vos lyrae sonorae. Tit. v. Zelenka’s hand. Part. A-dur. Part. qu 4to. Mus. Mscr. Status Score of Resonate vos lyrae sonora by Mancini (Mus. 2203-E-1) held by SLUB. Title (Catalogo) Motetto. Resonate vos lÿrae Title Partitura Resonate vos lyrae sonorae Uniform Composer MANCINI, Francesco (b Naples 1672–d Naples 1737) Uniform Title Motets RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006308">212006308</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MANCINI, Francesco (b Naples 1672–d Naples 1737), Motetto. Resonate vos lÿrae, II/M/5/3 Title A name given to the resource MANZINI http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a6970ea4e1eed608b5e26d85a7968754.png 77493d43ed143278a904cd79ad75baf3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 309 Sort Order The physical order in the catologo 02-05-04 Composer MARENZIO, Luca D-Dl Mus. 1160-E-4. Eitner V. 6 (1902), 321–6. Marenzio, Luca [...] In Handschriften. [...] Dresd. Mus. Ms. A 431 [...] Gabriel angelus locutus est S. 57. 4 stim. in P. [...] B. Dresden 4 Mot. siehe Kat. Location (1765) Schranck II; Fach 5; Lage 4 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 23/10 Remarks The score (‘Partitura’) listed in the Catalogo (1765) for Gabriel Angelus by Marenzio is missing from Dresden. A set of 13 parts (mainly Zelenka’s hand) kept in a blue-grey wrapper. This work is to be found as No. 35 in Lindner’s Continuatio cantionem sacrum (RISM 15882), which, although not listed in this Catalogo, Zelenka must have been able to access. See Horn (Hkm, 104–06). Cover title (hand of Zelenka): No. 10 (upper left) | Offertoriu[m] pro Festo | Annunciationis | B: V: M: | Gabriel Angelus | a 4 | NB Partitura habet in libro Collecta | neorum (lower left) | di | Luca Marenzio (lower right). Catalogue label corresponds with the entry in the missing Catalogo (c1784): Schranck No. II. |Lit: M. 3. Fach 14. Lage | Offertorium | Gabriel Angelus | à 4 voci à Capella | Partitura sola | del Sigr Luca Marenzio | Incipit. Parts: Set of 13 parts for Marenzio’s Gabriel Angelis ‘In festo Annunciationis B:V:M: (left); Offertorio (right). Partly in the hand of Zelenka: the reverse of several parts have the notation of parts for Palestrina’s Domine in auxilium: p. 2: Canto: Gabriel locutus est; p. 3: (Canto): Domine in auxilium meum (reverse); p. 4: Sopra: Gabriel locutus est; p. 5: (Canto): Domine in auxilium meum (reverse); p. 6: Alto: Gabriel locutus est; p. 7: (Alto): Domine in auxilium meum (reverse); p. 8: Contral: Gabriel locutus est; p. 9: Alto I: Domine in auxilium meum (reverse); p. 10: Tenore: Gabriel locutus est; p. 11: (Tenore): Domine in auxilium meum — incomplete (reverse); p. 12: Tenore: Gabriel locutus est; p. 13: (Tenore): Domine in auxilium meum (reverse); p.14: Basso: Gabriel locutus est; p.15: (Basso): Domine in auxilium meum (reverse); p.16: Basso: Gabriel locutus est; p. 17: Violino 1: Domine in auxilium meum; p. 18: Violino 1: Domine in auxilium meum; p. 19: Violino 1: Domine in auxilium meum; p. 20: Violino 2: Domine in auxilium meum; p. 21: Violino 2: Domine in auxilium meum; p. 22: Viola (alto clef): Domine in auxilium meum; p. 23: Viola 2 (tenor clef): Domine in auxilium meum; p. 24: Violonzello: Domine in auxilium meum; p. 25: Violone: Gabriel locutus est; p. 26: (Violone?) Domine in auxilium meum (reverse p. 25); p. 27: Tiorba: Gabriel locutus est; p. 28: Fagotto: Domine in auxilium meum (reverse p. 27); p. 29: Organo: Gabriel locutus est; p. 30: (Organo): Domine in auxilium meum (reverse); p. 31: Hautbois 1: Domine in auxilium meum; p. 32: Hautbois 2: Domine in auxilium meum; p. 33: Basson: Gabriel locutus est; p. 34: (Basson): Domine in auxilium meum (reverse). Scoring (1765) ‘a 4 voci a Capella’ SFL_combination II/M/5/4 SLB Card Catalog Marenzio, Luca. [Gabriel Angelus locutus est]. Offertorium pro Fest Annunciationis B: V: M: a 4 [voci]. 13 Stimmen. Ms. 18 Jh. S,A,T.B (je 2x), vcl. cb, tiorba, org, fag. 4to. (enth. außerdem v. Palestrina: Offertoria| Domine, in auxilium meum. Siehe gesonderte Titelaufn. Vormals: Hofkirche. Stamps Sachs. Landes-bibl. Status Thirteen parts for the Offertory Gabriel Angelus by Marenzio (Mus. 1160-E-4) held by SLUB. (The score of this setting by Marenzio is included in Continuatio cantionum sacrarum [...] Friderici Lindneri, Nürnberg 1588, No. 35). Title (Catalogo) Offertorium: Gabriel Angelis Title Partitura Offertoriu[m] pro Festo Annunciationis B: V: M: Gabriel Angelus Uniform Composer MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599) Uniform Title Offertories Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599), Offertorium: Gabriel Angelis, II/M/5/4 Title A name given to the resource MARENZIO, Luca http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/35cd90ff6cb9c7d3c2ebe7dab7bcfef1.png 8fc2951a2b5d8116f19f5f406ad800c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 310 Sort Order The physical order in the catologo 02-05-05 Additional B 461 (SLB cat.) Composer MARENZIO, Luca D-Dl Mus. 1-H-7,1 Date (Catalogo) publ. 1613 Eitner V. 6 (1902), 321–6. Marenzio, Luca Location (1765) Schranck II; Fach 5; Lage 