7 20 855 http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/83878dce8b50b06bc93d12dd5361bf64.png f1ce06f9adfdbc015c1d3f1918580686 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 738 Sort Order The physical order in the catologo 03/12/04 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-15,2 Date (Catalogo) c1740 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Gloria Location (1765) Schranck III; Fach 12; Lage 4 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Not entered in the Inventarium Remarks Bound autogr. score of the Gloria from Missa Dei Filii. Blue-grey cover. Parts are missing. Cover title: L: J: C: | GLORIA ex MISSA | ULTIMARUM | Secunda. | Dicta: MISSA DEI FILII | à 4 | C:A:T:B: | VViolin 2 | Obe 2 | Viola | Basso Continuo | di G: D: Zelenka. In 1740 Zelenka began a final large-scale project of the composition of six masses (the ‘Missae ultimae’), a project which was not completed. In that year he composed the first of these. See III/Z/12/3. Missa Dei Filii was probably written between late 1740 and early February 1741. Dedication: Concl. of Gloria: A M D G B V M OO SS H | [P I R?]. At the time of viewing this source the original blue-grey wrapper to the Gloria was kept at the back of the score. Two labels which correspond to the catalogues of 1765 and c1784 are attached to the front cover of this wrapper: Schranck No. III. | Lit. Z. 12. Fach 9. Lage | No: 26) Gloria | à 4 voci (insert in pencil: ex ?) | co’ VVni, Viola, ed Org. | Partitura sola | defect | del Sigr Zelencka | Incipit. A label which corresponds to this Catalogo (1765) is also attached to this wrapper: Schranck No. III. | Z. 12. Fach 4. Lage | Gloria | à 4 voci | co’ VVni, Viola e Basso, Partitura sola defect | del Sigr Zelencka | Incipit. In the later ‘Catalogo della Musica di Chiesa’ (c1784) a score only is listed for [Messa:] No: 26) Gloria (III/Z/12/9). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ The listing has the indication ‘defect’. The Kyrie from Missa Dei Filii, C Major (Mus. 2358-D-15,1) is unlisted in the Catalogo (1765). However, the Kyrie and ‘Cum Sancto Spirito’ fugue are entered in the later Catalogo of c1784 (scoring as for the Gloria), preceded by the Christe eleison setting: III/Z/8/2. On this Mass, see Zelenka-Dokumentation, 149, Dok. 72; 288, ZWV 20 and (edd. P. Horn, Th. Kohlhase), EdM 100, 1989). Also Patricia Corbin, ‘Missa Dei Filii ZWV 20: An Introduction to the Late Masses of Jan Dismas Zelenka (1679–1745)’, 9–32. Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/12/4 SLB Card Catalog Mus. 2358-D-15,1 u. -15,2 Zelenka, Giovanni Disma: [Messen. Z 20] Missarum ultimarum secunda dicta Missa Dei Filii (Kyrie in C dur; Gloria in G dur; 4. V + Orch.) Ms autogr. Partitur: Kyrie = 1 Heft (qu 8vo); Gloria = 3 Hefte (qu 8vo) [Im Gloria fehlt ‘Gratias agimus’ bis ‘Filius Patris’] Stamps Sächs. Landes-Bibl. Status Autogr. score of the Gloria of Missa Dei Filii by Zelenka kept in SLUB with the Kyrie setting of the mass (unlisted in the Catalogo of 1765). Parts missing from Dresden and not catalogued by SLB. Title (Catalogo) [Messe] No 26. Gloria Title Partitura GLORIA ex MISSA ULTIMARUM Secunda Dicta: MISSA DEI FILII Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 20 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006531">212006531</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 26. Gloria, III/Z/12/4 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/212e5a05a4c3ffcd4fde79467117cc16.png eab976b452441887710811a9cfba8f8a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 737 Sort Order The physical order in the catologo 03/12/03 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-11 Date (Catalogo) 21.09.1740 Eitner V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb. Location (1765) Schranck III; Fach 12; Lage 3 Materials (1765) Partitur[a] Provenance Jan Dismas Zelenka. Not entered in the Inventarium. Remarks Unbound autogr. score of a Missa tota. Nineteenth c. copies of the title page and pp. 3–4 of the score are kept with this Dresden source. These replacement sheets (damaged) were prepared by a Dresden copyist. The originals are held in Vienna (A-Wn, Sign 18363). Title page (copy from Vienna): L: J: C: [ Laus Jesu Christo] MISSA ULTIMARUM PRIMA dicta MISSA DEI PATRIS, EIDEM MAGNO DEO CREATORI rerum omnium, ac Patri optimo, maximóque, In summa humilitate, In demississima veneratione In profundissima adoratione, corde contrito et humiliato (quod ille non despicit) consecrata; ab Infima, subjectissima indignissima sua creatura Joanne Disma Zelenka 1730 [sic]. Trans: ... FIRST OF THE FINAL MASSES named the MASS OF GOD THE FATHER, DEDICATED TO GOD THE GREAT CREATOR of all things, best and supreme Father, in deepest humility and humblest veneration, in most profound adoration, with a contrite and humbled heart (which He does not despise), by his lowest, most obedient, and most unworthy creature ... In 1740 Zelenka began a final large-scale project which was never completed: in that year he composed the first of his Missae ultimae. No event presents itself for the composition of what was to be the beginning of this great unfinished cycle of Mass settings. On 21 September (the date is noted on the final page of the Mass), on the day before the departure of the court for Poland, Zelenka completed this Missa Dei Patris (Missa ultimarum prima, ZWV 19) whose title page is given above. Missa Dei Filii (Missa ultimarum secunda, ZWV 20) and Missa Omnium Sanctorum (ZWV 21) followed. See III/Z/12/4 and III/Z/12/5. A M D G B M V OO SS H AA P I R (concl. Kyrie); A M D G B M V OO SS H AA P I R (concl. Gloria); Sit Laus Deo B M V OO SS H R AA P (concl. Credo); L D B M V OO SS AA P R (concl. ‘Benedictus| Osanna’); O A M D G B M V OO SS H AA P I R (concl. score). In the later ‘Catalogo della Musica di Chiesa’ (c1784) a score only is listed for Messa No: 25): Kyrie, Gloria, Credo, Sanctus, Agnus (III/Z/12/8). Parts are not shown. A note beneath the listing reads: ‘Ist am 19 Juny 1826 zur Copiatur gegeben übergeben worden | die Partitur allein ohne Stimmen.’ NB: The Prague source of this work is attributed to Ristori. See below. On this work, see Zelenka-Dokumentation, 149, Dok. 71; 288, ZWV 19, and (ed. R. Kubik), EdM 93, 1985. Concordances: 1. CZ-Pak, 1101. Incipits of a Kyrie and Gloria setting which correspond with these movements of Missa Dei Patris are attributed to Giovanni Alberto Ristori, ‘partim S[ehlin]g’. This example includes trumpets (Clarini 1 and 2 ‘ex C’). Parts are for Canto; Alto; Tenore; Basso; Violino Primo; Violino Primo; Violino Secondo; Viola di Brazzia; Clarino I ex C; Clarino 2da ex C; Violone; Organo. Štefan, ([1152] Sign. 1101), partim Sehling. 2. The incipit agrees with a listing in the Osek Inventory, 1754 of a Kyrie and Gloria setting by Zelenka (Missae Solennes, sive festivales), sub littera C fol. 14, No. 19. Kyrie et Gloria à C:A:T:B: Violinis 2, Violetta, et Organo. Scoring (1765) ‘a 4 voci con Strom.’ SFL_combination III/Z/12/3 SLB Card Catalog Mus. 2358-D-11 Zelenka, Giovanni Disma: [Messen. Z 19] Missa ultimarum prima dicta Messe Dei patris a 4 voci [m. Orch.] C dur. Part. 4 H. quer - 4to Orig.-Mus.