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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <text>859</text>
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              <text>03/09/04</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-D-33,1-2</text>
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              <text>1739</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,</text>
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              <text>Schranck III; Fach 9; Lage 4</text>
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              <text>Partitur; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 11/68 (the final Mass entry)</text>
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              <text>Bound autogr. score of a Missa tota in four parts kept in 2 vols. Each section has a blue-grey wrapper. Parts are missing. &lt;br /&gt;
Each new cover for vols. 1 and 2 (Mus. 2358-D-18,1-2) has an old label (pencil) with information, including the storage position of this work as given in the Hofkirche ‘Catalogo’ (c1784): III/Z/10/4.&lt;br /&gt;
Cover title vol. 1, part 1:  E (upper left) N: 68 (upper right) | Kyrie ex Missa Votiva | dicta | Vota mea Domino reddam. Psal: 115. Versu 5 | à 4 C: A: T: B: | Violin 2 Oboe 2 | Viola e Basso Con | tinuo | di | G: D: Z:&lt;br /&gt;
Cover title vol. 1, part 2: Gloria | ex | Missa Votiva | di | G:D:Z:&lt;br /&gt;
Cover title vol. 2, part 3: Credo | ex | Missa Votiva | di | G: D: Z:&lt;br /&gt;
Bound into Mus. 2358-D-33,2 is the autogr. title for the Credo of Missa Eucharistica. See III/Z/9/3.&lt;br /&gt;
Cover title vol. 2, part 4: Sanctus et Agnus | ex | Missa Votiva | di | G: D: Z:&lt;br /&gt;
Zelenka’s Missa votiva (ZWV 18) is the final Mass listing (non-autograph) in his Inventarium. From certain remarks written on the score it is known that the composer had suffered illness from which he recovered during 1739. The inscription on the title page (given above) translates as ‘I will pay my vows to the Lord, before all his people’. Further dedications and remarks on the score are: &lt;br /&gt;
Head of Kyrie: A M D G B M V OO SS H AA R[?] I R; &lt;br /&gt;
Conclusion of Gloria: O A M D G B M V OO SS H AA P I R; &lt;br /&gt;
Head of Credo: O A M † D G B M V OO SS H AA P I R; &lt;br /&gt;
Conclusion of Credo: A M D G B M V OO SS H A P I R&lt;br /&gt;
Conclusion Osanna: A M D G B V M OO SS H AA P I R. &lt;br /&gt;
At the conclusion of the autograph score Zelenka noted that the work was composed to the ‘Greater Glory of God in fulfillment of a vow: ‘Missam hanc A M D G ex voto posuit J D Z post recuperatum Deo Fautore Salutem.’ &lt;br /&gt;
NB: The Diarium of the Dresden Jesuits reported on 2.7.1739 (Feast of the Visitation BVM) that Zelenka produced a new mass. (Sacrum novum produxit D. Zelenka).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’(c1784), a score and parts for the Kyrie, Gloria, Credo, Sanctus and Agnus are listed as [Messa] No: 13), Messa Votiva (III/Z/10/4).&lt;br /&gt;
Concordance: &lt;br /&gt;
CZ-Pkřiž, XXXV D 80. Fourteen parts for the complete Missa votiva, and ten parts for the Kyrie and Gloria of this mass were held by the music library of the Prague Kreuzherren. Second quarter of the 18th c. RISM ID no. 550255329.&lt;br /&gt;
See Zelenka-Dokumentation, 147, Dok. 70; 288, ZWV 18 and (eds. R. Kubik, Th. Kohlhase), EdM 108, 1997. Also see Kohlhase , ‘Der Dresdener Hofkirchenkomponist’, 150-52. Also Stockigt, ‘The Missa votiva’ (43–8), where it is suggested that Sarro’s setting of the text ‘Gratias agimus tibii’ (seen in D-Dl, Mus. 2356-D-1 / Mus. 2358-D-42) provided the model for Zelenka‘s setting of the same text.&lt;br /&gt;
The Credo of this Mass was published by Johann Friedrich Rochlitz in his 'Sammlung vorzüglicher Gesangstücke ... Dritter Band ... vom Jahr 1700 bis um das Jahr 1760, 2te Abtheilung (Mainz: Schott’s Sons), 59–70.</text>
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              <text>‘a 4 voci con Strom.’</text>
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              <text>(Aut. 217)  Mus. 2358-D-33,1,2&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 18]&lt;br /&gt;&#13;
Messa Votiva a 4 voci [mit Orchester]    e moll.    Part. u. St.  2 Bde  m. 23 St.   quer–4to   Part.: =Orig.-Mscr.   Kath. Hofkirche   Stimmen stehen gesondert</text>
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              <text>Autogr. score of Missa votiva by Zelenka (Mus. 2358-D-33) kept at SLUB in two vols.; 23 parts missing from Dresden.</text>
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              <text>[Messe] No 13.</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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              <text>ZWV 18</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006536"&gt;212006536&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006537"&gt;212006537&lt;/a&gt;</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>Mus. 2358-D-27.</text>
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              <text>1733 (SLB Kat.)</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,</text>
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              <text>Schranck III; Fach 9; Lage 3</text>
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              <text>Jan Dismas Zelenka. Inventarium 9/43? (crossed out and replaced by a Lotti mass); 11/47 (without scoring)</text>
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              <text>Autogr. score (damaged) of a solemnly set Kyrie and Gloria. Without covers and labels. Parts are missing.&lt;br /&gt;
Concl. Gloria (autogr.): OO A M D G B V OO SS H AA P I R  | Dresda 1733.&lt;br /&gt;
Bound in with vol. 2 of Missa votiva (see III/Z/9/4) is the cover, with title, for the Credo of this Mass (ZWV 15): ‘ex Missa | Eucha | ristica quae habetur in 6 Nro 47. | à 4 | C:A:T:B: | Violini 2 | Oboe 2 obligate | Viola | Trombe 2 | Corni da Caccia 2 | Timpani | e | Basso Continuo. | di | G:D:Z:’ &lt;br /&gt;
In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie and Gloria are listed as [Messa] No: 12) (Fach 10; Lage 3). The scoring given for both sections is: ‘à 4 voci co’ VVni. Ob. Vla, Corni, Trombe, Timp: ed Org.’&lt;br /&gt;
Zelenka’s mass settings from 1733, Missa Purificationis B.M.V. (ZWV 16) and Missa Eucharistica (ZWV 17), both scored with trumpets and horns, are the last solemnly-set masses to be composed by Zelenka.&lt;br /&gt;
Elsewhere I have suggested that Zelenka’s Missa Eucharistica was composed for the conclusion of the Corpus Christi octave in 1733. On 11 June Friedrich August II (who, according to the annual letter to Rome, considered the feast of Corpus Christi to be the most solemn and important of all) returned to Dresden from his Erbhuldigung visit to Freiberg. On that same day, 11 June, the Dresden Diarium noted that royal music was heard heard in the Catholic court church: ‘Hora 11 ... Musica Regia.’ See Stockigt in ‘Liturgical Music for a New Elector’, 81. This suggests that Missa Eucharistica (June 1733) probably predated the composition of Missa Purificationis (August 1733).</text>
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              <text>‘a 4 voci co’ VVni Viola, Flti Corni, Trom. e Timp.’</text>
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              <text>Mus. 2358-D-27&lt;br /&gt;&#13;
Zelenka, Giovanni Disma:  [Messen.  Z 15]&lt;br /&gt;&#13;
Messa a 4 voci [mit Orch.]    D dur.  Part. u. St.   [= Missa Eucharistica?] Dresda 1733  1 Bd  m. 34 St.   4to   Mus.-Mscr.  Part.: =Orig.-Ms.   Kyrie   Gloria   Kath. Hofkirche   Stimmen stehen gesondert</text>
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              <text>[Messe] No 12. Kyrie e Gloria</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 12. Kyrie e Gloria, III/Z/9/3</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>857</text>