5 Materials (1765) Parti Remarks Six printed part books for Quinto; Sesto; Canto; Alto; Tenore; Basso. Incipit of the Catalogo is that of the Canto part of Laura serena. Title page (Canto): DI LVCA MARENZIO | MVSICO ECCELLENTISS. | Il Primo, Secondo, Terzo, Quarto & Quinto Libro | DE MADRIGALI A SEI VOCI | NOUAMENTE RISTAMPATI & IN VN CORPO ridotti| [CANTO.] | IN ANVERSA | APPRESSO PIETRO PHALESIO AL RE DAVID | M. DC X. DEDICATION: A LI MOLTO MAGNIFICI SS. EDOVARDO, FERDINAND, ET CONSALVO XIMINEZ, MERCANTI D’ANVERSA. RISM M 524. Scoring (1765) ‘a 6 voci’ SFL_combination II/M/5/5 SLB Card Catalog Mus. 1-H-7,1: Marenzio, Luca. [Madrigali a 6 Voci, Libri 1–5] DI LUCA MARENZIO| MUSICO ECCELLENTISS. |Il Primo, Secondo, Terzo, Quarto & Quinto Libro | DE MADRIGALI| A SEI VOCI| Nouamente Ristampati & in vn Corpo ridotti. [Stimmbez.]| IN ANVERSA| Appresso Pietro Phalesio al Re David |M. D. X. [Typendr]. vgl. RISM 524 and RISM 161016. 6 Stimmen: C, C, T, B, V, Vl. ...Vormals: Mus. c.B. 461.Mus. 1-H-7,1-4: 1. L. Marenzio: Madrigali a 6 V.|Libri 1–5. Anversa 1610 (RISM M 524)2. L. Marenzio: Madrigali a 6 V.|Libro 6. Anversa 1610 (RISM M 519|1610 b)3. L. Marenzio: Madrigali a 5 V.|in 1 corpo. Anversa 1593 (RISMM 572)4. Il Parnasso: Madrigali a 6 V. de diversi Autori. Anversa 1613 (RISM161310) 6 Stimmbücher: C,A,T,B,V,Vl (17 x 21 cm; Pfauenmustereinband m. Pergamentrücken u. -ecken). Vgl. Anm. zur TA von 7,1. Vormals: Mus. c. B. 461 Stamps BIBLIOTHECA MUSICA REGIA. Status Six printed part books for DE MADRIGALI A SEI VOCI BY LUCA MARENZIO (Mus. 1-H-7,1 ) kept in SLUB. Title (Catalogo) 108 Madrigali...6 libri stampati . . . de diversi Autori Title Partitura DE MADRIGALI A SEI VOCI Uniform Composer MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599) Uniform Title Madrigals Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MARENZIO, Luca (b Coccaglio nr Brescia 1553|4– d Rome 1599), 108 Madrigali...6 libri stampati . . . de diversi Autori, II/M/5/5 Title A name given to the resource MARENZIO, Luca http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/856c95d5367d95342a99b1508e51f46b.png bb4c3dc72f8e1423b9d096971c17a45b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 311 Sort Order The physical order in the catologo 02-05-06 Additional A 230 (-E-1) Composer MAYER D-Dl Mus. 2371-E-1; -E-1a; -E-1b Eitner V. 6 (1902): No listing for Wenzel Mayer|Majer|Mayeri. Location (1765) Schranck II; Fach 5; Lage 6 Materials (1765) Partitura; Parti Provenance Zelenka. Inventarium 48/5? (‘b: Salve C. solo Violin 2, oboe 2, e Basso Continuo N:’) Remarks Mus. 2371-E-1b: Cover title: bonu[m] (upper right) | Salve Regina à | Canto Solo | Violino Imo | Violino 2do | Con | Organo. Four parts for Canto solo (upper left: Auth: Sigl. P. J. [?] Mayer); Violino Primo; Violino Secondo; Organo. Mus. 2371-E-1: Bound score copy. A blue-grey cover is kept in the binding with title (hand of Zelenka): F: (upper left): No. 14 (upper right) | Salve a Soprano Solo | Violin 2 | Oboe 2 | Viola | e | Basso Continuo | N: N: | Partitura | Maýer (another hand?). Zelenka’s reworkings are seen throughout this score. Mus. 2371-E-1a: Catalogue label to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: M. 3. Fach 15. Lage | Salve Regina | à Soprano Solo | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Mayer | Incipit. Ten parts. Blue-grey wrapper: Soprano Solo; Violino Pmo; Violino Pmo ‘S. P.’ [Signor Pisendel]; Violino 2do; Violino 2do; Viola; Violone Ripieno; Organo; Oboe Pmo; Oboe 2do. The composer is probably Wenzel Mayer SJ, who is listed in the 1720 music inventory of Osek. See Renton, ‘The Musical Culture of Eighteenth-Century Bohemia’ (340; 509). Composers named ‘R[ev.].P[ater]. Mayer’, ‘P. Mayer’, ‘P. Majier’ and ‘Mayer S.J.’ are listed in the Catalogue of the Piarist college, Kosmonosích. I have discussed how these materials represent one process by which Zelenka acquired and reworked musical items for Dresden: Mus. 2371-E-1b represents the materials received; Mus. 2371-E-1 represents the score prepared by a copyist into which Zelenka made alterations to suit Dresden conditions; Mus. 2371-E-1a represents the parts drawn from that score. See Stockigt, ‘Bach’s Missa BWV 232/1’, 51. Scoring (1765) ‘a Sopr. S con stromenti’ SFL_combination II/M/5/6 SLB Card Catalog Mus. 2371-E-1: Mayer, P. J. Salve [Regina] à Soprano solo, violin 2, oboi 2, viola e Basso continuo. N. N. Partitur. [Mit Erweiterung der Instrumentation und geringfügigen Textzusätzen von Jan Dismas Zelenka]. Ms. um 1800 [sic]. Part.= 1 Bl. 10 S. 4o. Mus. 2371-1-1a: Mayer, P. J. Salve Regina à Soprano Solo, co’ VVni, Viola et Org. Partitura e parti. Ms. 10 St.: ,S solo, vl 1 (2x), vl 2 (2x), vla, vlne, org, ob. 1, ob. 2. 4o. mit Umschlagbogen von Kapellarchiv, dort Titel auf Etikett.Mus. 2371-E-1b: Mayer, P. J. Salve Regina à Canto Solo, Violino 1mo, Violino 2do con Organo. Ms., Jan Dismas Zelenka. 4 St.: C, vl 1, vl 2, org (org. mit Titel). 