-Mscr. Kath. Hofkirche. Stamps Sächs. Landes-Bibl. Status Autogr. score (with some replacement pages) of Missa Dei Patris by Zelenka held by SLUB. Title (Catalogo) [Messe] No 25. Title Partitura MISSA ULTIMARUM PRIMA dicta MISSA DEI PATRIS, EIDEM MAGNO DEO CREATORI Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 19 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006525">212006525</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 25., III/Z/12/3 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/3d7af62cc04615740266a054c11360aa.png 2ae573127174dfb0496e12b5c978c249 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 736 Sort Order The physical order in the catologo 03/12/02 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-30 Date (Catalogo) 2.2.1724 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 2 Credo Location (1765) Schranck III; Fach 12; Lage 2 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Inventarium 15/2 Remarks Bound autogr. score. Blue-grey cover. Parts are missing. Cover title (autogr.): Nro II | Credo à 2 Cori | obligati | Violini 2 | Viola e| Basso Conti |=nuo | di | Giovanni Disma | Zelenka The inner back cover has a second title page (with date) of this Credo: Nro. II | Credo à 2 Cori | obligati | di Giovan Disma Zelenka | à Dresda | 1724. 2 Februa: This score has signs of reworking which was undertaken in or after 1726. Additions are made to the parts for violins 1 and 2, “Senza Organo’ is obliterated (p. 19), and additional figuring is given throughout. Kept with the score are two labels which correspond with the catalogues of 1765 and c1784. 1. Schranck No III | Lit: Z. 12. Fach 7. Lage | [no. 24 [?] Credo | à | 2. Cori] | à 4 voci | co’ VVni Viola ed Org. | Partitura e Parti | del Sigr. Zelenka. Incipit. 2. Schranck No. III | Z. 11. Fach 2. Lage | No: 24) Credo | à | 2 Cori | co’ VVni, Viola e Basso, | Partitura e parti cav. | del Sigr Zelencka | Incipit. At the conclusion of the text of the Credo (‘Qui propter nos homines, et propter nostram salutem descendit de caelis’) is this remark in Zelenka’s hand: NB: Symph [ink blot obliterates da?] Capo. That is, the opening Symphonia of 12 bars was to be repeated before the text: Et incarnatus est. The Dresden Diarium Missionis entry of 2.2.1724 (Purification BVM) reported that Zelenka and the royal musicians added lustre to the sung mass. (‘Habui Cantatum, quod solennius cum Regiis Musicis fecit D. Zelenka’). See also Zelenka’s Gloria setting dated on this same day: III/Z/10/3. See Zelenka-Dokumentation, 289, ZWV 32. In the later, undated ‘Catalogo della Musica di Chiesa composta Da diversi Autori secondo l’Alfabetto Amaro IIIza’ score and parts are listed for [Messa:] No: 24) Credo (III/Z/12/7). The scoring is given as: ‘à 2 Cori | à 4 voci | co’ VVni. Oboi, Vla ed Org.’ Scoring (1765) ‘a 2 Cori. 4 voci con Stromenti’ SFL_combination III/Z/12/2 SLB Card Catalog (Aut. 214) Mus. 2358-D-30 [!] Zelenka, Giovanni Disma: [Messensätze. Z 32] Credo a 2 cori a 4 voci [mit Orch.] F dur. Part. u. St. 1 Bd m. 23 St. 4to Mus.-Mscr. Part.-Orig. Ms. (Kyrie u. Gloria) Kath. Hofkirche. Stimmen stehen gesondert Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Autogr. score of Credo à 2 Cori by Zelenka held by SLUB; 23 parts missing from Dresden Title (Catalogo) [Messe] No 24. Credo Title Partitura Credo à 2 Cori Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 32 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006546">212006546</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 24. Credo, III/Z/12/2 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/b1df0ec0892425682c229690b4ed117a.png fef269b9081e799231272331a5624890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 735 Sort Order The physical order in the catologo 03/12/14 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-16 Date (Catalogo) 28 December 1725 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Agnus Location (1765) Schranck III; Fach 12; Lage 14 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka Remarks Autogr. score with three blue-grey covers and wrappers. Parts are missing. Cover title (outer): Nro II | Agnus Dei | à 4. | C:A:T:B: | VV. 2 Oboe 2 Con: Viole 2 | e | Basso Continuo | di Giov. Disma | Zelenka. Cover title (inner): Nro IIdo | Agnus Dei | a 4. | C:A:T:B: | VV. 2 Oboe 2 Viole 2 | e | Basso Contin. | Dresda li 28 Decem: | 1725 | di Giov. Disma | Zelenka. The outermost wrapper has two labels attached which correspond to the Hofkirche catalogue listings of 1765 and c1784. The earlier label may be read only in part: No. 111 | . . . 14. Lage | . . . Dei | . . . voci | . . . Viola, Basso | . . . etato | . . . arti cav: | . . . Zelencka | [incipit illegible] Schranck No. III | Lit. Z. 13. Fach 9. Lage | No. 36) Agnus| à 4 voci | co’ VVni Oboi, Viola ed Org. | Partitura e parti | del Sigr Zelencka | Incipit. Zelenka-Dokumentation, 129, Dok. 36; 290, ZWV 38. Note that 22 parts once accompanied this score. In the later, ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 36) Agnus (III/Z/13/9). The scoring is given as: ‘à 4 voci co’ VVni, Vla, Ob: concert: ed Org.’ This work might have been intended for performance on 1.1.1726, titular feast day of the Society of Jesus [In Circumcisione Domini]. On that day the Diarium of the Dresden Jesuits reported: Cantatum cum assistentia. ... Musicam produxit D. Zelenka.) Caption title: Agnus Dei a 4 di G:D:Z: No Dedication. Much of this score lacks text and figuring for the continuo. Scoring (1765) ‘a 4 voci con Stromenti ed oboè concertato’ SFL_combination III/Z/12/14 SLB Card Catalog (Aut. 204) Mus. 2358-D-16 Zelenka, Giovani Disma: [Messensätze. Z 38] Agnus a 4 voci [mit Orch.] G dur. Part. Dresda 1725 1 H. m. 22 St. 4to Mus.-Mscr. Part. = Orig. Ms. [Stimmen Sui der Partitur] Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Score of Agnus Dei by Zelenka (Mus. 2358-D-16) held by SLUB; 22 parts missing from Dresden. Title (Catalogo) [Messe] No 36. Agnus Title Partitura Agnus Dei Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 38 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006543">212006543</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 36. Agnus, III/Z/12/14 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/84a963b465ae29e5643ab81704aae974.png f87611e63a327e2fd4b8cdf4e066cf17 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 734 Sort Order The physical order in the catologo 03/12/13 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-13 Date (Catalogo) 20.12.1722 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Agnus Location (1765) Schranck III; Fach 12; Lage 13 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 17/1? Remarks Autogr. score of 12 pages with blue-grey wrapper. Parts are missing. Cover title: Nro Ima | Agnus Dei | a 4: C | C:A:T:B: | VV: 2 Con: Oboe Viole 2 | e | Basso Continuo | di | Giov. Disma | Zelenka. The work comprises three fragments now sewn together. Fragment 1 (the incipit of the Catalogo comes from bar 1, vn. 1): pp 2–3. Agnus Nro 1. One sheet with notation on both sides (a replica of the Agnus D-13). Scored for CATB, vn. 1,2; ob. 1,2; b.c. This source has the appearance of a score from the early 1720s. It breaks off in the middle of ‘miserere no—.’ Fragment 2: (Agnus) This begins with an arioso section for solo bass (extending up to e’ with hyperbole at cadences). At the point where the bass is joined by choir (plus vn. 1,2; va.; CATB; b.c. Text: Parce Domine) Zelenka crossed the music through to the point where Agnus dei is repeated (by the choir). Fragment 3: pp. 7–12. Agnus Dei ‘3’ may have been omitted: a ‘de’ (end of Vi-de) is noted where Dona nobis begins, followed by Dona nobis pacem. Concl. of score: Laus Deo et omnibus Sanctiss. ejus | Pragae 1722 | 20 Decemb. (an indication that late in 1722 Zelenka was in Prague – probably in connection with commissions for the coming festivities for the coronation of Emperor Charles VI and his Empress as King and Queen of Bohemia). In February 1723 an account in the Prague press (Pražské poštovské noviny) reported a performance of a work by Zelenka in the church of S. Salvatore at the Clementinum college. It is possible that the work heard was a test piece composed by Zelenka, and perhaps this Agnus Dei was part of that work. The report (in translation) reads: ‘Last Tuesday, on the final day of Shrovetide, at the normal devotion held by the Reverend Fathers of the order of the Society of Jesus in . . . S. Salvatore in the royal Old City of Prague, an excellent, newly-composed work of Mr Jan Zelenka, a native Czech and chamber musician of His Royal Highness, King of Poland and Elector of Saxony, was heard during the Solemn High Mass. [It was performed by] about seventy musicians, and conferred great glory and pomp upon this celebration’. Dated 13 Feb. 1723. Repr. Jirí Berkovec (ed.), Musicalia v Pražském Periodickém Tisku 18 Století, 43. Zelenka-Dokumentation, 110, Dok. 13; 290, ZWV 37. In the later, undated ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 35) Agnus (III/Z/13/8). Scoring is given as: ‘à 4 voci co’ VVni, Viola ed Org.’ Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/12/13 SLB Card Catalog Mus. 2358-D-13 Zelenka, Giovanni Dismas: Z 37 [Messensätze. Agnus B. Fragmento.] 3 Fragmenti 1. C dur, 2. a moll, 3. C Dur [...] Begl. Partitur = Ms Autogr. 1 Heft. 12 S. 16 Stimmen = seit 1945 verschollen Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche (autogr.?) Status Score fragments of Agnus Dei by Zelenka (Mus. 2358-D-13) are held by SLUB: 16 parts to accompany the score are missing from Dresden. Title (Catalogo) [Messe] No 35. Agnus Title Partitura Agnus Dei (fragments) Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 37 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006554">212006554</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 35. Agnus, III/Z/12/13 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/e50c8cba9673f231b5f6bdec294a5e2e.png bc07dbb5708c08c9296f94d836dd4012 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 733 Sort Order The physical order in the catologo 03/12/12 Composer ZELENKA D-Dl Mus. 2358-D-37 Date (Catalogo) pre 1729 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 6 Sanctus [...] 7 Agnus Location (1765) Schranck III; Fach 12; Lage 12 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Unlisted Remarks Autogr. score with two blue-grey wrappers. Cover title: No: 2 (non-autogr.) | Sanctus er Agnus | . . . 11 (illegible) Caption title: Sanctus et Agnus | ex Missa Nigra Su[m] | di G.D.Z. Concl. of score: A M D G B V M OO SS H AA P i R. Label on outer wrapper: Schranck No. III | Z. 12. Fach 12. Lage | No: 34) Sanctus et Agnus | à | Capella Partitura sola | del Sigr Zelencka | Incipit. NB the rhythm of the first and second notes of bar 2 was changed from two minims to dotted minim followed by a crotchet in the score, and in this incipit. The second label corresponds with the Catalogo c1784 entry: Schranck No. III | Lit. Z. 13. Fach 7. Lage (illegible) | à 4 voci | à Capella | Partitura sola | del Sigr Zelencka | Incipit. NB: Agnus II is a parody (Kyrie II from Palestrina’s Missa Nigra sum). Zelenka-Dokumentation, 290, ZWV 34. In the later ‘Catalogo della Musica di Chiesa’ (c1784) scores only are listed for [Messa:] No: 34) Sanctus; Agnus (III/Z/13/7). The scoring for both sections is given as: ‘à 4 voci à Capella’ (SAATB) and bc. Zelenka held a number of Sanctus et Agnus settings (many from masses of Palestrina) for use by the Kapellknaben. See the collection of 14 Palestrina Sanctus et Agnus settings listed in the following section of the Catalogo (1765) as being anonymous under the heading ‘Musica senza Nome dell’Autore’: III/27/15. Discussed by Stockigt, ‘Musica senza nome dell’Autore: anonymous works in the Catalogo of the music collection of the Dresden Hofkirche, 1765.’ Studi vivaldiani 7 (2007): 3–52. See also the Remarks under Caldara’s Missa vix orimur, morimur (I/C/6/8). Scoring (1765) ‘a 4 voci a Capella’ SFL_combination III/Z/12/12 SLB Card Catalog (Aut. 24dm) Mus. 2358-D-37 Zelenka, Giovanni Disma: [Messensätze. Z 34] [Messa a 4 voci a capp. con Basso. c.] D moll. 1 H. 4to Mus.-Mscr. Sanctus Agnus Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Score of Zelenka’s Sanctus et Agnus (Agnus II a parody of Kyrie II from Palestrina’s Missa Nigra sum) kept in SLUB as Mus. 2358-D-37. Title (Catalogo) [Messe] No 34. Sanctus et Agnus Title Partitura Sanctus et Agnus Uniform Composer PALESTRINA, Giovanni Pierliugi da (b Palestrina 1525–d Rome 1594). Rev. ZELENKA Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 34 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006549">212006549</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource PALESTRINA, Giovanni Pierliugi da (b Palestrina 1525–d Rome 1594). Rev. ZELENKA, [Messe] No 34. Sanctus et Agnus, III/Z/12/12 Title A name given to the resource ZELENKA http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/75024deaf4b5db3a49464ac05134addd.png 303eb13353347d10af54266ece083e48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 732 Sort Order The physical order in the catologo 03/12/11 Composer ZELENKA D-Dl Mus. 2358-D-17 Date (Catalogo) c1727/8 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 6 Sanctus [...] 7 Agnus Location (1765) Schranck III; Fach 12; Lage 11 Materials (1765) Partitura Provenance Jan Dismas Zelenka. Unlisted Remarks Autogr. score with two blue-grey wrappers. Cover title (inner wrapper): No: 1 (non-autogr.) | Sanctus et Agnus | ex | Missa ex G. Labels on outer wrapper correspond with the Hofkirche catalogues of 1765 and c1784. Schranck No. III | Z. 12. Fach 11. Lage | No: 33) Sanctus et Agnus | à | Capella | Partitura sola | del Sigr Zelencka | Incipit. Schranck No. III | Lit. Z. 13. Fach 6. Lage | No: 33) Sanctus e Agnus | à 4 voci | à Capella | Partitura sola | del Sigr Zelencka | Incipit. The incipit given here (and in the Catalogo of c1784) deviates from the score: the fourth note returns to b’. Zelenka-Dokumentation (309, ZWV 202) lists this as a doubtful, or falsely attributed work. In the later ‘Catalogo della Musica di Chiesa’ (c1784) scores only are listed for [Messa:] No: 33) Sanctus; Agnus (III/Z/13/6). The scoring for both sections is given as: ‘à 4 voci à Capella’ (even though there is a hint [‘NB: Violin’, p. 6] that the voices were doubled with instruments, as was usual with the a capella repertoire used by the Kapellknaben of Dresden’s Catholic court church. Zelenka held a number of Sanctus et Agnus settings (many from masses of Palestrina) for use by the Kapellknaben. See the collection of 14 Palestrina Sanctus et Agnus settings listed in the following section of the Catalogo (1765) as being anonymous under the heading ‘Musica senza Nome dell’Autore’: III/27/15. Discussed by Stockigt, ‘Musica senza nome dell’Autore: anonymous works in the Catalogo of the music collection of the Dresden Hofkirche, 1765.’ Studi vivaldiani 7 (2007): 3–52. See also the Remarks under Caldara’s Missa vix orimur, morimur (I/C/6/8). Scoring (1765) ‘a 4 voci a Capella’ SFL_combination III/Z/12/11 SLB Card Catalog (Aut. 204) Mus. 2358-D-17 Zelenka, Giovanni Disma: (?) [Messensätze. Z 202] Sanctus und Agnus a 4 voci [a capp. mit B. c.] G dur. Part. 1 H. 4to Original-Mus.-Mscr. (Autorschaft fraglich) Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Score of Sanctus et Agnus settings attr. to Zelenka (Mus. 2358-D-17) held by SLUB. Title (Catalogo) [Messe] No 33. Sanctus et Agnus Title Partitura Sanctus et Agnus Uniform Composer Anonymous [?] Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 202 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006544">212006544</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Anonymous [?], [Messe] No 33. Sanctus et Agnus, III/Z/12/11 Title A name given to the resource ZELENKA http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/0c05d011c337d0ee01df999ff5dfabec.png d356bb13e7d637f1f8cfcdee65b5834f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 731 Sort Order The physical order in the catologo 03/12/10 Composer ZELENKA D-Dl Mus. 2358-D-28 Date (Catalogo) post 1728 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 2 Credo ??? Location (1765) Schranck III; Fach 12; Lage 10 Materials (1765) Partitura Provenance Jan Dismas Zelenka? Inventarium 15/7 (entered as ‘N N: = anonymous) Remarks Bound autogr. score in Zelenka’s hand kept in blue-grey cover. Damaged. Cover title: D# (upper left) Nro 7 (Upper right) | Credo à 5 | CC2:A:T:B: | Violini 2 Obe 2 | Travers. 