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              <text>03/09/02</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb.,</text>
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              <text>Schranck III; Fach 9; Lage 2</text>
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              <text>Jan Dismas Zelenka. Inventarium 9/40 (titled Missa [intende: deleted] Adjutoru[m] nostru[m] in nomine Domine). ‘P’.</text>
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              <text>This work by Domenico Sarri is registered twice in this Catalogo (1765) : once here and once as a Kyrie/Gloria setting under the name ‘Sarri’. See III/S/1/4 (Mus. 2356-D-1). Parts to accompany this score listed here are missing.&lt;br /&gt;
Although Zelenka ‘stretched’ the mass, and shortened the Gloria, there is no sign of his reworking in the score of this acquisition. &lt;br /&gt;
On Zelenka’s ‘stretching’ of this mass, see Wolfgang Horn, Hkm, p. 192.&lt;br /&gt;
The scoring (page 1, beginning of the Kyrie) is for Oboè; Violino; Violino; Canto; Canto; Alto; Tenore; Basso; [Organo]. Instrumentation (page 31, beginning of the Gloria) is for Tromba (in D); Oboè; Violino; [CCATB]; Organo. Traverse flutes are included in this setting.The score has no viola.&lt;br /&gt;
‘[...] a Kyrie e Gloria in D by Sarro reached Dresden twice. On the first occasion it entered Zelenka’s personal collection between 1730 and 1732 (D Dl, Mus. 2358-D-42);  the second time, it arrived in Dresden some time between 1738 and 1740 as a score from Naples which Zelenka then carefully checked against his own copy, detecting and correcting a mistake by its copyist (a homoteleuton, D Dl, Mus. 2356-D-1, pp. 128–130)’. See Bacciagaluppi &amp;amp; Stockigt, ‘Italian Manuscripts of Sacred Music in Dresden’, 156.&lt;br /&gt;
Sarri’s setting of the text ‘Gratias agimus tibi’ in this mass appears to have provided Zelenka with the model for his setting of that same text in his Missa votiva. See III/Z/9/4. Discussed by Stockigt in ‘The Missa votiva’, 46–7. &lt;br /&gt;
Incipits given in Zelenka-Dokumentation, 66, Nr. 208.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784), where the work is listed under the heading ‘Zelenka’, score and parts are given for the Kyrie, Gloria, Sanctus, and Agnus are listed for [Messa:] No: 11) Messa senza Credo (III/Z/10/2). The scoring given for all sections is: ‘à 5 voci co’ VVni. Oboi, Vla, ed Org.’</text>
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              <text>Mus. 2358-D-42. Zelenka, Giovanni Disma (?) [Messen, ohne Z-Nr.] Missa senza Credo a 5 voci [mit Orchester] D dur. 4/4. Part. u. St. [u. St. deleted] o.J. 1 Bd. mit 25 St. [25 St. deleted] quer - 4to u. 4to [u. 4to deleted]. Mus.–Mscr. P{art: Orig.-Mscr.  Kath. Hofkirche   [deleted: Stimmen stehen gesondert]</text>
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              <text>Score copy of Messe Nr. 11 attributed to Zelenka, but composed by Domenico Sarri held by SLUB. 25 parts missing from Dresden.</text>
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              <text>[Messe] No 11. Senza Credo</text>
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              <text>ZWV 213</text>
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                  <text>Janice B. Stockigt</text>
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              <text>856</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Schranck III; Fach 9; Lage 1</text>
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              <text>Partitur; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium 8/36: ‘Missa gratias agimus tibi a 4’</text>
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        <element elementId="63">
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              <text>Bound autogr. score of a Missa tota. Originally in four separate sections/parts, each with blue-grey cover. Parts are missing.&lt;br /&gt;
Cover title part 1: Kyrie &lt;br /&gt;
Cover title part 2: Gloria &lt;br /&gt;
Cover title part 3: Credo in unu[m] Deu[m]. A second autogr. title [?] is struck through.&lt;br /&gt;
Cover title part 4: Sanctus et Agnus.&lt;br /&gt;
Each of these covers has storage information (upper left) which relates to this Catalogo (1765): &lt;br /&gt;
Kyrie: Schranck No: III | Z. 9. Fach  1. Lage | No: 10.) Messa brevis | à 4 voci | co’ VVni Viola, Basso, Flauti | 4 Trombe e Timp: | Partitur e parti cav: | del Sigr Zelenka | Incipit.&lt;br /&gt;
Gloria: Schranck No: III | Z. 9. Fach  1. Lage | No: 10.) Messa brevis. &lt;br /&gt;
Credo: Schranck No: III | Z. 9. Fach  1. Lage | No: 10.) Messa brevis | &lt;br /&gt;
Sanctus et Agnus: Schranck No: III | Z.  9. Fach  1. Lage | No: 10.) Messa brevis. &lt;br /&gt;
Concl. of score: O A M D G B V M OO SS H AA P I R | Dresda 5 d’Ottobre[?] | 1730.&lt;br /&gt;
See Zelenka-Dokumentation, 133–4, Dok. 55; 287, ZWV 13. See also, Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 139–40. &lt;br /&gt;
On the occasion for which this mass was composed see Stockigt (‘After Six Weeks’, Table 10.2), where it is suggested that Missa gratias agimus tibi was composed for the churching ceremony of Maria Josepha held on 7.10.1730 (birthday of her husband, Saxon Electoral Prince Friedrich August II) following the much-desired birth of Saxon Prince Franz Xavier (b 25.9.1730), a birth which was described in the annual letter to Rome as being ‘not unlike a second Samuel [...] the result not so much of the prayers of the mother as of the two saints.’ [Xavier and Benno: the full name of Prince Xavier was Franz Xavier Albert August Ludwig Benno]. Annuae literae Regiae Missionis Dresdensis Ao 1730. ARSI (I-Rar), Boh 147, 19.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa:] No: 10) Messa (III/Z/10/1). &lt;br /&gt;
Concordance:&lt;br /&gt;
CZ-Pak, 1402. Set of 20 parts for Zelenka’s Missa Gratias agimus tibi kept under the title Missa promissae gloriae. Štefan, ([1467] Sign. 1402), prov. Sehling.</text>
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              <text>(Aut. 208) Mus. 2358-D-21&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 13]&lt;br /&gt;&#13;
Messa brevis a 4 voci [mit Orch.]  [Missa Gratias agimus tibi]   D dur.   Part. u. St.   (Dresda 1730 )   4to   1 Bd  m. 38 St.   Mus.-Mscr.  Part.: =Orig.-Ms.   Kath. Hofkirche   Stimmen stehen gesondert</text>
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          <name>Status</name>
          <description/>
          <elementTextContainer>
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              <text>Autogr. score of Missa Gratias agimus tibi by Zelenka (ZWV 13) held by SLUB; 38 parts missing from Dresden.</text>
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          <elementTextContainer>
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              <text>[Messe] No 10.</text>
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              <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745)</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="93291">
              <text>ZWV 13</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>[c1727 with earlier (1726) and later (c1728+) sections]</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Autogr. score of a Missa tota in 4 vols. Covers kept with each part. Performance parts are missing.&lt;br /&gt;
Cover title, vol. 1: Nro 9 (replacing 6?; upper right). Kirie ex Missa | Charitatis | à 4 | C:A:T:B: | VViolin 2 | Obe 3 | Viola | Tromb ò Corni di | Caccia | Fagotto Conc: | Basso Contin: | J:D:Z:&lt;br /&gt;
Caption title: Kyrie ex Missa Charitatis a 4 | di G.D.Z:&lt;br /&gt;
Cover title, vol.  2: Nro 16 | Gloria ex Missa | Charitatis | à 4 | C:A:T:B: | et | caete: | di G:D:Z:&lt;br /&gt;
Caption title: Gloria à 4 ex Missa | Charitatis di G.D.Z:&lt;br /&gt;
Cover title, vol. 3: Nro 16. | Credo ex Missa | Charitatis |  à 4 | C:A:T:B: | et | caeter: | di G:D:Z:&lt;br /&gt;
Caption title: Credo à 4 di Giov. Disma Zelenka&lt;br /&gt;