4to. Stamps [Mus. 2371-E-1]: Sächs. Landes-Bibl. [-E-1a]: Bibliotheca Musica Regia Status Score and two sets of parts (10+4) for Salve Regina by Mayer held by SLUB. Title (Catalogo) Salve Regina Title Partitura Salve Regina Uniform Composer ?MAYER (Majer; Mayeri); Wenzel SJ? Uniform Title Antiphons RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006786">212006786</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?MAYER (Majer; Mayeri); Wenzel SJ?, Salve Regina, II/M/5/6 Title A name given to the resource MAYER http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/a799e95c7221daf932cd31c26582b597.png 712dd846819165cbff6b9f1a53c65a68 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 312 Sort Order The physical order in the catologo 02-05-07 Additional A 239 Composer MONZINO D-Dl Mus. 2768-D-1 Eitner V. 7 (1902) 51: Monzini (Monzino) Giacomo, Lebenstzeit unbekannt. Die Kgl. Musikalien-Samlg. in Dresden besitzt im Ms. 239 ein Kyrie e Gloria à 4 voc. c. strom. in P. mit Monzini gez., (auch in Dresd. kath. Kirche) und die Musikfr. in Wien unter vollem Namen, aber Monzino geschreiben, eine Metodo per Chitarra o Lira, op. 18. Milano. Location (1765) Schranck II; Fach 5; Lage 7 Materials (1765) Partitura Remarks Bound score copy. Unpaginated. Title page [Kyrie]: Del Sigre Monzino (upper right) | Chire a quatro | Con Sinfonia | e Trombe. Title page (Gloria): Del Sigre Monzino (upper right) | Gloria a quatro Conta | Con Sinf, Oboe, e Trombe | e Organo Obligato. The GMO article ‘Chiesa, Melchiorre’ (author not named) reports that from Milan in 1770 Charles Burney wrote: ‘Chiesa and Monza seem and are said to be the two best composers for the stage here at present’. Note that the Dresden examples works by the following composers have the same provenance: Canta (Giovanni Cantù): Kyrie e Gloria (Mus. 4975-D-1,2); Chiesa, Melchiore: Caelo tonanti [Motetti] No. 2 (Mus. 3284-E-1); Chiesa (Melchiore?): Gloria from Gloria e Credo (Mus. 3284-E-1); Monzino (Monza, Carlo Ignazio?): Kyrie e Gloria (Mus. 2768-D-1); Piazzino: (Messe) No. 2 Kyrie, Gloria, Credo (Mus. 2875-D-1; Mus. 2875-D-2). Scoring (1765) ‘a 4 voci co’ VVni Viola Basso Oboi e Corni’ SFL_combination II/M/5/7 SLB Card Catalog Monzino, [Giacomo]: [Kyrie e Gloria à 4 voci con strom.] Part. qu.-4to. Mus.-Mscr. Status Score of Chire a quatro Con Sinfonia by Monzini held by SLUB (Mus. 2768-D-1). Title (Catalogo) Kyrie e Gloria Title Partitura Chire a quatro Con Sinfonia Uniform Composer ?MONZINI (Monza), Carlo (b Milan c1735–d Milan 1801) Uniform Title Masses Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?MONZINI (Monza), Carlo (b Milan c1735–d Milan 1801), Kyrie e Gloria, II/M/5/7 Title A name given to the resource MONZINO http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/bf3f9499eb597f1f2980fcffd97bce8c.png 0dfb0b0c6b95c6af076dfcc4e82517f3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 313 Sort Order The physical order in the catologo 02-05-08 Composer MORO, Guilio D-Dl Missing Eitner Eitner (VII, 71): Moro, Giulio, von Ferrara, diente 1607 zu Mantua (Bertolotti, 87). Die Kgl. Musikalien-Samlg. zu Dresden besitzt von im Ms. 247 ein Salve Regina à Sopr. solo con strom. in P (dasselbe in Dresd. kath. Kirche). Location (1765) Schranck II; Fach 5; Lage 8 Materials (1765) Partitura Scoring (1765) ‘Sopr. Solo con stromti’ SFL_combination II/M/5/8 Status Score of Salve Regina by Moro missing from Dresden. Title (Catalogo) Salve Regina Uniform Composer MORO, Guilio (fl. Mantua 1607) Uniform Title Antiphons Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource MORO, Guilio (fl. Mantua 1607), Salve Regina, II/M/5/8 Title A name given to the resource MORO, Guilio http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/6e79c3c51d976f1fcc69013a291654ee.png fc607ff73c94a5b354ccf536fec60e89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 314 Sort Order The physical order in the catologo 02-05-09 Additional — Composer MUCK D-Dl Mus. 3612-E-1 Eitner V. 7 (1902), 100: Eitner’s identification of the composer of the Litaniae Lauretanae as Friedrich Johann Albrecht Muck ‘b. 1768’ is incorrect. ‘Auch in dem Archiv zu Dresden, kath. Kirche, befindet sich unter Muck eine Litania lauretana a 4 voci, c. VV. Va. Ob. Cor. ed org. im Ms. P. u. St.’. Location (1765) Schranck II; Fach 5; Lage 9 Materials (1765) Partitura Provenance Jan Dismas Zelenka? No Inventarium entry Remarks Score copy. Pale brown cover. Cover title (Zelenka?): Eb (left) No. 17 (right) | Litaniae Lauretanae | à 4 | C: A: T: B: | Violin 2 | Viola | Di S: Muck. Conclusion of score: Muk. The two upper lines of the score are for horns. Works of the Benedictine Beda Muck are listed in the Osek inventory of 1720. Renton, 510. Renton states that Muck was a choirmaster at the monasteries of Kladruby and Přeštice. She gives 1709 as the year of his death. (see 340, and n. 259). This is one of a group of five relatively short settings of the Litany of Loreto by Bohemian composers entered into the catalogue (1765) – all from Zelenka’s collection but not listed in his Inventarium. These settings probably were acquired for use in the Dresden Hofkirche following the expansion in 1727 of the Kapellknaben ensemble, and of Marian devotions. In that year the annual letter to Rome from the Dresden Jesuits reported: ‘At the beginning of the school year the number of young musicians was increased in order to amplify Marian devotions, and all Saturdays and also ferial days preceding Marian feasts will be celebrated with litanies [...].’ Annuae Litterae Missionis Dresdensis ad annum 1727, ARSI (I-Rar), Boh 143, 19. The composers of similar Litanies of Loreto (all provenance of Zelenka) are Czerwenka (missing), Gerbich (Görbig), the Cistercian Grünberger (OC), Muck, and Schütze. Each composer is also represented in the Osek music catalogues. In some copies of these litanies the scribe gives a phonetic spelling or an interpretation of the written name of the composer: Korbischi = Görbig or Gerbich; Krusberger = Grünberger; Muk = Muck. Scoring (1765) ‘a 4 voci co’ VVni Vla e Corni’ SFL_combination II/M/5/9 SLB Card Catalog Muck: Litanie Lauretanae à 4, c., a., t., b., violini, viola, corni ed organo. Es-dur. Part. 1 Bd. 4to. Mus.-Mscr. Kath. Hofkirche Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score of Litaniae Lauretanae attr. to ‘S: Muck’ (Mus. 3612-E-1) held by SLUB. Title (Catalogo) Litaniae Lauretanae Title Partitura Litaniae Lauretanae Uniform Composer ?MUCK, Beda OSB (d 1709) Uniform Title Litanies RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006846">212006846</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?MUCK, Beda OSB (d 1709), Litaniae Lauretanae, II/M/5/9 Title A name given to the resource MUCK http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/240659f7fd1ed18d0533c95c32f69973.png b9e586f20aecccbe51e02b268f7614e2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 315 Sort Order The physical order in the catologo 02-06-01 Additional — Composer NEGRI, Luigi D-Dl Mus. 3846-D-1,1; Mus. 3846-D-1,2 Eitner V. 7 (1902), 167: Negri, Luigi, aus Bologna, lebte in der Mitte des 18. Jhs. und war ein Schüler Martini's. Aus jener Zeit mag auch der Band geistliche mehrstim. Kompositionen her rühren, der sich im Besitze des Liceo mus. zu Bologna befindet und 21 Gesge.für Chor und Instrum. enthält. Von einem Negri in Dresd. kath. Kircheim Ms. P. u. Stb: 3 Motett. für Chor undkleines Orch Location (1765) Schranck II; Fach 6; Lage 1 Materials (1765) Partitura; Parti Provenance Giovanni Alberto Ristori Remarks Mus. 3846-D-1,1: Unbound score copy. Title page: Messa à 4 | Conc: ta Con Stromti e B. B. [?] | di | Luigi Negri. Reworkings in Ristori’s hand include the addition of pairs of oboes, trumpets, and horns. Similar additions are also seen in the score of the Magnificat setting by Luigi Negri (Mus. 3846-D-3,1: II/N/6/4). Mus. 3846-D-1,2: Set of 35 parts (13 vocal; 22 instrumental). Two covers/wrappers. Hand of Ristori is seen here? Catalogue label on outer blue-grey wrapper corresponds with the entry in the missing Catalogo [c1784]: Lit: N. Schranck No. II. | 4. Fach 1. Lage | Kyrie e Gloria | a 4. voci | co’ VVni Viola Corni, Trombe, Timpani ed Org. | Partitura e parti | del Sig.r Luigi Negri |Incipit. Among surviving performance parts from this era, these parts provide a rare example of performance materials for solo voices being separate from the usual choral parts that include the solo vocal passages as well. The solo vocal parts (they might replace an earlier set) do not include choruses. Parts for brass and timpani are in a different hand. Parts (13 vocal; 22 instrumental): Canto solo (only the solo movements Christe eleison and Laudamus te are given); Alto solo (only the solo movements Christe and Dominus Deus are given); Tenore solo (only the solo movement Dominus Deus is given) ; Basso solo (only the solo movements Christe eleison and Dominus Deus are given) ; Canto; Alto; Tenore; Basso; Canto Rip[ien]o; Contr’alto Ripo; Tenore Ripo; Basso Ripo; Basso Ripo; Violino Primo; Violino Primo; Violino Primo; Violino Secondo; Violino Secondo; Violino Secondo; Viola; Viola; Violoncello Cont.nuo; Violoncello Rip.; Violoncello Rip.o | Contrabasso; Tiorba [figured]; Organo [figured]; Oboe Primo; Oboe secondo ; Fagotto; Fagotto; Corno di Caccia Po; Corno di Caccia 2o; Tromba; 1a; Tromba 2a; Timpani. Concordance: I am very grateful to Bruno Musumeci who advises that a copy of this work is held in the Civico Museo Bibliografico Musicale di Bologna. Scoring (1765) ‘a 4 voci co’ VVni Viola Corni Trombe e Timp.’ SFL_combination II/N/6/1 Stamps [Mus. 3846-D-1,1] Sächs. Landesbibliothek. Depositum der Kath. Hofkirche; [-D-1,2] Sächs. Landes- Bibl. Status Score and 35 parts for a Kyrie e Gloria setting attr. in the Catalogo (1765) to Luigi Negri (Mus. 3846-D-1,1-2) held by SLUB. Title (Catalogo) Kyrie e Gloria Title Partitura Kyrie e Gloria Uniform Composer NEGRI, Luigi (b 1718 Bologna) Uniform Title Masses RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006845">212006845</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NEGRI, Luigi (b 1718 Bologna), Kyrie e Gloria, II/N/6/1 Title A name given to the resource NEGRI, Luigi http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c61ca3a244f7dea8a2f32e9c4635e3da.png b21bcf086e89a90b4c6920f1f2e43904 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 316 