2 Viola | Fagotto [solo?] | Basso Contin: the remainder is illegible. Neither date nor dedication is found in this badly water-damaged score of a Credo setting, which the Catalogo of 1765 falsely attributed to Zelenka. See Zelenka-Dokumentation, 310, ZWV 216. Zelenka listed this as an anonymous (‘N:N:’) work in his Inventarium as the seventh of his collection of Credo settings: 7. D#: Credo a 5 CC:2. A.T.B: W. 2, Oboe 2, Traversa 2, Tromba Sola, Viole e Bass=Continu[e]. N:N:’. The vocal scoring of this Credo, which includes two soprano voices, suggests that the work was acquired by Zelenka following the arrival of the Italian-trained castrati in mid-1730, when two male sopranos became available to sing in the Catholic court church. In the later ‘Catalogo della Musica di Chiesa’ (c1784) score only is listed for [Messa:] No: 32) Credo (III/Z/13/5). There, the scoring is given as: ‘à 4 voci co’ VVni. Viola, 1 Trombe ed Org.’ Scoring (1765) ‘a 4 voci co’ VVni Viola e 1 Tromba’ SFL_combination III/Z/12/10 SLB Card Catalog (Aut. 213) Mus. 2358-D-28 Zelenka, Giovanni Disma (?): [Messensätze. ohne Z Nr.] Credo a 5 voci [mit Orch.] D dur. Part. 1 H. 4to Orig.-Mus.-Mscr. Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Score of Credo attrib. to Zelenka (Mus. 2358-D-28) held by SLUB. Title (Catalogo) [Messe] No 32. Credo Title Partitura Credo à 5 Uniform Composer Anonymous Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 216 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006545">212006545</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource Anonymous, [Messe] No 32. Credo, III/Z/12/10 Title A name given to the resource ZELENKA http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/c3c7ccdfe216e1b19132af43ecfc9439.png 8258a2fa9ac41285a7e3a783a47a6945 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 730 Sort Order The physical order in the catologo 03/12/01 Composer ZELENKA, Gio. Dis. D-Dl Missing Date (Catalogo) 1723 Eitner V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche, 21 vollständige Messen, alle in P. u. Stb., Location (1765) Schranck III; Fach 12; Lage 1 Materials (1765) Parti Provenance Jan Dismas Zelenka. [Inventarium 6/17] Remarks These parts for the Kyrie and Gloria of Zelenka’s Missa Sancti Spiritus (ZWV 4) are missing from Dresden. On the revised score of Missa Sancti Spiritus, see III/Z/7/1. In the later ‘Catalogo della Musica di Chiesa’ (c1784) a set of parts is also listed as [Messa:] No: 23) Kyrie and Gloria (III/Z/12/6). There, the scoring given for the Kyrie and the Gloria is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/12/1 SLB Card Catalog NB: Card for Missa Sancti Spiritus: (Aut. 205) Mus. 2358-D-18 1-2 Zelenka, Giovanni Disma: [Messen. Z 4] Missa Sancti Spiritus a 4 voci con 2 Violini, 2 Oboi, 2 Flauti, Viola, 2 Trombe e Basso continuo. D dur. Part. u. St. 1723. 2 Bd m. 64 St. 4to Part.: Orig.-Mus.-Mscr. Mus. Mscr. Kyrie: 24 St. Gloria: 9 St (unvollst.) Ganze Messe: 31 St. Kath. Hofkirche Stimmen stehen gesondert Status Twenty-four parts (Kyrie) + 9 parts (Gloria, incomplete?) + 31 parts for the entire Missa Sancti Spiritus by Zelenka are missing from Dresden. See III/Z/7/1. Title (Catalogo) [Messe] No 23. Kyrie e Gloria Title Partitura [from Missa S. Spiritus] Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 23. Kyrie e Gloria, III/Z/12/1 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/33774b45f0325dccfbd641d258fe86c4.png 3d1d8d431975099ad58a3c33797d0ca6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 729 Sort Order The physical order in the catologo 03/11/06 Composer ZELENKA, Gio. Dis. D-Dl Missing Date (Catalogo) 1724 (Schulz) Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Gloria Location (1765) Schranck III; Fach 11; Lage 6 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Inventarium 14/IIII. Subsequently taken by Zelenka into Miisa Spei (4/III). Remarks According to a remark in his Inventarium, p. 14 (‘NB. specat ad Missa integra[e] sub num: IIII’) Zelenka took this Gloria setting into his now-missing Missa Spei (ZWV 5)—the fourth of his listings under the title ‘Missae integrae’. See also Zelenka-Dokumentation, 1 286, ZWV 5. Concordance?: Inventarium (Slaný: 1751). A mass in C attributed to ‘Zelinka’ is listed under Missae Breviores Nr. VII as: ‘Missa ex C. à C.A.T.B. Violinis 2bus, Clarinis 2bus et Tympanis necessariis Auctore Sigl. Zelinka.’ (No oboes are included. The only wind instruments listed in the collection of the Slaný Piarist college are four trumpets (Tubae Campestres), two horns (Litui), and wooden instruments for funerals (Tubuli lignii pro pompa funebri). In the later ‘Catalogo della Musica di Chiesa’ (c1784) two scores and a set of parts are listed for [Messa:] No: 22) Gloria (III/Z/12/5). The scoring is given as: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/11/6 Status Score and set of parts for the Gloria by Zelenka (Mus. 2358-D-12) missing from Dresden. Not catalogued separately by SLB. Title (Catalogo) [Messe] No 22. Gloria Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 22. Gloria, III/Z/11/6 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/d4c245c65419f1a2b3bb3611e8d69278.png ce3025595f79904d7a3821ec23b65794 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 728 Sort Order The physical order in the catologo 03/11/05 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-14 Date (Catalogo) ‘a Dresda 1725: 25 Novem:’ Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 4 Gloria Location (1765) Schranck III; Fach 11; Lage 5 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Inventarium 4/3 Remarks Bound autogr. score of a Kyrie and Gloria. Parts are missing. Title page: Kyrie della Messa | Fidei | di G. D. Z. Caption title: (Kyrie) a Dresde li 25 Novem: | 1725 (left) Kyrie a 4 di Giov: Disma | Zelenka (right). Concl. Kyrie: A M D G V M OO SS H AA PP I R Dresda li 1725 Caption title (Gloria): Left side of the head of page which might have given a date is missing. ‘[e]m:’ may be read. Right: Gloria a 4 di Giov [?] Dismas Zelenka Two labels to correspond with the catalogues of 1765 and c1784 are kept with the score: 1. (attached at the end of the score): Schranck No. III | Z 11. Fach 5. Lage | No. 21) Messa Fidei | Kyrie e Gloria | à 4 voci | co‘ VVni Viola e Basso | Partitura e parti cav. | del Sigr. Zelencka | Incipit. 2. (attached to the front cover): Schranck No. III | Lit. Z. 12. Fach 4. Lage | No: 21) Kyrie e Gloria | à 4 voci (insert in pencil: della Messa Fidei) | co’ VVni, Viola, ed Org. | Partitura e parti | del Sigr Zelencka | Incipit. A fragment of another label is also kept in the back of the volume. [Ky]rie et Gl[oria] | Senza Pa. Missa Fidei is the second of a trio of ‘Ordinary’ Mass settings by Zelenka bearing the titles of the three Theological (or Heavenly) Virtues—Faith (Fides), Hope (Spes), and Charity (Charitas). According to Norbert Schulz Missa Spes (ZWV 5) was dated 1724. Missa Fidei (ZWV 6) was dated by Zelenka ‘25 Novem. 1725’, and Missa Charitatis (ZWV 10) comes from c1727. Missa Fidei might have been composed for the feast of St Francis Xavier, 1725. A report of the music for the feast in that year given in the Dresden Diarium Missionis (3.12.1725) notes Zelenka’s musical contributions: ‘Cantatum cum assistentia [...] Musicam produxit D. Zelenka’. On this setting, see Zelenka-Dokumentation, 128, Dok. 34; 286, ZWV 6. Concordance?: Inventarium (Slaný: 1751). A mass in C attributed to ‘Zelinka’ is listed under Missae Breviores Nr. VII as: ‘Missa ex C. à C.A.T.B. Violinis 2bus, Clarinis 2bus et Tympanis necessariis Auctore Sigl. Zelinka.’ (No oboes are included. The only wind instruments listed in the collection of the Slaný Piarist college are four trumpets (Tubae Campestres), two horns (Litui), and wooden instruments for funerals (Tubuli lignii pro pompa funebri). In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts are listed for [Messa:] No: 21) Kyrie; Gloria (III/Z/2/4.). Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/11/5 SLB Card Catalog (Aut. 204) Mus. 2358-D-14 Zelenka, Giovanni Disma: [Messe. Z 6] Missa Fidei a 4 voci a 4 voci [mit Orch.] C dur. Part. u. St. Dresda 1725 1 H. m. 26 St. 4to mit losen Blättern. Mus.-Mscr. Part.-Orig. Ms. (Kyrie u. Gloria) Kath. Hofkirche. Stimmen stehen gesondert Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Autogr. score of Kyrie and Gloria of Missa Fidei by Zelenka (Mus. 2358-D-14) held by SLUB; 26 parts to accompany the score missing from Dresden. Title (Catalogo) [Messe] No 21. Kyrie e Gloria Title Partitura Kyrie della Missa Fidei Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 6 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006529">212006529</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 21. Kyrie e Gloria, III/Z/11/5 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/de41a5ec0aaa001a721c49c5a04a3908.png 7ba0665e86f57c1e983322f40a9a0e72 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 727 Sort Order The physical order in the catologo 03/11/04 Composer ZELENKA, Gio. Dis. D-Dl [Credo and Agnus: Mus. 2358-D-40. Missing] Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 2 Credo [...] 7 Agnus [...] Location (1765) Schranck III; Fach 11; Lage 4 Materials (1765) Parti Provenance Jan Dismas Zelenka. Inventarium 15/3. Credo dictu[m] Reformatu[m]; Agnus 17/? Remarks Parts for the Credo and Agnus are missing, and scores are not recorded in the catalogues of 1765 and c1784. In the later ‘Catalogo della Musica di Chiesa’ (c1784) parts are listed for [Messa:] No: 20) Credo; Agnus in either B flat Major or g minor (III/Z/12/3). No ‘Agnus’ setting Zelenka listed in his Inventarium (p.17) is in the key of the incipit given in the Catalogo c1784 (either B flat or g minor) . The scoring is shown in the Catalogo c1784 is ‘à 4 voci co’ VVni, Oboi, Vla, ed Org.’ See Zelenka-Dokumentation, 289, ZWV 33; 290 (where Wolfgang Reich gives the key of the Agnus Dei as g minor), ZWV 39; Th. Kohlhase , ‘Der Dresdener Hofkirchenkomponist’, 177. Concordances: 1. CZ-Pnm, XXVIII E 232 Mělník 99. 8 parts (Seb. Böhm, c1750): Credo (‘dictu[m] reformatu[m]’). G minor. c1725. [Tutti?]. 2. CZ-Pnm, XXVIII E 232. Score copy of Credo. (Trolda, 1922, after CZ-Pnm Mělník 99). Scoring (1765) ‘a 4 voci con Stromenti’ SFL_combination III/Z/11/4 SLB Card Catalog ? Status Parts for Credo et Agnus attributed to Zelenka (Mus. 2358-D-40) missing from Dresden. Not catalogued by SLB. Title (Catalogo) [Messe] No 20. Credo et Agnus Title Partitura Missing Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 33; ZWV 39? Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 20. Credo et Agnus, III/Z/11/4 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/83fc241dd1450e53076f2f19f095c72b.png 4de9bc0162bc53bbe2e795313cd22bcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 726 Sort Order The physical order in the catologo 03/11/03 Composer ZELENKA [composed by CONTI. See I/C/9/8] D-Dl [Mus. 2190-D-2: olim Mus. 2358-D-39] Location (1765) Schranck III; Fach 11; Lage 3 Materials (1765) Parti (. – = incomplete?) Provenance Jan Dismas Zelenka. Inventarium 8/32 Remarks Listed here in the Catlaogo (1765) are the parts (now missing) for a Missa tota composed by Imperial court theorbo player, Francesco Conti. See Contini (Conti). I/C/9/8. Note Conti’s original setting included trumpets (in C) and trombones in the scoring. Zelenka omitted these from this Dresden version. In the later ‘Catalogo della Musica di Chiesa’ (c1784), where this work by Conti is also listed under the Zelenka’s name, parts only are shown for the Kyrie, Gloria, Credo, Sanctus, and Agnus of No: 19) Messa (III/Z/12/2). The scoring given for all sections is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ The Kyrie listing has the indication: ‘defect’. See Horn (Hkm 166–73) for extensive discussion of this mass. Scoring (1765) ‘a 4 voci con Stromti’ SFL_combination III/Z/11/3 SLB Card Catalog No card. Status Score copy of Messa [Mirabilium Dei] by Francesco Conti [named Contini in the Catalogo,1765], Mus. 2190-D-2. formerly attributed to Zelenka (olim Mus. 2367-D-2), is held by SLUB. Zelenka’s parts are not found in Dresden. Title (Catalogo) [Messe] No 19. Title Partitura Missa Mirabilium Dei Uniform Composer CONTI, Francesco (b Florence c1681/2–d Vienna 1732) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 215 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006792">212006792</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource CONTI, Francesco (b Florence c1681/2–d Vienna 1732), [Messe] No 19., III/Z/11/3 Title A name given to the resource ZELENKA [composed by CONTI. See I/C/9/8] http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/fdf97d08856b5c94b4ade7dd94896499.png 14eb87d2911cbb92d984899028bbbbea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 725 Sort Order The physical order in the catologo 03/11/02 Composer ZELENKA [composed by BALIANI. See I/B/2/1] D-Dl Mus. 2358-D-29 [= Mus. 2243-D-1] Date (Catalogo) [rev. 1739] Eitner [V. 1 (1900), 315: Baliani, Carlo. In Dresden kath. Kirche im Ms., P. u. Stim., 1 Messe zu 5 St. mit 2 V. Va. Ob. u. Org.] Location (1765) Schranck III; Fach 11; Lage 2 Materials (1765) Parti Provenance Jan Dismas Zelenka. Inventarium 11/54 Remarks Listed here are the original parts (now missing) for the score of Baliani’s mass (Mus. 2243-D-1), a work revised by Zelenka in 1739 and attributed to him in the Catalogo. These parts were catalogued by SLB as Mus. 2358-D-29. Note that the original scoring of five vocal parts seen in Mus. 2243-D-1) was reduced to four parts: SATB. Stockigt (‘After Six Weeks’) suggests this could have been one of two masses prepared for Maria Josepha’s churching (Kirchgang) held at Hubertusburg on 1.11.1739 following the birth of Saxon Prince Clemens Wenceslaus (b 28.9.1739). On Zelenka’s revisions of Balian’s ‘Messa senza Credo a 5 voci’, see Horn (Hkm, 175) and I/B/2/1. Incipits are given in Zelenka-Dokumentation, 48–9, Nr. 31. In the Catalogo della Musica di Chiesa’ (c1784) parts for the 18th listing of a Kyrie, Gloria, Sanctus, Agnus for this mass (attributed to Zelenka) are listed. (III/Z/12/1). There the scoring given for each section is: ‘à 4 voci co’ VVni. Oboi, Viola ed Org.’ Scoring (1765) ‘a 4 voci con Stromti’ SFL_combination III/Z/11/2 SLB Card Catalog No card. Status Parts (prepared under Zelenka’s direction?) for Messa senza Credo by Baliani (see Mus. 2243-D-1) missing from Dresden. Title (Catalogo) [Messe] No 18. Title Partitura Missae senza Credo Uniform Composer BALIANI, Carlo (b Milan c1680–d Milan 1747) Uniform Title Mass movements (Kyrie; Gloria; Sanctus; Agnus) Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 214 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource BALIANI, Carlo (b Milan c1680–d Milan 1747), [Messe] No 18., III/Z/11/2 Title A name given to the resource ZELENKA [composed by BALIANI. See I/B/2/1] http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/ba3a492bf00379fd2692723dea50399a.png db8a16710243dc4803d99b2fae2b6bbe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 724 Sort Order The physical order in the catologo 03/11/01 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-34,2 Date (Catalogo) 1714 [date of Gloria of this mass] Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 7 Kyrie [...] 