Cover title, vol. 4: [non-autogr.] Sanctus | partitura sola| ofur Stimmun [!]&lt;br /&gt;
Concl. Kyrie: A M D G V M [partly destroyed]; OO SS H AA P I [partly destroyed] &lt;br /&gt;
Concl. Gloria: A M D [G?] [partly destroyed] V M OO [partly destroyed] AAq P [partly destroyed] &lt;br /&gt;
Concl. score: A M D G V M OO SS H A P I R.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa:] No: 9) Messa Charitatis (III/Z/9/4). The scoring given for all sections of the Mass is: ‘à 4 voci co’ VVni. Ob: Vla, Fl. Corni, ed Org.’ The incipits for the Credo, Sanctus, Agnus are almost identical with those given for the Missa Nativitatis Domini, ZWV 8: III/Z/8/1.&lt;br /&gt;
The undated Missa Charitatis is the last of a trilogy of ‘Ordinary’ Mass settings by Zelenka bearing the titles of the three Theological Virtues: Faith, Hope, and Charity. They are: Missa Spei (ZWV 5) ‘1724’ (date given by Norbert Schulz, 16); Missa Fidei (ZWV 6) dated ‘25 Novem. 1725’; Missa Charitatis (ZWV 10) c1725–7. &lt;br /&gt;
Zelenka’s mannerisms of notation indicate that the score of Missa Charitatis was prepared between late 1725 and late 1727/8. The  dates proposed for this Mass setting are: Kyrie, Gloria, Credo, c1727; Sanctus, c1726; Benedictus, late 1727/8; Osanna, late 1727/8; Agnus Dei, c1726. It is possible that movements dated c1726 (Sanctus; Agnus Dei) were originally written for the Missa Nativitatis (ZWV 8). The position of Missa Charitatis in Zelenka’s Inventarium suggests it was finalised after Missa Nativitatis (1726) and the now-missing Missa Corporis Domin[ic]i (c1727).&lt;br /&gt;
See Zelenka-Dokumentation, 287, ZWV 10 (given as Missa Caritatis).&lt;br /&gt;
This mass is listed by name in the Breitkopf non-thematic catalogue (Ostermesse 1779): ‘Missa Charitatis, Kyrie cum Gloria &amp;amp; Credo, à 2 Corni, 2 Oboi, 2 Violini, Viola, 4 Voci, e Fondamento. P. 4 thl. St. 3 thl. 16 gl.’ (1769). The original scoring (which included three oboes and two horns) suggests that the work was also listed in the Breitkopf non-thematic catalogue (Michaelmesse1761): ‘Missa, à 2 Corni, 3 Oboi, 2 Violini, Viola, 4 Voci, Basso e Organo. a 4 thl.’&lt;br /&gt;
Concordance:&lt;br /&gt;
D-B, Am.B 361 (3). RISM ID no. 452505218.</text>
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Messa Charitatis a 4 voci [m. Orch.]   D dur.   Part. u. St.   4to   1 Bd  m. 27 St.   Mus.-Mscr.  Part.: =Orig.-Ms.   Kath. Hofkirche   Stimmen stehen gesondert</text>
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              <text>[Messe] No 9.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Jan Dismas Zelenka. Inventarium  9/42: ‘facta occasione onomasticae dies S: M: Principesse ac Domine nostrae’</text>
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              <text>Unbound autogr. damaged score of a mass without Credo. Parts are missing. &lt;br /&gt;
Two labels corresponding with the Hofkirche catalogues of 1765 and c1784 are kept with the score.&lt;br /&gt;
Catalogo (1765): Schranck No. III | Z. 8. Fach   3. Lage | No: 8.) Messa | senza Credo | à 4 voci | co’ VVni, Viola, Basso, | Flauti, Corni, 2. Trombe, Timp: | Partitura e parti | del Sigr Zelencka | &lt;br /&gt;
Catalogo (c1784): Schranck No. III | Lit. Z.   9. Fach  3. Lage | No: 8) Messa | senza Credo | à 4 voci | co’ VVni, Viola, Fl. Corni | Trombe Timp: ed Org. | Partitura e parti | del Sigr Zelencka | Incipit (which deviates slightly from the incipit shown in the Catalogo 1765).&lt;br /&gt;
Pagination of the autograph begins with the Quoniam, followed by the Kyrie eleison; Christe eleison; Kyrie eleison: Gloria: Sanctus; Agnus Dei. &lt;br /&gt;
Concl. of score: O A M D G B V M OO SS H AA P [?].&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Sanctus, and Agnus are listed for [Messa:] No: 8) Messa senza Credo (III/Z/9/3).&lt;br /&gt;
Zelenka’s remark ‘facta occasione onomasticae dies S: M: Principesse ac Domine nostrae’ acknowledges that this mass was composed for the name-day of Maria Josepha before she became Queen when her husband, Friedrich August II, was elected King of Poland (October 1733). Wolfgang Horn (‘Opera, aria and Zelenka: Remarks on a Special relationship’, Clavibus unitis 4 (2015), 61) concludes that this mass probably was composed in 1732. Although both the birth- and name-day of Maria Josepha was always shown in the Galla-Tage lists of the HStCal as 8 December (Feast of the Conception BVM within the octave of St Francis Xavier), her name day also came to be celebrated on the feast of St Joseph (19 March). In the 1738 annual letter to Rome from Dresden it was stated that St Joseph (19 March) was Maria Josepha’s saint, (Annuae Literae Missionis Dresdensis ad annum 1738 (ARSI (I-Rar), Boh 157, 44). However, the HStCal continued to list 8 December as her birth and name day to be celebrated ‘in Galla’. &lt;br /&gt;
No dedication copy of this mass is known at present, and the work is unlisted in royal music catalogues. &lt;br /&gt;
See Zelenka-Dokumentation, 287, ZWV 14.&lt;br /&gt;
The inclusion in the scoring of flutes, two horns, two clarini, and timpani suggests that perhaps this mass once was held by Sehling titled Missa sanctae conversationis (now missing in CZ-Pak). See Štefan ([1468] Sign. ?), prov. Joseph Antonín Sehling.</text>
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              <text>(Aut. 221) Mus. 2358-D-43&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 14]&lt;br /&gt;&#13;
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>March/April 1726: Benedictus c1732</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Schranck III; Fach 8; Lage 2</text>
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              <text>Partitur; Parti</text>
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              <text>Jan Dismas Zelenka. Inventarium  5/7</text>
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              <text>Bound autogr. score of a Missa tota. In four sections, the first three with blue-grey wrapper. Performance parts are missing.&lt;br /&gt;
Title page, part 1: d# (left) Nro 7 (right) | Kyrie Sanctus | et | Agnus ex Missa | Paschali | à 4 | C: A: T: B: | Violin 2 | Oboe 2 |  Viola | Trombe 4 | Tympan: |  e | Basso Cont: | di | G: D: Z:&lt;br /&gt;
Caption title: Missa Paschalis. Missa a 4 di Giov. | Disma Zelenka.&lt;br /&gt;
Title page, part 2 (Zelenka): d (left) Nro 7 (right) | Gloria ex Missa | Paschali | à 4to | C;A;T;B; | et | caete: | di | G: D: Z:&lt;br /&gt;
Caption title: Gloria à 4 di Giov. | Disma Zelenka.&lt;br /&gt;
Title page, part 3: d# (left) Nro 7 (right) | Credo ex Missa | Paschali | à 4to | C;A;T;B; | etcae: | di | G: D: Z:&lt;br /&gt;
Caption title (autogr.): Credo à 4 di G: D: Zelenka.&lt;br /&gt;
Title page, part 4 (Zelenka): Sanctus et Agnus | Dei.&lt;br /&gt;
Concl. Kyrie: O A M D G B M V OO SS H AA P in R ; Dresd. li 30 Marzo 1726; &lt;br /&gt;
Gloria: O A M D G V M OO SS H AA P in R; Dresde li | 11 April 1726; &lt;br /&gt;
Credo: OO A M D G V M OO SS H AA P in R; &lt;br /&gt;
Sanctus et Agnus Dei: O A M D G V M OO SS H AA P in R.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa:] No: 7) Messa Paschalis (III/Z/9/2).  &lt;br /&gt;
Almost certainly composed for Easter Monday 1726 (22 April), when the Dresden Diarium Missionis reported: ‘Dimidia 11 Cantatum cum assistentia [...] Musicam produxit Dominus Zelenka’. Revised c1732 at which time the ‘Benedictus’ and ‘Osanna’ movements were inserted.&lt;br /&gt;
See Zelenka-Dokumentation, 129–30, Dok. 39; 286, ZWV 7. &lt;br /&gt;
See Andrew Frampton,  'A Critical Edition of Jan Dismas Zelenka's Missa Paschalis, ZWV 7.' BMus (Hons) Diss. (2 vols.), University of Melbourne, 2013. Also 'A Copyist of Bach and Zelenka: identifying the scribe of GB-Ob MS Tenbury 749' (unpublished conference paper, Melbourne Bach Forum, 25-27 2014).&lt;br /&gt;
Concordances: &lt;br /&gt;
1. CZ-Pk, 7452. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’)&lt;br /&gt;