Sort Order The physical order in the catologo 02-06-10 Additional — Composer NOVARI D-Dl Mus. 3613-D-2 Eitner V. 7 (1902), 215: Novari [...] Im Archiv der Dresdner Hofkirche befinden sich in P. u. Stb. im Ms. 5 [sic] geistl. lat. Gesge. für Chor und Instrumente. Location (1765) Schranck II; Fach 6; Lage 10 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 35/3,1–2. ‘P.’; Psalmi varii: Laudate pueri No 8; Laudate D[o]m[inum] No 5 Remarks Score copies. Blue-grey wrapper. On the identification of this composer see the entry under Noack: II/N/6/6. Cover title (hand of Zelenka): e F. (upper left): 3# (right) | Laudate pueri Dominu[m] | à 3 C: A: B: | et Laudate Dominu(m) o’es | gentes à 4 C: A: T: B: | Violin 2 | Viola | e | Basso Cont: | del S. Novari. Two labels corresponding to the Hofkirche catalogues of 1765 (damaged) and c1784 are kept with the score. The earlier fragment reads: Schranck No: II. | N. 6. Fach 10. Lage | Laudate pueri | à 3 voci | C. A. e B. | Laudate Domin[um] | a 4 voci | co’ VVni Viola e B[asso]| Partitura sola| del Sigr Nov[ari]. Two incipits. The second label must correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: N. 4. Fach 11. Lage | 1) Laudate pueri | à 3 voci | S. A. e B |et | 2) Laudate Dominum | à 4 voci | co’ VVni Viola ed Org. | Partitura sola | del Sigr Novari. Incipit (as above, except the time signature and barring of Laudate Dominum have changed; the original alla breve setting has been altered to Common time: C). Incipits in Zekenka-Dokumentation, 58, Nr. 134/135. See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 3. Concordance: These incipits for Laudate pueri and Laudate Dominum correspond with those given by Štefan from Jan František Novák’s ‘Vesperae solennes’ ([968] Sign. 929), Metropolitan cathedral of Prague. NB: Zelenka’s Inventarium note: ‘P’. Scoring (1765) ‘a 3 voci: Sopr. Contr. e Bass’; ‘a 4 voci con stromenti’ SFL_combination II/N/6/10 SLB Card Catalog [After Dr. O. Landmann]: Novari [Psalmen. Nr.112.116. 3b-4V, Instr.][Umschlag, No2:] |#| Laudate pueri Dominu[m]. à 3. C:A:B|et|#|Laudate Dominu[m] o[mn]es gentes à 4. C:A:T:B: |Violin2. |Viola|e|Basso Conti: |del S: Novari]1. Psalm 112: ‘Laudate pueri’ = # 6/8 (o. Tempobez.);2. Psalm 116: ‘Laudate Dominum’ = F, c (o. Tempobez.).Mss. 1.H. 18.Jh. (wie 3613-D-1)Partitur = 1 Heft: Umschlagdoppelbl. + 18S. (=20S.+1Bl.) qu8v (20x33cm).The numerous corrections in Zelenka’s hand have to be seen as compositional interventions. Also in his hand are the information ‘4ro3’on the title (top right) and a sub-title for No. 2 on page 16. Only the title label (2nd half 18th century) is extant of the chapel archive envelope. Formerly: Catholic court church. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status One score containing settings of Laudate pueri and Laudate Dominum by Jan František Novák (Mus. 3613-D-2) held by SLUB. Title (Catalogo) [Psalmi] Laudate pueri et Laudate Dominum Title Partitura Laudate pueri Dominu[m] et Laudate Dominu[m] o’es gentes Uniform Composer NOVÁK, Jan František (b 1706–d 1771) Uniform Title Psalms (ps. 112; ps. 116) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NOVÁK, Jan František (b 1706–d 1771), [Psalmi] Laudate pueri et Laudate Dominum, II/N/6/10 Title A name given to the resource NOVARI http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/9110b64cb478146cd49352eecb036804.png a0f1e6efe3118dae56568ce748ffa6f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 317 Sort Order The physical order in the catologo 02-06-11 Additional — Composer NOVARI D-Dl Mus. 3613-D-3 Date (Catalogo) 1732? Eitner V. 7 (1902), 215: Novari [...] Im Archiv der Dresdner Hofkirche befinden sich in P. u. Stb. im Ms. 5 [sic] geistl. lat. Gesge. für Chor und Instrumente. Location (1765) Schranck II; Fach 6; Lage 11 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Unlisted in Inventarium. Psalmi varii: Laudate pueri No 14 Remarks Score copy. Blue-grey paper cover. On the identification of this composer see the entry under Noack: II/N/6/6. Cover title (hand of Zelenka): d# (upper left): N 5 (erased) 14 (right) | Laudate pueri Dominu[m] | à 4 | C: A: T: B: | Violin 2 | Viola | e | Basso Cont: | NB N:15 habetur in Beatus vir N: 2da | Novari. Two labels to correspond with the Hofkirche catalogues of 1765 (damaged) and c1784 are kept with the score. The earlier fragment reads: Schranck No: II. | N. 6. Fach 11. L(age) | Laudate (pueri) | à 4 voci | co’ VVni Viol (a e Basso) | Partitu[ra sola] | Incipit. The second label to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. |Lit: N. 4. Fach 12. Lage | Laudate pueri | à 4 voci | co’ VVni Viola ed Org. | Partitura sola | del Sigr Novari. Incipit. Vocal incipit in Zekenka-Dokumentation, 58, Nr. 137a. See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, 590. Although this setting was not listed into the Inventarium, it was entered into Zelenka’s ‘Psalmi varii’. Concordances: 1. CZ-Pak, 914. Set of 8 parts. See Stefan ([968] Sign. 914). RISM ID no. 550268106. 2. CZ-Pkřiž, XXXV C 38. A set of 11 parts (titled ‘Laudate Pueri | à 4 Voci | Violin. 