2 Credo [...] Location (1765) Schranck III; Fach 11; Lage 1 Materials (1765) Partitur [. –]; Parti. Provenance Jan Dismas Zelenka. Inventarium 15/1 Remarks No score or performance materials (parts) for a Kyrie setting exist with this score of the Credo of Missa Judica me, ZWV 2, held by SLUB. The incipit given above from the Catalogo (1765) must be from the now-missing original version of the Kyrie. Title page: Credo della Messa | Judica me, & discerne Causa mea &c: Psal: 42. | à 4 | Canto Alto Tenore Basso | Violini II, Viole II | Basso Continuo | Di Giovanni Disma | Zelenka Musico di Camara [sic] | di S: M: A Re di Polania | Ellett: di Saxonia. Thus, the original settings of the Kyrie (and perhaps original settings of the Sanctus, and Agnus) of the first version of Zelenka’s Messa Judica me et discerne causum meam now are missing. On the revised sections of this mass (Kyrie, Sanctus, Agnus) see III/Z/12/6. None of Zelenka‘s usual dedications appear with this score of the Credo. In the later ‘Catalogo della Musica di Chiesa’ (c1784) the Gloria (No. 16: two scores with parts: III/Z/11/3), Kyrie (No. 17: parts only: III/Z/11/4), Credo (No. 17: score with parts (III/Z/11/4) and Sanctus (No 17: parts only: III/Z/11/4) are listed. See Remarks for the previous listing (III/Z/10/3). The elegance of the inscription of the title page of the Credo (Mus. 2358-D-34,2, which RISM states is in the hand of court copyist Lindner) ) suggests that this was a dedication copy. See Zelenka-Dokumentation, 285, ZWV 2. Scoring (1765) ‘a 4 voci con Stromti’ SFL_combination III/Z/11/1 SLB Card Catalog (Aut. 218) Mus. 2358-D-34,1-2 Zelenka, Giovanni Disma: [Messen. Z 2] Messa Judica me et discerne causum meam a 4 voci [mit Orch.] D moll. Part. u. St. 1714 [...] 2 Bde m. 118 St. quer-4to u. 4to Mus.-Mscr. Part. Orig.-Mscr. Kyrie: 28 St. Gloria: Part. [= Orig. Ms.] m. 25 St. Credo: Part. [= Orig. Ms.] m. 34 St. Sanctum []sic]: 31 St. Kath. Hofkirche. Stimmen stehen gesondert Stamps Sächs. Landes-Bibl. Status Autogr. score of the Credo from Missa Judica me by Zelenka (Mus. 2358-D-34,2) is kept by SLUB; 34 parts are missing from Dresden. The Kyrie is missing from Dresden. The SLB card catalogue notes a total of 118 parts for this version of 1714 (Kyrie: 28 St.; Gloria: 25 St.; Credo: 34 St.; Sanctus: 31 St.). All now missing from Dresden. Title (Catalogo) [Messe] No 17. Kyrie e Credo Title Partitura Credo della Messa Judica me & discerne Causa mea &c: Psal: 42 Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 2 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006556">212006556</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 17. Kyrie e Credo, III/Z/11/1 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/43547cfa8854800417ae095312ce0af7.png 515fbac6e719ca575f23631ad07f9cf1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 723 Sort Order The physical order in the catologo 03/10/03 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-34a (1724) Date (Catalogo) 1714: revised 2.2.1724 Eitner V. 10 (1904), 337: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche [...] 4 Gloria [...] Location (1765) Schranck III; Fach 10; Lage 3 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Inventarium 14/2 Remarks Mus. 2358-D-34a: Autogr. cover title: Nro 17 (replacing II) | Gloria a 4: f. | C:A:T:B: | VV: 2 Oboe 2 Viole 2 | e | Basso Continuo a Dresdae | li 2 Febru: | 1724 | di | Giov. Disma Zelenka Caption (autogr.): A M D G V O H (centre). Concl. of score: Laus deo semper. The score of this movement (Mus. 2358–D-34a) is the revised version of the Gloria from Zelenka’s Missa Judica me et discerne causum meam (ZWV 2; Mus. 2358–D-34,1,1), 1714. This version (Mus. 2358-D-34a) is dated 2 February 1724, feast of the Purification BVM. On that day, the Dresden Jesuit Diarium entry noted: ‘Habui Cantatum, quod solennius cum Regiis Musicis fecit D. Zelenka’. ([...] Sung Mass to which Zelenka and the royal musicians gave lustre). Originally, Zelenka retained the alto and tenor violas and trombones in the scoring, but later wrote into the margin (p. 3) ‘senza tromboni’. See also his Credo setting also dated 2.2.1724 (Mus. 2358-D-30): III/Z/12/2. In the later, ‘Catalogo della Musica di Chiesa’ (c1784) two scores and one set of parts for the Gloria are listed as [Messa:] No: 16 (III/Z/11/3). NB: Although two scores of this Gloria are shown in the Catalogo of c1784, only one copy is listed this Catalogo of 1765. Mus. 2358-D-34,1,1: The original version of the Gloria from Missa Judica me et discerne causum meam. Zelenka has the year of composition of this Gloria on the title page to the score in a chronogram embedded in the string of his Latin names: Ioannes LVCas IgnatIVs DIsMas ZeLenka. = I+L+V+C+I+I+V+D+I+M+L = 1+50+5+100+1+1+5+500+1+1000+50: 1714. Note that in 1714 Zelenka used his baptismal name, ‘Lucas’ together with ‘Dismas’ and ‘Ignatius’. Zelenka’s usual dedication formula does not appear in the version of 1714. See Zelenka-Dokumentation, 115–6, Dok. 23; 289, ZWV 30. Concordances: 1. CZ-Pak, 1398: Set of 14 performance parts (Kohlhase notes that these were written in the second third of the 18th century: ‘Der Dresdener Hofkirchenkomponist’, 139). Štefan ([1463] Sign. 1398), prov. Sehling. The title is ‘Gloria solenne Divinae praesentiae’. RISM ID no. 550268659. Jana Vojtéšková (Die Zelenka-Überlieferung), considers it probable that Sehling received the copies of this work from the Cistercian monastery at Osek in Northen Bohemia. 2. CZ-Pu (National Archive, Prague), Loreto box ŘK 259–262. A set of parts from the collection of the Loreto in Prague (prov. Taubner). Cover: Jesus Maria Joseph| Gloria in Excelsis | S. Polycarpi Epis. & Martyris | à 4 Vocibus. | Canto, Alto, | Tenore, Basso. | Hubois 2. | Alto Viola. | Tenore Viola | con | Organo. | Pro S: Domo Lauretanae | Sub Num: | 44. I am grateful to Robert Hugo for bringing this source to my attention. This source appears to be a slightly altered version of the Gloria (1714 version: Zelenka’s instrumental introduction of 25 bars in Mus. 2358-D-34a is missing from this Loreto copy). Scoring (1765) ‘a 4 voci con Stromti’ SFL_combination III/Z/10/3 SLB Card Catalog (Aut. 218a) Mus. 2358-D-34a Zelenka, Giovanni Disma: [Messensätze. Z 30 ] Gloria [ex Missa: Judica me et discerne causum meam] a 4 voci [mit Orch.] D moll. Part. 1724 1 Bd 4to Orig.-Mus.-Mscr. Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche Status Autogr. score of the 1724 Gloria setting by Zelenka (Mus. 2358-D-34a) is kept in SLUB; parts not catalogued by SLB (but 25 now-missing parts were catalogued for the original Gloria of 1714). Title (Catalogo) [Messe] No 16. Gloria Title Partitura Gloria à 4 Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Mass movements Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 30 [from ZWV 2] RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006551">212006551</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 16. Gloria, III/Z/10/3 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/657087104f1a9df8460f11f2312e5b0f.png b6e5cb928ab27a6e5994e73b4b5149bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 722 Sort Order The physical order in the catologo 03/10/02 Additional [B. 258 (-D-8)] Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-7a Date (Catalogo) Dedication copy 1712; revised c1727/28 Eitner V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb., Location (1765) Schranck III; Fach 10; Lage 2 Materials (1765) Partitur; Parti [–.] Provenance Jan Dismas Zelenka. Inventarium 6/21 Remarks Mus. 2358-D-7a/7b : Autogr. score of a Missa tota which shows at least three (or more) workings: the original version of 1711, the version of 1712 (some changes to