2. CZ-Pnm, Mělník 24. Set of ten parts without ‘Benedictus’, ‘Osanna’ (Seb. Böhm, c.1750) &lt;br /&gt;
3. CZ-Pnm, XXVIII E 229. Score copy, without ‘Benedictus’, ‘Osanna’ (Trolda, 1924, after CZ-Pnm Mělník 24)&lt;br /&gt;
4. CZ-Pnm, XXVIII E 230. Score copy (stamp: ‘Verein der Kunstfreunde für Kirchenmusik’). Also score copy of ‘Benedictus’, ‘Osanna’ (Trolda, 1929)&lt;br /&gt;
5. GB-Ob, MS Tenbury 749. Score copy, without ‘Benedictus’, ‘Osanna’ (18th c.). Andrew Frampton (‘A copyist of Bach and Zelenka’) has established that this Tenbury source of ZWV 7 is in the hand of Johann Friedrich Agricola, dated by Frampton as c1751.&lt;br /&gt;
6. GB-Ob, MS Tenbury 603. Parody of the Kyrie eleison I, Christe eleison, Et incarnatus est, Credo in unum Deum as anthem ‘O sing unto the Lord’ (see ZWV 221)&lt;br /&gt;
7. D-B, SA 690. (Pisendel’s hand?). Kyrie: Gloria; Credo’ Sanctus/Agnus. Without  Osanna and Benedictus. RISM ID no. 469069000&lt;br /&gt;
The inclusion in the scoring of two clarini, two trumpets, and timpani suggests that perhaps this mass (or ZWV 9) once was held by Sehling, titled Missa Tranquilli animi (now missing in CZ-Pak). See Štefan ([1469] Sign. ?), prov. Joseph Antonín Sehling.</text>
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Zelenka, Giovanni Disma: [Messen.  Z 7]&lt;br /&gt;&#13;
Messa Paschalis a 4 voci [m. Orch.]   D dur.  Part. u. St.  Dresda 1726.  1 Bd  m. 30  St.   4to   Mus.-Mscr.  Part.: = Orig.-Ms.   Kath. Hofkirche   Stimmen stehen gesondert</text>
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              <text>[Messe] No 7. Paschalis</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211010848"&gt;211010848&lt;/a&gt;</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>ZELENKA. Gio. Dis.</text>
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            <elementText elementTextId="93185">
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Jan Dismas Zelenka. Inventarium 6/22</text>
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          <name>Remarks</name>
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              <text>Autogr. score and parts for Missa Corporis Domini (a Missa tota) missing in Dresden.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for Messa: No: 6) Corporis Domini (III/Z/9/1). The scoring given for all sections is: à 4 voci co’ VVni. Vla, Oboi, Corni , Tromb. Timp. ed Org. &lt;br /&gt;
NB: the incipit given for an anonymous Credo setting listed under MUSICA SENZA NOME DELL'AUTORE (see III/27/13) in A Major agrees with the incipit given for Missa Corporis Domini in the Catalogo (c1784) for the Credo in D Major in that same Catalogo (III/Z/9/1).&lt;br /&gt;
Zelenka’s setting Missa Corporis Domini ZWV 9 might have been  composed for the octave of Corpus Christi, 1727. In that year, on 8.6.1727 (Trinity Sunday: Dedication of the Dresden Catholic court church), the Diarium noted that Zelenka was responsible for the music (‘Musicam fecit D. Zelenka’).&lt;br /&gt;
Concordances:&lt;br /&gt;
1. D-B, Am.B 361 (II): Kyrie and Gloria only (late 18th century). RISM ID no. 452505217; &lt;br /&gt;
2. D-B, Mus. MS 30817, No. 1: score copy of Kyrie, Gloria (18th c.);&lt;br /&gt;
3. D-B, Am.B 362: complete score in the hand of Gottlob Harrer. RISM ID no. 452505220. See Kollmar, Gottlob Harrer (1703-1755), 305–06; &lt;br /&gt;
4. D-B, Mus. MS 23541/5: 18 performance parts (incomplete) for the entire Mass in the hand of Harrer, RISM ID no. 452522198; &lt;br /&gt;
5. CZ-Pkřiž, XXXV D 131. Kyrie and Gloria from this mass titled Missa S. Antonii Padua kept by the Kreuzherren Prague. Comprises a set of 14-15 parts, dated ‘1750’. RISM ID no. 550255394&lt;br /&gt;
6. CZ-Pnm 65/52, Catalogues 1720, 1733, f. 3: ‘Missa ex d S: Antoniis. 1ae classis: Zelenka.’ &lt;br /&gt;
See Zelenka-Dokumentation, 286, ZWV 9. Kohlhase , ‘Der Dresdener Hofkirchenkomponist’, 143.&lt;br /&gt;
The inclusion in the scoring of two clarini, two trumpets, and timpani suggests that perhaps this mass (or ZWV 7) once was held by Sehling titled Missa Tranquilli animi (now missing in CZ-Pak). See Štefan ([1469] Sign. ?), prov. Joseph Antonín Sehling.</text>
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              <text>[Messe] No 6. Corporis Domini</text>
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                <text>ZELENKA. Gio. Dis.</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>1723? [Norbert Schulz]: 1728.</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Schranck III; Fach 7; Lage 3</text>
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              <text>Jan Dismas Zelenka. Inventarium  7/26</text>
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              <text>Bound autogr. score of a Missa tota. Blue-grey covers to the mass sections. Parts are missing. &lt;br /&gt;Cover title to Kyrie: D# (upper left); Nro. (erased) | Kyrie Sanctus | et | Agnus | ex | Missa Circumcisi | onis Domini Nostri | Jesu Christi. | à 4 | C: A: T: B: | Violin: 2 | Oboe 2 | Viola | Trombe 3 | Timp. | Corni di Caccia 2 | Basso Contin; | di | G. D. Zelenka. &lt;br /&gt;Cover title (Gloria): D# (upper left); Nro. 26 | Gloria della Messa | Circumcisionis Domini | di | G:D:Z:&lt;br /&gt;Caption title (Gloria): Gloria ex Missa Circumcisionis Dni | 1728. 24 Settember. G.D.Z.&lt;br /&gt;Cover title (Credo): Credo ex Missa | Circumcisionis Dni | di | G.D.Z.&lt;br /&gt;Caption title (Credo): Credo Missa Circumcisionis D | 1728, 28 Decem:&lt;br /&gt;Cover title: Sequitur Sanctus | et | Angus Dei.&lt;br /&gt;Dedications: Concl. Kyrie: A M D G V M OO S H AA P I R; &lt;br /&gt;Concl. of Credo: A M D G B M H OO [?] V AA P in R; &lt;br /&gt;Concl. of score: A M D G V M M OO SS H AA P I R.&lt;br /&gt;Two labels to correspond with the catalogues of 1765 and c1784 are kept with the score: &lt;br /&gt;1. Schranck No. III | Z. 7. Fach 3. Lage | No: 5) Messa Circumcisio | nis Domini | à 4 voci | co’ VVni, Viola, Basso, Corni, Trombe e Timpani | Partitura e part cav. | del Sigr Zelencka | Incipit. &lt;br /&gt;2. c1784: Schranck No. III | Lit. Z. 8. Fach 5. Lage | No: 5) Messa | Circumcisionis D | à 4 voci | co’ VVni, Viola, Corni, Trombe | Timpani ed Org. | Partitura e parti | del Sigr Zelencka | Incipit. &lt;br /&gt;In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for [Messa] No: 5) Circumcisionis Dni (III/Z/8/5). The scoring given for all sections is: à 4 voci co’ VVni. Vla, Oboi, Corni , Tromb. Timp. ed Org.&lt;br /&gt;See Zelenka-Dokumentation, 131, Nr. 45; 287, ZWV 11.&lt;br /&gt;Missa Circumcisionis Domini was almost certainly intended to be heard on 1.1.1729, feast of the Circumcision OL (titular feast of the Society of Jesus). Earlier, however, on the day of this feast in 1724 (1.1.1724) the Dresden Diarium Missionis reported that Zelenka had composed an attractive new Mass (which was long) and the Prince and Princess had attended its performance. (‘Composuit novum Sacrum elegans Dominus Zelenka; interfuit toto Cantato quod longum fuit, Serenissimi Princeps et Principessa. ...’). Is it possible that parts of Missa Circumcisionis were composed late in 1723 for New Year’s Day 1724, then reworked and finalised late in 1728 for performance of New Year’s Day 1729? Note that in his thesis of 1944 Norbert Schulz gave the date of Missa Circumcisionis as ‘1723’. &lt;br /&gt;This is one of two masses by Zelenka (both now missing) once in the possession of Johann Friedrich Fasch that were listed into the Concert-Stube of the Zerbst court, 1743.&lt;br /&gt;Entered into the Breitkopf non-thematic catalogue (Michaelmesse 1761) as ‘Missa, à 2 Clarini, Tymp. 2 Corni, ô 2 Clarini con Princ. 2 Oboi, 2 Violini, Viola, 4 Voci, Basso e Organo. a 5 thl.’. Perhaps this is also the listing in the catalogue (Ostermesse 1769) as ‘Kyrie cum Gloria, à 4 Clar. Tymp. 2 Violini, 2 Oboi, Viola, Basso, 4 Voci e Fondamento. P. 3 thl. St. 2 [?] thl. 12 gl.’.&lt;br /&gt;Concordances: &lt;br /&gt;1. D-B, Mus. MS 23 540. Score copy (‘Aus Emanuel Bachs Nachlaß, Hamburg 1799 [...] G. Poelchau’) RISM ID no. 452522194;&lt;br /&gt;1a. A MS copy of this version is held in the Boston Public Library Music Collection: ‘Presented to the Public Library of the City of Boston By Joshua Bates Esq. Received Sept. 15.1859. No. 31002’ US-Bpr Series B-Bpm, 4051.14 v. 28, ff. 81–197.&lt;br /&gt;2. D-B, Mus. MS 23541? Harrer score copy? See Kollmar, Gottlob Harrer (1703–1755), 307–8.&lt;br /&gt;3. D-DS, 2147. Missing (‘Graupner-Autogr. 1728. 28 December’);&lt;br /&gt;4. D-ORB, Kyrie, Gloria, Credo (see ZWV 237);&lt;br /&gt;5. F-Pn, D-13.347 (formerly Bibl. du Conservatoire 25700). Score copy (Harrer. Stamp: ‘Ed. Grell’s Bücherei Gehörig’);&lt;br /&gt;6. GB-Lbl, MS Add. 32 141. Score copy without ‘Benedictus’, ‘Osanna II’, Agnus Dei (bookmark of Otto Jahn);&lt;br /&gt;7. Eighth listing in the non-thematic catalogue: Concert-Stube des Zerbster Schlosses, 129;&lt;br /&gt;8. D-HAu, MS 289, Credo bass line only in the hand of Johann Friedrich Fasch.</text>