2bus | Viola | Con Organo è Tiorbo | 1732 | Jean Novack’) held by the Kreuzherren, Prague. RISM ID no. 550268106. (vocal incipit is given. The incipit of the Catalogo 1765 is of the vn.1 part). Scoring (1765) ‘a 4 voci con stromenti’ SFL_combination II/N/6/11 SLB Card Catalog [After Dr O. Landmann]: Novari [Psalmen. Nr.112. 4V, Instr.] [Umschlag, No2:] |#| Laudate pueri Dominu[m]. à 4. C:A:T:B|Violin 2|Viola|e |Basso Continuo. |Novari.|NB: N:15. habit[at] in Beatus vir:N: 2do.|(ganz oben r.: "N5", geändert in: "N14."]. "D, # Vivace|3 Adag. |# (o. Tempobez.). Mss. 1.H. 18.Jh. Ms1=Zelenkas Hauptschreiber, Ms 2 = ZelenkaPartitur = 2 Umschlagbl. + 20S. (=22S.+1Bl.) qu 8vo (20,5x34,5cm) Presumably, only the title is in Zelenka's hand; the chapel archive envelope is lost, apart from the title label (2nd half 18th century). Formerly: Catholic court church Stamps Sächs. Landes-Bibl. Status Score of Laudate pueri by Jan František Novák (Mus. 3613-D-3) held by SLUB. Title (Catalogo) [Psalmi] Laudate pueri Title Partitura Laudate pueri Dominu[m] Uniform Composer ?NOVÁK, Jan František (b 1706–d 1771) Uniform Title Psalms (ps. 112) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006183">212006183</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006184">212006184</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ?NOVÁK, Jan František (b 1706–d 1771), [Psalmi] Laudate pueri, II/N/6/11 Title A name given to the resource NOVARI http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/6d7c5dc2de705bb8cc125f9cc2e6e7ae.png 13ae91f217ed67a6cdf5efc38db071a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 318 Sort Order The physical order in the catologo 02-06-12 Additional — Composer NOVARI D-Dl Mus. 3613-E-1 Eitner Eitner (VII, 215) lists this work among five under the name ‘Novari, . . .’: Im Archiv der Dresdner Hokkirche befinden sich in P. u. Stb. im Ms. 5 [sic] geistl. lat. Gesge. für Chor und Instrumente. Location (1765) Schranck II; Fach 6; Lage 12 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 35/10. ‘P’; Psalmi varii: Magnificat No 1 Remarks Score copy by Zelenka. Blue-grey cover. On the identification of this composer see II/N/6/6. Cover title (hand of Zelenka): Nro 1mo (right) | Magnificat | à 4 | C: A: T: B: | Violini 2 | Viola | e | Basso Continuo | Novari (replacing the deleted ‘Ignoti’). At the conclusion of the score is written in Zelenka’s hand: A M D G V M OO SS H AAtqu PP R. This dedication suggest that this setting was substantially revised by Zelenka. See Dr. Landmann (SLB card catalogue, below). This score is in Zelenka’s hand, and was copied c.1727/8. The text is in the hand of a copyist. Two labels to correspond with Hofkirche catalogues of 1765 (damaged) and c1784 are kept with the score. The earlier fragment reads: Schranck No: II. | N. 6. Fach 12. Lag[e] | Magnificat | à 4 voc[i] | co’ VVni Viola e Basso | Partitura sola | del Sigr Novari. Incipit. The second to correspond to the entry in the missing Catalogo (c1784): Lit: N. Schranck No. II. |4. Fach 13. Lage | Magnificat | à 4 voci | co’ VVni Viola ed Org. | Partitura sola | del Sigr Novari. Incipit. See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, No. 10. Concordances: Although the instrumental incipit (above) for this Magnificat setting does not correspond with the vocal incipit given by Štefan for the Magnificat, this comes from Novák’s Vesperae solennes ([968] Sign. 929) once held by the Metropolitan cathedral of Prague. NB: Zelenka’s Inventarium note: ‘P’. Scoring (1765) ‘a 4 voci con stromenti’ SFL_combination II/N/6/12 SLB Card Catalog [After Dr O. Landmann]: Apart from vocal text and possibly title information ‘Magnificat|a 4.’|‘Ignot:’, the complete copy is from Zelenka as well as the final formula (‘A:M:D:G:’ etc . which is known from Zelenka’s own works. This possibly indicates a substantial reworking of the work by Zelenka. Only the title label (2nd half 18th century) is extant of the former chapel archive envelope. Formerly: Catholic court church Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Score of Magnificat by Jan František Novák (Mus. 3613-E-1) held by SLUB. Title (Catalogo) [Psalmi] Magnificat Title Partitura Magnificat Uniform Composer NOVÁK, Jan František (b 1706–d 1771) Uniform Title Canticles RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006854">212006854</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NOVÁK, Jan František (b 1706–d 1771), [Psalmi] Magnificat, II/N/6/12 Title A name given to the resource NOVARI http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/3dfe5d76460b841ef77df35e220832ae.png 17347f569a0a3763d7bc4af96d0ae7fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 319 Sort Order The physical order in the catologo 02-06-02 Additional — Composer NEGRI, Luigi D-Dl Mus. 2883-D-2 Eitner V. 7 (1902), 167, attributes this work to Luigi Negri, ‘aus Bologna...’ Location (1765) Schranck II; Fach 6; Lage 2 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 33/51 ‘O’?; Psalmi varii: Beatus No 9 Remarks Bound score copy. Brown cardboard outer cover; Blue-grey inner cover. Catalogue label (outer cover) to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: N. 4. Fach 2. Lage | Psalmi | Beatus vir | a 2. voci | Soprano e Contr’Alto | col VVni Viola ed Org. | Partitura sola. | del Sig.r Negri | Incipit. NB: The first and final notes of the incipit are incorrect: Each should read c’’’. Cover title (hand of Zelenka): F (left) : Nro 9 (right) | Beatus a 2 | C e A | Violin 2 | Viola | e | Basso Conti | del Negri. Zelenka identifies the composer of the following (related) entry (Mus. 2883-D-1: II/N/6/2) as ‘S: Antonio Negri’. Perhaps this is the father (named Antonio) of the contralto Maria Catterina Negri. He accompanied his daughter to Prague during the 1720s when she was engaged to sing for the opera theatre of Count Franz Anton von Sporck. See Daniel Freeman, The Opera Theater of Count Franz Anton von Sporck in Prague, 31 n. 55; 341–2. Wolfgang Horn identifies the copyist of Mus. 2883-D-2 as ZS 1 from early 1730s). See Zelenka-Studien I, 174. Concordances: 1. A copy of this setting held in Prague (Národní Muzeum; CZ-Pnm, XXX-A-109). The cover bears the statement ‘Antonio Negri—Beatus vir | Osecky Kláster’. 2. Another setting of Beatus vir, attributed to Cozzi (listed in Zelenka’s Inventarium, 35/7, and in his collection Psalmi varii, Beatus Nr. 9), once kept in the Metropolitan cathedral, Prague (CZ-Pak). Its incipit is almost identical with the incipit of Antonio Negri’s setting of this psalm listed in the Catalogo (1765). See Štefan: COZZI ([309] Sign. 296), prov. Sehling. Scoring for C, A, Vno I II, Vla conc., Org. Incipit given in Zekenka-Dokumentation, 58, Nr. 130. On this setting see Stockigt, ‘Vespers Psalms of Jan Dismas Zelenka’, App. 2, 663–4. Scoring (1765) ‘a 2 voci Sopr. e Contr. con stromti’ SFL_combination II/N/6/2 SLB Card Catalog Negri [Antonio?] [Beatus vir. F dur. Sopran, Alt, Instr.]. Landmann notes that on the title, top right corner, the number ‘11’ has been erased and replaced by Zelenka in darker ink by ‘9.’. In the same ink, there is a note at the bottom: ‘NB Nro 10 habet in Confitebor N 3zo | No.11 in Confitebor N4to | No 12 in Confitebor No 9.’ (this numbering does not correspond with that in Zelenka's Inventarium where, incidentally, this work is also listed only under ‘Negri’, without given names). The only title of this copy, in Zelenka's hand, is on the front page of a grey-blue double envelope (pages 1,2 and final sheet), before the start of the score (p 3) – which is entirely in the hand of Schreiber 1 – there is a remainder of a sheet that has been cut out, which may have been the original title page. – Only a fragment bearing the title label exists of a light-blue envelope of the chapel archive added in the second half of the 18th century. Formerly: Catholic court church. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score of Beatus vir by Antonio Negri held by SLUB (Mus. 2883-D-2). Title (Catalogo) Psalmi: Beatus vir Title Partitura Beatus vir Uniform Composer NEGRI, Antonio? (d Dresden 1740) Uniform Title Psalms (ps. 111) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006900">212006900</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NEGRI, Antonio? (d Dresden 1740), Psalmi: Beatus vir, II/N/6/2 Title A name given to the resource NEGRI, Luigi http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/de226e21b8e8c56ebf59875b3272f1fd.png fcc2d8ee052f0150b0fb07d24f5788da Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 320 Sort Order The physical order in the catologo 02-06-03 Additional — Composer NEGRI, Luigi D-Dl Mus. 2883-D-1 Eitner V. 7 (1902), 167, attributes this work to Luigi Negri, ‘aus Bologna...’ Location (1765) Schranck II; Fach 6; Lage 3 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Inventarium 33/50 ‘O’?; Psalmi varii: Laudate pueri No 5 Remarks Score copy. Blue-grey cover. Catalogue label to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. Lit: N. | 4. Fach 3. Lage | Laudate pueri | a 3. voci | S. A. e B. | col VVni Viola ed Org. | Partitura sola.| del Sig.r Negri | Incipit. Cover title (hand of Zelenka): F (upper left) : Nro 5 (upper right) | Laudate pueri Dominu[m] a 3 | C: A: B: | VViolin 2 | Viola | e | Basso Conti | del | S: Antonio Negri. Zelenka identified the composer of this work (Mus. 2883-D-1) as ‘S: Antonio Negri’. Perhaps this is the father (named Antonio) of the contralto Maria Catterina Negri. Antonio Negri was with his daughter in Prague during the 1720s where she was engaged to sing for the opera theatre of Count Franz Anton von Sporck. See Daniel Freeman, The Opera Theater of Count Franz Anton von Sporck in Prague, 31 n. 55; 341–2. One instruction in Zelenka’s hand is given to copyists page 18 (‘27. NB Soprano Incipit cu[m] Alto et Basso’) . Wolfgang Horn identifies the copyist of Mus. 2883-D-1 as ZS 1 ( = from early 1730s). See Zelenka-Studien I, 174. Concordance: The setting is listed by Štefan as an anonymous work from the collection of the Prague cathedral of St Vitus. It has an identical incipit and scoring requirements as those shown in the Catalogo (1765): [ANONYMOUS] ([1582] Sign. 1517): LAUDATE PUERI: Ms. : Prov.: AG [= Antonín Görbig/ Gerbich], JFN [= Jan František Novák]: x C, A, B, Vno I II, A Vla, Org. Incipit given in Zekenka-Dokumentation, 58, Nr. 129. On this setting see Stockigt, ‘Vespers Psalms of Jan Dismas Zelenka’, App. 2, 661–2. Scoring (1765) ‘a 3 voci Sopr. A e B con stromti’ SFL_combination II/N/6/3 SLB Card Catalog (Dr Ortrun Landmann): [Laudate pueri. Fdur. S, A, B, Instr.] [S.1, Ms2:] Laudate pueri Dominu | à3 |C:A:B: | Violin 2 | Viola | e | Basso Conti. | del | S: Antonio Negri. | [oben l.:] F[dur] [oben r.:] N.50. Psalm 112. Sätze: Laudate F,c,All. – Excelsus C. 3/[4], Largo (S) – Tuis sicut a,v, presto – suscitans F, c (S,A,bc) – Ur collocet d,e (6/4) (B) – Tui habitare g (1b), Z (=4) – Gloria patri C, c – Sicut erat F,c,All. (= wie 1. Satz)Mss ca. 1. Drittel d. 18. Jh.: Ms1 = Zelenkas Schreiber, Ms2 = J.D. ZelenkaPartitur = 32S. +1Bl., dazu Titelumschlag des Kapellarchivs [...] (35x20,5-21,5 cm)S. ‘1’, ‘2’ u. Schlußblatt = v. Zelenka beschrifteter Titelumschlag (bei der ‘5’ rechts oben auf d. Titel Radierspuren). Die Partitur selbst = durchgehend No 1 m. geringfügigen Korrekturen von Ms2. – Lose beiliegend der blaue Kapellarchiv-Umschlag ansch. 2. H. D. 18. Jh. mit Titeletikett.Vormals: (Kath. Hofkirche) Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score of Laudate pueri attr. by Zelenka to Antonio Negri held by SLUB (Mus. 2883-D-1). Title (Catalogo) [Psalmi] Laudate pueri Title Partitura Laudate pueri Uniform Composer NEGRI, Antonio (d Dresden 1740) Uniform Title Psalms (ps. 112) RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006899">212006899</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NEGRI, Antonio (d Dresden 1740), [Psalmi] Laudate pueri, II/N/6/3 Title A name given to the resource NEGRI, Luigi http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/d7204a9985ba6ade075aca4992925721.png 5367b7bb52f12235ed8a3d27b99c7d95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 321 Sort Order The physical order in the catologo 02-06-04 Composer NEGRI, Luigi D-Dl Mus. 3846-D-3,1; Mus. 3846-D-3,2 Eitner V. 7 (1902), 167: Negri, Luigi, aus Bologna, lebte in der Mitte des 18. Jhs. und war ein Schüler Martini's. Aus jener Zeit mag auch der Band geistliche mehrstim. Kompositionen her rühren, der sich im Besitze des Liceo mus. zu Bologna befindet und 21 Gesge.für Chor und Instrum. enthält. Von einem Negri in Dresd. kath. Kircheim Ms. P. u. Stb: 3 Motett. für Chor undkleines Orch. Location (1765) Schranck II; Fach 6; Lage 4 Materials (1765) Partitura; Parti Provenance Giovanni Alberto Ristori Remarks Mus. 3846-D-3,1: Unbound score copy. Italian copy. Caption title: Magnificat à 4to Voci Con Stromti del Sig. Luigi Negri. Conclusion of the score: ‘18’ [minutes?]. Additional instrumental colla parte parts written into the score by Ristori at the setting of ‘Deposuit potentes’: ‘per gli oboi’. ‘Soli’ and ‘Tutti’ are added to the bass line in Ristori’s hand. Mus. 3846-D-3,2: Set of 31 parts. Two wrappers. Catalogue label (on outer blue-grey wrapper) to correspond with the entry in the missing Catalogo (c1784): Schranck No. II. | Lit: N. 4. Fach 4. Lage | Magnificat | à 4 voci | co’ VVni Viola ed Org. | Partitura e parti | del Sigr Negri | Incipit. Inner wrapper: Magnificat. Parts (12 vocal; 19 instrumental): Canto; Alto; Tenore; Basso; Canto 2do Rip:o; Canto R.; Alto 2do Rip:o; Contralto R.; Tenore 2do Rip:o; Tenore R.; Basso 2do Rip:o; Basso 3to Rip:o; Violino Primo (M. P[isendel]. upper left); Violino Primo; Violino Primo; Violino Primo ; Violino Secondo; Violino Secondo; Violino Secondo; Violino IIdo; Viola x 2; Violoncello Cont: ; Violoncello Rip:o ; Tiorba; Contrabasso; Organo; Oboe x 2; Fagotto x 2. Concordance: I am very grateful to Bruno Musumeci who advises that a copy of this work is held in the Civico Museo Bibliografico Musicale di Bologna. Scoring (1765) ‘a 4 voci Sopr. con stromenti’ SFL_combination II/N/6/4 SLB Card Catalog [Ortrun Landmann]: Negri, Luigi [Magnificat a moll] [Kopftitel:] Magnificat à 4o Voci Con Stromti Del Sige Luigi Negri.| Sätze: Magnificat a,c,Adag.|All. – Fecit potentiam C-a,o,All (= durchgehender Satz bis z. Schluß des Textes).Mss. 1. Hälfte des 18. Jh.: Ms1 = ital. Kopist, Ms2 = G.A. Ristori (s. Anm.)Partitur = 1 Bd: 42S.+1 Bl. qu8o (22x30cm). NB: Wo der Kopist die vl-Systeme leergelassen hat mit dem Vermerk "col Basso", sind von Ristori 2 Stimmen, ‘per gli Oboi’ hinzukomponiert u. notiert worden. Dazugehörige Stimmen siehe Mus. 3846-D-2,2. Vormals: (Kath. Hofkirche) Stamps [Mus. 3846-D-3,1]: None; [Mus. 3846-D-3,2]: Sachs. Landes-Bibl. Status Score and 31 parts for Magnificat attr. in the Catalogo (1765) to Luigi Negri (Mus. 3846-D-3,1-2) held by SLUB. Title (Catalogo) [Psalmi] Magnificat Title Partitura Magnificat Uniform Composer NEGRI, Luigi (b 1718 Bologna) Uniform Title Canticles RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006858">212006858</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006859">212006859</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource NEGRI, Luigi (b 1718 Bologna), [Psalmi] Magnificat, II/N/6/4 Title A name given to the resource NEGRI, Luigi