instrumentation), and revisions made either late in c1727 or 1728. These are noted in a lighter ink. A blue-grey wrapper is kept with the score. Parts are missing. Cover title (autogr.): Nro 21 upper right (this number agrees with the number given in Zelenka’s Inventarium) Missa Sanctae | Caeciliae | à 4 | di Giov: Disma | Zelenka. The estimated date of the revision is made on the basis of the combination of Zelenka’s notation of the bass clef which changed between late 1728 and early 1729; his use of a stroke (instead of a #) with the figure 4 to indicate that the interval is to be raised in the figures added to the original working at the time of the re-working), and the sign to separate systems of the score, a change first seen in his scores of c1725. These features are best demonstrated in Zelenka’s rewriting of the movement ‘Cum Sanctus Spiritus’ (especially pp. 31–37). Zelenka’s revisions involve transposition of ‘Et unam sanctum’ and changing the original soprano vocal solo to alto (as well as minor alterations to the violin obbligato), and ‘Et vitam’ (Credo); and the addition of settings of Sanctus; Osanna; Agnus Dei. In the later ‘Catalogo della Musica di Chiesa’ (c1784) score and parts for the Kyrie, Gloria,Credo, Sanctus and Agnus are listed as [Messa] No: 15), Messa S. Caeciliae (III/Z/11/2). A pencilled note on the back cover of the original wrapper reads: ‘Fach 11. Lage 2 – a reference to the place of storage of this source in the later Catalogo of c1784. Dedication: Zelenka’s autograph dedication to Friedrich August, I which precedes the score, reads: Missa S: Caeciliae: Augustissimo Poloniarum Regi FRIDRICO AUGUSTO (praeparante prius ad hoc viam Serenissimo Principe Egone de Fristenberg [Fürstenberg] Saxoniae Locumtenentis Regii, Maximo semper meo Patrono ac Dno) in summa veneratione dedicata et coram eadem Maiestate Regia humillime juxta ac fructuose (si quidem jam dicta Regia Maiestas reflectendo supra tenuem hanc laborem meum ordinarium solax [solacium] meum centum Imperialibus annue gratiosissime augmentavit) producta Dresdae AD: 1712. à Joanne Disma Zelenka Musico Regio. Zelenka’s autogr. petition to Friedrich August I (written in German) requesting to be sent to France and Itsly which accompanied the score of c1712 is now kept with a copy of the mass made by Franz Hauser in 1826 (‘Missa Sollemnis’) in Vienna (A-Wn, Sign 15773). Perhaps the indication [–.] under Partitura for the entry of this mass in the Catalogo (1765) implies that in 1765 the parts were either incomplete or a defective set existed. Mus. 2358-D-8 is a bound score copy of Missa Sanctae Caeciliae in the hand of Philipp Troyer. It is a variant of Mus. 2358-D-7a. The title page (non-autogr.) of Mus. 2358-D-8 reads: Serenissimo ac Potentissimo | Poloniarum Reg | FREDERICO Augusto. | Electori Saxoniae &. | Domino Domino | suo | Clementissimo | humillimó | D. D. D. | subjectissimum obsequentissimum | humillimumque mancipium | Joannes Dismas | Zelenka. Cammer: Musicus. Inner cover: (pencil) Ars Mus. B ??6/ Ars Mus. 49a. A stamp of the Königl. öffentlichen Bibliothek (1806–1917) is seen on the title and opening page of the score ; at the conclusion Mus. B. 258 (pencil) is written. See Zelenka-Dokumentation, 103, Dok. 2; 285, ZWV 1a; ZWV 1b. In 1712 several movements were reworked by Zelenka and taken into his sepulchro oratorio of that year: Attendite et videte (ZWV 59). Concordance: CZ-Pkřiž, XXX D 77. A copy (provenance Gayer, who copied three of the nine parts) of the Credo from Missa Sanctae Caeciliae in the Prague Kreuzherren collection. Some parts contain the dedication formulae used by Zelenka, but with the omission of the letters P I R, (or similar) which indicate that the work was composed to a commission from the Dresden court: O A M D Dl et B M V H (C and A parts); A M D Gl (viola part); O A M D Gl (organ part). On this source, see Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 152–3. A-Wn 15773, copy by Franz Hauser 1826. NB: In the inventarium of the Slaný Piarist college, listing Nr. 92 (from 1713) is given as ‘Missa S Caeciliae à 9. C.A.T.B. 2 Violinis 2 Clarin: ex B cu[m] Orgo duplici. Authre Dno Joanne Kallaska. I am very grateful to Robert Hugo for bringing this entry to my attention. Scoring (1765) ‘a 4 voci con Stromti’ SFL_combination III/Z/10/2 SLB Card Catalog (Aut. 202) Mus. 2358-D-7a Zelenka, Giovanni Disma : [Messen. Z 1b] [Messa Sanctae Caeciliae a 4 voci [m. Orch.] G dur. Part. Dresda 1712 1 Bd m. 17 St. 4to Mus.-Mscr. Part.: = Orig.-Ms. Kath. Hofkirche. Stimmen stehen gesondert Stamps Sächs. Landes-Bibl. Status Zelenka’s original autogr. score (c1712) of Missa Sanctae Caeciliae (Mus. 2358-D-7a) is held by SLUB.; 17 parts for this mass are missing from Dresden. Title (Catalogo) [Messe] No 15. S. Caeciliae Title Partitura Missa Sanctae Caeciliae Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 1 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212006519">212006519</a> <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=1001071761">1001071761</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 15. S. Caeciliae, III/Z/10/2 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/ba7c8b78dba266bf21f02d40830b863b.png 31dc0def8ae4a56e243629281b5bef4f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 721 Sort Order The physical order in the catologo 03/10/01 Composer ZELENKA, Gio. Dis. D-Dl Mus. 2358-D-31 Date (Catalogo) 1736 ‘in die OO: SS’ (Credo) Eitner V. 10 (1904), 337–8: Zelenka, Johann Dismas [...] In Dresde. kath. Kirche , 21 vollständige Messen, alle in P. u. Stb., Location (1765) Schranck III; Fach 10; Lage 1 Materials (1765) Partitur; Parti Provenance Jan Dismas Zelenka. Inventarium 11/53 Remarks Bound autogr. score of a Missa tota in 5 parts. Blue-grey covers to sections are kept in the binding. Despite the key signature (see the incipit here*), this work is in the key of a minor. Parts are missing. Cover title part 1 (hand of Zelenka): A (upper left) Numero 53 (upper right) | Kirie ex Missa | SANCTISSIMAE | TRINITATA |TIS. | à 4 | C: A: T: B: | Violin 2 | Oboe 2 | Traversa 2 | Viola di | G: D: Z: Cover title part 2 (hand of Zelenka): A (upper left); Numero 53 (upper right) | Gloria ex Missa | SANCTISSIMAE | TRINITATA | TIS. | di | G: D: Z: Caption title: Gloria della Messa detta | Missa Sanctiss[im]ae Trinitatis. Cover title part 3 (hand of Zelenka): C (upper left); Credo ex Nro 53 | Missa Sanctissimae | TRINITA= | TIS | di | G: D: Z: Caption title: Credo ex Missa SSmae Trini | tatis. Cover titles part 4 (hand of Zelenka): A (upper left); ex Nro 53 (upper right) | Sanctus ex Missa | S.S. Trinitatis. Following page: Sanctus ex Missa | SS: Trini | tatis. Cover titles part 5 (hand of Zelenka): A (upper left); ex Nro 53 (upper right) | Agnus Dei ex Missa | Sanctissimae TRINI | TATIS | di | G: D: Z: The occasion for the composition of this Missa tota is unknown. It is likely that the Kyrie and Gloria of this modestly-scored mass (trumpets, timpani, horns are not included) were composed to be performed on Trinity Sunday in 1736 (Dedication of the Dresden Catholic Hofkirche which, in 1736, fell on 27 May) when the court and many of the royal musicians were in Poland. The Credo, however, was dated by Zelenka later that year at the conclusion of this movement when he wrote: ‘1736 in die OO: SS’ (Feast of All Saints). Thus, it would appear that this mass composed for the Dresden Hofkirche and dedicated to the Holy Trinity, was completed with a setting of the Credo on the feast of All Saints 1736. Dedications: Concl. part 1 (Kyrie): A M D G B V M OO SS H AA P I R; Concl. part 2 (Gloria): O A M D G B V M OO SS H AA P I R; Concl. part 3 (Credo): A M D G B M V OO SS H AA P I R: 1736 in die OO:SS; Concl.part 5 (Agnus Dei): O A M D G B V M OO SS H AA P I R. In the later ‘Catalogo della Musica di Chiesa ’ (c1784) score and parts for the Kyrie, Gloria, Credo, Sanctus and Agnus are listed as [Messa] No: 14), Messa Votiva (III/Z/11/1). Concordance: CZ-Pkřiž, XXXV D 132. Seventeen performance parts from third quarter of the 18th c. for Missa Sanctissimae Trinitatis were held in the by the Prague Kreuzherren Order. This mass was performed at the church of St Francis Serafin on the feast of the Dedication of the Church in 1781 and 1782. RISM ID no. 550255395 See Zelenka-Dokumentation, 144, Dok. 67; 288, ZWV 17 and (ed. Th. Kohlhase), EdM 103, 1987. Also Kohlhase, ‘Der Dresdener Hofkirchenkomponist’, 143-4. Scoring (1765) ‘a 4 voci co’ VVni Vla e Flti’ SFL_combination III/Z/10/1 SLB Card Catalog (Aut. 215) Mus. 2358-D-31 Zelenka, Giovanni Disma: [Messen. Z 17] Messa Sanctissimae Trinitatis a 4 voci [mit Orch.] A moll. Part. u. St. 1 Bde m. 25 St. quer–4to Part.: Orig.