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              <text>‘a 4 voci co’ VVni Viola, Corni, Trombe e Timp.’</text>
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              <text>Mus. 2358-D-24&lt;br /&gt;Zelenka, Giovanni Disma: [Messen. Z 11]&lt;br /&gt;Missa Circumcisionis Domini a 4 voci [m. Orch.] D dur. Part. 1 Bd 4to Orig.-Mus.-Mscr. Kath. Hofkirche</text>
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          <description/>
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              <text>Autogr. score of Missa Circumcisionis by Zelenka (ZWV 11) held by SLUB; parts to accompany the score not catalogued by SLB (but noted by Eitner?).</text>
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              <text>[Messe] No 5. Circumcisionis</text>
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              <text>Missa Circumcisionis Domini Nostri Jesu Christi</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 11</text>
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              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006527"&gt;212006527&lt;/a&gt;</text>
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                <text>ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 5. Circumcisionis, III/Z/7/3</text>
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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              <text>850</text>
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              <text>ZELENKA, Gio. Dis.</text>
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              <text>‘3 Settem.—26 Novem. 1729’</text>
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              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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              <text>Jan Dismas Zelenka. Inventarium  8/35</text>
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              <text>Bound autogr. score (damaged) of a mass without Credo.  Covers for the Kyrie and Sanctus et Agnus are kept with the score. Most parts are missing. Bound into the volume between the Gloria and Sanctus, however, is a damaged autogr. short score for the trumpet and timpani choir.&lt;br /&gt;
Cover label (pencil): Zelenka | Missa Divi Xaveri [...] | D  4/4 |  Kammer 11&lt;br /&gt;
Cover title Kyrie:  Missa Divi Xaverii | à 4 | C: A: T: B: | VViolin 2 | Oboe 2 | Traverse 2 | Viole 2 | Trombe 4 | Tympa: | e | Basso Contin: | di | G: D: Z: | Kyrie.&lt;br /&gt;
Title page Gloria: Gloria ex Missa Divi | Xaverij | di | G: D: Z:&lt;br /&gt;
Title page Sanctus: Nro 35: | Sanctus et Agnus | ex | Missa Divi Xaverii di | G: D: Z: &lt;br /&gt;
Dedications: Concl. Kyrie: O A M D G V M OO SS H AA P J [?] ; Dresdae 1729 | 3 Settem. &lt;br /&gt;
Concl. of  score: OO A M D G B V M OO SS H AA P I R ; Dresdae 26 Novem 1729.&lt;br /&gt;
The dates given by Zelenka suggest that this Mass was composed for performance during the octave of the feast of St Francis Xavier, 1729. St Francis Xavier was the Patron Saint of Maria Josepha, whose birth- and name-day (8 December) fell within the Xavier octave. The name Franz Xaver or Franziska Xaveria was included in the baptismal names of each child born to Maria Josepha.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Sanctus, and Agnus are listed for [Messa] No: 4) Divi Xaverii (III/Z/8/4). &lt;br /&gt;
On this setting, see Zelenka-Dokumentation, 132, Nr. 50; 287, ZWV 12, and Stockigt, ‘The Historical Background’. Preface to score Zelenka: Missa Divi Xaverii, ed. Vaclav Luks (Praha: Bärenreiter, 2016), v–vii. &lt;br /&gt;
This is one of two masses by Zelenka (both now missing) once in the possession of Johann Friedrich Fasch that were listed into the Concert-Stube of the Zerbst court, 1743.&lt;br /&gt;
Concordances: &lt;br /&gt;
1. Incipits (NB: “Violinus 2dus’ notated one octave higher) of a Kyrie and Gloria for a ‘Kyrie, Gloria, Sanctus, Agnus [...]’ by Zelenka listing in the Osek Inventory, 1754 (Missae Solenniores), fol. 9, No. 32  agree with the opening incipits of Kyrie and Gloria of his Missa Divi Xaverii;  &lt;br /&gt;
2. D-B, SA 687. Sing-Akademie zu Berlin. Score copy in hand of Johann Friedrich Agricola. RISM ID no. 469068700;&lt;br /&gt;
3. D-B, SA 688. Sing-Akademie zu Berlin. Parts (vn. 2, va. b.c.). RISM ID no. 469068800;&lt;br /&gt;
4. D-B, SA 689. Sing-Akademie zu Berlin. Score of Kyrie e Gloria. RISM ID no. 469068900.</text>
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              <text>Bound autogr. score  in 2 vols. The original 1723 score has numerous revisions made both late 1728 and early 1729. Zelenka transformed the original Kyrie/Gloria pair of 1723 into a Missa tota. Andrew Frampton (‘Jan Dismas Zelenka’s Missa Sancti Spiritus, ZWV 4) suggests that the ‘Et resurrexit’ and ‘Benedictus’ appear to be reworkings made early 1729 of movements from unidentified settings by Zelenka composed c1723-25.&lt;br /&gt;
Parts for the original version (see III/7/12/1) and for the revised version[s] are missing. The score copy made by Zelenka’s composition student Gottlob Harrer (see below: D-B, Sing-Akademie zu Berlin Notenarchiv  - SA 691) appears to be based upon a now-missing set of parts which indicate an even later revision.&lt;br /&gt;
Cover label on vol. 1 (Mus. 2358-D-18,1) for the now-missing original parts (1723) as listed in the Hofkirche ‘Catalogo’ (c1784): Schranck No: III | Lit: Z.  12. Fach  6. Lage | No. 23. Kyrie e Gloria | à 4 voci (pencil: Missa S. Spiritus) | co’ VVni Viola ed Org. | Parti cav. senza Partitura | del Sigr. Zelencka. Incipit.&lt;br /&gt;
Three additional labels are kept inside the back cover.&lt;br /&gt;
Title page of Kyrie and Gloria score, vol. 1:  No. 17. Missa S. Spiritus | Kyrie, Gloria | à 4 | C: A: T: B: | Violin 2 | Oboe 2 (‘flauti 2’ added. Non-autogr.) | Viola | Trombe 2 | Tymp: | e | Basso Contin: | di | G: D: Z:&lt;br /&gt;
Title page Gloria vol. 1: Gloria&lt;br /&gt;
Title page vol. 2: Nro 17 (upper right) | Credo, Sanctus | et | Agnus Dei | ex Missa S. Spiritus | di | G: D: Z:  &lt;br /&gt;
Dedications: Concl. vol. 1 (Gloria): A M D:G B V H  [...] 1723;&lt;br /&gt;
Concl. Credo vol. 2: O A M D G B V M OO SS H AA P I R; &lt;br /&gt;
Concl. Osanna. vol. 2: O A M D G B M V OO SS H AA P I R; &lt;br /&gt;
Concl. vol. 2: O A M D G B V M OO SS H AA P I R.&lt;br /&gt;
In 1723 the Dresden Diarium Missionis reported that on Pentecost Sunday (16 May: also Feast of St John of Nepomuk, duplex II classis in the Jesuit calendar) the royal musicians performed the mass with intraden at 11 o’clock. (Cantatum hora 11. Fecerunt Regii Musici musicam cum intradis, quae toto triduo factae sunt ad Sacrum Cantatum). Perhaps this was the occasion when the Kyrie and Gloria of Zelenka’s Missa S. Spiritus was first heard (ZWV 4).&lt;br /&gt;
On this mass, see Zelenka-Dokumentation, 113, Nr. 16; 286, ZWV 4. &lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts are shown for the Kyrie, Gloria, Credo, Sanctus, and Agnus (III/Z/8/3). The scoring given for the Kyrie is: à 4 voci co’ VVni. Ob: Fl. Vla, Tromb: Timp. ed Org.’; for the remaining sections of the Mass: ‘à 4 voci co’ VVni. Ob: Vla, Corni, Trombe, Timp: ed Org.’ On the original set of parts for the Kyrie and Gloria (1723), see III/Z/12/1.&lt;br /&gt;
Listed in the Breitkopf non-thematic catalogue (Michaelmesse 1761), 10: Zelenka, Joh. Dism. Comp. Reg. Polon. Missa cum Credo, à 2 Clarini, Tymp. 2 Oboi, 2 Flauti, 2 Violini, Viola, 4 Voci, Basso e Organo.  a 5 thl. See Kollmar, Gottlob Harrer (1703–1755), 306.&lt;br /&gt;
Concordances:&lt;br /&gt;
D-B, Sing-Akademie zu Berlin Notenarchiv  - SA 691. Score. Prov. Harrer., With annotations in another hand, possibly Zelter RISM ID no. 469069100&lt;br /&gt;
D-B, Sing-Akademie zu Berlin Notenarchiv  - SA 692 (incomplete). RISM ID no. 469069200.&lt;br /&gt;
D-B, Mus. MS 23541. Harrer parts. See Kollmar, Gottlob Harrer (1703–1755), 306.</text>
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          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93094">
              <text>16–23 Decemb: 1726</text>
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        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93095">
              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...]  Die kathol. Kirche in Dresden [...] 21 vollständige Messen, alle in P. u. Stb [...]</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93096">
              <text>Schranck III; Fach 6; Lage 2</text>
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        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93097">
              <text>Partitur; Parti</text>
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          <name>Provenance</name>
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          <elementTextContainer>
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              <text>Jan Dismas Zelenka. Inventarium 5/8</text>
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        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93099">
              <text>Unbound autogr. score of a solemn mass (Kyrie, Gloria, Credo).  Blue-grey covers to sections. Parts are missing.&lt;br /&gt;
Cover title Kyrie: Nro 8 (upper right) | Kyrie ex Missa | Nativitatis | Dni. | à 4 | C: A: T: B: | Violin 2 | Oboe 2 | Flaute Tra 2 | Viola | Trombe 2 | e | Basso Cont: | di | G: D: Z.&lt;br /&gt;
Cover title Gloria: Nro 8 | Gloria ex Missa | Nativitatis | Domini | à 4 | C:A:T:B: | et | caeter: | di | G: D: Z:&lt;br /&gt;
Cover title Credo: # 8: | Credo Sanctus | et | Agnus Dei  | ex | Missa | Nativitatis | Dni | à 4 | C:A:T:B: | et | caet: | di | G: D: Z:&lt;br /&gt;
Dedications: Concl. Kyrie: A M D G B V M OO SS H AA P I R 16 Decem | 1726; &lt;br /&gt;
Concl. Gloria: A M D G OO SS B V M H AA P I R.  Dresdae li 20 [missing] |1726; &lt;br /&gt;
Concl. Credo: A M D G VV M OO SS H AA P in R.  li 23 Decem | 1726. Sequitur Sanctus.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus, and Agnus are listed for Messa: No: 2) Messa Nativitatis (III/Z/8/1). The incipits for the Credo, Sanctus, and Agnus almost match those given for Messa: No: 9) Missa Charitatis, ZWV 10: III/Z/9/4 (with horns replacing trumpets).&lt;br /&gt;
This mass was first produced on the second day of the Christmas triduum, 1726. On that day (26.12.1726: S. Stephani Protomartyr) the Dresden Diarium Missionis reported: ‘Cantatum cum assistentia. . . . fuerunt intradae. Musicam produxit D. Zelenka’.&lt;br /&gt;
See Zelenka-Dokumentation, 130, Nr. 40; 286, ZWV 8. &lt;br /&gt;
This is probably the mass entered into the Breitkopf non-thematic catalogues (Michaelmesse 1761; Ostermesse 1769) as: Missa à 2 Corni, 2 Flauti, 2 Oboi, 2 Violini, Viola, 4 Voci, Basso e Organo. a 4 thl. (1761); — Kyrie cum Gloria, Credo, Sanctus, Osanna &amp;amp; Agnus à 2 Corni, 2 Flauti, 2 Oboi, 2 Violini, Viola, 4 Voci, e Fondamento. P. 5 thl. St. 4 thl. 12 gl. (1769). &lt;br /&gt;
Concordances: &lt;br /&gt;
Score copies of the Missa Nativitatis as a Missa tota are kept in &lt;br /&gt;
1. CZ-Pu, 59 R 2033, originally from the Jesuit church of St Nicholas (Missa Integra [...] Authore Sigr. Zelenka | Chori Soctis Iesu | Micro-Pragae. 1736. RISM ID no. 550506418. Discussed by Kapsa in ‘Die Musik in der St. Nikolauskirche’, 204; &lt;br /&gt;
2. D-B, Mus. MS 23 539. ‘Aus Emanuel Bachs Nachlaß’. This version replaces Zelenka’s two trumpets with the pair of horns and might have been ordered from one of the Breitkopf non-thematic catalogues. RISM ID no. 452522193;&lt;br /&gt;
2a. A MS copy of this version (a Missa tota with two horns) is held in the Boston Public Library Music Collection: ‘Presented to the Public Library of the City of Boston By Joshua Bates Esq. Received Sept. 15.1859. No. 31002’, ff. 199–317. US-Bpr Series B-Bpm, 4051.14 v. 28.&lt;br /&gt;
3. D-B Am.B. 360. RISM ID no. 452505214; &lt;br /&gt;
4. The opening incipit (Kyrie) agrees with the incipit of a Missa integra listing in the Osek Inventory, 1754 (Missae Dominicales), sub littera D fol. 19, Nr. 3 by Zelenka; &lt;br /&gt;
5. The Kyrie incipit of Missa Nativitatis agrees with the Kyrie incipit of a RISM entry of a work titled ‘Missa | di | Fedeli’ in Staatsbibliothek zu Berlin Preußischer Kulturbesitz, Musikabteilung. D-B, Mus.ms. 6080 452. RISM ID no. 45200443</text>
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              <text>(Aut. 207) Mus. 2358-D-20 &lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 8] Messa Nativitatis Domini a 4 voci [m. Orch.]   D dur   Part.   Dresda 1726.   1 Bd  m. 28 St.   4to   mit losen Blättern.   Part. des Sanctus u. Agnus fehlt.   Kath. Hofkirche   Stimmen stehen gesondert</text>
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              <text>Autogr. score of Kyrie, Gloria and Credo for Missa Nativitatis Domini (Mus. 2358-D-20) held by SLUB; 28 parts missing from Dresden; the SLB card cat. noted the scores for the Sanctus and Agnus as missing (‘fehlt’).</text>
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              <text>[Messe] No 2. Nativitatis D[omi]ni</text>
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          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
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              <text>ZWV 8</text>
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                <text>ZELENKA, Gio. Dis.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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                  <text>Janice B. Stockigt</text>
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                  <text>1765</text>
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      <description>A entry in the catalogo</description>
      <elementContainer>
        <element elementId="83">
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          <description>ID from previous system - used for matching</description>
          <elementTextContainer>
            <elementText elementTextId="93067">
              <text>847</text>
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          </elementTextContainer>
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        <element elementId="82">
          <name>Sort Order</name>
          <description>The physical order in the catologo</description>
          <elementTextContainer>
            <elementText elementTextId="93068">
              <text>03/06/01</text>
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          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Composer</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93069">
              <text>ZELENKA, Gio. Dis.</text>
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          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>D-Dl</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93070">
              <text>Mus. 2358-D-22</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="80">