-Mus.-Mscr. Kath. Hofkirche. Stimmen stehen gesondert Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Score of Missa Sanctissimae Trinitatis by Zelenka (Mus. 2358-D-31) kept at SLUB; 25 parts missing from Dresden. Title (Catalogo) [Messe] No 14. SS. Trinitatis Title Partitura Missa Sanctissimae Trinitatis Uniform Composer ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745) Uniform Title Masses Identification The designated identification in relevant index eg ZWV, BWV etc ZWV 17 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=211010847">211010847</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource ZELENKA, Jan (Lukáš Ignatius) Dismas (b Louňovice pod Blaníkem 1679–d Dresden 1745), [Messe] No 14. SS. Trinitatis, III/Z/10/1 Title A name given to the resource ZELENKA, Gio. Dis. http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/4edfa485fc3dbf4e6920bb5ae45038af.png 7927c4cade5c8b9f9f7ec732167a34bf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 720 Sort Order The physical order in the catologo 03/04/09 Composer VIVALDI, Ant[oni]o D-Dl Mus. 2389-E-1 Eitner V. 10 (1904), 113: Vivaldi, Abate Antonio [...] Mss. in kathol. Kirche in Dresden: Sum in medio, Sop. c. 2 V. Va. Org. P. u. Stb. wie die folgenden: In turbato [sic] mare, ebenso. [...] Location (1765) Schranck III; Fach 4; Lage 9 Materials (1765) Partitura; Parti Provenance Jan Dismas Zelenka. Inventarium 62/15 Remarks Faded score (part autogr.) without cover. Tre lunae watermark. Parts are missing. Caption title (faded): Motetto à Canto Solo con Istromti Del Vivaldi. This early example has the same provenance as Mus. 2389-E-2 (see III/V/4/10). Wolfgang Horn (Hkm, 145) notes that because of his good relationship with both Vivaldi and Zelenka, Pisendel might have been the intermediary in this acquisition. Vivaldi’s three sacred settings for solo soprano held in SLUB are discussed by Michael Talbot in The Sacred Vocal Music of Antonio Vivaldi (172–73), where it is proposed that the style of this work suggests that it was composed around 1730. See also the discussion of this setting on pages 298–230. See also Ágústsson (‘The Secular Vocal Collection of Jan Dismas Zelenka’), who suggests this motet was among a group of works commissioned by Zelenka from Vivaldi. 38–9. Concordance: CZ-Pak, 1364. Štefan, ([1414] Sign. 1364), prov. Sehling. RISM ID no. 550268609 In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) score and parts are listed for the Motetto No. 1 ‘Sum in medio’ by Vivaldi (III/V/6/18). Scoring: ‘à Sopr. Solo co’ VV.ni V.la ed Org.’ Federico Maria Sardelli (Catalogo delle concordanze musicali Vivaldiane, 177) identifies several movements of this setting as being based upon other compositions of Vivaldi. Scoring (1765) ‘a Sopr. solo con stromti’ SFL_combination III/V/4/9 SLB Card Catalog Vivaldi, Antonio: Motetto: ‘Sum in medio’. à Canto Solo con [RV 632] Strom.ti. F-dur C Part. u. St. 1 H. mit 8 St. quer-8vo u. 4to. Mus.-Mscr. Kath. Hofkirche Stimmen stehen gesondert et RV: Teil-Autogr. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Part-autogr. score of the solo motet In sum medio by Vivaldi (Sum in medio tempestum; Mus. 2389-E-1) held by SLUB; 8 parts missing from Dresden. Title (Catalogo) 2 Motetti: No 1 In sum medio [Sum in medio tempestatum] Title Partitura [Sum in medio tempestatum] Uniform Composer VIVALDI, Antonio (b Venice 1678–d Vienna 1741) Uniform Title Motets Identification The designated identification in relevant index eg ZWV, BWV etc RV 632 RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212000235">212000235</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource VIVALDI, Antonio (b Venice 1678–d Vienna 1741), 2 Motetti: No 1 In sum medio [Sum in medio tempestatum], III/V/4/9 Title A name given to the resource VIVALDI, Ant[oni]o http://omeka.cloud.unimelb.edu.au/hofkirchecatalogo1765/files/original/329ec5bf67080af89a7a7d82c28d81f3.png 8a2e0dff1ca05f65f7799bbe9fb74a3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalogo della Musica di Chiesa 1765 Description An account of the resource The Catalogo della Musica di Chiesa ... [1765] provides access to a comprehensive database of the music collection of the Catholic court church of Dresden cataloged in 1765. Creator An entity primarily responsible for making the resource Janice B. Stockigt Subject The topic of the resource Music Date A point or period of time associated with an event in the lifecycle of the resource 1765 Music A entry in the catalogo Legacy ID ID from previous system - used for matching 719 Sort Order The physical order in the catologo 03/04/08 Composer VITALLI D-Dl Mus. 1875-D-1 Date (Catalogo) 1677? Eitner V. 10 (1904), 109: Vitali, Giovanni Battista [...] No listing of this ms. Vitali’s publication is given as : 1677. Salmi concertati a 2, 3, 4, e 5 voci con strom... da G ... B ... Vitali Vice Maestro di Capella ... & Accademico Filaschise, Op. 6. Bologna 1677 G. Monti. 10 Stb. 4°. [Bologna. Modena. Location (1765) Schranck III; Fach 4; Lage 8 Materials (1765) Parti Remarks A set of five parts. Cover title: Beatus vir | â 4 | C: A: T: B: | a Capella | ex | B. | di Sign: Giovan: Battista Vitalli. Parts: Canto; Alto; Tenore; Basso; Continuo (figured). This Beatus vir setting by Giovanni Battista Vitali might be a copy made from the publication Salmi concerti op. 6 (Bologna, 1677). Zelenka also held a copy of a setting of psalm 110 Confitebor by Vitali which, although unlisted in the Inventarium, appears as the ‘Confitebor’ listing No. 6 in Zelenka’s collection ‘Psalmi varii’ of c1735. See Stockigt, ‘The Vespers Psalms of Jan Dismas Zelenka’, App. 2, ‘Further Psalm Settings held by Zelenka’. In the later ‘Catalogo della Musica di Chiesa ...’ (c1784) parts only are listed for the psalm ‘Beatus vir’ by Vital[l]i (III/V/6/17). There, the scoring is given as: ‘à Capella.’ The RISM entry of Vitali’s Beatus vir suggests that it probably originated from the Lutheran court church of the Dresden palace. Scoring (1765) ‘a 4 voci a capella’ SFL_combination III/V/4/8 SLB Card Catalog Vitali, Giovan. Battista: Beatus vir à 4 C: A: T: B: a capella. B-dur C. St. 5 St. 4to. Mus.-Mscr. Kath. Hofkirche. Stamps Sächs. Landesbibliothek. Depositum der Kath. Hofkirche. Status Five parts for Beatus vir by Vitali (Mus. 1875-D-1) are held by SLUB. Title (Catalogo) Beatus vir Title Partitura Beatus vir Uniform Composer VITALI, Giovanni Battista (b Bologna 1632–d Bologna 1692) Uniform Title Psalms (ps. 111) Identification The designated identification in relevant index eg ZWV, BWV etc From Op. 6? RISM Links <a href="https://opac.rism.info/metaopac/search?View=rism&db=251&View=rism&id=212007280">212007280</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Description An account of the resource VITALI, Giovanni Battista (b Bologna 1632–d Bologna 1692), Beatus vir, III/V/4/8 Title A name given to the resource VITALLI