          <name>Date (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93071">
              <text>14 August 1733 [completed]</text>
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          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Eitner</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93072">
              <text>V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] Die kathol. Kirche in Dresden besitzt einen grossen Spind, der seinen Namen trägt gefüllt mit Kompositionen von ihm, meistens im Autograph. Es sind vorhanden 21 vollständige Messen, alle in P. u. Stb</text>
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        <element elementId="60">
          <name>Location (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93073">
              <text>Schranck III; Fach 6; Lage 1</text>
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          </elementTextContainer>
        </element>
        <element elementId="61">
          <name>Materials (1765)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93074">
              <text>Partitur; Parti [x 2 for the Kyrie]</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="62">
          <name>Provenance</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93075">
              <text>Jan Dismas Zelenka. Inventarium 10/44.</text>
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        </element>
        <element elementId="63">
          <name>Remarks</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93076">
              <text>Bound part-autogr. score of a Missa tota. Parts are missing.&lt;br /&gt;
Cover title : # 44 (upper right, autogr.) | Schranck No: III | Z. 6. Fach 1. Lage | No: 1. Messa Purificationis à 4  voci | co’ VVni Viola Organo Flauti  4 Trombe e Timpani. | Incipit.&lt;br /&gt;
Title page:  Kyrie ex Missa | Purificationis B: V: M: | Quam occasione finiti feliciter | cum Gratia Dei Puerperii Serenis- | simae Dominae Nostrae Electris | cum S: Principe Carolo, posuit | J: D: Z:.&lt;br /&gt;
Caption title/dedication:  I: N: J: C.  The lack of the usual dedication formula suggests that the score of this mass was dedicated to Maria Josepha (that is, it was not composed to a commission of the court).&lt;br /&gt;
Title page to Gloria (non-autogr.): Gloria ex Missa | Purifcationis B.V.M.&lt;br /&gt;
Title page to Credo: # 44 (upper right) | Credo ex Missa | Purificationis B.V.M. | J.D.Z.&lt;br /&gt;
Title page to Sanctus: # 44 (upper right) | Sanctus ex Missa | Purificationis B.V.M. | di | G.D.Z.&lt;br /&gt;
Concl. of score (autogr.): A: 1733 inchoata est Messa praesens 14 Aug: et finita cum Gratia Divina quamvis aegrotassem 23. ejusdem. (In the year 1733. The present Mass was begun on 14 August and although I was ill, [it] was finished by Divine Grace on the 23rd of the same.) Facs. of Zelenka’s note is reproduced by Stockigt in Jan Dismas Zelenka, ch. 6, Pl. 4.&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) both score and parts are listed for Missa: No: 1) Missa Purificationis (III/Z/7/12). Two sets of parts are listed for the Kyrie (‘Kyrie in duplo’). &lt;br /&gt;
See Zelenka-Dokumentation, 139, Nr. 61; 287, ZWV 16. &lt;br /&gt;
On the occasion for which this mass was written see Horn (Hkm, 90) where it is proposed that Missa Purificationis B:V:M: was composed for the churching ceremony (Kirchgang, not the birth as RISM suggests) held six weeks after the birth of Saxon Prince Karl (b 13.7.1733). On masses composed by Zelenka for Maria Josepha’s churching ceremonies see Stockigt, ‘After Six Weeks’, Table 10.2.&lt;br /&gt;
Zelenka’s two mass settings written in 1733, Missa Purificationis B.M.V. (ZWV 16) and Missa Eucharistica (ZWV 17), both scored with trumpets and horns, are the last solemnly-set masses to be composed by Zelenka.&lt;br /&gt;
Perhaps this is the mass entered into the Breitkopf non-thematic catalogue (Ostermesse 1769) on page 17 as ‘Zelencka, Joh. Dism. Comp. Reg. Pol. El. Sax. Cap. Mag. Missa Kyrie cum Gloria, Credo, Sanctus, Osanna, &amp;amp; Agnus à [illegible] Clar. Tymp. 2 Oboi, 2 Flauti, 2 Violini, Viola, 2 Sopr. Alt. Ten. Bass e Fondamento. P. 5 thl. St.  5 thl. 8 gl.’.&lt;br /&gt;
Concordance: The incipit in the Catalog 1765 agrees with a Missa integra (Missae Dominicales) listing in the Osek Inventory, 1754, ‘sub littera D fol. 20r, No. 25’ in D, by Zelenka.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="93077">
              <text>‘a 4 voci co’ VVni Viola, 4 Trombe e Timpani ’</text>
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            <elementText elementTextId="93078">
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        <element elementId="68">
          <name>SLB Card Catalog</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93079">
              <text>(Aut. 209) Mus. 2358-D-22&lt;br /&gt;&#13;
Zelenka, Giovanni Disma: [Messen.  Z 16]&lt;br /&gt;&#13;
Messa Purificationis Beatae Mariae Virginis a 4 voci [mit Orch.]   D dur   Part. u. St.   1733   &lt;br /&gt;&#13;
1 Bd  m. 64 (je 32) St.   4to   Mus.-Mscr.   Part. = Orig. Ms.   Part. v. Kyrie-doppelt.   [Abschrift der Kyrie. Part. [...] Stimmen] = o   Kath. Hofkirche   Stimmen stehen gesondert</text>
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          <elementTextContainer>
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              <text>Sächs. Landes-Bibl.</text>
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          <description/>
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              <text>Part-autogr. score of  Missa Purificationis by Zelenka (Mus. 2358-D-22) held by SLUB; 32 parts of the complete mass plus additional 32 parts for the Kyrie are missing from Dresden.</text>
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          </elementTextContainer>
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          <name>Title (Catalogo)</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93082">
              <text>Messe: No 1. Purificationis</text>
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          </elementTextContainer>
        </element>
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          <description/>
          <elementTextContainer>
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              <text>Missa Purificationis B. V. M.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="93084">
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          <elementTextContainer>
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          </elementTextContainer>
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        <element elementId="81">
          <name>Identification</name>
          <description>The designated identification in relevant index eg ZWV, BWV etc</description>
          <elementTextContainer>
            <elementText elementTextId="93086">
              <text>ZWV 16</text>
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          </elementTextContainer>
        </element>
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          <name>RISM Links</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="93088">
              <text>&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=211011429"&gt;211011429&lt;/a&gt;</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="93087">
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            <description>A name given to the resource</description>
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                <text>ZELENKA, Gio. Dis.</text>
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Caption title: Ave Regina No: 4 (replacing [No:] 6). &lt;br /&gt;
Scored for vn. 1, vn. 2; va; Basso [solo]; b.c. (unfigured). &lt;br /&gt;
Horn identifies the copyist of Mus. 3158-E-10 as ZS 2 (= post 1730). On these settings, see III/Z/5/2 in this Catalogo (1765)&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Ave Regina’ No. 4  by Zeiler (III/Z/7/9). The scoring is given as: ‘à Basso Solo co’ VVni Vla ed Org.’</text>
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              <text>[Antiphonae. 4 Ave Regina]: No 4.</text>
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Caption title:  Ave Regina Coelorum  No: 3 (replacing [No:] 5). (5 in Zelenka’s hand). &lt;br /&gt;
Scored for vn. 1, vn. 2; va.; Tenore [solo]; b.c. (some figures added). &lt;br /&gt;
Horn identifies the copyist of Mus. 3158-E-9 as ZS 2  (= post 1730). On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Ave Regina’ No. 3  by Zeiler (III/Z/7/8). The scoring is given as: ‘à Tenore Solo co’ VVni Vla ed Org.’</text>
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              <text>‘a Ten. solo con strom. ’</text>
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              <text>III/Z/5/8</text>
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              <text>Zeiler, [Gallus]:  Ave Regina[à Tenore Solo con strom.]   Nr. 3    F-dur   Part. (u. St. )  1 H.  (mit 15 St.)   [...]    Mus.-Mscr.   Kath. Hofkirche.   (Stimmen stehen gesondert)* [*Kreigsverlust].  (umsigniert von 3158-E-3)</text>
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              <text>[Antiphonae. 4 Ave Regina]: No 3.</text>
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Cover title: D. b. [upper left]: No: 2do. [upper right ] | Ave Regina Coelorum | 2 Violin: | 1 Viola | Alto | con | Organo.&lt;br /&gt;
Caption: No: 2do.  &lt;br /&gt;
Scored for vn. 1; vn. 2; va; Alto [solo]; b.c. [unfigured]. &lt;br /&gt;
Horn identifies the copyist of Mus. 3158-E-8 as ZS 2  (= post 1730). On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Ave Regina’ No 2 by Zeiler (III/Z/7/7). The scoring is given as: ‘à Contr’alto Solo co’ VVni Vla ed Org.’</text>
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              <text>[Antiphonae. 4 Ave Regina]: No. 2.</text>
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                  <text>Catalogo della Musica di Chiesa 1765</text>
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                  <text>The  Catalogo della Musica di Chiesa ...  [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765.</text>
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              <text>publ. 1734</text>
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              <text>Score copy with cover. Parts are missing.&lt;br /&gt;
Title page: G. b. (upper left): No: 13 (3 deleted, leaving No: 1) | Ave Regina Coelorum | 2 Violin | 1 Viola | Canto | con | Organo | Zeiler (hand of Zelenka?) | Revidendum |  (part erased).&lt;br /&gt;
Caption title: Ave Regina Coeloru[m] No: 3. &lt;br /&gt;
Scored for vn. 1; vn. 2; va.; Canto [solo]; b.c. (unfigured). &lt;br /&gt;
Horn identifies the copyist of Mus. 3158-E-7 as ZS 2  (= post 1730). On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for ‘Ave Regina’ No. 1  by Zeiler (III/Z/7/6). The scoring is given as: ‘à Soprano Solo co’ VVni Vla ed Org.’</text>
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              <text>‘a Sopr. solo con strom. ’</text>
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              <text>Zeiler, [Gallus]:  Ave Regina coeloru[m] à Canto Solo con strom.] Nr. 1.  g-moll   Part. (u. St. )  1 H.  (mit 16 St.)   [...]    Mus.-Mscr.   Kath. Hofkirche.   (Stimmen stehen gesondert)* [*Kreigsverlust].  (umsigniert von 3158-E-1)</text>
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              <text>[Antiphonae]. 4 Ave Regina: No 1.</text>
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              <text>Mus. 3158-E-5; -E-6</text>
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              <text>V. 19 (1904), 335: Zeiler, P. Gallus [...] Im Archiv der kathol. Kirche in Dresden befinden sich unter P. Zeiler (jedenfalls der obige) im Ms. P. u. Stb: 1. 4 Alma redemptoris für Solo, 2 V. Va. u. Bc. 2. 5 Ave regina, ebenso. 3. 5 Regina coeli, ebenso.</text>
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              <text>Two scores are held. Parts are missing.&lt;br /&gt;
Mus. 3158-E-5: Score of Mus. 3158-E-5 (below). Light brown cover. &lt;br /&gt;
Cover title (Zelenka’s hand): D# (upper left): No. 10 (upper right). Alma a Basso Solo | Violini 2 | Oboe 2 ad libit[um] | Viola | e | Basso Contin. | di Signre Zeiler. &lt;br /&gt;
Caption title: Alma redemptoris No: 4. &lt;br /&gt;
Concl. of score: A M D G B M V OO SS H AA P I R. &lt;br /&gt;
Scored for ‘Violini 1 è Oboe 1’; ‘Violino 2 e Oboe 2’; ‘Viola’; ‘Basso’; b.c (figured). Zelenka’s reworkings are seen throughout.  Horn identifies the copyist of Mus. 3158-E-5 as ZS 2  (= post 1730). On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the antiphon ‘Alma Redemptoris’ No. 4  by Zeiler (III/Z/7/5). The scoring is given as: ‘à Basso Solo co’ VVni Vla ed Org.’ NB: The SLB ard catalogue states this is a revision.&lt;br /&gt;
Mus. 3158-E-6: Score copy. Light brown cover. &lt;br /&gt;
Cover title (in the hand of ZS 2): D# (upper left):  2do [?] (deleted); No: 10 (deleted); No: 4. Alma Redemptoris | Mater | 2. Violin: | 1. Viola | Basso solo | con | Organo | Zeiler. &lt;br /&gt;
Caption title: No: 4. &lt;br /&gt;
Scored for vn. 1; vn. 2; va.; Basso [solo]; b.c. (unfigured). No reworkings by Zelenka.</text>
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Mus. 3158-E-6:  Zeiler, [Gallus]:  [Alma Redemptoris Mater [Basso Solo con strom.].   D-dur   2/4.   Part.   1 H.   [...]    Mus.-Mscr.   Kath. Hofkirche.   (umsigniert von 3158-E-8)</text>
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&lt;a href="https://opac.rism.info/metaopac/search?View=rism&amp;amp;db=251&amp;amp;View=rism&amp;amp;id=212006139"&gt;212006139&lt;/a&gt;</text>
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              <text>Score copy. Light brown cover&lt;br /&gt;
Cover title (Zelenka’s hand): A# (upper left): No. 9 (upper right) deleted and replaced with 3. Alma | Tenor (replacing Basso) Solo | Violin 2. |  Viola | e | Basso Continuo |  Zeiler (not in Zelenka’s hand). &lt;br /&gt;
Caption title:  No: 3.  a #. &lt;br /&gt;
Scored for vn. 1; vn. 2; va.; Tenor [solo]; b.c. (unfigured). &lt;br /&gt;
No reworkings by Zelenka. On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for the antiphon ‘Alma Redemptoris’ No. 3 by Zeiler (III/Z/7/4). The scoring is given as: ‘à Tenore Solo co’ VVni Vla ed Org.’</text>
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              <text>Zeiler, [Gallus]:  [Alma Redemptoris mater No. 3]   Alma   Tenore Solo [con strom.].   A-dur   12/8 .   Part.   1 H.   [...]    Mus.-Mscr.   Kath. Hofkirche.   (umsigniert von 3158-E-7)</text>
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              <text>[Antiphonae. 4 Alma Redemptor.]: No 3.</text>
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              <text>Score copy. Light brown cover. &lt;br /&gt;
Cover title (hand of ZS 2): E. g  (upper left): No. 8 (upper right) deleted and replaced with 2. | Alma Redemptoris | 2 Violin | 1 Viola | Contra Alto | con | Organo |  Zeiler.  &lt;br /&gt;
Caption title:  No: 2.  &lt;br /&gt;
Scored for vn. 1, vn. 2; va.; alto [solo]; b.c. (unfigured). &lt;br /&gt;
Slight reworkings by Zelenka include re-organisation of the text (p. 9) and addition of ripieno oboes (see pp. 10–11).&lt;br /&gt;
On these settings, see III/Z/5/2 in this Catalogo (1765).&lt;br /&gt;
In the later‘ Catalogo della Musica di Chiesa ...’ (c1784) score only is listed for the antiphon ‘Alma Redemptoris’ No. 2 by Zeiler (III/Z/7/3). The scoring is given as: ‘à Contr’alto Solo co’ VVni Vla ed Org.’</text>
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              <text>Zeiler, [Gallus]:  Alma Redemptoris  [Contra Alto con strom.], Nr. 2,  e-moll.   Part.   1 H.   [...]  &lt;br /&gt;&#13;
Mus.-Mscr.   Kath. Hofkirche.   (umsigniert von 3158-E-6)</text>
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              <text>[Antiphonae. 4 Alma Redemptor.]: No 2.</text>
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